the end poem, julian gough / project hail mary (2026), dir. phil lord & christopher miller, gifs by @projecthailmarys
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the end poem, julian gough / project hail mary (2026), dir. phil lord & christopher miller, gifs by @projecthailmarys

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Guys, I want you all to simp for Gustavo Petro. My man just middle fingered Trump with 50% tariffs and is not backing down. I am in LOVE.
An eye for an eye, orange bitch.
Also shout out to the Mexican PM Claudia Sheinbaum for her "America Mexicana", Latino countries are really not pulling their punches against the American tursnip and I am so in.
Guys, I'll say this. If Lu is innocent (and he is until someone brings me concrete proof), we all still need to go bug mode on his dick just cause he took the fall for the real Adjuster and most likely saved his ass. Boy deserves love for what he has done, and this is a hill I'll die on.
Reading the Lonesome Dove series.
Spat my tea when Clara said that Gus had chosen Call over her. Like...Queen, you're so right. Those two cowboys been gay for twenty years and will proceed to be gay for another twenty. Spot on.
Guys I don't know how many of you have seen "The Proposition" (2005) but if you love RDR2 WATCH IT! Apparently staff at R* told Roger Clark to watch it in preparation for his role as Arthur Morgan, and I can see why. RDR1 AND RDR2 ARE BASICALLY A COPY PASTE FROM THIS MOVIE. Even the character's names are the same: Eliza, Arthur, etc. Like, you watch this movie and every 2 minutes you point the finger at the screen because it reminds you of something from the games, it's insane!

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I made a post about a RDR2 DnD campaign and in just a few hours I got so many positive responses: it makes me real happy and motivated.
So since there do seem to be some people interested, here it goes. If anyone wants to participate there are 5 spots, one for each character: John Marston, Arthur Morgan, Javier Escuella, Bill Williamson, and Sean Macguire.
Since it's a super recent idea I had, I'll need some time to organise everything, from the character sheets to a storyline and events. Sadly there aren't any (free, because we are poor and stingy) Western maps, so it seems I will have to create some. Luckily, yours truly is a graphic designer, so with the power of Adobe Creative Suite bestown upon me by the Lord, I will create some maps in RDR2 style.
I'll also come up with a story, but loosely, it follows this prompt: It's 1986, and John has just recently returned from his year away from the gang, which has made Arthur none too happy. However, Dutch calls our valiant heroes to arms because Hosea has gone on a job and hasn't returned for days. Where could our (very lovely and charismatic) consigliere be?
This post is just to have a general idea of who would like to participate. I'll create a Discord server for this, and we'll figure things out from there. Don't worry if you've never played DnD, I'm willing to explain people the basics and how it works.
Timezone wise, I am in the UK and I follow GMT+1 time.
Let me know if there are any keepers!
Question just out of curiosity: if one were to organise a RDR2 D&D campaign, would anyone be interested? Something fairly casual (I'm no pro at D&D myself). Mostly storytelling and roleplaying with some fighting peppered here and there.
I was thinking of including these characters: Arthur Morgan, John Marston, Bill Williamson, Javier Escuella, and Sean Macguire (not sure about Charles because it should be set way before RDR2, and he had joined only a little before, and five people are already a lot. I'd be willing to swap one of the characters for Charles though).
Thoughts?
Shore break, Slava (Thisset) Semeniuta
Is there a universal definition of what love is? Art by VVXIE 韦韦谢 on ArtStation.
Pixel Art by Chelsea Faust

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David and Saul, oil on canvas, 1885
by Julius Kronberg (Swedish, 1850-1921)
Maldha Mohamed.
Astounding paintings that combine realism and texture by artist Maldha Mohamed, who lives and works in Maldives.
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Be sure to follow Supersonic Art on Instagram!
SHINKAI MOVIES + FOOD
YOUR NAME (2016) WEATHERING WITH YOU (2019)
By Nicola Samori.

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READ A BOOK ToDAY
i’m thinking tonight about masterpieces. michelangelo looked at the sixtine chapel and saw; nothing to preserve. virgil wanted his aenid burned and forgotten; only to be saved at the behest of an emperor who thought it flattery. kafka instructed his friend to burn everything he’d ever written - too personal was it, too unfinished.
they were ignored.
instead, their work was taken and held and published and thrown to be gawked at. instead, an emperor, a pope, a friend, took from within the cavities of them their choices; their art.
tumblr rolls out post+. twitter rolls out tip jars. youtube takes half of what creators earn. on social media, there is a ko-fi or a patreon and a polished face in every bio. i show my poems to my mother and she asks if I will publish them before she says anything else. emily dickinson instructed her sister to burn her poetry.
her sister did not listen.
we are a community, says tumblr, we should give back to creators. my last poem had 50 notes. six of those were reblogs that weren’t mine. i lie in bed at 2am and stare at my bright phone screen and the way netflix’s library grows thinner and thinner. the first ad on tumblr that i can reblog is for amazon. amazon takes more than half of what authors earn.
kafka’s friend took barely finished work and hammered it into structure. he is the only reason we know of him.
my father wrote a book and a play when I was barely big enough to reach his knees. when i try to talk to him about writing, he shrugs.
no one wanted to publish it, he says. so i don’t write anymore.
i am filled with poems I have never published, books I haven’t written. There are little snippets of them scattered throughout my life. I link to my ko-fi on my tumblr.
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asked capitalism of the artist: what is art, if not for consumption? who does art benefit, if it is not consumed? why create at all if you do not market it? who are you, frothing at the mouth about someone publishing someone else’s poems? who are you to hate your magnum opus? what is art, if not in relation to its reception? if no one sees it, how is it art?
said the artist, baring their teeth: it’s mine.