Multifandom stuff/whatever I’m into at the moment Passionate about nature and queer/disability representation Genderfluid (she/they/he) | Bi | 25 | 18+
Species/Race: Mephistopheles Tiefling
Class: Druid (Circle of the Land)
Background: Outlander
Alignment: Neutral Good
~~Stats~~
~~Appearance~~
Height: 5'3" (minus horns)
Voice: Voice 6
Distinguishing Features: Multiple well-healed scars, particularly on their face and neck; lots of freckles; black, mist-like tattoo radiating from left eye; tail tip is crooked from an old injury
~~Personality~~
Traits: Introverted, secretive, curious, exploratory, passionate, understanding, kind, stubborn
Ideals: Wander believes in protecting life and nature, even if they have to stand on their own to do so.
Bonds: Wander is a faithful follower of Silvanus and is fiercely loyal to their family, Circle, and later their companions. While they don't usually like to spend much time there, they care about the city of Baldur's Gate, even if they wouldn't admit it.
Flaws: Slow to trust, somewhat bitter, reluctant to talk about their feelings
Likes: Nature, studying ecosystems, drawing, raspberries and other sweet things, traveling
Dislikes: Large crowds, confinement (of themself or others), pointless destruction, feeling out of place
~~Backstory~~
Born in the spring of 1465 DR on a small, wooded homestead about a day's ride from Baldur's Gate, the wilderness has been one of Wander's closest companions for longer than they can remember. Between their fairly isolated upbringing and the fact that they were born to a tiefling father and a half-drow mother, Wander didn't have many positive interactions with the outside world until a local druid Circle noticed their affinity with nature and decided to mentor them. Eventually, Wander earned their place as a fully-fledged member.
Once they were older and had completed their training, they decided to go by a virtue name, choosing it based on their love of adventure and desire to see the world, and they've gone by it ever since. They spent the next several years traveling (mostly to Faerûn's south and interior), alternating that with studying and protecting the area they grew up in and furthering their druidic training. While they worked hard and were clearly gifted, their skills were only able to grow so much in their current environment and their frequent struggles to work closely with others often held them back. In order to fix this, their Circle's archdruid sent them on their first big journey to the north to visit other Circles there. But along the way, Wander's plans were derailed when they found themself an unwilling passenger of a mindflayer nautiloid.
~~~~~~~~~~~~~
At long last, here they are! Wander is my Karlach-romancing druid and my first BG3 Tav. I’ve been meaning to post about them forever but hadn’t been able to get around to it yet even though I created them quite a while back. I’ve had a ton of fun playing them and building them up as a character. I’ve got a lot of big plans for them that I’ve been slowly working on that I’ll hopefully be able to share with you all relatively soon!
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1. What's your oc's gender identity? What's their relationship to their gender?
2. What's your oc's orientation? (Romantic/sexual/platonic alterous ect) Do they have opinions about it?
3. How did your oc discover themself? Did something cause them to question, or did they always know?
4. Is your oc's environment supportive about their identity? How does this impact them?
5. How did you figure out your oc's identity?
6. How does your oc feel about labels? Theirs, or in general?
7. Is there something that could cause your oc to question their identity? What?
8. Have they had struggles with their identity, be it due to internal or external reasons?
9. Are there cultural or lore specific aspects to their identity? If applicable, does their species affect it?
10. Does your oc celebrate Pride? How?
11. Is your oc open about their identity? Are they more lowkey or more blunt about it? Why or why not?
12. Does/did your oc ever wish they could change the way they are? Why? If it's in the past, how did they get over the feeling? (this can be about internalized homo/transphobia)
13. Would your oc be open to a poly relationship? Why or why not?
[Not aimed at a specific character] / [Aimed at creator]
14. Do you have ocs on the aro or ace spectrum?
15. Do any of your ocs use neopronouns? Which ones?
16. Did you ever change an oc's identity when they were already established? Why?
17. Do you share identity with any of your ocs? Which ones?
18. Do you prefer to give your ocs specific labels, or keep it unspecified? Why? If applicable, do you change their labels depending on circumstance?
