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Our Beloved Summer

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stlamb

hair design by 999999999sx

grgrn-ghanghus

are we not all camgirls in a mass surveillance state

oncanvas

Floating World, Kour Pour, 2015-17

Acrylic on canvas over panel 96 x 72 in. (243.84 x 182.88 cm)

maciekpozoga

“Something in the Air”, American Vogue. September 2016 issue. Style by Anna Schiffel.

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mmayisa

Helmut Lang Archive book 1986-2005

nevver

untitledba

saiyaman-deactivated20231010

i get this but also two men of color won for screenplay this year which i would argue is more important than a white woman winning for an adaptation of little women

art-creature

another watermixable oils experiment / instagram

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electripipedream

Verner Panton Visiona 2 1970

violentwavesofemotion-deactivat

Aphrodite smiles like the enigma she is.

Nikita Gill, from “Great Goddesses: Life Lessons from Myths & Monsters,” (via violentwavesofemotion)

eggersheroine

taken from the national enquirer

thebrandon

Destiny

by Brandon Hicks

nontemporary

JONATHAN HORWITZ

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vodis

Malgosia Bela shot by Steven Meisel for Vogue Italia April 1999

sowiesosoo

puregraphics

This was the logo (as printed on a press kit found in storage ) for the short-lived Cardiff Centre for Visual Arts: a lottery-era funded contemporary art space in the centre of the Welsh capital, created in 1999/2000 at a cost of £9M that closed only a year after it opened. The logo highlighted the misguided populism behind the initiative - the awkward juxtaposition of ‘smiley’ rave/pop culture with ‘high art’ culture (represented by the Mona Lisa.) There’s an interesting article from the time by Jonathan Jones in The Guardian about this fiasco (that you can find online.)

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