For context: Jonis Josef is a famous Norwegian comedian.

shark vs the universe
almost home

izzy's playlists!
Monterey Bay Aquarium

β£ Chile in a Photography β£
art blog(derogatory)
πͺΌ

β

PR's Tumblrdome
cherry valley forever
todays bird
Sade Olutola
RMH

Love Begins
Peter Solarz

η₯ζ₯ / Permanent Vacation
d e v o n
NASA

romaβ
seen from United States
seen from France
seen from Nepal
seen from Germany

seen from India

seen from Italy

seen from Germany
seen from South Korea

seen from Malaysia

seen from Russia

seen from United States
seen from Lithuania
seen from Germany
seen from Mexico

seen from Mexico
seen from Mexico

seen from Malaysia
seen from Honduras
seen from United States

seen from United States
@helianyx
For context: Jonis Josef is a famous Norwegian comedian.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
"it's not that deep" START DIGGING!!
DIG
DIG
DIG
DIG
OOPS TOO DEEP
CLIMB
CLIMB
CLIMB
CLIMB
CLIMB
CLIMB
why is it so hot. why is it so hot. I am being punished.
I'm having my first 24/7 dom/sub relationship with the entirety of the fucking sun
βThe Militarization of the Police Department β Deadly Farce,β an original painting by Richard Williams fromΒ βThe 20 Dumbest People, Events, and Things of 2014β³ in Mad magazine #531, published by DC Comics, February 2015.
Hereβs the original, for comparison. And hereβs a bit more about the artist and why he created the piece above for MAD Magazine.
Richard Williams on Norman Rockwell:
βFor most people, he was the painter of βAmerica,ββ he added. βBut even he said his vision was what he wanted βAmericaβ to be. It was a mythical βAmerica,β a place where all people were decent, honest and full of good will. His work was full of gentle humor that made you feel a little better; even if you knew it wasnβt really trueβ¦ you just wished it was. My parody of Rockwellβs painting simply says, βThat myth is dead.ββ
I think itβs relevant to add that even Norman Rockwell chose to leave his cushy job at the Saturday Evening Post because he wanted to make artwork that was more radical. The Post had rules that wouldnβt allow him to do artwork depicting black people as anything other than servants. The job paid really well and that was a huge reason he continued on. But he wanted change that and so he moved to Look magazine.
A lot of people know about the very first piece he did when he left the post which was the The Problem We All Live With which depicts Ruby Bridges walking to school under federal protection.
But I donβt think enough people know about Murder in Mississippi which depicts three real civil rights activists who were murdered by the Ku Klux Klan and sherriffs. The magazine ran the sketch instead of the finished piece because they felt it had a more striking statement to accompany the article. Norman Rockwell would finish that version after publication which is here
Rockwellβs legacy is sanitized because he decided to maintain his job at the Post for so long despite his frustrations with not being able to express himself. The civil rights movement was just his final straw to change what he could with the little time he had left. Look magazine received a lot of hate for Rockwell painting these as well.
Another favorite piece of mine is The Right to Know which depicts an integrated populace questioning their government. In 1968, the year of Vietnam and the year the Fair Housing Act only just got signed in months prior:
But I think itβs important to include the caption Rockwell originally wrote for the piece as well. I think it represents how a 74 year old Rockwell felt about the America he believed in and the people in it:
We are the governed, but we govern too. Assume our love of country, for it is only the simplest of self-love. Worry little about our strength, for we have our history to show for it. And because we are strong, there are others who have hope. But watch us more closely from now on, for those of us who stand here mean to watch those we put in the seats of power. And listen to us, you who lead, for we are listening harder for the truth that you have not always offered us. Your voice must be ours, and ours speaks of cities that are not safe, and of wars we do not want, of poor in a land of plenty, and of a world that will not take the shape our arms would give it. We are not fierce, and the truth will not frighten us. Trust us, for we have given you our trust. We are the governed, remember, but we govern too.
Iβd just like to briefly say even Rockwellβs seemingly feel good Americana pieces are often more political than people today realize for example
likely the most famous picture of a Thanksgiving dinner ever painted and you see it all the time.
What you may not know is its actual title
βFreedom From Wantβ itβs a part of a series of 4, including this now famous meme
βFreedom of Speechβ These paintings were illustrations of FDRβs βFour Freedomsβ speech where The President laid out a vision that would become what the Allies were fighting for in WWII universal human rights that became a part of the UN charter.
So this homey American Thanksgiving scene was also a bold statement that no one in the world should go hungry
Rockwellβs work was very political, he used that Americana small town America vibe of his work to make what he was saying feel very close to the viewers he was trying to reach and also his optimism of the human spirt but for sure not blind to the need to build a better world.
βDo dishesβ and βtake out trashβ both require the use of a spell slot, vs βuse phoneβ is a cantrip, and brother, I am a level one wizard

