...and a little piece of him is in a little piece of me
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@ieatstories
...and a little piece of him is in a little piece of me

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i need everyone to understand that mamma mia is not just a movie to me it is a lifestyle a personality trait a religious experience. like i don’t “watch” it i return to it. i orbit it. i exist in a constant state of thinking about donna sheridan spinning on that dock like the world cannot touch her and honestly it can’t.
this movie is the ultimate feminist movie and i will die on this hill. not in a “girlboss” way but in a messy, human, complicated women kind of way. donna is not punished for loving freely. she is not reduced to regret. she built a life, a home, a daughter, out of chaos and memory and joy.
and the film never once tries to shame her for it. instead it surrounds her with women—friends, daughters, versions of herself—and lets them all be loud and flawed and alive.
and what makes it even better is that this isn’t accidental. the director, the writer, the creative force behind it—women. you can feel it in the way the story refuses to center men, refuses to moralize donna’s past, refuses to shrink any of its female characters into something digestible. it’s women telling a story about women, and it shows.
also stellan skarsgård literally said that in this movie the men are the “bimbos,” and i think about that daily. because it’s true. they’re decorative, they’re confused, they’re emotional, and the women are the ones driving the story, holding the power, taking up space. it’s such a perfect, playful reversal of everything we’re used to seeing.
also i know we’re not supposed to pick a father. i know the whole point is that it doesn’t matter. but i have thoughts.
i went into this rooting for sam. like of course i did. he’s the love story. he’s the one the narrative builds up, the one you’re supposed to feel something for.
but it’s bill.
i’m sorry it’s literally bill.
sophie says she’ll know when she sees her father and the first person she truly connects with is bill. the first one she sings with, the first one she asks. and more than that, they mirror each other—restless, curious, always searching for something more. she doesn’t have sam’s steadiness. she has bill’s sense of movement, his pull toward the unknown, his relationship with the sea.
like you cannot watch her jump into the water and tell me that is not bill’s daughter.
but the movie is smarter than that. it gives you all the clues and then quietly removes the need for an answer. sophie starts off believing she’s incomplete without knowing her father, and ends up realizing she was never missing anything at all. it was never about him. it was about her.
(and yes, that’s the part where the movie casually becomes about identity and introspection and i lose my mind.)
and meryl streep. oh my god meryl streep. she makes donna feel so alive, like every laugh and every heartbreak has history behind it. she is a multiple-time oscar winner for a reason.
mamma mia is chaos and sunlight and women who refuse to shrink themselves. it’s not about fathers. it’s about freedom. and also bill is the dad thank you for coming to my ted talk.
rewatching Mamma Mia! and just. it’s so perfect in it’s imperfection. people are sweating and their hair is messy and the makeup is minimal and the older people have wrinkles and also look hot and the costuming is chaotic and perfect and the actors were a little tipsy and they mess up lines and aren’t always perfectly on pitch and some of them are clearly not singers or dancers but they look like they’re having so much fun and I really believe that they’re on a greek island that’s the site of Aphrodite’s fountain and god it’s just a perfect movie.
Just reread the song of achilles, haven’t stopped thinking about Patroclus committing Achilles to memory in the crystal cave with “Achilles' eyes were bright in the firelight, his face drawn sharply by the flickering shadows. I would know it in dark or disguise, I told myself. I would know it even in madness,” and later when Achilles is whisked to Scyros and Patroclus crosses the sea to find him and recognizes Achilles among the dancers and thinks to himself “Had she really thought I would not know him? I could recognize him by touch alone, by smell; I would know him blind, by the way his breaths came and his feet struck the earth. I would know him in death, at the end of the world,” and when the Greek army finally arrives in Troy, Patroclus admires the walled city from a distance and “Later, I would see those walls up close, their sharp squared stones perfectly cut and fitted against each other, the work of the god Apollo, it was said. And I would wonder at them at how, ever, the city could be taken. For they were too high for siege towers, and too strong for catapults, and no sane person would ever try to climb their sheer, divinely smoothed face,” and a decade later he’s driven to that very act of madness by grief and violent desperation “I leap from the chariot and run to the walls. My fingers find slight hollows in the stone, like blind eye-sockets. Climb. My feet seek infinitesimal chips in the god-cut rocks. I am not graceful, but scrabbling, my hands clawing against the stone before they cling. Yet I am climbing,” and when Patroclus proves so fearsome that Apollo is forced to intervene and send Patroclus to his death, “The last thing I think is: Achilles,” and after the war when he finally joins Achilles in the underworld, “In the darkness, two shadows, reaching through the hopeless, heavy dusk. Their hands meet, and light spills in a flood like a hundred golden urns pouring out of the sun,” and how Patroclus kept his promise to recognize Achilles in death, in madness, in darkness, at the end of the world.
