I need to follow more xicanx/latinxs
My school is like 98% white and I only get to hang out with mi gente once a week if iâm lucky, I feel deprived of mis raĂces. So reblog this if youâre xicanx/latinxs so I can follow you
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I need to follow more xicanx/latinxs
My school is like 98% white and I only get to hang out with mi gente once a week if iâm lucky, I feel deprived of mis raĂces. So reblog this if youâre xicanx/latinxs so I can follow you

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Why I need Chicana feminism
Because I was taught to stay away from certain styles because they were too âmexicanâ. With phrases like âthe bigger the hoop, the bigger the holeâ when I loved wearing big earrings. Being told that red hair against my brown skin looked âghettoâ instead of fierce and bold. Wearing stylish flannels like the pretty pastel haired girls on tumblr and being told I look like a âcholaâ. Working hard to get rid of my slang because society taught me that it was âunflatteringâ. That bright red lips were too much. That my natural intense brows are now a makeup âfadâ. When in reality all this shit was made up by people that want to put us down for claiming our own identity.Â
Sitcoms ruined me for friendship
Have you seen this and itâs many variations?
Well, basically, 90s and 2000s sitcoms about groups of 20 somethings living in the city have ruined me for friendships. Whereâs my group 4 to 6 buddies who live close enough and share enough in common with me to meet up at a booth in a bar or a corner in a coffee shop every week to talk about our lives? Where are the friends who live close enough to come over whenever and just shoot the shit?
Donât get me wrong, I have great friends. The best have come college and from activities I've participated in and organized. And I've had periods of my life where my friend group resembled the friend group in sitcoms: relaxed, close knit, with lots of unstructured time filled with meaningful conversations as well as goofing off. Â Some of these friendships have lived on. But people move away to differing cities and even countries after college, they get busy and move on from the basket weaving group to the mountain climbing group. I get busy too. Â My last upheaval in social life was after I decided to get more serious about my career and had to quit my most all-consuming hobby and right along with it went my social life.Â
Using Meetup.com has given me hope that I could meet such a circle of friends like the ones I grew up seeing on TV and thus acquire my ideal adult social life. No more loneliness, I thought. Once I find the right group. But the thing is that these groups are made for a specific activity, which can be great for meeting new people, but there is often not enough unstructured time to get to KNOW people. And even when I do get to know some of the people and start getting closer to them, as soon as I lose interest in the particular activity that the group was made for, I often found that I no longer had anything in common with the people I had made friends with. Or even if I did and maintained the friendships individually, it would be almost impossible to get everyone I liked to agree to the same activity, let alone to get in one room at the same time.Â
One thing we tend to overlook is that...now don't kill me for saying this...but..I am realizing that
SITCOM FRIENDS SUCK
They really do.Â
IÂ want to write a more elaborately researched article about this. But it is true. I can make an argument for basically most of the friends in shows like How I Met Your Mother, Friends, and even the L Word. Sure we all had our favorite characters but really, if you really think about it...just ask yourself the next time you're watching one of those episodes where Lilly interferes with Ted's life by BREAKING HIM UP FROM HIS GIRLFRIENDS THAT SHE DOESN'T LIKE in HIMYM...ask yourself, âwould I like a friend like that?â And with the L Word, it's so easy to rip on Jenny...yeeah she does suck. But honestly she's pretty sane compared to mostly everyone there. Example: Dana spends much of her time on the show being upset that she is closeted and can't get a girlfriend. But when she finds a woman that is crazy about her and gets engaged to her, she just cheats on her and lies about it UNTIL AFTER THEY PLAN THEIRE WHOLE WEDDING. Really, what kinda shitty human being does that? And donât get me started on Girls...but I guess with that one everyone knows theyâre all supposed to be insufferable, right? Now I know that this is the part where many people would say
 âHey, thatâs the point in ALL of the shows: That everyoneâs flawed and FRIENDSHIP prevails!â  Okay thatâs all well and heartwarming until you realize that as a group they are kinda horrible too. They are freaking mean to each other in almost every one of those shows. They are petty, unforgiving, and competitive to the max. The friends tend to be the harshest critics of each other when something embarrassing happens to them. See: Episode of HIMYM where Robinâs boyfriend, a therapist, talks about how messed up they are. I know it was played for laughs but...much of what the character said has a point. The truth is that the friends in sitcoms are the kinds of friends that our parents would tell us âTheyâre not your real friends if they treat you like that, honey.â I will write more about this with more cited examples but I wanted to get the idea out there for now. Criticisms/counters/yelling at me about how I could possibly lump in [your favorite character/show] are welcome.
