Leonora Carrington was twenty when she met Max Ernst at a London dinner party in 1937, and within months she had left England for France and the surrealist circle around André Breton.
Her father, a Lancashire textile millionaire, had her presented at court as a debutante; she was expelled from two convent schools before that and never went back to the life he had planned.
She reached Mexico in 1942 and stayed until her death in 2011, one of the last survivors of the original movement, and the hooded figures and hybrid animals in her paintings come out of alchemy and the Celtic folklore of her childhood as much as from anything she found there.














