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lost-wits

i'm so anxious right now. frozen; so far away from my own body. my chest is heavy and heaving a low, cold hum. as if a hand is putting continuous pressure on my internal vessels, bruising them up. darkness blooms through my red, red blood.

lost-wits

he was one drink in. they were one less, cold sober, and holding a bundle of thin computer wires in their hands. the rest of the haphazard lines were looped around his wrists, as he laid soft, mess, shirtless.

the storm seeped its snowflakes through the frosted windows. he shivered, looking away from their glare. they didn't do this from hatred, but their lips curved in particular ways that signaled do not interfere.

the glow of an outdated computer monitor brought their skin to chiaroscuro. a swirl of paled neons caught the corner of his eyes, unnemerably bright colours he was strung up in.

he performed; struggled, enough so they would be pleased, and consequently, him too.

lost-wits

the riverbank near my lover's home reeks of blood. my lover explains to me it's a sort of mineral, in interaction with the water, that creates the scent. i imagine, instead, it's our own living bodies feeding the thick mud, oxidizing into the earth as a form of holding our shame.

lost-wits

ARMAGEDDON OR SOMETHING by Mauriah Donegan Kraker, c. 2012. Performance. Imagine MKE.

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lost-wits

man ray + hands

lost-wits

the acidic sweetness of fruit sorbet settles into liquid on my tongue, that extension of my body that i considered cutting out not so long ago. it suits the heat of the sunset on a summer solstice, along a beachside dotted with queer bodies.

just say the word and i'll part the sea, she'd whispered warm into my ear at these same docks. i wondered how she felt about my skin, if she'd like it, and i wondered how this quiet part of southern california melts into us.

this place doesn't like how i press my jagged glass into its flesh; it prefers i sink into the dry sand. for that, i'm at odds here. i resist. i can't win, though, i know, i know she could mold me into someone less sharp. strength in the comforting embrace of languidity.

you can stay as long as you like, the ocean tells me, acting as a mediator from blood to water, to salt to earth. she knows the lapping of the waves, so she'll be around soon, with no rush, to wipe away the sweat from my neck. with each breath the coast takes, the world revolves, and i'll always be at sunset, being fed another spoonful of dessert.

lost-wits

., .., ... by Mikolaj Smoczyński, c. 1995. Photographic triptych. Bunkier Sztuki Gallery of Contemporary Art.

lost-wits

David and Bathsheba by Edward Clark. LIFE Photo Collection.

lost-wits

Crouching Nude in Shoes and Black Stockings, Back View by Egon Schiele, c. 1912. The Metropolitan Museum of Art.

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requiem-on-water

“The Widows of Culloden” (a/w 2006) by Alexander McQueen

finalgirlabigailhobbs

blood and guts enjoyers when their beloved characters are in pain: woagh….. is this gay sex

lost-wits

Terminal Dream (III) by Tim White-Sobieski. LED video tube wall installation, three channels, 2003.

lost-wits

Wait to be seated by @ dosmaslamesa on Instagram.

lost-wits

Olympia dir. George Chakravarthi (60 min., 2003).

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Watch Anya Live on Cam

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.

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lost-wits

Uberfall dir. Ernö Metzer (21 min., 1928).

disease

SICKY, MAY 2023 | LUCCA AND LORENZO PHOTOGRAPHY: DUVAN CHAVES

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