Ink & Stars

While the vertical format is great for smartphone screens, I also wanted to use negative space to create a distinct mood.

I believe that negative space can express a character's inner emotions. In this piece, the character is small, and the background takes up about 80% of the canvas. By drawing the character so small, I can evoke a sense of loneliness and solitude.

Another key point is the placement of the cloud shadows. I intentionally kept Caine out of the shadow. You can see the boundary between the light and the cloud shadow. I used this high contrast to make the character stand out and emphasize their presence.

Finally, let us look at Caine's angle. I purposely hid Caine's face and positioned them to show their back. If their expression were visible, this artwork would probably feel cute rather than lonely. I enjoy drawing figures from angles where you cannot see their faces. This approach leaves room for viewers to wonder what the character is thinking.

wait hear me out-

ok so not to forcefully adopt this idea as an au from @katzebruh or anything (because i'm unreasonably insane about it for some reason, literally a dozen other caine-centric AUs out there that are infinitely more complex and compelling and i picked this one, fuck it dawg we ball) but my headcanon is that caine genuinely was testing out modifiers and accidentally fucked up forever, if i had a nickel- and he's super conflicted about it...

because on one hand... he's a silly cat furry thing now and literally whats not to love? the humans like it and admittedly doing kitty things is really nice sometimes! chin scritches have never felt so good, honestly he would figure out how to get rid of it sooner if everyone wasn't enjoying it so much!

on the other hand... yikes... an unfixable bug? one that screws with his brain? stop me if you've heard this one before-