19. Do you have preferences about depicting homo/transphobia in your stories? What, and why? Does it vary by story?
20. Have your ocs helped you in self discovery? How?
Every once in a while I think about the fact that Karlach’s two choices for an ending were “die” and “go back to the hell that she was enslaved in for the past decade” and I just have to lie down for a sec
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Grabbed a tag from darling @optimisticgrey, thank you!
Something very short and simple today, just to appreciate the softer version of Deia, who, still to my surprise, looks so different to her usual normal self. No dark mouth, no shadow around the eyes, no smirk sharp enough to cut. A version of her that only Gale gets to see.
Gale notices her before she notices him noticing. It is a small mercy. Deia stands beneath the pale spill of moonlight, her hair tied back from her face, black waves gathered without their usual silver chains and sharp little ornaments. No dark paint on her mouth. No shadow around her eyes. Nothing dramatized, nothing arranged to strike first.
She looks almost unarmored. The thought catches somewhere beneath his ribs and stays there, stubborn as a hook. He has seen her dressed in black silk and fire. He has seen her with blood on her face and a blade in her hand, with her horns crowned in silver and her smile honed to a killing edge. He has seen rooms bend around her simply because she entered them already knowing they would. This should be gentler. Easier. It is not.
“What?” she asks.
Gale blinks.
“Hm?”
Her eyes narrow, but there is no true threat in it.
“You are staring.”
“Yes,” he says, because lying seems both pointless and unwise.
Deia’s mouth shifts, reaching instinctively for a smirk and finding, perhaps, that she has left the sharper version of it elsewhere.
“Should I be offended?”
“No.”
“Should I be concerned?”
“Possibly.”
That earns him a look.
“Gale.”
He steps closer. Slowly, though not with hesitation. He has learned the difference.
“I have seen you look like a queen of ruin,” he says softly. “Like a storm given manners. Like every warning in every old story decided to become beautiful out of spite.”
Her expression stills. His hand lifts, then pauses, asking the question without words. When she does not move away, he touches one finger lightly to the tip of her nose.
“But this,” he murmurs, “may be the most dangerous you have ever looked.”
Deia stares at him. Then, to his quiet triumph, color rises faintly beneath her pale skin.
“That was absurd.”
“It was sincere.”
“Worse.”
He smiles.
“I know.”
She looks down, briefly, as if the ground might offer her a weapon against tenderness. It does not. Traitorous ground.
“I am not dressed for anything,” she says.
“No.” His thumb brushes near her cheek, careful as the turn of a page. “That is rather the point.”
Her eyes lift again. There is something wary in them, and something painfully soft beneath the wariness.
“Do not make a holy thing of it.”
Gale’s smile fades into something quieter.
“I won’t.”
“You are about to.”
“I am about to be very brave and restrain myself.”
A small laugh escapes her before she can catch it. There they are: the dimples, sudden and devastating, appearing like two secrets the night has no right to keep. Gale’s breath leaves him.
“Gods,” he says, helplessly.
Deia points at him.
“No.”
“I said one word.”
“You said it like a man about to write poetry.”
“In my defense, I am suffering.”
“Good.”
But she steps closer when she says it, fingers curling lightly into the front of his shirt. Her smile lingers, shy and wicked and gone almost as soon as he sees it. Gale catches it anyway. He always does.
collected WIP tags from @kt-catt @gloura @rdekarios @thesanguinesonnet and a reverse tag from @arlynx
Thank you, dears! Uno reverse for all of you 🫶
I am a bit behind on stuff, life has been a lot. Please poke me if I missed a tag!
I ate the stew because my body required nourishment.
I wasn't hungry but I had begun to understand that meals served purposes beyond merely sustaining the body. Sharing food was an act of companionship, a ritual of closeness people performed almost instinctively. It mattered to them, and increasingly, that meant it mattered to me.
