the authorβs thinly veiled nothing #notwriting #straightupnotwritingit

shark vs the universe

Janaina Medeiros
Cosmic Funnies
almost home
Cosimo Galluzzi

#extradirty
Jules of Nature
let's talk about Bridgerton tea, my ask is open
will byers stan first human second
RMH

titsay
he wasn't even looking at me and he found me
Show & Tell
I'd rather be in outer space πΈ

Product Placement
$LAYYYTER
Game of Thrones Daily
Alisa U Zemlji Chuda
Sade Olutola

Love Begins

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@helianyx
the authorβs thinly veiled nothing #notwriting #straightupnotwritingit

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pov: you're making history. you're working with the most advanced technology in the world. outlook still doesn't fucking work.
Enemy (2013) dir. Denis Villeneuve
For context: Jonis Josef is a famous Norwegian comedian.
"it's not that deep" START DIGGING!!
DIG
DIG
DIG
DIG
OOPS TOO DEEP
CLIMB
CLIMB
CLIMB
CLIMB
CLIMB
CLIMB

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why is it so hot. why is it so hot. I am being punished.
I'm having my first 24/7 dom/sub relationship with the entirety of the fucking sun
βThe Militarization of the Police Department β Deadly Farce,β an original painting by Richard Williams fromΒ βThe 20 Dumbest People, Events, and Things of 2014β³ in Mad magazine #531, published by DC Comics, February 2015.
Hereβs the original, for comparison. And hereβs a bit more about the artist and why he created the piece above for MAD Magazine.
Richard Williams on Norman Rockwell:
βFor most people, he was the painter of βAmerica,ββ he added. βBut even he said his vision was what he wanted βAmericaβ to be. It was a mythical βAmerica,β a place where all people were decent, honest and full of good will. His work was full of gentle humor that made you feel a little better; even if you knew it wasnβt really trueβ¦ you just wished it was. My parody of Rockwellβs painting simply says, βThat myth is dead.ββ
I think itβs relevant to add that even Norman Rockwell chose to leave his cushy job at the Saturday Evening Post because he wanted to make artwork that was more radical. The Post had rules that wouldnβt allow him to do artwork depicting black people as anything other than servants. The job paid really well and that was a huge reason he continued on. But he wanted change that and so he moved to Look magazine.
A lot of people know about the very first piece he did when he left the post which was the The Problem We All Live With which depicts Ruby Bridges walking to school under federal protection.
But I donβt think enough people know about Murder in Mississippi which depicts three real civil rights activists who were murdered by the Ku Klux Klan and sherriffs. The magazine ran the sketch instead of the finished piece because they felt it had a more striking statement to accompany the article. Norman Rockwell would finish that version after publication which is here
Rockwellβs legacy is sanitized because he decided to maintain his job at the Post for so long despite his frustrations with not being able to express himself. The civil rights movement was just his final straw to change what he could with the little time he had left. Look magazine received a lot of hate for Rockwell painting these as well.
Another favorite piece of mine is The Right to Know which depicts an integrated populace questioning their government. In 1968, the year of Vietnam and the year the Fair Housing Act only just got signed in months prior:
But I think itβs important to include the caption Rockwell originally wrote for the piece as well. I think it represents how a 74 year old Rockwell felt about the America he believed in and the people in it:
We are the governed, but we govern too. Assume our love of country, for it is only the simplest of self-love. Worry little about our strength, for we have our history to show for it. And because we are strong, there are others who have hope. But watch us more closely from now on, for those of us who stand here mean to watch those we put in the seats of power. And listen to us, you who lead, for we are listening harder for the truth that you have not always offered us. Your voice must be ours, and ours speaks of cities that are not safe, and of wars we do not want, of poor in a land of plenty, and of a world that will not take the shape our arms would give it. We are not fierce, and the truth will not frighten us. Trust us, for we have given you our trust. We are the governed, remember, but we govern too.
Iβd just like to briefly say even Rockwellβs seemingly feel good Americana pieces are often more political than people today realize for example
likely the most famous picture of a Thanksgiving dinner ever painted and you see it all the time.
What you may not know is its actual title
βFreedom From Wantβ itβs a part of a series of 4, including this now famous meme
βFreedom of Speechβ These paintings were illustrations of FDRβs βFour Freedomsβ speech where The President laid out a vision that would become what the Allies were fighting for in WWII universal human rights that became a part of the UN charter.
