watching an old episode of The Best Thing I Ever Ate on HBO and, from shot to shot, it lurches between horizontally stretched and zoom-cropped SD. Alex Guarnaschelli is distortedly extra wide like the MCP from Tron. Plus the color gamut, Kodak flashcube lighting, and close-ups of food going into mouths makes everything look sickeningly unappetizing. We’ve come so far from 2009 in terms of television technology.



















