Mister E

congrats! Now you have a motif! A recurring theme! A focus for your art! Something to haunt you!

Seventeen still lives of dandelions? Three hundred poems about grief? A sketchbook dedicated to your grandmother’s house? Two books trying to unravel the complexities of familial relationships?

An early exploration of the themes Hokusai would keep coming back to is Spring in Enoshima, done in 1793 when he was 33. The wave is small and there are no boats, but Mt Fuji is clear in the background, and Enoshima is in Kanagawa, so we are clearly beginning to work towards something here.

A second pass, eleven years later in 1803 when he was 44. The title of this one begins to get more familiar: The View of Honmoku Off Kanazawa. It has a towering wave over a smaller boat, but Mt Fuji is not present, and the boat is considerably larger and has a sail. But the feeling of danger in the wave and the smallness of the boat are here, and of course the general composition is definitely recognizable.

This is A View Of Express Delivery Boats, done in 1805, merely two years later at age 46. Here we find the wave and the boats almost exactly as we'll find them in The Great Wave Off Kanagawa, though Mt Fuji isn't present, and the location is uncertain. And it's a good picture! The wave is threatening, the boats are small -- but the feeling of "ocean" isn't really there yet, is it? It's unlikely this picture would have become a classic for the ages. But that's okay, there's still time.

And here we have it, a full 26 years later, done by Hokusai in 1831 at the age of 72. The Great Wave Off Kanagawa, one of the most recognizable pieces of art in the world. The boats are there, the mountain is there, the wave is there, and the FEELING is there. He did it! He reached the apex of his ongoing motif and theme!

Or did he? Because the whole point of a motif is not that you're striving to get to the perfect version of it, the one idealized image you carried in your head all along, and when it is done, you are also done. Hokusai is on record at the age of 73 saying he'd only just begun to feel like he was learning how to draw things properly, and that "if I keep up my efforts, I will have even a better understanding when I was 80 and by 90 will have penetrated to the heart of things. At 100, I may reach a level of divine understanding, and if I live decades beyond that, everything I paint — dot and line — will be alive." He had drawn The Great Wave, but he didn't believe he was finished -- he thought that he was still just beginning to get started.

And he wasn't finished with his ocean motif, either. Please check out his Mt Fuji At Sea, done in 1834 at the age of 75.

*checks wiki*

And the movie doesn’t touch on it, but there WAS a fourth option. There was another volunteer for the scientist position who was coma resistant and could have been being trained the entire time. Grace did not HAVE to be the tertiary scientist. She made the choice to NOT train that scientist and instead send Grace against his will.

And yes, he’s the main character and without that choice we wouldn’t have a book and blah blah blah but i’m not talking about why Andy Weir chose to send Grace, i’m talking about Eva Stratt. And Eva Stratt did not do it because she believed in him. She did it because she believed it was best and did not consider Grace or his autonomy at any point.

And in the book, he isn’t knocked out immediately. He sits in a cell, knowing he’s going to die and unable to doc anything about it because he knows at the end of the day, when Eva Stratt has decided something, it will happen. THEN he’s drugged and knocked unconscious and forcibly boarded on the ship.

This is not hate for Eva btw, that’s my girl, she was in an impossible position and did what she thought she needed to in order to save the human race. I deeply empathize with her and how difficult all of it must have been for her to live with.

*looks at recipes I have rewritten to simplify and reduce steps*

They sleep at night, even in the absence of a light cycle, because that's when the temperature drops. Unlike humans, they don't use blankets. They don't try to preserve heat. They want to cool down faster, because because that's what their body needs shut down and rest! They RELAX in the cold!

Not only that, but their version of breathing is a constant influx of cool air. If they're without that coolant for even a few minutes, they're in serious trouble, and after half an hour, they're dead. Unlike us, they're at constant risk of overheating.

But not while they have a source of cold nearby. Like, for example, a human who lives at a fraction of their temperature.

On the Hail Mary, Grace spends a lot of time pressed against Rocky. Their temperature differences are extreme enough that xenonite can't entirely halt the heat transfer, so it's pleasantly warm. He feels like a cat curling up by the fire. It's relaxing. Of course, he also feels a little bad that he's draping his freezing raincloud of a body all over Rocky, but he figures Rocky puts up with the unpleasant cold okay.

Except: Rocky is chasing the cold just as much as Grace is chasing the heat.