I am here And you are there And summer evening air Warm And close to the skin Like a lover’s breath And we have never said till death Do us part And partly cos We’re not a thing Yet waiting for that phone to ring The air The air This humid half affair This jungle deep It wants relief in rain And calling me You ask and ask again Is now for you A good time too? We can be friends You tell me as I walk Like children Can’t stop grinning when we talk An ocean and my caution Keep us free From plans to touch or try Or even see Our words in shadowed green This futile Fertile dream I still have so much fear Its on my skin That’s why I’m hidden here And why you’re in my head You read Every message Two ticks always blue So call me If you want We won’t ask what this is I cannot promise much Hotel robes hers and his But you have never asked For anything but time A million miles away You hold me on the line So see me as I am If you see me now at all Just waiting for the rain And waiting for your call
Kylie Flavel, “Summer Rain” (via random-someone-somewhere)

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Psst, hey, Marilyn Monroe’s image as a freewheeling sexpot was a carefully constructed lie. The real Marilyn Monroe was a roiling tragedy and her life was an indictment of our society as a whole. She was orphaned after her mother had a schizophrenic breakdown, bounced around between foster homes where she was sexually abused, and married a 21-year-old at 16 to get out of being sent to an orphanage. Hugh Hefner published nude photos of her without her consent that were taken when she was 23 and desperate. She suffered severe anxiety and depression, which she coped with by drinking and using barbiturates, and was already a full-blown addict when she became famous in the mid-50s. Her career was one of exploitation, condescension and alienation, and she killed herself at 36. That Hugh Hefner, a man who was at best an unpleasant footnote in her life, felt entitled to be buried next to her is one more humiliation in a pop cultural landscape we should all be ashamed of.
“Please don’t make me a joke… I don’t mind making jokes, but I don’t want to look like one… I want to be an artist, an actress with integrity..”
- Marilyn Monroe, last taped interview, days before her death
She deserved better than this
Can I just also say, in addition to all this, that I’m still pissed off about the fact that Joe DiMaggio swooped in and gave Marilyn a Christian funeral before her Rabbi could return from a trip overseas? ‘Cause that shit is fucked up.
So many men who claimed to be in love with her, and not one could fucking respect her wishes, even in death.
“I’ve never fooled anyone. I’ve let people fool themselves. They didn’t bother to find out who and what I was. Instead they would invent a character for me. I wouldn’t argue with them. They were obviously loving somebody I wasn’t.”” — Marilyn Monroe
Also:
As one of the biggest Ella Fitzgerald fans, she literally helped desegregate her performances. Ella was not allowed to play at Mocambo because of her race.
Ella Fitzgerald: “I owe Marilyn Monroe a real debt… she personally called the owner of the Mocambo, and told him she wanted me booked immediately, and if he would do it, she would take a front table every night. She told him – and it was true, due to Marilyn’s superstar status – that the press would go wild. The owner said yes, and Marilyn was there, front table, every night. The press went overboard. After that, I never had to play a small jazz club again. She was an unusual woman – a little ahead of her times. And she didn’t know it.” thisisnotmyfairytaleendingg (Source: dmvnessa)
ALSO:
In August 1956, Monroe began filming The Prince and the Showgirl, with Laurence Olivier staring and directing. The production was complicated by conflicts between him and Monroe. He angered her with the patronizing statement “All you have to do is be sexy” and his attempts to get her to replicate Vivien Leigh’s interpretation. She became pregnant and miscarried during the production, which heavily worsened her depression and increased her drug abuse.
A L S O , I will never forget watching a documentary about her once and, speaking about her marriage with Arthur Miller, the narrator said, verbatim: “America’s Brain had married America’s Body”. Like, literally, because he was a famous writer, he was entitled to personhood; she, being an actress, and a beautiful woman, was reduced to being “a body”. I have never been more enraged with her portrayal in the media. If you want to be dismissive of her, literally come for you.
She was also chronically ill her whole life: she suffered from endometriosis with pain so debilitating that a clause was written into her contracts accounting for the days when she would not physically be able to work during her periods.
She was on courses of strong medication, had invasive surgery to try and limit the damage caused, and despite trying for a baby numerous times, suffered many miscarriages because of her condition. The miscarriages especially sent her into deep depression, since she desperately wanted to be a mother.
There is speculation that the condition may have been one of the triggers in her drug dependency as well, because when you have endo, you will take whatever you can to stop. it. hurting.
