Those eyes... Natalie Wood, 1966.
will byers stan first human second

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Sweet Seals For You, Always

Andulka

Origami Around
Alisa U Zemlji Chuda
Today's Document
let's talk about Bridgerton tea, my ask is open
trying on a metaphor
PUT YOUR BEARD IN MY MOUTH
he wasn't even looking at me and he found me

Janaina Medeiros
hello vonnie
todays bird

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Cosimo Galluzzi
taylor price

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@helgaslove
Those eyes... Natalie Wood, 1966.

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Carrie Fisher during the production of the film Shampoo in 1975
π· REX/Columbia Pictures
Carol Heiss ph. in Central Park for Life Magazine by Ralph Morse, 1955
Valley Girl (1983)

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this is how all high protein dessert vids look to me
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Sophia chillin' with a book, 1960s.
Movie theater lobby card: The Wasp Woman - 1959.

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Anne Bancroft
Catherine Deneuve
Lizabeth Scott was an American actress and singer known for her smoky voice and for becoming one of the defining femme fatales of 1940sβ50s film noir. She rose to prominence in Hollywood after stage work and appeared in 22 films, becoming closely associated with dark, morally tangled roles. Her two best and most iconic movies are The Strange Love of Martha Ivers (1946) and Too Late for Tears (1949).
Inger Stevens

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Lizabeth Scott was an American actress and singer known for her smoky voice and for becoming one of the defining femme fatales of 1940sβ50s film noir. She rose to prominence in Hollywood after stage work and appeared in 22 films, becoming closely associated with dark, morally tangled roles. Her two best and most iconic movies are The Strange Love of Martha Ivers (1946) and Too Late for Tears (1949).
Lizabeth Scott was an American actress and singer known for her smoky voice and for becoming one of the defining femme fatales of 1940sβ50s film noir. She rose to prominence in Hollywood after stage work and appeared in 22 films, becoming closely associated with dark, morally tangled roles. Her two best and most iconic movies are The Strange Love of Martha Ivers (1946) and Too Late for Tears (1949).