Happiness, dir. by Todd Solondz (1998)
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Happiness, dir. by Todd Solondz (1998)

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nature is beautiful
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From living toys to haunted ones, here’s my strange vintage toy gallery.
美術手帖 1995年10月号 美術出版社 表紙=Kenneth Anger Film “Scorpio Rising” 特集「映画と美術の100年」
Le Sang D'un Poète, 1930 - dir. Jean Cocteau

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art by kevin chupik
Since the Chappell Roan hype is going on with her country inspired single The Giver I had to share with y’all some really cool vintage Gay Rodeo posters and program covers
Utterly blown away with how gorgeous the art is on these! Tempted to print them out just to have on the wall, the second to last marbled one I just want to get lost in
"Stations of the Crass" is the second album by Crass, an English anarcho-punk band, released in 1979. It is an excellent example of the cut-up/collage aesthetic used by the collective, with strong influences from Dadaism and political surrealism, also referring to protest art and subversive propaganda.
The chaotic and violent composition, such as the figure decapitated by a revolver and the woman apparently in panic, reflects the moral collapse of a society ruled by institutional violence, the media and patriarchy.
The nude figures arranged in aesthetic positions refer to the exploitation of the female body in Western culture, criticizing both pornography and passivity in art and advertising.
The child pointing a gun and the animal (apparently a snake or an animal skull) refer to the animalization of human behavior and the loss of innocence from an early age, fueled by an armed and authoritarian society.
A parody of the "Stations of the Cross" (Via Crucis, or the Stations of the Cross, in the Christian tradition). It mocks the sacralization of suffering and obedience in society, something that Crass has strongly attacked, including institutional Christianity as part of the oppressive system.
The graphic aesthetic of the cover, made by Gee Vaucher (artist for Crass), is deliberately confusing, uncomfortable and loaded with symbolism. Its purpose is to provoke, shock and destabilize, a visual attack on normativity and conformity.
'á johannes brahms,' lithograph, henri fantin latour, french c. 1900.

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man i don't wanna see your yaoi euronymous mayhem fanart fuck outta here
We Never Sleep Flyer Denver Colorado-based Industrial/Experimental/Electronic/Noise label and collective headed by Paul Dickerson in the band of the same name and Mark Ameba before going on to work with Survival Research Laboratories in S.F. Together doing over 50 live performance art/noise actions in galleries, clubs and public streets in Vancouver, Denver and San Francisco & the infamous Denver junkyard shows with Tom Headbanger ov T.O.P.Y. featuring such bands as Einsturzende Nuebauten and Crash Worship. They also broke ground releasing the "INSOMNIA" compilation series demonstrating their own work along with early releases from international electronic artists like Greater Than One, Merzbow, The Haters and many others.
jean michel basquiat and keith haring in new york, 1987.
'race horses,' color lithograph; auguste clot, french c. 1889-1936.
ad for a video finding business in filmfax magazine, 1990.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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GETchan Communist Music Archive : Free Movies : Free Download, Borrow and Streaming : Internet Archive link
'oak trees in a graveyard,' albumen print from wet collodion negative, 1852-57.