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Bronze Figure, Herman de Wetter, n.d., Brooklyn Museum: Photography
Size: comp.: 9 x 7 ½ in. (22.9 x 19.1 cm) mount: 17 x 13 in. (43.2 x 33 cm) Medium: Gelatin silver photograph
https://www.brooklynmuseum.org/opencollection/objects/121544
Shiva explains to his companion, "There is no one in the world who does not kill. He who walks kills innumerable insects with his feet. Even when sleeping, lives can be destroyed. All creatures kill one another. . . It is not possible for anyone to live without killing . . . Only those die who are destined to die. Every living being is slain by Fate; death only comes afterwards. Nothing escapes Fate.
In the Anushdsana Parva of the Mahabharata (chap. 213),
The rivers of Hell, The Pantheon, representing the fabulous histories of the heathen gods, 1803
The Virgin’s Oak, Rannée.
In 1792 a young girl is shot at the foot of this oak by the revolutionary’s army because she didn’t want to betray a priest; now it’s a pilgrimage site.
> Photo by Llann Wé (2014).

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Amulets and superstitions, 1930
Night Mail
W. H. Auden
This is the night mail crossing the Border, Bringing the cheque and the postal order, Letters for the rich, letters for the poor, The shop at the corner, the girl next door. Pulling up Beattock, a steady climb: The gradient’s against her, but she’s on time. Past cotton-grass and moorland boulder Shovelling white steam over her shoulder, Snorting noisily as she passes Silent miles of wind-bent grasses. Birds turn their heads as she approaches, Stare from bushes at her blank-faced coaches. Sheep-dogs cannot turn her course; They slumber on with paws across. In the farm she passes no one wakes, But a jug in a bedroom gently shakes. Dawn freshens, Her climb is done. Down towards Glasgow she descends, Towards the steam tugs yelping down a glade of cranes Towards the fields of apparatus, the furnaces Set on the dark plain like gigantic chessmen. All Scotland waits for her: In dark glens, beside pale-green lochs Men long for news. Letters of thanks, letters from banks, Letters of joy from girl and boy, Receipted bills and invitations To inspect new stock or to visit relations, And applications for situations, And timid lovers’ declarations, And gossip, gossip from all the nations, News circumstantial, news financial, Letters with holiday snaps to enlarge in, Letters with faces scrawled on the margin, Letters from uncles, cousins, and aunts, Letters to Scotland from the South of France, Letters of condolence to Highlands and Lowlands Written on paper of every hue, The pink, the violet, the white and the blue, The chatty, the catty, the boring, the adoring, The cold and official and the heart’s outpouring, Clever, stupid, short and long, The typed and the printed and the spelt all wrong. Thousands are still asleep, Dreaming of terrifying monsters Or of friendly tea beside the band in Cranston’s or Crawford’s: Asleep in working Glasgow, asleep in well-set Edinburgh, Asleep in granite Aberdeen, They continue their dreams, But shall wake soon and hope for letters, And none will hear the postman’s knock Without a quickening of the heart, For who can bear to feel himself forgotten?
Family Fallout Shelters
U.S. Office of Civil and Defense Mobilization USA, 1960
A man carries an idol of Hindu elephant headed god Ganesha to immerse it in the Arabian Sea on the fifth day of the ten day long Ganesh Chaturthi festival in Mumbai, on September 5, 2011.
Photographer: Rajanish Kakade
Frédéric Barzilay, Nuque, 1979

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by Karin Rosenthal
La brûlure de mille soleils (1965), dir. Pierre Kast
The Autopsy
Photo by Tyson Monson
Ten Plagues Masks
The Passenger in Cabin 54—The Cruise, Henri de Toulouse-Lautrec, 1896, Art Institute of Chicago: Prints and Drawings
John H. Wrenn Fund Size: 584 × 411 mm Medium: Color lithograph on ivory wove paper
https://www.artic.edu/artworks/67035/

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Vente de moutons sur le marché à Alger, circa 1960, Algérie.
Jean-Louis SWINERS
James Ensor, “Skeletons Fighting Over a Pickled Herring” (1891)