Marilyn Monroe was smart and strong as hell in a world that saw her as a sexy doll and nothing more.
She deserves better
Marilyn was a founding member of the Hollywood branch of the Committee for a Sane Nuclear Policy and had lifelong left-wing political views with a particular emphasis on racial equality. She formed her own independent production company that survived for several years and earned a credit as an executive producer on several films. Additionally, she was not only concerned for workers rights, she acted for them, using her own fame to stop staff being unfairly sacked from several of her films. She was a loyal, kind woman and her early death remains a great tragedy. Worse still, as OP notes, is the co-opting of her image by exactly the sort of people she would have loathed in life.
Harry's house feels like it's summer break but you are an adult but you got nothing exciting to do and days are just the same so you find escape in your past and then one day you go for a walk while the sun sets and it starts raining all of a sudden and you just stand there doing nothing and taking it all in. While memories play like a film reel in your brain and you are just about to give up.
actually i love growing older and learning how i work as a person like realizing what kinds of fabrics feel best on my skin or what brand of yogurt i like best or how I want to be touched. watching myself change, enjoying brussel sprouts when I used to hate them as a child, understanding why I got angry in that one conversation 10 years ago… there are so many mysteries inside me that i have yet to unravel and there will always be more and sometimes i think maybe its all worth it
“It is only in the body of a person whom we have loved deeply for a long time that we don’t perceive the passing of time, and that growing old with that person is a way of never growing old. Seeing someone from day to day has a slow, compassionate rhythm. The people who live at our side always exist in the most immediate time: yesterday, today, tomorrow; and we can’t see this shrunken distances; we don’t see the effects of the passing years. I realize that my wife has aged only when I see old photographs. And not even then, because they were taken in surroundings so different from the present ones and in such ancient clothing that I look at them as if they weren’t of her, as if the portrait represented not my wife but a character similar to her […] Her aging hands, her eyes surrounded wrinkles, and her grey hair don’t surprise or displease me or make me remember the smoothness of her skin and her black hair of a former time. The changes have occurred so slowly and are so intimately tied to my own that neither she nor I has been able to notice them. I think the great miracle of sharing your life is not perceiving the brutal destruction, the annihilation of the body that you love.”
— Josefina Vicens, The Empty Book (trans. David Lauer)
The Essence of Silence by Anato Finnstark
This artist on Instagram // Tumblr (inactive)
This is my reminder to make a photoshoot of this kind. God, I need my tripod. 🙏🙏

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How are people able to love each other romantically so much? How are they able to fall in love since they are in kindergarten? How are they able to find humans that they want to hold and touch and kiss on a regular basis and how they don't think about being somewhere else while doing so... How? How? How...
Is everyone just pretending? Is it that... at some point, you just stop looking? Is it that you settle? Is it that you stop hoping for a great love and you let it go? Do you love the people that you fall asleep next to? How does it look like? How does it feel like?
Is it just luck...
Are some people conditioned to want, to yearn, to wish with no place to release theyre heart? Is wanting really everything there is for some?
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Margaret Atwood: femininity is a performance art course you will never graduate from and man is your audience
me: holy shit
the small but growing Mitski on my shoulder: femininity might be a performance art we will never be free of, but because you are aware of this, sometimes you will seek to perform only for yourself and no one else, and by that, we are starting to break free
me, sobbing: thank you, Mitski of my consciousness
Apparently "People Watching" by Conan Gray will now live rent free in my head. I have no objections, I do have some thoughts tho.
I have never EVER in my life identified with a song that much. Everything in it is spot on. To the letter. It's scary and I hate it. But I love it at the same time. So... yeah.
And also, I would like to very respectfully say that Conan is the most beautiful human being my unworthy eyes had the honor of seeing in the last couple of weeks (at least). And I studied Aesthetics, I know my shit (read: I know my beauty, professor).
Like, seriously, Conan, stop.
south asian fitzwilliam darcy moodboard
"I cannot forget the follies and vices of others so soon as I ought, nor their offences against myself. My good opinion, once lost, is lost forever."
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there is no audience to perform for, there is no approval, no admiration to attain. there is no role worth playing, there is no one to convince. let it go
There is no audience to perform for. No audience. You are alone, no one is seeing you. Repeat it, repeat it, repeat it and understand it. Let it sink into your mind.
A little message for my maladaptive daydreamers out there, who have a problem with their paras always knocking on the door. For the ones who always feel like someone is watching, even if you know they're not real. For the ones who are just exhausted from always being in someone's company... even if you're actually not.
You are alone. No one is there. You can let go now.
there's something in these pictures that makes me feel calm
Oh wow.