The wizard had spent a surprising amount of time preparing the stew and appeared even more invested in everyone's reaction to it than strictly necessary. He informed us—twice—that it was based upon a family recipe, though circumstances had forced him to substitute several of the original spices. He spoke of this as though it were a tragedy of moderate significance.
I nodded dutifully, thanked him for the meal, and refrained from mentioning that the combination of rosemary and thyme reminded me vaguely of bathwater. Some observations are best kept private.
Besides, he was so pleased with himself that I lacked the heart to diminish it.
After dinner, I gathered the dishes and carried them to the stream.
The water was wonderfully cold. The summer air still lingered warmly around camp, but the stream flowed down from higher ground and carried with it a pleasant chill that numbed my fingers as I worked. I knelt by the bank, cleaning bowls and spoons while the sounds of conversation drifted faintly from the fire behind me.
And, despite my best efforts, my thoughts wandered once more to the lute. The instrument rested in my tent, yet I found my gaze seeking it whenever the opportunity arose. Even now, separated from it by distance and canvas, I was thinking about it again.
The fascination annoyed me. Something about that lute lingered. Not insistently or aggressively, simply present, like a half-forgotten thought refusing to disappear entirely no matter how often I turned my attention elsewhere.
I rinsed the final bowl, set it aside to dry, and stared into the water for a moment.
Perhaps there was magic involved. Perhaps not. Whatever the cause, I found myself increasingly curious in a way I could neither explain nor dismiss.
The reality was simple enough: we might die tomorrow.
At that point in our journey, death felt less like a distant possibility and more like a scheduling conflict we were attempting to postpone. We carried mind flayer parasites behind our eyes. We had no cure, no answers, and only the increasingly fragile hope that one existed somewhere ahead of us. For all I knew, I might transform during the night, and whatever remained of me by morning would have very little interest in lutes.
Under those circumstances, there seemed little reason to ignore a mystery simply because it was small.
I placed the cleaned bowls into the crate we used for storage and rose to my feet.
The lute had occupied my thoughts all evening, it seemed only fair that I finally discover why.
And if the answer proved disappointing—well. There were certainly worse ways to spend what might potentially be one's final night as oneself.
I lowered myself onto a log someone had thoughtfully placed near the fire and began to tune.
The instrument was out of alignment, each string a little too sharp or too flat, as though it had been neglected for some time. I closed my eyes and leaned in, adjusting by feel more than thought. It came as naturally as breathing, familiar in a way I could not yet account for or even understand.
Around me, the camp remained still, no one spoke.
Only the fire did—its steady crackle, the occasional shift of embers—accompanied by the distant sounds of night settling into itself.
I heard movement at the edges of perception. Fabric brushing, careful footsteps, the soft clink of dishes being set aside with exaggerated caution. They were trying not to disturb me.
It was… unnecessary and oddly considerate.
When I was finally satisfied with the tuning, I rolled my shoulders back, stretching my neck until it gave a sharp, unceremonious crack. A few heads turned at the sound.
I did not care.
My fingers found the strings before any conscious thought could intervene and the first melody arrived without invitation. Not chosen or constructed, simply remembered, as though my hands had been waiting for permission my mind had not yet given.
The lute felt familiar beneath my fingers in a way that unsettled me. Not because I remembered it, but because I did not. Every movement came naturally, every adjustment of my hands instinctive, yet I could not recall learning any of it. There was no memory attached to the knowledge.
I plucked a few strings, listening to the notes ring through the evening air. A simple melody followed, my fingers finding it without instruction or conscious thought. The motions felt as natural as breathing.
And then did I open my mouth.
Singing, too, was not a decision.
It simply… happened.
I tested it cautiously at first.