So this homey American Thanksgiving scene was also a bold statement that no one in the world should go hungry
Rockwellβs work was very political, he used that Americana small town America vibe of his work to make what he was saying feel very close to the viewers he was trying to reach and also his optimism of the human spirt but for sure not blind to the need to build a better world.
βDo dishesβ and βtake out trashβ both require the use of a spell slot, vs βuse phoneβ is a cantrip, and brother, I am a level one wizard
The older i get the more i understand why some people become obsessed with privacy, not because theyβre hiding something, but because being constantly perceived starts to feel spiritually exhausting.
Did you know that soda machines at restaurants and movie theaters spy on you? That most common new cars now record your sexual preferences and send it to the manufacturer (and also data about anyone who also gets in your car, walks by your car, and maybe happens to be within visual range of your car)? That grocery stores are trying to force customers to download an app to scan barcodes on shelves instead of putting up prices, so the app can scan the phone, decide how much that customer should be squeezed for, and adjust the price? That more and more innocent people are being sent to jail for crimes committed hundreds of miles away because an AI facial recognition algorithm spit their faces out and the cops didn't bother to do the most basic of checks?
I am not uptight about privacy because I'm hiding something. I'm uptight about it because the people who dismiss my right to privacy are dangerous to you and me and our families, personally, all the time.
And often, they are assholes, too.
"It doesn't help your credibility to exaggerate, most employers wouldn't literally work you to death" like, I used to work in distribution. If booking a truck driver for back to back shifts until they fall asleep at the wheel, crash, and die counts as being worked to death, I have personally met employers who've worked employees to death and gotten away with a slap on the wrist. It may not be universal, but it's a hell of a lot more common than a lot of us would prefer to think.
Death by spreadsheet is an acceptable degree of separation for most in middle management. They can sleep at night without guilt for what they've done, because the system charitably setup twelve degrees of separation between their choices and the real-world harm. But do not be fooled, their choices set that harm into motion. Without their reckless disregard for human life, the harm would not be done.
I used to work at a TV station in Ohio. On weekends, we only had an 11pm news broadcast. Not much happened on weekends, ya know? I worked Monday-Friday 9-5, but someone on the weekend shift quit, so I also had to come in at 9pm on Sat/Sun to work the 11pm news. It was brutal. I worked seven days a week, even if two of them were ~3hrs.
This was a particularly bad winter. One Saturday, we had a level 2 snow emergency: That means you should only travel if you absolutely must. Like, it's not uncommon for cops to pull you over in level 2 emergencies to ask where you're going and why. It is genuinely dangerous to drive in that much snow.
I told my boss as much, how I almost crashed on the way home at 12:30am after a news broadcast. I told him I would need to call off if there were a snow emergency again during a night snow.
He told me, point blank, "If you ever call me about the goddamn snow, I will take it as a call of resignation."
And that was that! The very next Saturday, snow fell again. It was a level 2, but would become level 3 by sunup. Level 3 means driving is literally illegal except for ambulances and snow plows. I stared out the window, watching the snow, and I had to make a choice.
"Will I die for this? Will I kill myself to keep this job?" I made $11/hr.
Yes, managers work you to death. That's their job.
Every single labor protection is written in the blood of those who were literally worked to death, and business owners and profiteers would claw those protections back with glee if they could. They will squeeze every red cent from your body if they are allowed, and write off your death for an insurance payout that they'll try to pocket for themselves while hiring your replacement for half the pay they gave to you.

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im saying this everyday
I DONT CARE HOW MANY BEDS THERE WERE. WHAT IS YOUR BOOK ABOUT
(tearfully) w- working at the mattress store
i'm so fucking sorry. can you ever forgive me
A Love for Ignorance
click and drag to take maisy car for a drive around your dashboard
if you are on mobile good news! you can just move your phone around and it is like you are driving maisy car around the real world!

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theres some stuff im rather abnormal about
HAPPY FOURTH OF JULYππ