she’s back and better than ever
trying on a metaphor
Cosmic Funnies
Cosimo Galluzzi
Lint Roller? I Barely Know Her
One Nice Bug Per Day
cherry valley forever

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Aqua Utopia|海の底で記憶を紡ぐ
2025 on Tumblr: Trends That Defined the Year
d e v o n
Jules of Nature

祝日 / Permanent Vacation
Monterey Bay Aquarium
art blog(derogatory)
DEAR READER
styofa doing anything
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@hephaestusstation
she’s back and better than ever

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Okay! Obviously, I love Wolf 359. The available scripts for Wolf 359 are recording scripts, meaning they're inaccurate in a ton of places when it comes to finalized or improvised dialogue, and don't function well as transcripts (especially since the scripts for the live show and some of the mini episodes were never made available.) That said, I think everyone should read the scripts; the sheer amount of physical description that you can feel in the show, even if you can't see it... I guarantee it will enhance your listening experience. Most visual show to ever be an audio drama. So, in pursuit of both of these goals at once, I went over every word in the scripts, and wrote up new scripts for the unavailable ones. Some of the sound effects described - especially in early episodes - might not line up exactly, because I didn't want to mess with the non-dialogue portion of the show, but I hope this strikes a good balance and can be a useful resource.
variations on a theme
HAPPY 43RD BIRTHDAY, DOUG EIFFEL!! and happy ten years of not having to spend birthdays in space. 🌟🎉🍕📻🎧📼🎵💕🌯🍩🚬☕🛏💤💝💝💝🎁❣ (<- my gifts for him)

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I'm very doubtful that Koudelka ever received the message that Minkowksi records for him in 'Am I Alone Now?'. But I do think it's worth thinking about how if he did receive it, then his birthday present from his extremely long-distance wife would have been a message that's like 'I don't trust anyone in this crew. The plant monster is still at large. I'm hearing things in the walls. There is something wrong with how time and space work on this space station. Happy birthday by the way.' So I'm sure that would have improved his birthday and not sent him into a spiral of worry or anything.
The Hephaestus station, named for the God of blacksmithing and invention, is held together as if by "duct tape and sheer stubbornness", reshaped and repaired over and over.
The Hephaestus, named for the God of fire and volcanoes, is frequently in danger of exploding or falling into the star, and is finally engulfed by Wolf 359 at the end of the series.
The Hephaestus, named for the God cast out of Olympus as a child, is "one of the remotest outposts", manned by a motley crew of outcasts and rejects, nearly 8 light years from home.
a remake of wolf 359 that's exactly the same but lovelace gets to say "fuck" and "shit" as many times as she wants
i'll be joining art fight this year on team fossils!
An art gifting game
Video description: Four cellists play an arrangement of Bolero by Ravel using a single cello between them. There is occasional text on screen but no voiceover.

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Commission for Elerryn on Bluesky
The 101 podcasts with the highest "Yes" percentage from the 647 polled by haveyouheardthispodcast from October 25th, 2023 to July 28th
Thank you for all your votes. I have harvested your data to join in with the trends. —Mod Nic
How many of these podcasts have you heard?
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All 101
two things about doug eiffel: 1) he's a very physical person; he's always moving and needs to keep his hands occupied, and that extends to physical affection, something he's largely denied on the hephaestus; 2) he is an absolute space heater of a man.
which is to say, if hera had a body, i would hope for her sake that it'd be more biological than mechanical, because that guy is going to cause something to overheat.
... but, also. because, the way eiffel interacts with hera, he's always attempting to establish some physical connection - i think he makes eye contact with her cameras, touches the walls, etc. and he knows she's "always there" but he still doesn't really get it. he keeps asking. i think the same thing applies to her presence in the station - he never fully gets that she's always everywhere. sometimes when he gets up to leave a room, he'll ask her to go with him - just force of habit.
and sometimes, when he can't sleep properly - which is often; he's a restless sleeper, overcaffeinated, and his thoughts keep him awake - he'll curl up next to hera's servers. and it's hot in there - and he's already a sweaty guy - or it's too cold, if the AC is actually working properly - and it's loud, but it's enough to quiet his thoughts. and at first hera reminds him that she's equally there in his quarters (which would be set up enough for a suggestive retort, if he were any less tired), but he looks so tired, and it seems to help. and she's not sure why, but it does kind of make her feel closer to him, too.
In the past I lay out on the land Stretched my legs felt my chest expand If we could flow together someday Then we will float away
speedpaint on my youtube
bg credit to margaret meixner, JWST image 2023
greyscale + alt ver under the cut!
finally started a w359 relisten and listening to the empty man cometh in the middle of the night was a mistake, i forgot how unsettling it is

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really can't be overstated just how much the physicality that wolf 359 is written and performed with adds to the feel of it. there is so much written into those scripts that absolutely cannot be represented in an audio-only format, but it's in there and it's performed with those details and that stage direction in mind and so much of it manages to come through. a combination of that and the sound design and the way it uses audio cues like a visual medium might creates something intangibly tangible in the way the characters occupy and interact with and share the space they're in. most visual show ever to be a podcast.
It's so important to me that Minkowski and Eiffel and Hera spend December 25th together to celebrate Eiffel's birthday post-canon. And the hope that they spend that day together is a sentiment shared by Gabriel Urbina.
But Minkowski canonically cares about Christmas itself. Minkowski has people in her life whom she could spend Christmas with. And so there will probably have to be a difficult conversation at some point after the Hephaestus crew return to Earth, when someone says how good it will be to have Renée there for Christmas Day again. And Minkowski will have to look at her husband, or her relatives, or her in-laws - people who loved her and mourned her and celebrated upon her return from the dead - and she'll have to tell them that she won't be there on Christmas Day. And if the person who asks knows her at all, they'll see the look on her face and know that there's no negotiating to be done here.
It's not exactly that she doesn't want to celebrate Christmas with the people she used to celebrate Christmas with. But she can do that on any day near the end of December. Spending December 25th with Eiffel and Hera is something she absolutely cannot compromise on.
The main reason she'd give for this is that December 25th is Eiffel's birthday. Whether or not it matters to him as much as it used to, Minkowski wants Eiffel's birthday to get the recognition it deserves, because it was so important to him and he never expected anyone else to care or remember.
A second reason - one she might never speak aloud - is that she's always thought that Christmas is a time for family, and nowadays that means that spending it with Eiffel and Hera feels right to her.
But I think there's a third, perhaps equally important, reason underneath those two. Maybe she doesn't admit it to herself consciously, but I think part of Minkowski believes that the only people who can really understand the complicated way she now feels about December 25th are the two people who were there with her when everything went to hell on Christmas Day.
It was December 25th when they realised they'd made contact with aliens, and when Hilbert locked Minkowski outside the airlock and tried to incapacitate Eiffel and tore out Hera's personality hardware, and when everything Minkowski had thought she knew about the Hephaestus mission fell apart.
How can she exchange gifts with people for whom it isn't the anniversary of the one of the worst days of their life? How can she gather round a Christmas tree with people who've never feared for their lives at the hands of Alexander Hilbert and Goddard Futuristics? How can she eat turkey and trimmings with people who weren't there when the Christmas dinner was never eaten because there was a murderous mutiny from one of the intended guests? How can she spend December 25th with people for whom it's never been a day of betrayal and fear and loss and uncertainty eight lightyears away from Earth?
Eiffel doesn't remember that awful Christmas and that brings its own kind of pain for Minkowski. But he was there, and so was Hera, and so (no matter what anyone else expects) Minkowski needs to be with them on that complicated day.