I just found out that Hiron Ennes is a pathologist, which makes so much sense given how technical the book gets about science regarding medicine and diseases

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I just found out that Hiron Ennes is a pathologist, which makes so much sense given how technical the book gets about science regarding medicine and diseases

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love how much the author is playing with gender in Leech
I am fully aware that i am like "tumblerina who only ever watched widow's bay "getting a lot of widow's bay vibes from this"" ing but in ly defense it is an awesome show
this is the first week in a month that ive had more than 2 days off and im finally realizing how burnt out ive been for the last month. One day off where you have to fit in all your chores and errands doesnt feel relaxing at all
Patricia and Eva Stratt would be best friends if they ever met, and also potential lovers. They are either in love or platonic soulmates if you headcanon Stratt as aromantic

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the post i just reblogged about patricia widow’s bay and eva stratt phm got me to thinking about (bechdel test failure incoming) a grace who was born on the island & somehow managed to do his education via the old closed-circuit video distance ed technology. maybe widow’s bay school got a grant in the 80s/90s so their students could do dual enrollment at a community college on the mainland. maybe teenaged wunderkind grace wrote the grant application for the school. maybe there’s a small remote campus of a mainland university on the island. maybe grace’s parents were rich and endowed the campus for their kid who was clearly [not] going places & had the chance of being born there when they were there on vacation and got sick when they tried to take him home. so he grew up having his own state-of-the-art lab, and all of his education came to him. maybe his super-rich parents are also on the board/significant donors to said mainland university so they cater to him.
maybe grace’s obscenely rich parents had him when they were there on vacation, and when they realized he couldn’t leave the island, they left him there with a local family who was paid well to take him in, but the whole thing is too painful for them so they never visit. maybe grace doesn’t know he’s adopted. maybe his widow’s bay family feels weird about the money, as it’s far in excess to the resources other people in widow’s bay have. maybe that’s why grace’s parents picked them. they’re humble
(i was raised on the boxcar children and nancy drew. this kind of feels like that sort of vibe.)
anyway. all of that to say: the story opens with grace pretty much in the same place, a disgrace in the scientific community, teaching at a public school. except the public school is in widow’s bay, not san francisco.
he still likes the fog, even though people here get weird about it.
he believes in the curse, but only because every time he’s tried to leave the island, he’s almost died & had to be hospitalized. the same for every other born-islander. that’s just science.
after the kerfuffle with the paper, the university decides to shut down the widow’s bay campus. it bleeds money, and the terms of the endowment include “opportunities for scientific advancement for residents of widow’s bay” or something. the original donors of the endowment are gone now, and the current manager is in agreement: the residents of widow’s bay can access opportunities for scientific advancement via a new scholarship fund for a mainland course of study. they don’t know about the curse, so.
so now grace is *the* science teacher at widow’s bay school, because there’s so few kids per grade. it’s not exactly a one-room schoolhouse, but he has every student in town across six classes per day with differentiated instruction based on grade level.
it’s…fine.
the new mayor is trying to bring in tourists to town. grace wishes the mayor’s kid would apply his clearly inherited bullheadedness to being interested in class.
and then, one day: the bell starts tolling.
or, rather, the bell starts tolling, but only a few people hear it: tom, patricia, rosemary—and grace.
of course he’s heard the stories. he grew up here. “the island will make its needs known. one soul for each bell toll.”
except the bell just doesn’t stop ringing.
it doesn’t stop on the hour, and it’s not chiming at the top of the hour, which clues grace into something being hinky.
he can hear it, and his students look at him like he’s nuts when he asks them if they can, and make jokes about how it’s too bad The Home is closed because maybe he needs to go there.
the bell just keeps tolling. grace isn’t really sure when the number of tolls exceeds the population of the town, because his ears are ringing and his brain is buzzing and he lost count when he tried to bring order back to his classroom—and failed, because somebody brought up the petrova line and how their dad overheard wyck at the tavern saying they were all gonna die. when isn’t wyck saying they’re all gonna die, grace thinks, perhaps uncharitably. fortunately, it was last period. perhaps unfortunately, it was the oldest group, which includes evan loftis. grace isn’t surprised when there’s a knock on his door after dinner that night and he finds the mayor on his doorstep.
he is surprised, however, to find that the mayor isn’t out for his job. he just wanted to confirm that grace is also hearing the bells, and that the bells haven’t let up.
but the fact of the matter is: the number of tolls exceeds the population of widow’s bay. then the number of people who have ever lived in widow’s bay, born or transplant, since the first settlers. then, the population of the nearest large city on the mainland, and the state it’s in. then the eastern seaboard. then—
then, there’s a racket down at the harbor. despite mayor tom’s efforts to increase tourism, they don’t get a lot of superyacht traffic. or any at all, actually.
