Jakub Godziszewski (Polish, b.1989). "Man with a Crow". oil on canvas

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Jakub Godziszewski (Polish, b.1989). "Man with a Crow". oil on canvas

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Rolf Dürig, Rolf (1926-1985), Zwei badende Jünglinge: ''Bompré''.
Warrior’s Repose (1878), Antoni Fabres
John Singer Sargent (January 12, 1856 – April 14, 1925)
Standing Male Figure
Drawing, ca. 1890?
Philadelphia Museum of Art
Eugene Fredrik Jansson (1862 - 1915, Swedish) Boys on the beach

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Otto Greiner (1869-1916)
Repost from @henrymillerfineart on Instagram.
“Badende Knaben (Bathing Boys)”, c.1925 by Ludwig von Hofmann (1861–1945). German artist. pastel on panel
Lennart Anderson: Bacchanal (1960s)
Franz von Stuck: Adam and Eve, circa 1920-28.
Manner of Pietro Tacca Saint Sebastian
bronze, 1610

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Eugène Jansson: Djurgården, October, 1888 Djurgården Park in Stockholm, had a notorious reputation as homosexual cruising area.
PotD_1077b_HowardRoffman : “private moments”
"The Giants", c.1937 by Onofrio Martinelli (Italian, 1900-1966)
Reconstruction of the North Frieze of the Pergamon Altar: Scene from the Gigantomachy (detail)
— Yadegar Asisi (b. 1955)
Gary J. Speziale - Blue Angels, courtesy Emmanuel Chaussade. via aima007.
Gary J. Speziale, American, b. 1959

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Carl Milles: Hylas
Carl Emil Andersson (1875–1955) adopted the name Milles, his father's nickname, "Mille."
He arrived in Paris in 1897 on a modest scholarship and was soon joined by his sister, Ruth. The siblings attended evening art classes at the Académie Colarossi and anatomy classes at the École des Beaux-Arts.
In 1900, Carl met the artist Olga Granner, to whom he became secretly engaged—a pivotal year for his future.
The plaster cast of Hylas, the young boy abducted by nymphs in Greek mythology, created in 1899 and exhibited at the 1900 Paris Salon, received an honorable mention.
Carl Milles was then commissioned by a Swedish patron to create a marble copy of Hylas. This sculpture is now located in the lobby of the Stadshotellet in Västerås.
The sculpture, delivered in 1907, appears in the foreground of a photograph of Milles' studio, with his sister Ruth standing in the doorway.
The male y