Devan Shimoyama (American, b. 1989), Braced, 2017. Oil, color pencil, sequins, feathers, acrylic and jewelry on canvas, 40 x 32 in.
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Devan Shimoyama (American, b. 1989), Braced, 2017. Oil, color pencil, sequins, feathers, acrylic and jewelry on canvas, 40 x 32 in.

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5 November 2017 A shit load of logistics. I am constantly on the move, making sure items are on the right place. its all coming to rest. unmasting a boat with too few clothes on.
Jean Michel Basquiat (1960-1988) Untitled (Bust) acrylic, paper, and tape collage on paper, 76x57 cm
note to self: just because someone did the thing you were thinking about doing, and did it way better than you could ever hope to do, doesn’t mean it would be stupid or pointless to go ahead and try to still do the thing anyway.Â
Also, when it comes to creative things? There really is no “better”.
Sure, someone might be more technically accomplished than you - you might not be able to colour as nicely or craft a sentence that rings as poetically - but art is only really secondarily about that. It’s firstmost about what you, uniquely, have to express, and how the precise way you express it might be what others need to relate to it - even if it’s less flashy, less “beautiful”, and gets fewer notes.
I promise you this: there are obscure fanfics with only a handful of notes that are the read-and-re-read favourites of someone too anxious to comment. There are drawings done by 14-year-olds in poorly-blended markers that are someone’s favourite because they spoke to something that nothing else did. There are covers of songs where your voice cracks and you cringe every time you hear it but someone thinks the way it cracked just at that moment added beauty to the song. There are angsty three-line poems you wrote at 4am that someone once called “pretentious emo trash” that are loved by someone else going through the same thing as you.
And I guarantee you, there is something unique about your art. Even if you’re “saying something someone else has said”. Even if you’re the thousandth person to take on the subject. Even if you feel like you’re not at all unique. You’re bound to express something, however subtle, that didn’t exist until then.
Art is about connection. And the more you create, the more chance you have of finding other people who experience the world the way you do.
“But the one thing that you have that nobody else has is you. Your voice, your mind, your story, your vision. So write and draw and build and play and dance and live as only you can.“ via @neil-gaiman
The “two cakes” theory of content production.Â
It was only yesterday that I was lamenting thing I no longer felt allowed to do because someone had done similar. Â I ought to read this post daily. Â Maybe twice daily.
Stanisław Wyspiański (Polish, 1869-1907), Irises, 1904. Pastel on paper

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mood
8 August 2017 recording secrets. badly.

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@ oktogon, dresden, 2015 https://www.instagram.com/martinpaulmueller/
Agnes Martin
 "Buds,“ 1959
 Oil on canvas
How
R these even real people ??
Stop it

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“All I knew about Cuba was that people drove old American cars and that Ché Guevara was tied with Bob Marley as most popular poster in dorm rooms. Then my friend Erin invited me on a 2-week trip to Havana. The first thing I noticed in Havana was that the city was dark at night. There were no streetlights, porch lights or living-room lamps. It was pitch black except for the faint colorful glow spilling out of open doors everywhere, and it came from the TVs. The light captivated me. For the next two weeks I wandered around, slipping in and out of strangers’ living rooms. Each time I came across an open door and a working TV set, I would ask if I could take a picture. The answer was always yes. Nobody seemed to think it was an odd request and it was usually accompanied by a Cuban coffee or rum.”
Simone Lueck
Untitled, 2017 Watercolours and pencil