grace is sorting the youngest class’s giant crayons out of the uppers’ bin of robotics wires when a presence appears in his classroom.
she introduces herself as eva stratt and says she needs his help to save the world.
he scoffs, they go back and forth, he runs for his bicycle, she beats him to it, and then the guy grace assumes is a bodyguard of some sort says, “you hear the bells, don’t you.”
it’s not a question.
grace curses the island’s infernal gossip mill and mayor tom and whatever cosmic joke had him being born on this hunk of rock until the man gestures to his ears.
“not everybody can. but everyone who does has a sort of immediate-onset auditory processing disorder that all started at the same time. you’re straining to sort through what you’re hearing. it’s making you grumpy. your eyebrow crease is getting worse, man, and i don’t even know you.”
holy shit.
they’ve got a team of scientists working on noise-isolating technology for the bells, which started out being audible in widow’s bay but now can be heard worldwide by a select few people. in widow’s bay, only four people can hear them; that’s less than 1% of the town. the percentage decreases the further one gets from widow’s bay.
each person has a skill that can benefit petrova line research—which, stratt says and the bodyguard nods, is gonna kill us all, as it turns out.
aw, nuts, grace thinks. wyck’s gonna be insufferable when he finds out he was right.
so then grace tells the team that if they want him to figure out what the petrova line samples are, his lab has to be here, no questions, no arguments. stratt nods definitively. the bodyguard sighs as he looks around at what of widow’s bay he can see.
the project commandeers the old university satellite campus.
grace feels like he can breathe again as he steps into his old lab. well, maybe not; the lab’s been filled with argon gas, and if he punctures his protective suit, he’s toast.
his excitement proves to be short-lived when he discovers the matter to be mainly water.
stratt finds him contemplating the ironies of the universe on the back steps of the building where the adjuncts used to gather to smoke, a liminal place of arriving and leaving and nicotine residue.
by the end of the next day, she’s hired a new science teacher for widow’s bay school—grace doesn’t know how, maybe the school board was amenable to a representative of every government on the planet (and the accompanying budget)—and grace is once again plugging his electric kettle into the outlet of the small workroom he’d claimed as his office eons ago, eons before.
there’s no home improvement store on the island, so he scavenges what he needs for the blackout box from people’s garages and junk drawers and kitchens. ruth doesn’t have any plywood, but she sends evan loftis over one afternoon with seven boxes of foil and a little paper bag that grace sort of wishes was magic mushrooms but turns out to be one of her homemade tea blends. fortunately, it’s one that steeps in five minutes, not twenty-five.
carl—because that’s the bodyguard’s name—and he insists he’s not a bodyguard—loves it, and sets up shop in the kitchen at grace’s house to bake some zucchini loaf for ruth. he brings in the extras to the lab. grace tells him that he’s missed his calling, being a bodyguard instead of a baker. carl just smirks.
when stratt arrives to debrief after grace’s (and carl’s! even if he doesn’t want coauthor credit on the paper they’re certainly going to publish!) discovery, she does that definitive nod of hers, then declares widow’s bay the base of operations for project hail mary. they were going to commandeer an aircraft carrier, but grace can’t leave, and he’s kind of the brains of the operation now, and besides, it’s scenic, and not very populated.
mayor tom is ecstatic. it may not be tourism, exactly, but it will bring in regular economic activity.
maybe the island will finally get wifi.
it’s about right, that the island will get wifi just in time to witness the end of the world.
the bell hasn’t stopped tolling.
part 2. inspired by this post by @iam-the-wild (not sure if this is what you were imagining, but i hope you enjoy it!)
patricia tries to be understanding. she really, really does. she knows what it’s like to be misunderstood, ignored, overlooked, not taken seriously. she gets it.
but this is pushing her limits. and her manners.
“hello!” she says loudly, putting her gut into it, rapping her knuckles on the weathered wood of the bar. “i’ve been here an hour! do you know how much longer it will be on the chicken parm?”
Perfect gothic sci fi book, no notes. When I say gothic though I do mean everything that entails. Fucked up families, coercive behavior, the nature of leeches and parasites, loss of self and identity to the other. Shit was good and I do not want to spoil it for anyone. Clues are slowly given to you about the world you’re in, and there are many sentences where I had to go back a reread it to verify how it changed the world building. Truly a fascinating debut novel. If you’re into parasites, gothic originals, body horror, pathology and truly inventive world building I’d recommend “Leech” by Hiron Ennes to you in a heartbeat.
(Also the author is VERY queer and uses they/them pronouns)
she pseudomycota on my emilia until I leech her vessel. and then everyone clapped.
Im reading Leech right now by Hiron Ennes and its reminding me of Frankenstein in that the protagonist is kinda pathetic and helpless and watching them fumble is very fun, plus the horror is pretty good, its so vivid I feel like im playing a video game
Yall know data centers are important to society right? For one, youre using one right now to share this image with others, but they also serve as vital infrastructure for so many services. Do you think a hospital can run without data centers? Should we go back to only keeping public records? Data centers increase accessibility to resources for the public. Do you think libraries don't use data centers either? Where do you think they store digital books?