*Psst* Â Trans exclusionary feminism is poop feminism pass it on Â
This.
Watch: Sheâs honestly so brave for standing up for herself and her rights
follow @the-movemnt
Gabby Bowie. Say her name. And fuck this school.
Contact Pleasant Grove High principal Wayne Byram and tell the school their actions are racist and unacceptable.
100 Spartan Drive Pleasant Grove, AL Â 3512
205-379-5250
The Supreme Court ruled on this kinda thing when upholding studentsâ rights to wear a black armband to protest the Vietnam war

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basically.
Colorful Therapy
Iâm dyeing my hair a bright color today. Iâve been mulling it over for about two years but I was too afraid of my familyâs reaction. I love my family, but we were raised on respectability politics, hard core. The stigma is entrenched with intense classism, racism, and methods that my fatherâs family used to survive in the poverty, crime-ridden neighborhood and police corruption of the town they grew up in.  Looking and acting as respectable (read white and upper class) as possible was the way they survived there and the way they survived here as first generation immigrants in a mostly white town in Middle of Nowhere, USA. I grew up being warned to guard against associating with anything that could make me look âdeviantâ all the way from speaking Spanish at school, dressing too much like a âcholaâ, looking âtoo Mexicanâ, eating âtoo Mexicanâ, (purposefully) rebelling in any way from a 1950s picture of Christian white America, to literally getting anything below an A in any class, ever, so that I could have access to the best possible education and the approval of people who could help me gain supposedly playingfield-leveling resources. The thing is, even though being respectable helped me gain favor from teachers and community members, even though I got to hear over and over how I wasnât âlike the other Mexican girls,â I was still always seen as the other.  I have never completely fit in no matter what. I have never earned the coveted right to transcend being racialized and be seen as my own person by any of the white majority spaces I worked so hard to fit into and excel in. I got the highest possible grades of anyone in my class taking the hardest possible classes. But still, I got told by my AP calculus teacher that I would not have any trouble getting into the college of my choice, not because of my top grades or the strength of the curriculum I took, but because I was⊠yes, hispanic, and a woman. I brushed it off, brushed off the jealous classmates who would give me similar backhanded compliments over and over again. I focused on the good as my family taught me to. And I got into some great schools. And I did graduate from an elite institution. But now I am here, jobless for 3 years and trying to change careers after and through a mix of life circumstances coupled with a bunch more people who insist on having a special hatred towards me because I was a woman who dared be well educated, or because I was a Xicana woman who dared not feed their sexual ego, or because they simply didnât like people who came from the Ivy League unless they were white men⊠The goal was that by now I should be thoroughly and enthusiastically climbing some corporate ladder, saving up for a home, be going back to my home town to give back. But the truth is Iâm emotionally depleted. I have an amazing life partner, a queer first generation immigrant, who is literally the only person I regularly see face to face who has come close to understanding me on this. I have a couple of great friends across the country from my college days. I had a good circle that I called home for a while, but honestly, the poor sportsmanship and meanspirited bullshit along with some key falling out and disappointment with specific people has left me unable to return to that circle.  I donât have a community. Iâm working on building one for myself out of people I can truly feel safe around. What does this have to do with me getting some blue tips? Well, lately I am working up the courage to say âfuck itâ my silence will not protect me. I am not accepted by the white supremacist cis heteropatriarchy as worthy of existing without having to explain myself over and over again, so I am going to stop explaining myself. I spent so long trying to blend in, but now I will stick out for something I choose unapologetically, gleefully. I realize that to many people tips are not so rebellious or significant. But to me, this is therapy.
3ra en la serie/3rd in the series. #BainaColonial
you can support my art at patreon.com/bad_dominicana.
