Hamlet adaptation where Hamlet is a vlogger and all his soliloquies are breakdowns he uploads to YouTube
⌠I am unironically here for this
this is the funniest thing Iâve ever seen in my life
This is - legitimately - my favourite delivery of Shakespeare I have EVER seen (and I have seen some good-ass productions yo, in the Globe Theatre itself even). Like seriously, even though the words are unchanged, heâs stripped away ALL of the archaic pretense and assumed grandeur of ~presenting the bard~ that makes even the most wildly talented of actors and innovative of productions inherently inaccessible to a modern audience. Like, theyâre still great, they can still communicate the message and (some) of the nuance, but theyâre still always a step removed from being identifiable to any viewerâs lived experience. Theyâre still always reciting 15th century poetry. But this guy? This guy is like, screw iambic pentameter, to hell with being precious about the material, HOW WOULD AN ACTUAL PERSON SAY THIS SHIT?
Like this. And itâs beautiful. Itâs beautiful to hear a soliloquy I loved so much already, and have it come to life in a way it never, ever, did before. I feel like I grasp his motivations, his twists and turns, no longer on an academic level but on a visceral, instinctive one. Because heâs presenting his mental and emotional journey in a way that speaks honestly, like a real person.
So yeah, this shit post? I love it. Deeply and sincerely.
an absolutely stunning interpretation
Given how much of the playâs themes are based on miscommunication and wrongful communication, I legitimately want to see a version now where we have multiple screens above the stage and explore the story through media.
Consider, for example:
TMZ airing live from Gertrude and Claudiusâ wedding. Of course we see all the pomp and circumstance, but they just canât help themselves, they have to point out and mock Hamlet in his mourning clothes.
The ghost of Hamlet, Sr. (which, textually, could be either a hallucination or real) as an AI conversation
Hamletâs soliloquies and monologues as above, and we watch them on his YouTube channel
Rosencrantz and Guildenstern installing tracker software on Hamletâs phone and being stunned when he discovers it
And also.
Finally.
Ophelia.
The Problem Of Ophelia gets solved through this lens.
For those who never studied Hamlet in a class: The Problem of Ophelia is the way she died. Gertrude has this entire extremely detailed monologue about it, from the songs Ophelia is singing as she drowns to what her clothes looked like in the water. She indicates that Opheliaâs clothes, âmermaid-like,â kept her afloat for at least several minutes. And yet thereâs zero indication Gertrude tried to help her, to seek assistance from anyone else, or even to call out to Ophelia and be like âgirl what the fuck are you doing?!â Which raises the question: why? Why did Gertrude justâŚwatch this young girl die? Metatextually, itâs because Shakespeare was drawing on the tradition of the Greek Tragedy Death (in which showing the death onstage was extremely gaucheânot to mention sometimes logistically impossibleâbut the death itself was the point of the piece, so the chorus would give a big long speech about how the death occurred), but because that is a device designed for a different kind of theatre, it now creates this ambiguity where Gertrude might or might not have committed negligent manslaughter.
You could literally solve the problem one of two ways using this multimedia approach. If you want a sympathetic Gertrude, then Iâd go with Ophelia drowning on a security camera. Gertrude can be shown frantically sending the security guard to retrieve Ophelia, watching the screen anxiously for his arrivalâŚbut itâs too late. If you want a self-absorbed fuck for Gertrude, Iâd straight up go with her filming something for the royal TikTok on a balcony with the stream showing in the background below her. She doesnât even realize Ophelia was in distress until sheâs editing.
This would provide SO MANY interesting ways to interpret the play. I want to do it now.





