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2026 in the streets
2016 in the sheets
I wouldnt mind if cockroaches went extinct
you just teleported to the last game you played how is it going? {you're plot involved}
good
bad
great
awful
dead
I don't play games/results
Soma 😔
Little Kitty, Big City (2024)
Unfortunately everyone was right that exercise is good for you the ableds just kept leaving out the part where it's not supposed to Actually Hurt You
And they'll tell you it's supposed to hurt but they're lying. When ableds talk about "feel the burn 🔥💯💪" they mean the mild discomfort of engaging your muscles. Able bodied people don't know what pain is never forget the ableds don't know what pain is
Like they either mean mild discomfort or they're peddling eating disorders. And these are both Lying To You
I really recommend @movementnudge if you want a place to start that shares a lot of resources specifically about avoiding pain.
I'm not on TikTok anymore, but InFlowWithAlli has casual 1-3 minute movement moments and chats through them, it's nice. Reyna Cohan is on Tiktok and YouTube and has many short and long form videos, and I really love the one minute to feel less like shit videos on TikTok, not sure if they're on Shorts or anything.
And then this is really the guy of all time
Also, LOOK UP OLD WORK OUT VIDEOS ONLINE
Richard Simmons! Tae Bo! Denise Austin! Obviously eating disorders and fatphobic and ableist marketing have existed forever, but you'd be really surprised to learn how recent brutal fitness influencer stuff is!

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Mammal in a Sunday Dress, by Georgina M. Cox, 2026
Mammal in a Sunday Dress explores the uneasy relationship between femininity, civilisation, and the animal body. At first glance, the figure appears modest and withdrawn. Her posture is composed, her gaze seemingly lowered towards her bare feet, recalling the conventions of nineteenth-century portraiture where women were often depicted as passive objects of observation. Yet as the viewer moves closer, the illusion collapses. Her eyes are not lowered at all. She is looking directly back. The delayed eye contact transforms the encounter. The viewer approaches believing they are safely observing a woman; instead, they realise they have been observed themselves. The work refuses the traditional power dynamic of portraiture, denying the comfort of anonymous spectatorship. Looking becomes a reciprocal act. For Cox, the painting considers humanity's persistent desire to separate itself from the rest of the animal kingdom. The title quietly undermines this distinction. A "mammal" is not another creature—it is us. The Sunday dress, rich with cultural associations of femininity, morality, and respectability, becomes an attempt to distinguish ourselves from nature. Yet clothing cannot alter biology. Beneath lace and ritual remains the same vulnerable animal body. The work also reflects on the historical relationship between women and nature. Across art, religion, and philosophy, women have repeatedly been positioned as closer to instinct, emotion, reproduction, and the body itself, while men have been aligned with reason, culture, and civilisation. Mammal in a Sunday Dress does not reject this comparison. Instead, it questions why proximity to nature has so often been treated as something lesser. Chiaroscuro isolates the figure within darkness, allowing the luminous dress to symbolise the performance of civilisation while the bare feet quietly return the body to the earth. Neither is presented as more truthful than the other. The painting exists in the tension between performance and instinct, refinement and biology. Mammal in a Sunday Dress ultimately asks a simple but unsettling question: if every layer of culture were stripped away, what would remain? Not a king. Not a saint. Not a gentleman or a lady. Only another mammal, looking back.
source
Acrylic on canvas 60*50 cm „Flow“ 2025