Assessment 3 Public & Private
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Xuebing Du

Discoholic šŖ©

#extradirty
Game of Thrones Daily
One Nice Bug Per Day
Cosimo Galluzzi
Doug Jones

if i look back, i am lost

gracie abrams
Sweet Seals For You, Always
"I'm Dorothy Gale from Kansas"
𩵠avery cochrane š©µ
Cosmic Funnies
I'd rather be in outer space šø
todays bird
YOU ARE THE REASON
EXPECTATIONS

pixel skylines

seen from India
seen from United Kingdom

seen from Brazil

seen from United States
seen from United States

seen from Puerto Rico

seen from United States
seen from Germany

seen from Pakistan
seen from Malaysia
seen from Brazil
seen from Malaysia

seen from United Kingdom
seen from Tunisia
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
@holyluminaryprince
Assessment 3 Public & Private

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Moodboard research into curation and installationĀ Ā

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Initial reference for exploring memory as a concept for my body of workĀ
Installation

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For the medium of circulation of my work I decided to upload the image onto my instagram account.Ā
When studying the works of Richard Prince I considered printing my work large to engage the context of different environments e.g. UNSW art and design campus, paste ups in underpasses with high foot traffic around glebe /UTS.Ā
However I thought continuing the work through the platform of instagram would better serve the purpose in reinforcing the idea about content being spread online, which I was able to play with and reinforce through the mode of self promotion in reposting the photo on the platform multiple times so people would see it resurfacing on their feed.Ā
Moreover the act of posting online rather than displaying in the physical allowed me to critique how people filter through media to select and display certain sides from their private life that they want to show in an effort to maintain a certain image in the public sphere. If I printed the image and displayed I donāt think people would have drawn such a strong correlation between the dynamics of the relationship between Instagram (public) and camera roll (private).Ā
The top right statement was something I wrote as a reference point around the middle of the project to gain a clearer sense of direction for the themes I would be exploring in my curated photo album work
Assessment 1Ā āVanity Metricsā
follow link below for original post with description & hashtags
https://www.instagram.com/p/BuYIwUohLHG/
Recirculating the post onto my instagram story (which lasts for 24 hrs) and screenshot of audience engagementĀ

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Week 13: NOW
Laura, Dom, Emily, Liz & Chester Our 12 pages are taking shape, with alterations made to the previously plain backgrounds of our kitschy work designed to be more visually engaging with an audience.The idea is that the work will be present at a kiosk or screen, and the audience has the ability to drag the mouse over whatever images they like, activating audio files, and to arrow key over to the next slide when they are done with the irritating noises on that page. Audience interaction and control is integral to the consumption of these 12 slides. They will be on an infinite loop when presented.
Week 12: NOW
Laura, Dom, Emily, Liz & Chester
We discussed trying to upload our work to a website to have an audience interact with it (going back to our original research with the ānowā and audience participation dependent works), and we have decided to use powerpoint in order to craft and present. This 12 slide work will be best accessed using this medium, with sound needing to be activated by the audience using a mouse.Ā It is vital to have the audio files we use activated at the pace of the audience, depending on them to mouse over an image in order for sound to occur. Hopefully we can layer up enough audio images to create (depending on the actions of the audience) cacophonies of annoying sounds, all demanding your attention āNOWā. We are categorising our annoying sounds into groups including - HUMAN, ANIMAL, TECHNOLOGICAL, and STATIC OBJECT.