In which Mariona Lloreta, a white filmmaker, stole my work. The top image is from my film UDUDEAGU (2014) + bottom image is from her film AMENZE (2016), as Iâve helpfully labeled. That bottom image is her film poster, her main promotional image, and her cover photo on Twitter at the time of this post. This is someone who is apparently well ensconced in the Black + African art communities, screening her work at festivals for people of color, while stealing work from a Black/African artist. Please share + boost this widely. The image will be available on all my other social media. This is something I am bringing to the attention of the community because y'all need to know who are dealing with in her, who you are screening and supporting. And please, do let me know if you keep dealing with her, so I know not to deal with you. Bless tf up. - Akwaeke Emezi
2nd in the series. âwhiteish latinamerican tearsâ
you can support my art at patreon.com/bad_dominicana

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1ra en la serie.
â
1st in the series.
Support/Apoya: Patreon.com/bad_dominicana
Ah yes, Mexican telenovelas from my childhood in a nutshell.
I Wish J-Lo Were More Radical
With BeyoncĂ©âs Lemonade coming out and the rush of recognition and education that came from it, some people have rightly pointed out that, despite the recognition and enjoyment that some of us may have gotten from it, Lemonade was not the narrative of non-Afro-Latinas. Especially after reading Maria Rodriguez-Morales HuffPo article, I was left wondering: who is our Latina BeyoncĂ©?Â
After digging back through a list 90s Latina pop singers that I both idolized and didnât listen to much back then, I am currently of the mind that Jennifer Lopez would be a perfect candidate. She certainly is famous enough and has her hand in music, TV, a couple of movies, and fashion. I am already impressed by her involvement as Executive Producer of The Fosters, which has taken on the tackling of a cornucopia of social issues in the context of an interracial lesbian couple raising a house full of teenagers. She also released a single earlier this year, I Ainât Yo Mamma, complete with feminist fantasy video full of women throwing off the shackles of husbands and employers who donât appreciate them enough. At first I was worried that the message would be a tired old neoliberal feminist working women = liberation (which J-Lo should know more than anyone is a very narrow struggle mostly focused on middle-class housewives in 2 parent households that were privileged enough to even afford to have women be full-time mothers), but the video itself shows women being treated like caretakers in the workplace and running into literal glass ceilings (or doors). This July, J-Lo tried joining the host of celebrities supporting Black Lives Matter by dropping Love Make the World Go Round alongside Lin-Manuel Miranda, a song in support of the Orlando Pulse shooting victims. Now this effort would have overjoyed me as a great step from someone so influential to Latina culture, someone who I grew up seeing on screen as Selena and setting trends for us in the 90s and early 2000s.  It would have overjoyed me if the news of the song werenât tainted with the accompanying #allLivesMatter tweet which she deleted without much comment or apology. The song bordering on universal humanism and possible tone-policing aside, I am pretty disappointed that J-Lo not only didnât show a good initial understanding of the movement she was supporting, but that she did not make an effort to educate herself when she was called out and instead tried to sweep it under the rug. This is especially unacceptable considering she is trying to position herself as part of the solution and in fact profiting from the buzz created by #blackLivesMatter. And we still await our fabulous woke Latina pop superstar to bring us healing and a good dose of booty shaking.
damn, look at how entitled you are.
â we still await our fabulous woke Latina pop superstar to bring us healing â You think you are owed? She Ainât Yo Mamma! Sheâs not your doctor, not your messiah. Go fuckinâ heal yoâself.
