he wasn't even looking at me and he found me
PUT YOUR BEARD IN MY MOUTH
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@ikathkell
Prepping for caulk. As sculptress you need beater house reno flipping skills to cover your housing costs while working on doctorate. i have these. last casaâs first showing was at 11:39 am. By 3 I had contract for asking price in a not great market. ;) https://www.instagram.com/p/BscABCqgfwu/?utm_source=ig_tumblr_share&igshid=7iwqy3ru47kf
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Grout ground out. Dopty admiring the new grout...ops missed a spot. Well grouted! Now cure for 36 hours and then caulk the seams. The hardest part was removing the freaking silicon caulk. It cause all kinds of undisclosed swear words! https://www.instagram.com/p/BsZgIzfAGtj/?utm_source=ig_tumblr_share&igshid=1b82846jiek5a
Old corroded leaky fixtures replaced copper tubing replaced with pex and shark bit. A slight but not terrible plumbing learning curve. Since I only want to cut a hole in the linen pantry wall I replaced it with a door built from scrap. Had to do the same at the top by shower head as that was the worse of the leaks and the first to be discovered based on the bubbled paint behind the shower head wall in closet. Cost: less than ~$150. Had I hired a professional to locate leak, cut hole, replaced shower tub system, add cut off valves and then finish it out by framing wall holes plus custom doorâhmmmâmy guess is at 85 an hour plus overcharging for parts I would guess i would have paid 500 to a grand. And the framing and door would have been poorly crafted. Though i still need to clear some old cracked grout and regrout a small portion due. #artistReno #ihaveskills https://www.instagram.com/p/BsR_ZGlgtKz/?utm_source=ig_tumblr_share&igshid=1atgy7rsegu03
âŞAnalytic thinking style and cog processes, as measured with LIWC2015, show no meaningful differences between Big-C visual artists and scientists. However along these same dimensions pro-c bs Big-C visual artists were distinct.
Cleaning out one studio and situating in this beauty...things just placed. But soon a merzbau of mindmapping via chalkboards of my own making (at Texas Tech University School of Art)
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Board double hung on wood with trowser rod. (at Contemporary Art Museum Plainview)
The nipplet triplets at feminum (landmark gallery)
Stepping Back to Move Forward: Expressive Writing Promotes Self-Distancing |. Pedagogical Implications for Training those âMoody Artistsâ
Stepping Back to Move Forward: Expressive Writing Promotes Self-Distancing |. Pedagogical Implications for Training those âMoody Artistsâ
Response to  (practice writing an abstract): Park, J., Ayduk, Ă, & Kross, E. (2016). Stepping back to move forward: Expressive writing promotes self-distancing. Emotion, 16(3), 349-364. doi:10.1037/emo0000121
Stepping Back to Move Forward: Expressive Writing Promotes Self-Distancing | Pedagogical Implications for Training those âMoody Artistsâ
For individuals high in emotional reactivity withâŚ
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Cantankerous Contrariety: The trait of LOW Agreeableness amongst visual artists
Cantankerous Contrariety: The trait of LOW Agreeableness amongst visual artists
When I consider the very definitions of creativity, direct experience with my peers, mentors and students, and historical study of artists, I chaff against the notion that visual artists donât to some degree struggle with a disposition leaning toward LOW Agreeableness. I think what is important is not equate low agreeableness and likability. For many artist buffer their contrary positions andâŚ
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Cantankerous Contrarity: The trait of Agreeableness amongst visual artists
Cantankerous Contrarity: The trait of Agreeableness amongst visual artists
Cantankerous: The trait of Agreeableness amongst visual artists
Psychometric and historiometric studies on personality have predicted a link between low Agreeableness and significant creative achievement, when creativity is considered a bend or breach of a domain norm in a manner that is âoriginal, useful, and surprisingâ and subsequently absorbed by that domain, modifying later understandings orâŚ
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filthy, nasty woman! OH YES!
filthy, nasty woman! OHÂ YES!
