Edwin Holgate (Canada 1892-1977) March Thaw, Morin Heights (c. 1940) oil on panel 21.6 x 26.7 cm
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Edwin Holgate (Canada 1892-1977) March Thaw, Morin Heights (c. 1940) oil on panel 21.6 x 26.7 cm

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萩原 卓哉/Hagihara Takuya
Archive
Tae Lee
Johannes Schnatmann
Tim White

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Floriated ornament : a series of thirty-one designs - Augustus Welby Northmore Pugin - via Internet Archive
Details of Helmouth, Hours of Catherine of Cleves, 15th century
Max Ernst (German, 1891–1976) - But in Color, oil and decalcomania on panel, 27.1 x 35.2 cm (1962)
no sense of direction, endless walking. bright sky and you could be in the warm dark while the moon is just like a flashlight. finger paint like mountains suggest creation as tactical and close; easy to manipulate? what is chipping away and building, what does it mean to be able to control our environment. what is it to have another material then what you’re made of of?
Entering the Desert (2016 / Acrylics on amatl paper) - David S. Herrerias
almost like a face, a symmetry poly-ed down. so big it makes its own terrain. similar colors of sky and land makes an equalizing feeling, like being calm; you only acknowledge calm when it makes you not-distressed. we know the color of desolation.
by Nicholas Hely Hutchinson

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“The penitent Magdalene” 1630
Francesco Lupicini
Casey Jex Smith (American,b.1976)
Water Elemental, 2021
pen on paper
could everything just be what it is or is everything just nothing fr fr
Out from the dark I remember it was here I died By following the freezing moon

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Aquatic Amanita Muscaria patch that was flooded by heavy rain Photography: Sierra Dawn
Dawid Zdobylak (Polish,b.1993)
Polna Droga II, 2019
Oil on canvas