She ainât my mamma, but she sure is profiting and drawing attention to herself by singing about the tragedies going on. When you are profiting from the suffering of a community, youâre accountable to it.Â
I Wish J-Lo Were More Radical
With BeyoncĂ©âs Lemonade coming out and the rush of recognition and education that came from it, some people have rightly pointed out that, despite the recognition and enjoyment that some of us may have gotten from it, Lemonade was not the narrative of non-Afro-Latinas. Especially after reading Maria Rodriguez-Morales HuffPo article, I was left wondering: who is our Latina BeyoncĂ©?Â
After digging back through a list 90s Latina pop singers that I both idolized and didnât listen to much back then, I am currently of the mind that Jennifer Lopez would be a perfect candidate. She certainly is famous enough and has her hand in music, TV, a couple of movies, and fashion. I am already impressed by her involvement as Executive Producer of The Fosters, which has taken on the tackling of a cornucopia of social issues in the context of an interracial lesbian couple raising a house full of teenagers. She also released a single earlier this year, I Ainât Yo Mamma, complete with feminist fantasy video full of women throwing off the shackles of husbands and employers who donât appreciate them enough. At first I was worried that the message would be a tired old neoliberal feminist working women = liberation (which J-Lo should know more than anyone is a very narrow struggle mostly focused on middle-class housewives in 2 parent households that were privileged enough to even afford to have women be full-time mothers), but the video itself shows women being treated like caretakers in the workplace and running into literal glass ceilings (or doors). This July, J-Lo tried joining the host of celebrities supporting Black Lives Matter by dropping Love Make the World Go Round alongside Lin-Manuel Miranda, a song in support of the Orlando Pulse shooting victims. Now this effort would have overjoyed me as a great step from someone so influential to Latina culture, someone who I grew up seeing on screen as Selena and setting trends for us in the 90s and early 2000s.  It would have overjoyed me if the news of the song werenât tainted with the accompanying #allLivesMatter tweet which she deleted without much comment or apology. The song bordering on universal humanism and possible tone-policing aside, I am pretty disappointed that J-Lo not only didnât show a good initial understanding of the movement she was supporting, but that she did not make an effort to educate herself when she was called out and instead tried to sweep it under the rug. This is especially unacceptable considering she is trying to position herself as part of the solution and in fact profiting from the buzz created by #blackLivesMatter. And we still await our fabulous woke Latina pop superstar to bring us healing and a good dose of booty shaking.
damn, look at how entitled you are.
*shrug* when youâre profiting from the suffering of a community, youâre accountable to it. Thatâs how it works.
I Wish J-Lo Were More Radical
With BeyoncĂ©âs Lemonade coming out and the rush of recognition and education that came from it, some people have rightly pointed out that, despite the recognition and enjoyment that some of us may have gotten from it, Lemonade was not the narrative of non-Afro-Latinas. Especially after reading Maria Rodriguez-Morales HuffPo article, I was left wondering: who is our Latina BeyoncĂ©?Â
After digging back through a list 90s Latina pop singers that I both idolized and didnât listen to much back then, I am currently of the mind that Jennifer Lopez would be a perfect candidate. She certainly is famous enough and has her hand in music, TV, a couple of movies, and fashion. I am already impressed by her involvement as Executive Producer of The Fosters, which has taken on the tackling of a cornucopia of social issues in the context of an interracial lesbian couple raising a house full of teenagers. She also released a single earlier this year, I Ainât Yo Mamma, complete with feminist fantasy video full of women throwing off the shackles of husbands and employers who donât appreciate them enough. At first I was worried that the message would be a tired old neoliberal feminist working women = liberation (which J-Lo should know more than anyone is a very narrow struggle mostly focused on middle-class housewives in 2 parent households that were privileged enough to even afford to have women be full-time mothers), but the video itself shows women being treated like caretakers in the workplace and running into literal glass ceilings (or doors). This July, J-Lo tried joining the host of celebrities supporting Black Lives Matter by dropping Love Make the World Go Round alongside Lin-Manuel Miranda, a song in support of the Orlando Pulse shooting victims. Now this effort would have overjoyed me as a great step from someone so influential to Latina culture, someone who I grew up seeing on screen as Selena and setting trends for us in the 90s and early 2000s.  It would have overjoyed me if the news of the song werenât tainted with the accompanying #allLivesMatter tweet which she deleted without much comment or apology. The song bordering on universal humanism and possible tone-policing aside, I am pretty disappointed that J-Lo not only didnât show a good initial understanding of the movement she was supporting, but that she did not make an effort to educate herself when she was called out and instead tried to sweep it under the rug. This is especially unacceptable considering she is trying to position herself as part of the solution and in fact profiting from the buzz created by #blackLivesMatter. And we still await our fabulous woke Latina pop superstar to bring us healing and a good dose of booty shaking.
