Booklet about TD and Matthewās performance
Full work (including pics) is here:Ā http://tieba.baidu.com/p/3546440861?pn=2
Hereās AB and meās major work:
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To be honest, I canā t get close to 95Rustās locked room until episode three. And after I had seem a lot of films and rewatch TD, I found how your performance was incredibly delicate and innovative is.
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But Iām obsessed with 12Rust the first second he showed up. āI loved your face of a young man less than the one you have now, devastated.ā
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Every single tiny expression in your eyes, your body, your voice showed such unbelievable freedom and power. When I was first watching the first two episodes, I canāt wait to see 12Rust show up and continue his monologue. Such a totally different voice from your own! And only such voice can command such lines, Which are Incredibly divine and extremely earthly, dreamlike but solid,like the sound of truth.
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Your command of words is unfuckingbelievable. Your voice delivers intensive and delicateĀ emotions that moves audience. The way you describe an event is so vivid, enable audience create a picture of the event without watching it. What a a great storyteller you are!You give words and sentences lives, andestablish a specific world of a man by means of voice.
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In the draft script of the first episode (May Nic release the final version?) There are some flashback about Rustās family and his undercover life. I donāt know why Nic and Cary decided to cut them all, maybe they want to focus on two spacetime.
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It is right to delete all those flashback. Audience got enough information from your voice, eyes, body and face already. They can picture those events in their mind, and understand how the events influenced Rust by your solo. Your performance provided an even ārealerā experience than showing the actual scenes. It would be a disgrace to let those flashback interrupt your enchanted performance.
Nicę¾ē»čÆ“ļ¼āå¦ęå½åęÆęÆé©¬äæ®å¼±äøäŗēę¼åę„ę¼ē§å°ļ¼ęå°±äøå¾äøéåčæäøŖč§č²äŗćāä½ä»å“ē»ä½ å äŗę“å¤ę“å„ęŖēå°čÆļ¼åÆč§ä»åÆ¹ä½ ēäæ”åæļ¼čä½ ä¹ę²”让ä»å¤±ęć
Nic once said āIf weād had a lesser actor than Matthew playing Cohle, I would have had to rewrite the role.ā. He write even more and stranger lines for you instead, he really count on you, and you did not let him down.
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ę“ęcosmic humorēęč§ļ¼äøēč§ä¹ę“ę¢å¼ļ¼åę¶ę示äŗćēę¢ćē两个大主é¢ļ¼ā幻豔äøēå®āåā主客ä½ēéč§āćčæå„čÆč¦ęÆåŗčŖå¼±äøäŗēę¼åä¹å£ä¼éåøøčååÆē¬ļ¼ä½å¤©åä½ å®ē¾å°é©¾é©å°äŗļ¼č®©ē¬¬äŗéāSeeing ThingāåØåŗäø„ē„ē§ēę°ę°äøē»ē»ć
For example, āAnd other times I thought I was seeing straight into the true heart of things.ā in the draft script becomes"most of the time I was convinced that Iād lost it. But there were other times,I thought I was mainlining the secret truth of the universe". The later one provides a sense of cosmic horror, a boarder worldview, and imply two of the themes of āTDā: āillusion and realityā and āfalse illusion of subject-object egoā. It will be a ridiculous line when it come from a lesser actorās mouth, but omg you just delivered the line perfectly, made episode two"Seeing Thingā ended in a solemn atmosphere.
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Before I saw the first two episodes in the draft script,I had already admired you greatly for 12Rust,but now,I canāt help admiring you with all my heart.
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But for your performance,I know 12Rust would have been anybody but not the one I love deeply.
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From the original script,I canāt find appreciable distinction between 12Rust and 95Rust.But on the screen,the manner and posture of 12Rust are totally changed,he alternates humor with severity,which is so charming and cool.
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No wonder Nic was surprised for your emotional and physical changes, even he might not have had such a specific picture in his imagination.
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According to the craft script,the detectivesā first impression of 12Rust was aggressive,dangerous and lupine.
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The script mentions that 12Rust became semi-relaxed with his beer until the episode two,which means he was tight before.
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However, in your performance,he was unmistakably dangerous, but he was also very laid back all the time. It seems everything is under his control.
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Maybe he is belligerent, but not hostile,not out of pressure.He was like playing cat and mouse with the detectives.He was quite cooperative,but kept look down to the detectives out of fearless and careless. (Or āpretendedā to be careless)
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It looks like he was not being interrogated,they were.
