ceramic by yamine & poem by marwan makhoul

ellievsbear

oozey mess
Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć
TVSTRANGERTHINGS

ā
YOU ARE THE REASON

titsay
d e v o n

Andulka
will byers stan first human second

cherry valley forever
KIROKAZE
Mike Driver
trying on a metaphor

Kaledo Art

⣠Chile in a Photography ā£
Game of Thrones Daily
Misplaced Lens Cap
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@howcanibesureimhere
ceramic by yamine & poem by marwan makhoul

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Guy Fieri, getting shakily to his feet in the middle of an impact crater, using the back of his hand to wipe a single line of blood from the corner of his mouth: heās just too powerfulā¦
The Ghost of Dr Kellogg: you pathetic weakling; you cannot hope to defeat me!
Guy Fieri, pulling a remote control thatās just a grey square with a large unlabeled red button in the center out from behind his back: no, I canāt. Thatās why Iām sending you to Flavortown
[camera pans out to reveal The Ghost Of Dr Kellogg standing in the middle of a large ā. Cut to floor shot that reveals 50000 Chili Lime bacon Picante Macānācheese taterātots being dumped from the ceiling by a contraption]
The Ghost Of Dr Kellogg, covering his face: NOOOOOOO-
[is buried in avalanche of Tots, which bursts into flames, and then explodes]
Guy Fieri: guess his flakes⦠just got frosted
Was driving with my grandmother and in broken English she says āno eyes⦠no nose⦠no face. Donāt trust.ā To which I looked around wildly in search of this omen of ill portend.
Cybertruck. It was a cybertruck.
Ummm she's literally sensitive :/
Star Trek won't show me enough queer rebellious counter culture on Cardassia so I will do it myself
The anarchist lesbian collective of East Torr salutes you and your style.
Thank you omg, I just know in my heart that the underground Cardassian industrial/goth clubs are a sight to behold and I KNOW you know this too š
Iāve seen your vision now and I believe it completely. Sensational. All I can offer in return is this small tattoo.

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Well I got hrt so I ļæ¼guess itās works
imagine you're don abene for a second.
you encounter a secunit for the first time.
it saves your life in a situation where no one else would have been fast, strong, agile, and composed enough to do so.
your security team is immediately more alarmed by its presence than the attack that is obvious to you as the bigger issue at the moment
they insist it's dangerous and struggle to relax enough to take their weapons off of it
then a combatbot attacks your group
somehow this secunit, much smaller than the bot, unarmored, without any heavy weaponry on its person, manages to take it down. some real jaw-dropping action, all over in less than a minute
then it leaps into a room with two combatbots and not only survives, but it gets your unconscious friend out alive
then it immediately comes to your own rescue, disabling impressive combat armor
it then is dead-set on killing your attacker who is already immobilized and harmless
clearly this is an incredibly competent and dangerous and powerful person
then miki tells you that it IS rin and you finally put it together that not only is this person competent in the field, but it is also calling all its own shots and has truly come here all on its own and volunteered its services to help and protect you without needing to be asked or ordered
so this person is incredibly competent, dangerous, powerful, AND kind, AND fiercely protective, AND reassuring, AND intelligent, AND selfless
and it's still coming up with great ideas and still thinking proactively about how it's going to face down or distract another combatbot as though there's no doubt in the world that it, still bleeding heavily, still unarmored and barely armed, is ready for another round with a terrifying machine that appears to be nothing BUT armor and weapons
so you step forward to help treat its injuries
and it jerks back a step with the single most frightened face you've ever seen, as though you had lifted your arm to inflict pain and it was helpless to stop you
behind you, even miki can read the devastating expression that's breaking your heart and says "abene won't hurt you, secunit"
where did the fearsome fighter from moments ago disappear to?
who did this to it?
ānice blogā
thank you im really good at clicking reblog
Reblog if you are really good at clicking reblog
i wanna talk about this shot
if forum signatures still existed this would be mine
God fucking damn it
@loss-detector
dungeon meshi but they end up in the back rooms, a cursed idea that was eating away at my brain

