The Stonewall Inn

pixel skylines
cherry valley forever

Andulka

blake kathryn

izzy's playlists!
One Nice Bug Per Day
macklin celebrini has autism
YOU ARE THE REASON

gracie abrams
Aqua Utopia|海の底で記憶を紡ぐ
todays bird

❣ Chile in a Photography ❣

Love Begins
★
Doug Jones

shark vs the universe
Misplaced Lens Cap

Jar Jar Binks Fan Club

#extradirty
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@ichigo-kuriimu

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why doesn't george get a prop :(
us too lads, us too
I loved the front line: John, George and Paul. Their attitude… and they could really play. John was the most incredible rhythm guitarist. You had to look at him if you were out front. George was the lead guitarist. He would find these incredible notes. Paul is still, to this day for me, one of the most incredible melodic bass players around. He’s just incredible. – Ringo Starr
i only have eyes for you

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PATTIE BOYD in A HARD DAY’S NIGHT (1964) “The train took us to Cornwall and back, not that I remember much of the scenery. I spent most of the day watching the action, chatting to everyone during breaks, and waiting to do my bit. The Beatles were so funny together, so quick-witted, and their laughter was infectious. I couldn’t understand half of what they said because of the thick Liverpudlian accent – a revelation to me, I’d never heard anything like it. It was impossible to be in their company and not be helpless with laughter. On first impressions, John seemed more cynical and brash than the others, Ringo the most endearing, Paul was cute, and George, with velvet brown eyes and dark chestnut hair, was the best-looking man I’d ever seen. At the break for lunch I found myself sitting next to him, whether by accident or design I have never been sure. We were both shy and spoke hardly a word to each other, but being close to him was electrifying. As the train neared London and the filming was winding down, I felt sad that such a magical day was ending. It had been pure joy and I wanted to capture it forever. As if George had known what I was thinking, he said, “Will you marry me?”” – Pattie Boyd
The Beatles in a bombed out section of Livepool for this Peter Kayne photo session 1962
got a funnyman here don't we
the key to being a successful creative partnership is being serious musicians.
PAUL MCCARTNEY IN STRAWBERRY FIELDS FOREVER (1967) BY THE BEATLES

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Nothing you can make that can’t be made No one you can save that can’t be saved Nothing you can do, but you can learn how to be you in time It’s easy “All You Need Is Love” in Yellow Submarine (1968)
#day 26th of the quarantine be like
the exciting adventures of paul on the floor
You’re Goddamn Right!

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The Beatles cover session for the album Yesterday and Today at Vale Studios in Chelsea on March 25, 1966.
Photos by Robert Whitaker
paul in (the most important sequence of) a hard day’s night, 1964