
roma★

oozey mess

Product Placement
Peter Solarz
art blog(derogatory)

Discoholic 🪩
todays bird
Xuebing Du

styofa doing anything
we're not kids anymore.

ellievsbear

if i look back, i am lost
2025 on Tumblr: Trends That Defined the Year
taylor price
macklin celebrini has autism

Kiana Khansmith
he wasn't even looking at me and he found me
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@iggnitious

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Linkin Park feat. Jay-Z - Numb/Encore (Collision Course 2004)
Truly a masterpiece and groundbreaking fusion of rap and rock.
My favourite games lmao

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Which was your starter in Pokemon Red & Blue?
(via Pin on Hydrangeas)

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The Legend of Zelda: Link’s Awakening DX Gameboy Color 1998
from my conversation with Dave Wiskus for the NDA podcast
As someone who was alive when Bob Ross (and William Alexander before him — that’s where the approach is from) was on PBS, I can 100% testify that you can paint along with him.
You may need to learn how to set up your paints and such… but this is what people did, live, while the show aired. That’s what the show was for. I had family members create lovely works of art they enjoyed, which I still have on my walls, because William Alexander and Bob Ross both said:
SCREW METICULOUS CLASSICAL ART PRACTICES — JUST GRAB A PALETTE KNIFE AND BIG OLD BRUSH AND PAINT!
They freed a whole generation of people who were taught to paint detail and realism and exact representation of reality — people who largely gave up this kind of thing because it got tedious.
I watched the joy of family members as they rediscovered art as a messy fun spontaneous half hour activity.
Give it a try.
Let’s call this strategy “doom trolling.” It’s one of the defining and most arresting properties of our current A.I. moment, and I’ve come to believe that it’s morally indefensible. There are really only two options for the intentions of A.I. companies when they engage in doom trolling. The first is that they actually believe that the systems they’re building have a nontrivial chance of producing hugely disruptive events — from destroying the economy in the best case to wiping out our species in the worst. If this were true, every reasonable ethical system would argue that there is only one acceptable response: to immediately stop working on any product that might accelerate such a future, and lobby with all of your resources to help force other A.I. companies to do the same. From a moral perspective, any other reaction would be monstrous. The second option is that these A.I. companies aren’t really concerned about these risks, and that they’re injecting these doses of unresolvable doom for other reasons. They might want to amplify the perceived power of their technology at a time when they’re setting up their initial public offerings. Or they hope their performative reports and somber interviews will help them compete for top engineering talent coming from a Silicon Valley culture that’s steeped in this type of doomerism. The venture capitalist and A.I. adviser David Sacks recently suggested that Anthropic was using fear-mongering tactics as a method of “regulatory capture,” which can impede upstart competitors. Any of these reasons would mean that these companies are laundering the anxiety of millions to improve the financial fortunes of a vanishingly small number of major stockholders. This cynicism would be equally monstrous. When it comes to A.I., we’ve become so used to this tone of helpless, stress-inducing prognostication that we’ve lost sight of its strangeness. Imagine if Ford put out a report saying that it feared its popular F-150 trucks might soon start bursting into flames, but that there was nothing the company could do about it because automotive technology was too inevitable and important to slow down.
17 June 2026
Luca Massenzio Palermo
"Magnolia"
Watercolor

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ワドルドゥや爆弾を生み出すぞ