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Out of Touch
Out of Touch Thursday
OUT OF TOUCH THURSDAY
but im out of my head when youāre not aroundā¦
happy birthday.
this is the only out of touch thursday you can reblog this
Night Watch is one of Sir Terryās most hopeless novels - and, by the same token, because of the same things, one of his most hopeful.
Itās a parody - and I use that word very loosely, because thereās really nothing funny about it - of Les Miserables. Itās about a failed revolution, and a barricade, and the people who fought and died there for nothing. Nothing changes. Politics with a capital P goes on, and even the most pure and noble of intentions only becomes food for the pit of snakes who pull the strings. The powerful remain powerful, the powerless, despite their solidarity, their desperation, their violence, their hope, remain powerless. Their little lives donāt count at all. Things continue exactly as they always have, minus a few faces in the crowd.
It is also, I think, where we see Sam Vimes at his lowest. Sure, Thud! does similar things in stripping him down, but that is under an outside influence, and he has his family to think of. He has something to fight for.
In Night Watch, though, all of that is taken away. Sam Vimes, eternal cynic, for once has Cassandraic knowledge that his cynicism is absolutely founded. He knows how this will end, and thereās no Corporal Carrot to make the world magically better around him, no Sybil and Young Sam to push through for, no city to protect. The absolute best that he can expect is to succeed, and lose that family, that future, forever. The absolute worst? He dies. Everyone he cares about here dies. And itās all in vain.
Sam Vimes is an alcoholic. Itās something that we tend to bring up when weāre talking about how amazing he is, how much heās overcome, but gloss over otherwise. Which is a little sad, because itās fundamental.
Sam Vimes faced this exact dragon, years ago. Sam Vimes saw there was no way to slay it. He saw the ants eating at the heart of every hope, every effort. He saw the first man he really knew as a good and kind and just - but never passive, never weak - man die, horribly, slain for no reason but petty grudge and Politics. He saw John Keelās garden wither and die in its bed. He saw the hope of a better, brighter Ankh-Morpork squelched, and the sacrifice of a good man wasted. He saw the world, in all of its rotting, miserable, pestilent despair, spoiling every good thing that dared show its face, its only ordering principle the slow decay of entropy.
Young Sam Vimes had no anchor. Young Sam Vimes had nothing left to turn to but the bottom of a bottle and the smelliest part of an Ankh-Morpork gutter.
Sam Vimes, as of the events of Night Watch, is back there. Not only physically temporally displaced. He has nothing. There is no reason for him to stand up, to take on the role of John Keel, to take responsibility for the barricade, to try to bring Carcer back to justice. To fight the doomed fight. There is nothing between him and finding a quiet seat at the Broken Drum, ordering himself a pint, and giving up. There is nothing between him and despair.
But he gets up anyway. He intervenes anyway. He tries to help anyway, even when he canāt believe it will make any difference. And it doesnāt, in the end.
Except that people lived who, save for the actions of John Keel, would have died. Except it quite literally meant the world to them.
And thatās where the hope is hiding, in this hopeless, bleak, despair of a book. There is no glory. There is no revolution. There is no good thing that cannot be corrupted. There is no point. Except.
The Disc turns on the āexceptā. Always has. Always will.
The hope across the whole arc of Discworld is that things can, if good people try very, very hard, go from extremely awful to only very awful, and thatās worth it.
Overall, the Discworld series is very hopeful about the grand scheme of things and the effect people, no matter how small, can have on it. But Night Watch is not about that. Night Watch is about what happens when āthingsā donāt get better. When the grand scheme of things isnāt impacted at all, either way, by the actions of individual people. Night Watch is about what happens when the hope runs out. When the āworth itā runs out. When all thatās left to do is save what little you can, because you can.
Thatās why there are no monuments to the Glorious Heroes of Treacle Mine Road. In the grand scheme of things, nothing they did mattered. But they are remembered, because they need to be remembered. Because sometimes what we do does not matter.
And when that happens, all that matters is what we do.
Hot take: I hate those little fuckers from Veggie Tales. They should all be destroyed.
God may be bigger than the boogie man but that's not going to stop your ass from being shredded in my blender you indoctrinating motherfuckers.
Do I tell them the horrible truth - that they canonically do not have souls, and thus the kingdom of Heaven is forever denied for them, as the only higher purpose their god made for them was to be sustenance for beings who exist on a level they cannot comprehend? Or do I allow them to die in ignorance, praying for salvation from a deity that turned his back on them since their very creation?
I am willing to be the Nyarlathotep to the cosmic horror story that is the life of the Veggie Tales. I will show them just how little the universe cares for their worthless lives.
More of Alea and Hodi C:
From āEin Traum von Freiheitā, 30.04.2021
Honestly a kind of an Iconic shot and probably also the best gif I have ever made.
rb to explode a terf ^_^ nonrefundable ^_^

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