a bible for catherine pinkerton as written on FLOURBLOOMS. general lore and characterisation are loosely based on heartless and alice in wonderland, but the content of this blog will mostly be based on my personal interpretation and headcanons. highly influenced by high fantasy/fantasy mixed media!
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πΎππΆπ°πΈ πΉπΆπ»πΈπ β» about catherine. character study. universes. wonderland things.
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Catherine despises her husband. It is the Marquess and Marchioness β her parents β who pushed for the royal marriage; though it was her mother who was most eager to have her daughter marry the king, pushing her into ill-fitting dresses or refraining her from having proper meals to 'preserve her form'. Her parents only tolerated her passion for baking because they knew the king (along with the rest of Hearts) loves her desserts. They were ecstatic when they learned of the king's fondness of her desserts, and encouraged her to continue baking only so that she might finally win the king's heart. After all, what greater ascent for their family name than to have their only daughter marry the king? It was only fitting. Unfortunately for Catherine, the king is infatuated with her.
The King of Hearts is a short, stout man who is about 15 years her senior. Just like any monarch, he would parade himself in striking ensembles. But he looks pathetic in most of them. They would always look far too big for his small frame; pantaloons bunched around his knees, fur cloaks that wears him, crown too heavy for his head.
The King of Hearts is a coward; more like a child in a king's body than a true leader, he can't handle stressful, dangerous or high critical situations, even matters of his own court. He prefers to throw parties at problems instead; often hosting meaningless balls, croquet games. He is very easily entertained, and also quite the fool as throughout their courtship, he didn't pick up on that Catherine was very much not interested. The king continues to push through the courtship, completely oblivious to Catherine and Jestβs, the Court Joker, secret romance β even employing Jest's help in expressing his feelings for Catherine.
Catherine will never love her husband, she sees him as a major inconvenience at best. She doesn't pay him much respect and makes no effort to hide her distaste when around him. The king simply believes it to be because she is heartless, not from any real hatred or ill-intent as she still bakes him his favourite tarts when he asks for it.
The longer Catherine lives without her heart, though, she also slowly forgets her true love of baking. The first few years, she bakes from familiarity, and it still is the king's personal request she has to honour. But by the first decade of their marriage, once she's grown into her role and queenly duties, baking tarts becomes a mere routine for pass time. To her it just feels like ancient tradition passed down through many generations, done out of habit rather than true passion or devotion. Eventually bored, she passes down the recipe to the cook so they can bake them for the king instead. The king, non confrontational and again, easily entertained, says nothing to this change and remains a completely oblivious man to his wife.
The heart doesn't work the same way biologically in this world, period. It's a regulator of some kind; it helps regulate feelings but it doesn't generate feelings. Its job is to modulate something that has always exist independently of it, and feelings such as sadness, happiness, anger, frustration are its raw materials. Complex feelings such as betrayal, empathy are the results of the heart doing its job. When it receives these feelings, it regulates or contextualises it; give it proportion or weight by tying it back to some sense of self-worth or morals and so the person may let it pass once resolved. Or maybe not, it doesn't matter, but having a 'heart' allows people to decide this with all considering.
When Jest died, Catherine wanted revenge and the Three Sisters offered it: they'll bring the martyr's killer for the queen's heart.
The heart also plays a big part in self, or identity. For someone to have a sense of self, a set of morals or values to relate to β they need to have the ability to process complex emotions. Raw feelings only responds to the moment, complex feelings allows people to remember across moments. So this also ties to agency. For someone to have agency or simply make a choice, it requires two persisting things operating together; the capacity to want something (which the heart does too) and a sense of self or identity that persists enough to carry that want forward into action.
Without it, emotions come raw and disproportionate, nothing is telling them how big a reaction it warrants or when to let it go. They no longer have that anchor to who they are, their morals, or what they value.
Being heartless doesn't make Catherine deliberately cruel, mean, sadistic. It makes her an electric shock, literally, to everyone around her. Everything she does or feels are of imbalanced proportions, her logic is without a felt sense of stakes.