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Thatās why Cary said he canāt micromanage a performance like that, you have your own ways of locating your character, bringing yourselves into character and letting yourselves out of it. All of those interrogation scenes were on your shouldersāhe just let the camera go.No doubt, your performance turns a obvious room into a stunning showcase.
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I found Nic used"I believe", āI thinkā and āperhapsā sometimes when talk about Rust. In contrast, you always so certain you know Rust inside out. Creators may like to left something unknown about the character, leaves enough imagination room for himself and audience.
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However, a performer must think more than the creator wrote to make the character real, clarify the vague image in the creatorās mind:āHe IS Rust!ā. And realise that there is no anyone else can play this part. I am sure you made Nic feel such a great happiness.
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Iām really curious about when did you want to add āI consider myself a realistā, If you have this idea before Nic finish the final episode, you are a genius for real.
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I believe there are some conflict between you and Nic though. For example, in the draft script, 12Rust said āThree years of that and I couldnāt get the walls in my apartment to stop whispering. Or the carpet fibers to quit their high-pitched shriekingā¦ā It was deleted, Iām wondering if it was because you thought Rust enjoy Crashās life even more? Or it was Nic decided to retool it for your voice? Rust indeed should show no weakness in front of the detectives. This line replaced by āAnd there is no fucking expiration date, babyā, which showed a charming swagger.Yeah, there is no fucking expiration date for Crash, and there is no fucking expiration date for Rustās punishment on himself as well.12Rust choosed self-deriding over self-pity.
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Iām glad that the flashbacks of Crashās life were deleted, it kept the history mysterious. Although Crash was the least favourite Rustās stage of mine, he still make my imagination run.
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Your command of words is fascinating, but the blank-leaving in your performance are amazing as hell too. When 12Rust was talking about the death of his daughter, that silence, that blanked eyes and face showed the deepest sorrow. Your power of wordless is as powerful as your command of words.
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I love the scorn you showed when talking about āNorth Shoreā, there is no such an attitude in the draft script. Maybe it is Nicās intent, because there is one more related scene add: āI can do terrible thing to people with impunityā 95Rust said. Maybe thatās why Rust contemned āNorth Shoreā, he did not regret that he had killed those outlaw, but a police officer run away from legal sanction is very irony to him.
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Another possible conflict between you and Nic is: Did 12Rust want to kill himself ?
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Nic said āCohle makes clear to Marty that he wants to die and views this case as something he has to solve first.ā (at the end of episode seven?). Marty seems like he knew Rust wants to die, so he did not tell Rust he was cooperated with the detective? After Rust killed Errol and saved Marty, he pulled out the knife. It looks like he did want to kill himself, I mean, everybody knows such act will make you die faster!
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However, In you 450-page graphļ¼which we fans wanted badlyļ¼you wrote ā ā¦He will not accept defeat.Heās not going become a madman,heās not going to kill himself. He wrestles the devil every day, and he realizes that this may last a lot longer than he ever hoped for.ā It seems suicide is not as attractive as it was in 1995 to Rust. Whatās more, in the theory(Eternal return) he believes, if he kill himself, he will reborn into the same life, so he will be failed to tie off the circle of violence and degradation, and it is defeat.
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I know āYou own your manā, the most confused plot made by Nic is let Rust left his case for eight years, he ran, he"averted his eyes". Is Nic just want to make Rust having decadent lifeand aged quickly? How did you understand this plot?
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Having watch the interviews of you and Nic (Not all of them though), your Rust seems tougher than Nicās. You give Rust so much energy, and enormous vitality, a kind of sick, unhealthy, rusting vitality, but remarkably indomitable, like the raging fire from hell.
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Such vitality makes Rustās ārebornā more convincing. Whatā the reason? Regret? Not accept defeat? Want to make sure the debt is paied? However, āin the last nanosecondā, he canāt ālet goā. His strong death wish beated by his stronger instinct of being alive. He left family and death, which he loves, but come back to human race and ife, which he hates.
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Nic want to write a nihilist before TD, he enjoy article about nihilism, but he is not a nihilist, so did Rust. Nihilism is ātrueā, but it is againest humanās emotion. And Rust was born to be an emotionally intense man.
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Rustās brain āknowsā Nihilism is true. But his black and white sense of wrong and right, strict moral code, extreme sense of justice and guilt is inside his body, they are his nature,such nature againest the void and ruleless nihilism.Throughout his life, he always let his body, not brain, to make decisions and take actions. He is never a rational man.
