“The wounded deer dragging its fainting limbs to some untrodden brake, there to gaze upon the arrow which had pierced it, and to die, was but a type of me.”
— Mary Shelley, from Frankenstein
Aqua Utopia|海の底で記憶を紡ぐ
taylor price
🪼
noise dept.
I'd rather be in outer space 🛸
d e v o n
Show & Tell
trying on a metaphor
Cosimo Galluzzi
hello vonnie

★

⁂
cherry valley forever

blake kathryn
let's talk about Bridgerton tea, my ask is open
wallacepolsom
almost home
will byers stan first human second

shark vs the universe
seen from Germany

seen from United States
seen from China
seen from United States

seen from Argentina

seen from Malaysia
seen from Poland

seen from United Kingdom
seen from T1
seen from United States

seen from United Kingdom
seen from United States
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seen from China
@hazewashere
“The wounded deer dragging its fainting limbs to some untrodden brake, there to gaze upon the arrow which had pierced it, and to die, was but a type of me.”
— Mary Shelley, from Frankenstein

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Ljubljana, Slovenia 1930s
reblog to give a strawberry to the person you reblogged this from
I get wet just thinking about us kissing
@swaggtt40 <3
via

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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You’ll hang the hearts black and dull as the night We hanged your pass and start being as you in ecstasy
“When we hung around, he was always happy. Like a normal person. He had a black sense of humor, same as me, and we both shared the love for splatter movies, silly cartoons and comic books. I remember him as a happy and very nice, very polite, person. But to strangers he was antisocial, so when other people met him, they thought he was strange because he didn’t look or talk to them at all. And when they talked to him sometimes, if he didn’t want to talk to them, he was just looking down at the floor. We had a lot of good times and we were laughing a lot.”
Necrobutcher/Jørn about Pelle for Born for Burning - The History of Black Metal, by Matías Gallardo, 2026
Note: the date 2026 is in reference to the original source I got it from, the interview itself is older.
theyre saying you have to go to work again tomorrow even though you just went today
Aertgen Claesz van Leyden (attributed to), The Raising of Lazarus (detail), 1530 - 1535. Oil on panel, 69.7 × 28cm. Rijksmuseum, Amsterdam.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Saint Mary's Hospital, c.1860 Quincy, Illinois
To die means to be capable of death as death. The animal perishes. It has death neither ahead of itself nor behind it. Death is the shrine of Nothing, that is, of that which in every respect is never something that merely exists, but which nevertheless presences, even as the mystery of Being itself. As the shrine of Nothing, death harbors within itself the presencing of Being. As the shrine of Nothing, death is the shelter of Being. We now call mortals mortals—not because their earthly life comes to an end, but because they are capable of death as death. Mortals are who they are, as mortals, present in the shelter of being. They are the presencing relation to Being as Being.
Martin Heidegger, "The Thing" in Poetry, Language, Thought
Love me forever Or don't love me at all
Le Petit Soldat (1963), dir. Jean-Luc Godard
Laurence Anyways (2012), dir. Xavier Dolan

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
can we leave women and transgender people alone for one minute and use this hate towards ai and nazis