Utagawa Kuniyoshi, 1836

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Game Changer & Make Some Noise
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Utagawa Kuniyoshi, 1836

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Leonard Nimoy during hair & makeup for Star Trek: The Original Series, 1966
hell yeah just rewatched 12 angry men
Happy 75th, Abel Ferrara.
Photo by Mattia Zoppellaro.
I was thinking that the k-drama "Notes from the last row" (Maen kkeutjul sonyeon) was strongly reminiscent of François Ozon's "Dans la Maison" (In the House), but since they are both adaptations of Juan Mayorga's play "El chico de la Ãēltima fila" (The Boy in the Last Row), it's only natural!

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"To live and die in LA" has multiple endings. Sandwiched between two gruesome deaths and the cynical finale, there a brief scene so reminiscent of Basic Instinct that Paul Verhoeven was most certainly taking (subliminal) notes!
About Warlock (1959), director Edward Dmytryk "later denied that the gay subtext was intentional". Maybe what he meant was that the gay subtext was very much text. How else to explain the ending, with a crying Henry Fonda immolating his loyal companion after a frenzied speech? In a rare instance, Anthony Quinn plays against type, imbuing his character with enough ambiguity to feed the jilted lover's angle.
The Enchantress (c. 1901) by Arthur Wardle (British, 1864 â 1949), signed bottom right âArthur Wardleâ, oil on canvas, 62 x 43 in. (157.5 x 109.2 cm.), Private Collection
New willem pose unlocked tell ur friends
Malasana (the garland pose) "enhances hip flexibility, strengthens the lower body, and improves digestion."
An easy pose for Willem Dafoe, a lifelong practitioner of ashtanga yoga.
As striking as his turn in Mauvais Sang, Denis Lavant's haunting performance in the video for Rabbit in your headlights is what makes it unforgettable. A "prime example of sustaining a sense of mounting dread and delivering an odd yet thrilling payoff", according to Rolling Stone.
There is a strong tonal kinship between this video and Under the skin, the movie director Jonathan Glazer made 15 years later.

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Denis Lavant worked with choreographer Christine Burgos to "structure" this scene. It was so taxing that he said to director Leos Carax that he could only do five takes, finally he did seven. In one take, Denis Lavant did a somersault and subsequently had to run faster to keep up with the cars used for the travelling. Carax loved this impromptu rupture of the rhythm and used it in the movie.
This memorable sequence made Denis Lavant a household name in French cinema. He reminisces about it in this interview.
Happy Bloomsday.
in the theater + movies
cinema paradisco (1988) once upon a time in hollywood (2019) babylon (2022) the fablemans (2022) the dreamers (2003) the shawshank redemption (1994) la la land (2016) hugo (2011) amelie (2001) o brother where art thou (2000) the aviator (2004) mulholland drive (2001) say anything (1989) on the beach at night alone (2017) taxi driver (1976) 500 days of summer (2009) notting hill (1999) demons (1985) leon the professional (1994) blefast (2021) in the mouth of madness (1994) true romance (1993) the purple rose of cario (1985) show people (1928) bonnie and clyde (1967) the muppet show (1979) gremlins (1984) heavenly creatures (1994) donnie darko (2001) sullivan's travels (1941)
Quite the trivia to ask what those movies have in common!
I have a small exhibition in Amiens, France at the Louis Aragon library from June 6th to August 29th. It consists of cartoons, prints and objects created in collaboration with Editions 2042.
https://actualitte.com/article/131738/reportages/tom-gauld-a-amiens-les-bibliothecaires-n-ont-pas-dit-leur-dernier-mot
"Preparing [for the role of Nikki] was really fun. We got to watch a lot of fun movies, and kind of pick and choose, like a puzzle, what we wanted in the film. Moments that we took inspiration from, and made them our own." â Inde Navarrette for Fandango "We watched Get Out, and focused on a lot of the moments where characters are showing an emotion underneath but saying something completely different [on the surface], and how horrific that is. There's a scene where [Nikki] is saying, "no", and there is a [similar] scene in Get Out [which we took inspiration from]." â Inde Navarrette for A Shot Magazine Obsession (2026) Dir. Curry Barker Get Out (2017) Dir. Jordan Peele
Betty Gabriel's performance is both understated and outstanding in Get Out. Quite the blueprint for this kind of conflicted emotion.

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BURT LANCASTER Kiss the Blood Off My Hands (1948) dir. Norman Foster
the cast of linda linda linda reunites for marie claire korea 2025