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Rust always take the side of justice, firmer than Marty did. Not by means of words or thoughts, but action. As Nic said, he is a true hero.
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The contradiction of Rustās words and action embodied the themes of TD: āchaotic nihilismā and ābinary oppositionā. To show such intensive opposition in one character, and make audience convinced that he is a real person, is really difficult. But you just marvelously made it.
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I know you donāt like adjectives, in fact Iām almost run out of them. No matter how much adjectives I used, they cannot describe how great your performance is. Letās put it this way, it is THE best performance Iāve ever seen, the second place may be one light-year away.
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Aside from True Detective,I think āDallas Buyers Club"ļ¼"Killer Joe"are your best performances.
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They are two contradictory performances, but both of them maintained the highest quality.(playing Ron must be more difficult though)Your acting was very natural, despite the roles are very dramatic.
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The performance in DBC intended to let audiences come into Ronās heart,share his will and woe.You showed Ronās emotions delicately and powerfully in every moments, Thus the audiences are totally understood and moved,their contempt to a "redneckā shaded into admiration.
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But the acting in Killer Joe is completely different from DBC,as you said,Joe didnāt need to get on well with anybody,actually,including the audiences.
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His mission is frighten the audiences,keep them out of his door.
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He must be unfathomable,cautious to express feelings,and even if he did,itās in an abnormal way.
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The more unfathomable and unpredicable he is,the more terrified audience are.
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I guess when an performer act such a role in such kind of movie, he may consider more about how to maximize his effect on audience than explore the characterās heart. May be thatās why you said Joe did not have repertoire?To keep mysterious and awesome seems more important than express emotions.
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Aside from that classic cult scene, the chicken scene, there are two scenes I like in particular. First is, from Joe gently encourage Dottie come out the room, to order her to exchange clothesā¦ā¦.
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OMG there are several minutes I truely believe he was a gentle man who seldom in love with anyone did in love with Dottieā¦ā¦..
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The contrast , the unpredictability you showed scared me out of my wits. Just a second before, he was so nice and sincere, and treated Dottie like she is the most valuable treasure he ever found, then he did the most terrible thing to her. Your shift from gentle to scary was incredibly natural.
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Another scene is the dinner scene. It is obvious that you didnāt play Joe as a flat freak, we can see Joe really yearn for family from this scene. He want to make it like a family dinner, but it was just an illusion build up by his orders. Of course they are not his family, he was like a child have no idea what a normal family look like, and force others to playing house with him.
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Therefore, when Joe knew the woman he loves will give born to his real family, you think it will be a deliverance to Joe, so he looks ecstasy, but not scared, which suggested by the director.
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By the way, I must thank Mr. Friedkin, you look gorgeous in āKiller Joeāā¦ā¦..
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Performance is everything in āDallas Buyers Clubā, and your performance is heartbreaking, Ron is my favourite character in your films. Ron had hundreds of defects for sure, but I love strong man, and he is almost invincible.
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He was so vulgar and noble at the same time. He was fighting for life with all his strength, illuminated the most primordial brilliance of humanity. I canāt point out one best scene, it was so unforgettable from the beginning to the end, your eyes did a great job.
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A coarse redneck was appeared vividly on screen when the first time Ron showed up. Such great performance followed by serial amazing scenes: confirmed he was HIV-positive in library, negotiate with the doctor, desperated in the car, bounced back in mexico and drive to Texas, pretended to be a priest, suffered in theairport toilet, do Rayon justice in the supermarket, gone mad in hospital after Rayon died, gone painfully clear-headed from give-up absent-minded in front of a prostitute, confessed with the doctor at the endā¦ā¦
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Every scene is wonderful and real, the emotion of the character was bleeding. No wonder it was unbearable for Ronās family, even audience who know nothing about Ron would be deeply deeply touched.
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Although I think āKiller Joeā and āDBCā are two contradictory performances, but you actually combine these two kinds of acting in TD, Rust was oppressing and expressing, unfathomable but emotional.
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In terms of acting, you are my favourite actor. All your performance is so powerful and dynamic. You power of silence is getting greater and greater. I would love to see you act in every character.Just keep acting! Wish you and your family all the best!
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P.S. Would love to see you play Matthew Scudder particularly. Or maybe play a dumb in a european historical movies?(lol) Seriouly, I do think you have a classical face to play such movies.