In Hamilton, women are almost always complimented in terms of their kindness or their brilliance, not their looks, and men are definitely objectified more than women are.
Angelica is the āoldest and the wittiestā; Manuel avoids having her deemed the āprettiestā, or commenting on her beauty at all, despite how easy and obvious that rhyme would be. Angelica is well-spoken, agentic, and one of the best rappers in the show. These are the qualities that are said to make her desirable.
Eliza is described as trusting, kind, an abolitionist, the best of wives and womenā never is she physically described. She exhibits sexual agency in āclaimingā Hamilton, and the whole show is really a story about her learning to capture agency and self-confidence in all facets of her life.
Theodosia is never described. All we hear is how much Burr loves her. Same with Theodosia junior. Burrās mother is described only as a genius. A genius! Peggy is never described. Even vixen honeypot Maria Reynolds is barely objectified ā she displays sexual agency in initiating sex with Hamilton, and there is no lurid review of her body or looks. All we know is that she is turned on ā āher bodyās saying hell yesā and that she exudes the exact kind of waifish āhelplessā quality Ham goes for. All in all, very little salaciousness or objectification here.
And the men? Hamilton is described as having beautiful eyes and a āhunger-pang frameā. He swans around and flashes his ass to the audience in Nonstop in a playful, cheeky way. His attractiveness is discussed at some length by Angelica. Both Eliza and Angelica talk about making or having Hamilton asĀ ātheirsā āĀ āYou said you were mine/ I thought you were mineā, etc. This language of ownership and possession is never used by the men in the show.Ā
Similarly, Hamiltonās son Phillip is the subject of overt, flirty banter and consensual objectification. āGod youāre a fox!ā, etc. He states that women talk about his physical resemblance to his father (and his attractiveness). Women are shown excitedly consenting to casual sex with him, which they partially initiated. The interaction is warm and positive.
Finally, the Eliza-Angelica-Hamilton ālove triangleā is one of the most egalitarian, feminist love triangles in theater history. Not only do Angelica and Eliza maintain a warm, loving, respectful and noncompetitive relationship with one another throughout ā they each independently determine how theĀ ālove triangleā is going to work out. Angelica decides to let her sisterĀ āhaveā Hamilton ā Hamilton has no say in the matter. Eliza decides to not be threatened by her husbandās love of Angelica, because hey, she loves Angelica too! Neither is threatened by the other, both enjoy a flirtatious, bawdy relationship with Ham, and no one feels undermined or neglected.Ā