Hans Baldung

Aristotle and Phyllis, 1513, Hans Baldung

The Bewitched Groom, Hans Baldung, 1544, Cleveland Museum of Art: Prints

Envious witches were maligned as deceitful, sexualized women, hags who toppled righteous men in their lustful quests. Baldung's bizarre and unsettling image depicts a noble male figure lying unconscious in an open room, as a glaring mare (a symbol of unrestrained sexuality) and flailing witch peer in. The angular nose and chin and sagging, bare breasts of the malevolent hag echo the face and bony chest of Veneziano's emaciated personification of Death. Medium: woodcut

Three Kings Altarpiece (closed), 1507, Hans Baldung

Stained glass windows in the Stürzel Family Chapel, 1530, Hans Baldung

Madonna with the Parrots, 1533, Hans Baldung

Group of Seven Horses, Hans Baldung, 1534, Metropolitan Museum of Art: Drawings and Prints

Harris Brisbane Dick Fund, 1933 Size: sheet: 8-5/8 x 12-7/8 in. (21.8 x 32.6 cm) Medium: Woodcut

Rest on the Flight to Egypt, 1514, Hans Baldung

Medium: oil,panel