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NAMEΒ Β :Β Β Hero Toland
NAMEΒ MEANINGΒ Β :Β Β heroβΒ brave on of the people .Β Β tolandβΒ own taxed land.
HOME TOWN:Β Β birmingham , uk
AGE Β Β :Β Β forty
GENDER & PRONOUNSΒ Β :Β Β cis man ,Β he / him
ORIENTATION:Β Β bisexual , biromatic
OCCUPATION : theater director / producer
PERSONALITY:Β strategic, visionary,Β intelligent, manipulative, cunning, compassionate.
SONG: rule the world by: zayde wolf
Β claudius Β ( Β hamlet Β ) Β , Β tyrion Β lannister Β & Β tywin Β lannister Β ( Β game Β of Β thrones Β ) Β Β , Β daemon Β targaryen Β ( Β house Β of Β the Β dragon Β ) Β , Β jay Β gatsby Β ( Β the Β great Β gatsby Β ) Β , Β roy Β kent Β ( Β ted Β lasso Β ) .
βIt takes a special combination of selfishness and selflessness to be a director, and Iβve found I have just enough of both.. "
βGrowing up in Birmingham for Hero was a touchy subject. His mother left his father when he was around ten years old. Dad hit the bottle hard after that, and it was up to him to take care of your four younger siblings early on. He never blamed his dad for his machismo. He wasnβt drunk that got violent. He was the kind of drunk that you felt sorry for. Still, it was hard not to resent his old man. he became the man of the house early on, and that was how his love of cooking started.
βMum had been the one to do most of the cooking, with her gone, and dad to instead stand on his own feet let alone cook his childrenβs food. The responsibility fell on Hero. He even had to go grocery shopping, gather up all the kids, and make the trek to the farmers market. He does his best to entertain and distract his siblings on the long walks to and from. Singing songs and telling stories, all to keep their minds off things.
βBut when it was time to cook, he liked the kitchen. Even as his little sister helped him out - his little sous chef. Sure, he got picked on when kids found out he was doing the mumβs job cooking the meals. In which case, they caught both of his fists. Hero was happy to take care of his siblings. Of course, he didnβt like it all the time. He didnβt like having to help his dad get up and out of bed each day and night. Didnβt like to cook all the time. He was a kidβ¦ but they were his family, and family was and would always be important to him.
βEventually, though, Dad started drinking less. Became more present and aware that his children needed him. And he was grateful, at sixteen, knowing he needed the break, wanted the chance to enjoy his life, and boy did he do so with gusto.
βWhen it was time to figure out what he wanted to do, he knew it would revolve around foodβ or at least that is what he thought. Nothing thing he loved even more than cooking was telling stories. He never had the desire to be in the spotlight but bring stories to life, working behind the scenes he loved.
βIt started with little short films and plays for the school for local film festivals. His creativity was able to blossom and bloom and he embraced it. As the years went on he β went to a prestigious film school. Stacking up thousands in debt, he eventually and slowly started to work on film and television, and for a while, he enjoyed being a PA and getting that experience. Eventually, though, the theater was more of his calling. So he and three of his siblings moved to New York and there he worked his way up the ranks as a director.
βMoving to East Haven was more of a needed mental retreat than anything. For over 20+ years heβd been burning the candle at both ends. He needed a little peace, needed a change of pace and scenery. Why not East Havenβ¦ of course, his self-imposed retirement didnβt last long. And soon took up a director job at the local performing arts centerβ¦ guess old habits die hard.
Β Β β Β iβll Β spare Β you Β the Β details, Β but Β my Β producers Β think Β youβll Β be Β a Β hit Β and Β everyone Β agrees. Β β Β he holds Β their Β gaze, Β feigning Β professionalism, Β but Β they Β both Β know Β that Β this Β wonβt Β be Β a Β walk Β in Β the Β park. he's picky and rightfully so-- there is a reason he had hit after hit on brodway and he would make sure that this play would be no different. Β he Β clears Β his throat Β before Β speaking Β again. Β β Β if Β we Β can Β set Β aside Β ourΒ ...Β Β differences, Β it Β could Β work Β out Β really Β well Β for Β the Β both Β of Β us. Β β Β he pauses Β for Β just Β a Β moment, Β already Β impatient Β for Β the Β otherβs Β answer. Β β Β so Β are Β you Β in Β or Β what Β ? Β β
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