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
The older i get the more i understand why some people become obsessed with privacy, not because theyβre hiding something, but because being constantly perceived starts to feel spiritually exhausting.
Did you know that soda machines at restaurants and movie theaters spy on you? That most common new cars now record your sexual preferences and send it to the manufacturer (and also data about anyone who also gets in your car, walks by your car, and maybe happens to be within visual range of your car)? That grocery stores are trying to force customers to download an app to scan barcodes on shelves instead of putting up prices, so the app can scan the phone, decide how much that customer should be squeezed for, and adjust the price? That more and more innocent people are being sent to jail for crimes committed hundreds of miles away because an AI facial recognition algorithm spit their faces out and the cops didn't bother to do the most basic of checks?
I am not uptight about privacy because I'm hiding something. I'm uptight about it because the people who dismiss my right to privacy are dangerous to you and me and our families, personally, all the time.
And often, they are assholes, too.
"It doesn't help your credibility to exaggerate, most employers wouldn't literally work you to death" like, I used to work in distribution. If booking a truck driver for back to back shifts until they fall asleep at the wheel, crash, and die counts as being worked to death, I have personally met employers who've worked employees to death and gotten away with a slap on the wrist. It may not be universal, but it's a hell of a lot more common than a lot of us would prefer to think.
Death by spreadsheet is an acceptable degree of separation for most in middle management. They can sleep at night without guilt for what they've done, because the system charitably setup twelve degrees of separation between their choices and the real-world harm. But do not be fooled, their choices set that harm into motion. Without their reckless disregard for human life, the harm would not be done.
I used to work at a TV station in Ohio. On weekends, we only had an 11pm news broadcast. Not much happened on weekends, ya know? I worked Monday-Friday 9-5, but someone on the weekend shift quit, so I also had to come in at 9pm on Sat/Sun to work the 11pm news. It was brutal. I worked seven days a week, even if two of them were ~3hrs.
This was a particularly bad winter. One Saturday, we had a level 2 snow emergency: That means you should only travel if you absolutely must. Like, it's not uncommon for cops to pull you over in level 2 emergencies to ask where you're going and why. It is genuinely dangerous to drive in that much snow.
I told my boss as much, how I almost crashed on the way home at 12:30am after a news broadcast. I told him I would need to call off if there were a snow emergency again during a night snow.
He told me, point blank, "If you ever call me about the goddamn snow, I will take it as a call of resignation."
And that was that! The very next Saturday, snow fell again. It was a level 2, but would become level 3 by sunup. Level 3 means driving is literally illegal except for ambulances and snow plows. I stared out the window, watching the snow, and I had to make a choice.
"Will I die for this? Will I kill myself to keep this job?" I made $11/hr.
Yes, managers work you to death. That's their job.
Every single labor protection is written in the blood of those who were literally worked to death, and business owners and profiteers would claw those protections back with glee if they could. They will squeeze every red cent from your body if they are allowed, and write off your death for an insurance payout that they'll try to pocket for themselves while hiring your replacement for half the pay they gave to you.
im saying this everyday
I DONT CARE HOW MANY BEDS THERE WERE. WHAT IS YOUR BOOK ABOUT
(tearfully) w- working at the mattress store
i'm so fucking sorry. can you ever forgive me

