HellHeart

Sophie Thatcher behind the scenes of her photoshoot for PLICO Magazine.

Sophie Thatcher at the 79th Cannes Film Festival for 'Her Private Hell' ph. by lucasaymard

Sophie Thatcher at the 79th Cannes Film Festival for 'Her Private Hell' ph. by lucasaymard

Sophie Thatcher photographed by Julian Ungano for the Cannes 2026 portfolio.

SOPHIE THATCHER for CULTURED Magazine

"We played with this idea of, is she fully seeing through her own eyes what's happening and doesn't feel in control, or if it's kind of like teleportation where every time that she pops back in, it's from the moment that she popped back in before, which is why whenever she's in the house, she comes out and she's like, 'Wait, where am I?’ So we played with both of them, and now that I've watched the film back, I think that she does both. I think that in the very beginning, whenever she doesn't understand what's going on, she's teleporting, and once she realizes what's going on, Nikki’s a fighter, and so her urge to fight the wish just gets bigger and bigger and bigger, and that’s why she has the grief at the end, because she's watched it happen. She's felt it. She has to deal with it. It wasn't her fault. Her life has completely changed. And she just lets it all go." — Inde Navarrette (x)

I have and both are covered in blood

Heretic (2024) dir. Scott Beck & Bryan Woods

SOPHIE THATCHER as IRIS COMPANION (2025)

SOPHIE THATCHER during the standing ovation for 'HER PRIVATE HELL' 79th Cannes Film Festival

sophie thatcher via instagram