Why Selena?
Selena. Not Gomez, Quintanilla. Quintanilla-Perez. The daughter of Abraham and Marcela, the Tejana with the infectious laugh and huge, genuine smile. The one I would watch singing en Español on tv as a kid, singing perfectly in Spanish but speaking with a pochita accent when interviewed. As I struggled to train my mouth to speak the words flowing from the lips of my abuelit@s, tias, tios, Mom and Dad, I looked at this beautiful, confident Xicana on stage, twirling in her body hugging outfits to music she so fluidly sang to. I connected. Maybe a little chubby faced, goofy, daydreaming wannabe singer and artist like me could grow up to reach millions someday. Could inspire little brown children to love themselves like she did for me. Cause even when I didnât love myself fully, and when I was too brown to fit in with the white kids but too xicana to fully communicate with my Spanish speaking classmates, Selena taught me it was okay. That I could follow my Brown girl dreams and become a confident, outspoken Brown womxn whose art is seen as important. Transcending borders.
This is why Selena. Why you are still relevant and powerful and are remembered as la reina. This is why I take your life so personally, Selena. And this is why I think so many of us still remember the day you passed so vividly. Your energy todavia esta aqui, reina. Para Siempre.

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What is "Mujerista," and what is "Mujerista Theology?"
(So, weâve gotten a few requests on a brief history and outline of the term Mujerista, so Iâve compiled this together. If anyone has anything to add, please do! And mind, this is in no way a complete description, but something that can get your gears turning. - Jennifer)
The term Mujerista was first coined by Ada Maria Isasi-DĂaz. Isasi-DĂaz was born and raised to a Catholic family in Havana, Cuba, and went to the United States as a political refugee in 1960. Once there, she became a nun, and did missionary work in Lima, Peru. It was there that Isasi-DĂaz first began to think about the sexism, racism, and patronization of the Catholic Church in Latin@ communities (particularly, in poor Latin@ communities). Although many (not all!) Latin@s are Catholic, there is a complicated relationship there because of its history as a colonizing force. The Church has continued this legacy and ignores the âreligion of the people,â by use of androcentric Eurocentrism, but thatâs a whole other paper. Anyway. Isasi-DĂaz gave up being a nun and came back to the United States, where she got her masters and PhD in Divinity. It is around these times that she began to create the concept of Mujerista, and more specifically, Mujerista Theology. She explains that this was vital because of the racism she faced within the feminist movements, and the sexism within Liberation Theology. She would have definitely been influences by early Womanist scholars, Black feminists, and by Chicana feminists. Although Mujerism is focused in Latin@ communities in the United States, it also applies to anywhere that Latin@s are!
So while the term Mujerista began within a theological (Roman Catholic) context, it is not only a religious identity, (much like Womanism). The key aspect of Mujerista Theology is that we, as Latinas, needed to have a theology and feminist movement where we are at the center, and not the Other. As a part of Liberation Theology, Mujerista Theology (and Mujerism in general) has a Liberative Praxis, wherein justice and liberation is the most important move for all marginalized groups. Although this Liberative Praxis is centered in the Latin@ community, it is important that no liberation can be attained if it isnât intersectional. This means that we have to stand in solidarity with all marginalized identities, and make a new society wherein no one is subjugated to oppression. We, as Latin@s (and other marginalized communities) need to recognize the oppressive structures in our lives, and we need to work to change these systems and learn about how weâve internalized our own oppression. We must work towards a proyecto histĂłrico in which we are free of these oppressive structures but still have a strong sense of history.
So how can this be achieved? Isasi-DĂaz really focuses on the fact that we have to work within the subjective frameworks of all Latinas, which is a huge project because each Latina individual and community works within their own narrative. So this means we have to work to affirm the everyday life of Latinas. Even though struggle is key to our communities, it shouldnât be exalted. When we say, la vida es lucha, itâs something that we need to recognize as we try to overcome it. Isasi-DĂaz really focuses on three characteristics of Latinidad that will help us achieve liberation: comunidad, lo cotidiano, and justicia.
