20 years in the making. Finally giving her what she deserves.
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@holyshonks
20 years in the making. Finally giving her what she deserves.

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always thinking about how Mass Effect is virtually alone in getting it right by not capitalising species names. asari and krogan not Asari and Krogan. we don't say Koalas and Mantis Shrimp and Common Octopus why would we say Klingon and Goa'uld and Mandalorian? is it because there is a tendency among scifi writers and readers to conceptualise sapient extraterrestrials more as other cultures than other species? so when we write them out we treat them like Romans and Germans and Aztecs rather than monkeys and badgers and ferrets? what do we learn about humanity (Humanity?) from that? anyway thank you Mass Effect for giving me another minor thing to obsess over
It's also one of the only sci-fi properties I know of that doesn't just name species after their home planets. Asari come from Thessia, but they are not called thessians or something.
Oh my God... that moment still haunts me to this day. I was sitting beside my husband Ahmed in the hospital bed, holding his hand and praying to God to ease his pain, when suddenly he lost consciousness right before my eyes. I completely broke down, crying and begging God to save him.
I cry every day from the weight of this heartbreak. I stand beside my husband with nothing but prayer, watching his pain and feeling my heart shatter because I cannot do more to save him. I try to stay strong for my little girl, but there are moments when I weaken as I imagine her life without her father. All I want is a chance to save Ahmed, a chance for him to remain a father to our daughter and a husband to me, and for us to see a better day after all this pain.
The doctor told me that Ahmed’s condition is critical, that the cancer is spreading rapidly through his body, and that his only hope for treatment is to get him out of Gaza as soon as possible to receive urgent medical care. Since that moment, I have been living in constant fear, terrified that I may lose my husband at any moment.
Getting Ahmed out of Gaza for treatment is extremely costly, and we need to raise more than $25,000 to cover the urgent medical expenses and give him the chance he desperately needs. Every moment matters, and we are racing against time to save his life.
Our little daughter cries every day, calling for her father. She does not understand what cancer means, but she feels his pain and clings to him with all her strength. All she wants is for her father to stay by her side, and for this war and this illness not to take him away from her.
As for me, I am suffering from severe malnutrition because of the famine and the war. My body has become weak, but I keep holding myself together in front of my daughter so she does not feel the full extent of the pain we carry inside.
I say this from the depths of my heart: I will never forget everyone who read my words, saw my family’s suffering, and chose to turn away without even sharing our story. A simple share may help our voice reach someone who can save Ahmed’s life.
You are our only hope. Every donation, no matter how small, and every share could be the reason our story reaches someone able to help us.
Please, do not leave us alone. Ahmed’s life is in your hands. Help us reach our goal as quickly as possible and save Ahmed before it is too late. Give our little daughter the chance to keep her father by her side.
To donate, please click here⬇️
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✅Vetted by @gazavetters, my number verified on the list is (#425)✅
they send me to space war even though i’m so freaking small i’m literally just a grunt. they only gave me a pasma pistol. i’m gonna fucking die

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i don't go there but i don't mind the postcards
Came across this art installation, Liza Lou's Kitchen, at the Whitney Museum of American Art, NYC. It's a kitchen made of tiny glass beads, that artist Liza Lou did, taking 5 yrs. to complete, from 1991 - 1996.
My favorite part is the sink.
Jr started daycare today and I've cried at my desk three times and it's not even noon
“omg why is no one talking about—”

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-moving on-
That ‘comment on your a03 work’ email hits like a line of cocaine every time. unmatched dopamine increase. shoutout to everyone who leaves a comment on fics. you deserve the world
That ‘comment on your a03 work’ email hits like a line of cocaine every time. unmatched dopamine increase. shoutout to everyone who leaves a comment on fics. you deserve the world
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.

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important reminder that most people you follow online are significantly lamer than you think they are including me. and if you feel insecure comparing yourself to someone online: DON'T. theyre probably also lame and weird. most people on the internet are
reblog if you're also lame and weird.
In case you were wondering how today was going, I was making junior dinner while making myself a liquid iv. I meant to put frozen veggies in his pasta water but put them in my drink 🫠