Everything she does is completely voluntary (nobody is forcing her to execute people) but none of it is chosen in the way that word would typically means where someone evaluates their decisions by weighing them against something they care about before committing to one. She doesn't have the regulator that allows for complex feelings to persist long enough to even have the capacity to want for anything meaningful. So the appearance of choice remains, but whatever makes those decisions genuinely hers is completely gone. She may want to execute someone simply because she didn't like that they were wearing orange today but not being able to explain why other than it hurts her eyes.... while completely ignoring another man wearing orange Β―\_(γ)_/Β―
just one more short thing about this (disclaimer: i donβt know enough about biology to be completely detailed on this part, bare with me)... unlike 'normal hearts', the heart of some Wonderlanders like Catherine, governs the capacity, not the flow of blood. its a container of sorts that can grow bigger (up to certain max size ofc) if its 'used' often. so the more feelings the heart regulates, the bigger it grows, the more blood the body can produce too. in cases like falling in love, this makes people blush more or make it redder than normal, sexual arousal.... all that good stuff. When Catherine had her heart removed, her body down-regulates production to match the available capacity and this makes her look much paler and even corpse-like compared to others.
I'm going to update this post to expand on this later but just wanted to push out a little post on Wonderland! Following canon, 'Wonderland' is a dream-space for outsiders.
Anyone can get to Wonderland but only through sleep and only when their mental grip on reality has already slipped or close to. Most people dream ordinary dreams because their grip rarely loosens that far, Wonderland will only open its doors for minds whose hold on their own world's logic is already cracking. For Alice it was more around her growing up and navigating through that so I tweaked it a bit.
But in general, this can vary, doesn't always have to be extreme and depending on the severity of the situation, the easier they can return and wake from sleep.
Light end: chronic boredom, restlessness, unhappiness... just low stakes events.
Heavy: Trauma, anything that challenges the rules of 'the world is safe and predictable'
Visitors are expected to leave and return to their real world eventually and take the madness that life brings as it comes. 'Everyone has a little madness in them'. Wonderland is not meant to be a place for comfort just a temporary escapism. Its general meaningless puzzles can be frustrating when applied with 'real world' norms, so staying immersed in Wonderland's nonsense long enough can risk loosening a visitor's grip on their own world's 'cause and effect' logic. The longer they stay, the harder they'll return to reality.
On how this ties back to Catherine. The Queen of Hearts is an extreme, most untreated patient of this 'insane asylum'. To contrast with Cheshire's madness, his is on purpose, he's fully present through all of it. He can hold his reality lightly enough to joke about it, he knows he's mad - its all relative! Whereas Catherine can't do that anymore because the self-awareness the cat's madness runs on requires exactly what she traded away: her heart. What's left of her isn't just madness with moral failure, heartless doesn't make her cruel. She just has no clear moral anchor or consistency, there's not enough continuity for her to even have a real sense of self, to hold any specific moral values only whims. That's her flavour of madness; her inconsistency, no continuity - she may think 'A' today but 'Z' tomorrow with no rhyme or reason other than she just felt like it or because the sky today is simply greyer than yesterday. Her logic is whatever she wants it to be.
She is the cautionary tale of what might happen to visitors who stay long enough to lose their 'anchor' where they may end up turning into someone who resembles her current state. Close proximity to the Queen (and her personality) may make this process happen faster.
Playing cards are loyal servants and guards for the King and Queen of Hearts, with each card characters corresponding to different roles or their hierarchy in the Queen's court.
Spades are gardeners.
Clubs are soldiers. Their armour, shoulder plates and other clothing would have a heart stamp or some might even be heart shaped to represent their loyalty to the crown. They are also called the Red Knights. They sometimes act as arches in the Queen's games, or before an execution.
Diamonds are courtiers
Hearts are the members of the loyal family
Playing cards (except for Hearts) would have humans heads, arms and legs but their bodies are shaped like playing cards; square shaped and bends or folds like paper.
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