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
A Love for Ignorance
click and drag to take maisy car for a drive around your dashboard
if you are on mobile good news! you can just move your phone around and it is like you are driving maisy car around the real world!
theres some stuff im rather abnormal about
HAPPY FOURTH OF JULYππ
Bailey + PC QnAs - 07/04/2026
I asked Vrelnir questions for the very first time!!! I AM PUMPED AND SO HAPPY! PLEASE ENJOY, BAILEY ENJOYERS! Under the "read more" are the image files of the Discord messages sent/received!
1. Does Bailey's tattoo contain any symbols like the wards at the orphanage/his flats?
That's a good question :VrelHapp:
2. Did the snake imagery on the ceiling and floor of Bailey's flat exist before he moved in or did he hire people to do it?
It was Bailey's doing, aye.
3. Would Bailey eat some of PC's famous cream buns? Alternatively: Is breast milk/semen one of Bailey's acceptable ingredients?
Only if they could verify where all the ingredients came from, and found them acceptable. They wouldn't be keen on the breast/milk semen. They're keen on the money though.
4. I know Gwylan helped the last caretaker out, but does Bailey see Gwylan sort of like a father/mother, older sibling, or perhaps a mentor figure? I loved seeing him shuffle awkwardly in place when Gwylan confronts them!
They see them as something unique.
The Avery Skyscraper ending was wonderful, but I need to ask...
5. Why does Bailey stop Robin from getting in his car at the end when they are injured? He already let Robin ride all the way over from the skyscraper to Avery's mansion only to leave Robin there? Someone has to drive Robin down Avery's long driveway anyway, right?! Poor Robin!
Poor Robin indeed!
6. I look forward to repercussions to sabotaging Averys's tower. Remy must be livid knowing that it was sabotaged and that the sabotage lead to their face being burned! Why is Remy/Harper not immediately suspicious that Bailey is the saboteur of the ceremony when Bailey burns down Avery's mansion within HOURS of the skyscraper falling?
I'm glad to hear it. Remy is indeed livid. While Bailey's behaviour is suspicious, it's so brazen that Remy/Harper think they were behind the skyscraper as well. They already consider Bailey an opportunist. They suspect whoever's truly responsible is keeping their head down.
7. My absolute favorite content in the game is the various locations in the game where you can lie that Bailey sent you or even act as their enforcer. How would Bailey react if he found out PC invokes their name?
I'm glad you like it! Bailey wouldn't necessarily mind that the PC was invoking their name, as long as the PC wasn't working against Bailey when doing so.
8. I feel that if Bailey can trust Whitney to do odd jobs, then he might trust a particularly skulduggerous PC! Is there any chance of PC going on jobs with Whitney? If yes, what would Bailey "pay" PC with or would he simply not pay them and think of it as going towards Whitney's secret deal?
Bailey might indeed trust a skulduggerous PC! Unlike Whitney however, they'd prefer the PC to remain capable of making them money. They can use Whitney in more expendable ways. It's possible they'd send the PC on a mission with Whitney, but they'll usuall be too dangerous. Bailey wouldn't pay the PC anything if they did, though.
9. You answered what DOL LIs ending might get in the "Hopeless Cycle" if they were in Fayne's position and PC was put into Nona's. What ending do you think Bailey would get? Would that ending change IF Bailey was in love with PC?
I think Bailey would get ending D. They might get B or A if they were in love with the PC, though.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
βHow does one hate a country, or love one?β¦ I know people, I know towns, farms, hills and rivers and rocks, I know how the sun at sunset in autumn falls on the side of a certain plowland in the hills; but what is the sense of giving a boundary to all that, of giving it a name and ceasing to love where the name ceases to apply? What is love for oneβs country; is it hate for oneβs uncountry? Then itβs not a good thing. Is it simply self-love? Thatβs a good thing, but one mustnβt make a virtue of it, or a profession.β
β Ursula K. Le Guin, from The Left Hand of Darkness (1969)