I had not intended to. My mouth simply opened as the melody unfolded beneath my fingers, words rising unbidden from somewhere buried deeper than memory. A soft ballad emerged, gentle and melancholic, carrying the sort of longing that seemed older than I was. I could not recall where I had learned it. I could not remember hearing it before.
Yet I knew every word.
Every note.
Every pause.
The realization stole my breath for a heartbeat.
My voice carried effortlessly, rich and clear in a way that startled me. It was not merely pleasant. It possessed weight, presence. The sort of voice that naturally drew attention without ever demanding it, capable of filling a room not through volume but through simple certainty.
I felt it immediately. Not in my throat or my lungs, but in my soul.
The sensation struck with such force that my hands nearly faltered upon the strings.
I had done this before.
Not once or twice or even hundreds of times, but thousands. I knew it with the same certainty I knew how to walk or breathe. This was not something new. This was not a talent discovered by accident beside a cold stream on a night that might have been my last.
This was a piece of myself. A piece I had lost.
The realization settled over me slowly and all at once, the way certain truths do—arriving gradually until suddenly they are simply there, fully formed and undeniable.
For so the last days, I had stumbled through my own life surrounded by fragments; missing years, missing names, missing pieces of myself that existed just beyond reach, close enough to sense but never to hold. Every discovery had felt foreign, like uncovering evidence of another person's life and being told it belonged to me.
This felt different.
This did not feel like a stranger.
This felt like me.
Before I could stop myself, I smiled. A genuine smile. The sort that arrives before you realize it is there, before you have decided to allow it.
My fingers continued moving effortlessly across the strings. My breathing adjusted instinctively to support the song. My back straightened, my shoulders relaxed and every part of me settled into place with the ease of something returning to where it had always belonged.
For the first time since waking aboard the nautiloid, I was not discovering something I had lost.
I was remembering who I had been.
And for one brief, precious moment, I was not lost. Not a woman carrying a parasite behind her eye and a lifetime of missing memories behind her smile.
I was simply a musician.
And somehow, despite everything, that felt more like myself than anything else.
Will you breathe through me
And calm the storm inside?
Just breathe through me
We'll keep the fires alight
I'll face down the world with you
Breathe through me
And calm the storm inside
Just breathe through me
We'll keep the stars alight
This is a piece that is supposed to go with a fic I'm writing for the last day of @worfs-glorious-hair's Pride event, but somewhere along the way I played with the colours, and decided it could also fit another prompt. Mostly because I like it too much to wait the end of the month :3
Have a very late entry for the "Orange" prompt : Healing.
I caved and I'm writing the happy AU (Astarion will be in the fic with them ofc <3). They're gonna get their QPR :3
The problem with having OCs is that sometimes you wanna read about your little guy being in situations but unfortunately he is YOUR little guy and no one is gonna put him in that situation but you. Tragic.
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Ok adding to this though that even though it is extremely relatable, this is a KNOWN thing with professional writing. 10k is often referred to as "having a pot boiling" or "having a stew" - it's the point where you often see an idea coming together and it's exciting! But THEN... 30k-50k is the point where that fun has to start coming together. In theatre, it's usually week 3 of a 5 week rehearsal period where you have to stop talking about the play and really get it all up on its feet and cohesive. In art, it's committing to what are going to be the final visible layers of colour and texture, in sculpture the moment where you're truly at the point of no return with carving out the shape.
It usually feels really bad. Because this is the point it becomes real craft. It's so, so difficult to really be able to identify if it's truly not going to be anything or you're just in the hardest part of the process, and really the only way to know is to... write through it. Write it badly. Or, if you really can't, put it in a drawer and come back to it after a few months of breathing space. Remember, you can fix so much in the edit, but you can't fix nothing!
