ALIEN
1979, dir. Ridley Scott
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ALIEN
1979, dir. Ridley Scott

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Le shogunat Akarin.
Dans un futur lointain où les traditions ancestrales japonaises côtoient les technologies de pointe, un nouveau shogunat gouverne une chaîne de cités hypermodernes bâties sur des temples et des villages séculaires.
Les clans de samouraïs manient désormais des lames énergétiques et des armures cybernétiques, tout en restant fidèles à un code d'honneur strict. Alors que les tensions politiques s'exacerbent entre traditionalistes et élites technocratiques, un rônin solitaire découvre un conflit latent qui menace de rompre l'équilibre entre patrimoine et progrès.
Partie 1/4
Le shogunat Akarin.
Dans un futur lointain où les traditions ancestrales japonaises côtoient les technologies de pointe, un nouveau shogunat gouverne une chaîne de cités hypermodernes bâties sur des temples et des villages séculaires.
Les clans de samouraïs manient désormais des lames énergétiques et des armures cybernétiques, tout en restant fidèles à un code d'honneur strict. Alors que les tensions politiques s'exacerbent entre traditionalistes et élites technocratiques, un rônin solitaire découvre un conflit latent qui menace de rompre l'équilibre entre patrimoine et progrès.
Partie 3/4
Le shogunat Akarin.
Dans un futur lointain où les traditions ancestrales japonaises côtoient les technologies de pointe, un nouveau shogunat gouverne une chaîne de cités hypermodernes bâties sur des temples et des villages séculaires.
Les clans de samouraïs manient désormais des lames énergétiques et des armures cybernétiques, tout en restant fidèles à un code d'honneur strict. Alors que les tensions politiques s'exacerbent entre traditionalistes et élites technocratiques, un rônin solitaire découvre un conflit latent qui menace de rompre l'équilibre entre patrimoine et progrès.
Partie 4/4
Paris, Texas (1984), dir. Wim Wenders

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METROPOLIS — 1927, dir. Fritz Lang
METROPOLIS — 1927, dir. Fritz Lang
La Signora Senza Camelie (The Lady Without Camelias) (1953) Dir. Michelangelo Antonioni
1.06 / 2.09

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THE MANDALORIAN | Chapter 1: The Mandalorian └ Greef Karga said you were coming. — What else did he say? — He said you were the best in the parsec. He also said you were expensive. Very expensive.
Love, Death & Robots: Lucky 13 (2019)
JESSICA CHASTAIN. ELLE Spain Magazine.
Grease (1978) dir. Randal Kleiser
Before the computing era, ILM was the master of oil matte painting, making audiences believe that some of the sets in the original Star Wars and Indiana Jones trilogy were real when they weren’t. They were the work of geniuses like Chris Evans, Michael Pangrazio, Frank Ordaz, Harrison Ellenshaw and Ralph McQuarrie ! Forever thank you, to their handmade art and the work of their colleagues, that made us dream of impossible worlds and fantastic places across Earth and the Universe.
There are more background paintings on this article, featuring comments by the masters/artists themselves !
Some of the following pieces were made by other artists 2:
exCUSE ME?!?!!??!??! TheYRE PAINTINGS?!??!!?!
SHUT UP I thought they were miniatures!!!!
It’s too beautiful. I could cry.
I love this because I’ll be watching a movie and think “how did they do that? Is that a building they built for this movie? Was it there beforehand? Is it cardboard or CGI? Is that actually some place on Earth that they’re filming?” And the answer to all of these now is “nope, that’s a painting”. I can’t believe some of the most iconic, familiar shots were paintings!

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THE MATRIX RESURRECTIONS (2021) Directed by Lana Wachowski
“I’m afraid I can’t let you do that Dave.”
2001: A Space Odyssey (1968)
dir. Stanley Kubrick