Comunidad is the idea that there can be no change without the support of our communities. Liberation is not individual, even though it is subjective. Isasi-DĂaz speaks about how we need to embrace diversity within our communities, and reject racism and ethnic prejudice. This is especially important because Latinidad is not homogenous. Although the focus is on racial identity (we have Afro-Latinas, white Latinas, Indigenous Latinas, mestizaje Latinas, mulatez Latinas, all the Latinas!) this is also important in terms of sexuality, gender identity, ability, class, and other intersectional identities. We have to actively work in solidarity with one another and know that we donât all face the same oppressions. But we need to support one another and talk about the problems within our community. Liberation has to be for us all.
Isasi-DĂaz roughly translates lo cotidiano into âthe stuff of our reality,â basically saying that our stories, narratives, histories, and lives as Latinas are the frameworks through which we live our lives. There is an emphasis on all the values, ideals, and dreams that help us in our struggles and in our everyday lives. So this includes all of the actions, discourses, and norms that are established within our communities and within ourselves. This is key because liberation canât come out of the academy. If your liberative praxis is something that your mother, your grandmother, your aunts, cannot understand because itâs full of technical jargon, then it is bullshit. Being a Mujerista is about our lived lives and practices. If youâre not centering your work in your community, then why are you doing it?Â
Finally, justicia has to be vital and an active aspect of our lives. Since the ultimate goal of Mujerism is liberation, we have to work and participate in making our world a place where we are not marginalized. Isasi-DĂaz names five main forms of injustice that Latin@s face, and that we need to work to overcome. These are exploitation (of our work and our bodies), marginalization (the way we are forced to be the Other within society and our own lives), powerlessness (the lack of authority that we have, and the amount of authority that is pushed onto us by dominant narratives), cultural imperialism (the rejection of our own cultural values, traditions, etc. which leads to internalized racism), and systematic violence (within our communities and against our communities). Again, we also have to work to make sure these injustices are no longer activated against any marginalized community, and we need to be mindful of intersections. This is why Mujeristas want liberation, and not equality; we do not squash our brothers and sisters in struggles in order to be made âequalâ with dominant groups.
But why does Isasi-DĂaz coin Mujerista over âLatina Feministâ? In short, it is because there is power in naming. To call oneself a âLatina Feministâ shows that we are still the Other, still not the center of our praxis. Some Latina Feminists argue that this is erasing the history of feminism in Latin American countries, and that the term Mujerista really has not political or historical backing, which is equally valid. But many WoC, including myself, have never felt comfortable with the term âfeministâ because feminism has never been for us. So I like Mujerista because it is a name that I have chosen, that has been made by a Latina like me, and that gives me comfort. And it makes me feel like I have a space for me, where Iâm not, in the words of Isasi-DĂaz, âan unimportant adjective.â This is not to say itâs perfect - a lot of work needs to be done and continue to be done for it to be more intersectional and to make sure we arenât squashing people within our communities and other marginalized groups. But I have hopes for it. High, high, hopes.
And in case this was all too long, and you didnât read:
A Mujerista is someone who makes a preferential option for Latina women, for their struggle for liberation.Â
Some introductory texts to check out for further information on Mujerism/Mujerista Theologyand critiques of it:
âMy Name is Mujerista,â Ada Maria Isasi-DĂaz
Mujerista Theology: A Theology for the 21st Century, Ada Maria Isasi-DĂaz (Orbis Books, 1996)
En la Lucha/In the Struggle: Elaborating a Mujerista Theology, Ada Maria Isasi-DĂaz (Fortress Press, 2003)
A Reader in Latina Feminist Theology, eds. MarĂa Pilar Aquino, Daisy Machado, and Jeanette RodrĂguez (University of Texas Press, 2002)
âRethinking Latina Feminist Theologian,â Michelle A. GonzĂĄlez, in Rethinking Latino(a) Religion and Identity (The Pilgrim Press, 2006)
Inmates Are Planning The Largest Prison Strike in US History On September 9th. Prisoners across the country are standing up against forced labor and squalid living conditions. Read the whole comic by Sofie Louise Dam here.