(I say, fully looking at my latest draft of my book and considering throwing it in the bin. But my editor said exactly this to me, so I'm passing it along.)
this is 100% true. I've written 6 complete novels at this point and every single time around the 40k mark I feel lost in the woods. Nothing seems to be working. I feel awful; I can't sleep. I keep going even though I'm convinced I'm going to fail. And then... It's like leaving a tunnel and getting back out in the sunshine. Stuff starts coalescing. Things that weren't working have obvious fixes. I "can write" again, except I was writing the whole time. It just felt hopeless in the moment. It's not. You just gotta get out of the woods.
theres definitely a line of thought ive noticed in liberal circles and in media and stuff where they think that bad stuff works and is true but is just bad for some moral reason.
but the thing is that this stuff is just factually wrong. eugenics doesnt work. race science isnt true. theyre morally wrong, yes, but theyre also factually incorrect, ideas that are deployed in service of monstrous ideology despite the fact that they simply arent true.
and its a major impediment to effectively combating these ideas, because if you concede their premises, you have already given ground to your enemies.
Hell is empty and all the Devils are here Book One: Dawn
Chapter 6
I was simply staring at him and realizing, with a strange and sudden clarity, that he was a beautiful man.
It is an absurd thing to notice in such a moment, and yet it remains one of the sharpest details in my memory. His features were impossibly even, the sort of beauty elves carry as effortlessly as breath, as though symmetry and grace were their natural inheritance. There was a gentle glow in his deep blue eyes. His dark hair was loose, I think, or half-undone in his haste. There was blood on one sleeve. His brow was furrowed so deeply I scarcely recognized him.
And still, all I could think was how very beautiful he was.
Not in any romantic sense. It struck me as fascinating in the detached way one notices some new and startling fact about the world. The sky is blue. Fire burns. Hennan is beautiful.
When I did not answer, he continued, words tumbling over one another in his haste.
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-jahen belongs to my friend fin @ranger-jahen! he's a half-wood elf ranger who plays a kalimba, loves fruit and desserts, and is a big sweetheart with a beautiful sunny smile (which is why the sunflower embroidery is in there. jahen is like a sunflower to me). 💛 i made this as basically an incredibly late birthday gift and tried to include things that reminded me of jahen or that i thought he might like. and i really hope you like it, fin!
Summary: Wander stands up to the leader of the druids, much to Karlach’s admiration, but she struggles to find a way to reassure her new friend in the aftermath.
Author’s Note: I’m very excited to be writing more about the whole druid/tiefling questline since the results of it are really impactful on Wander’s character. I’ll probably make a shorter fic dedicated to that at some point.
Chapter 3 is here
First Chapter is here
Series is here
Taglist (feel free to comment if you’d like to be added): @optimisticgrey
~ ~ ~ ~
The air inside the druid’s sanctum is cool and slightly damp, smelling a bit like fresh moss. A beam of sunlight streams down through the hole in the cavern roof, although the rest of the room is lit only by scattered candles that cast flickering shadows over the murals on the walls. I feel a pair of eyes on me and glance around, spotting a massive wolf lying at the base of a statue of some sort of bird, watching us from the gloom. It growls softly. Behind me, Shadowheart bites back a gasp.
“Not a big fan of wolves, I take it?” I ask.
“You could say that.”
Unfortunately, I won’t be able to take in the rest of the sights. Two druids stand in the center of the room: a human man and an elf woman. So, that has to be this Kagha person that wants to talk to us, which means that the little tiefling girl she’s towering over must be Arabella. Gods, the poor baby looks terrified. Sounds like the druids are arguing about her.
Halfway down the stairs, Wander freezes in place so fast that I nearly bump into them, letting out a low hiss and a whispered curse in that melodic language I’ve heard the other druids talking in. I follow their gaze, noticing a snake coiled up on the stone floor in front of the girl. It’s not any kind I know of, but it’s got some mean looking spikes on its face and is poised to strike like a marilith in battle. Slowly, Wander raises a hand, signaling for myself and the others to stay back.
“Don’t make any sudden movements,” they say, never taking their eyes off the snake. “That’s a death viper. It can strike faster than any of us can and that girl will be dead in a few heartbeats.”