My art practice is rather filthy, nasty in fact. If my hair is not matted with sweat, grim smearing the flesh of my frame, it has not been a good day. My practice plunges every inch of my body into my materials.
And the current choice of materials has a very high ick and eek factorâfound [used] mattresses found in the back alleys of lubbocks. Some mattresses have been so nastyâpotential nests ofâŚ
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Unmade - made :: somatic compliance + the dream fragment :: a Dora derivative
Unmade â made :: somatic compliance + the dream fragment :: a Dora derivative
unmade
Often outside research provides the artist with relief from the self-cannibalization of the autobiographical processes of artmaking, or at least in the case of my practice. And so I set to the task to cull from without, specifically I looked to Freudâs âFragment of an Analysis of a Case of Hysteria (âDoraâ)â. The initial attraction was less to the construction of hysteria than to FreudâsâŚ
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[Pro-c Artist KWIC] knitting my | ASS | hairs together might be preferable Cantankerously HEXed: The trait of Agreeableness + Honest-Humility amongst visual artists [Big-C + Pro-c]
[Pro-c Artist KWIC] knitting my | ASS | hairs together might be preferable Cantankerously HEXed: The trait of Agreeableness + Honest-Humility amongst visual artists [Big-C +Â Pro-c]
poster draft. results/conclusion needs rewritten. better inline citations required (or at least I think so)
ROUGHÂ +Â NEEDS CITATIONS ADDED.
[or in playground talk: whose my daddy (theoretical basis foreFATHER) +Â my daddy can your daddyâs ass]
INTRODUCTION low agreeableness of artists?
Psychometric and historiometric studies on personality have predicted a link between low Agreeableness andâŚ
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nasty somatic compliance, scatological humor of the junior high sorts, and self-cannibalization
SHORT STATEMENT
No mortal can keep a secret. If her lips are silent, she chatters with her finger-tips; betrayal oozes out of her at every pore. âFreud, 1917
Often outside research provides relief from the self-cannibalization of the autobiographical processes of artmaking. And so with the intent to displace habitual creative practices, I set to the task of culling from Freudâs Dora case study, FâŚ
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Often outside research and collaboration provides the artist with relief from the self-cannibalization of the autobiographical processes of artmaking, or at least in the case of my practice. And so I set to the task to cull from without, specifically I looked to Freudâs âFragment of an Analysis of a Case of Hysteria (âDoraâ)â while simultaneously working with a collaborative team around notions of the lives of migrant cotton workers of the 1950s. Within the Freud research the attraction was less to the construction of hysteria than to Freudâs processes of unpacking dream derivations in gendered ground of primal propensities of sexual urge and perversion. Eventually however even this became less interesting than Freud's discussions of how an unconscious, repressed memory, thought and wish, work unbidden to find their way out of the body, oft in a repetitive fetish like manner. Freudâs claim, âno mortal can keep a secret. If his lips are silent, he chatters with his finger-tips; betrayal oozes out of him at every poreâ (Freud, 1905, p. 215, 233) with the symptomatic âsomatic complianceâ becoming the tell of the repressed, seems relevant. So despite my desire and dependence on âDoraâ as an outside resource to prevent my self-cannibalizing art practice, Freudâs textual mullings on somatic compliance brought me back to dine at my own table for I have an awareness that my art practice is reliant on the unbidden chatter of my finger-tips . This is much evident in repetitive formal choices, compulsive making process and the unsettling nature of material choice that occurred despite collaboration on one project and research for another....
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Why are you conducting this interview? So that I can find out what is been declassified.
Why is that necessary? It is a way to keep alert, a kind of sanitation.
Why are you conducting this interview? So that I can protect myself.
From what? From peopleâs imagination.
How can you protect yourself with words? Words ward off oblivion.
Why are you conducting this interview? It is a way of realizing guilt.
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Kathy--But why are you writing? Does it expose your unseparateness from everything else? Link you to a state of belonging? Or just further acknowledgement of detached states of being? Why are you writing? Why do so many of us, visual artists, write? We not only write, but we write a lot and across a...