HERE LIES GRIM. they she, twenty years. ⟢
entering the cemetery ♱⃓ — 𝖎. The Graves. 𝖎𝖎. The Crypt.
Claire Keane


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HERE LIES GRIM. they she, twenty years. ⟢
entering the cemetery ♱⃓ — 𝖎. The Graves. 𝖎𝖎. The Crypt.

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So... I saw your post about Jason refusing to turn Reader into a vampire, and I can't describe how cute it is! and I was wondering if I could ask for something cliché? like, you know, reader has a big accident and Jason panics because there's a big chance he'll lose her and regrets refusing, but at the same time wonders if it's a good idea convert her from fear? like, scared that might change something, I don't know, I don't know much about how vampires work...
hi nonnie 🥺 so i didn't follow this exactly, but i hope it was close enough. enjoy!
wc: 570
read more in this series here <3
the sight of your resting body was torture for jason.
alfred and bruce had patched you up, stabilized you with the technology available to them in the batcave. you were okay. you would be okay.
jason, however, was not okay.
another attack on the city had implicated the bookstore in the process. an explosion in the building across the street shattered the bookstore windows, sending your body into the corner of your desk. while you were in the store. without him.
by the time jason had gotten there, bruce and tim were already apprehending perpetrators — cobblepot's men. a petty crime to prove a point that only made sense to them. jason seethed, sinking his teeth into the back of his lip to ground him to the present.
bruce and tim were unaware of jason's turmoil, of the non-existent bile that was threatening to burn his throat. no one knew about you yet, but they were about to find out.
his boots crunched through the wreckage, glass shattering further under his heavy steps.
your hand, your body, was limp and coated in red, peeking from the edge of the desk. his only relief was the sound of your heartbeat, steady, there.
for the first time in a while, jason was terrified.
watching you get patched up in the batcave was even harder for him. alfred's touch remained gentle. bruce didn't ask questions, but jason knew bruce had pieced them together long ago. though, he couldn't bring himself to care while his gaze was fixated on you.
the sight of you was agonizing. this was his punishment, he had supposed. he knew this was a reminder that he hadn't deserved anything good in life, hadn't deserved you.
this was not how it was supposed to go. the colour draining from your skin wasn't supposed to happen yet. he had plans. he had contingencies, he thought he knew when he was going to be ready to do it. to turn you.
that day wasn't supposed to be today. it wouldn't be today.
the question that you had asked him on your anniversary, so sure of yourself: can you turn me into a vampire?
wanna be with you forever, jay.
your voice haunted him, echoed in his mind at a deafening volume — soft, optimistic, full of love rather than fear. and trust. you trusted him to do it, even though he didn't trust himself.
now, he had wished he had agreed in that moment. seeing you like this, cuts adorning your body, glass imbedded into your skin, shredded against the rubble was worse than anything he could have ever imagined.
he had hoped those plans of turning you would still be a distant memory, plans that he wanted to take place after you had experienced more, been able to enjoy the sun for a little while longer without being weakened, lived more.
jason's thumb caressed your hairline, sliding down to your temple and tucking behind your ear. his lips met your forehead, lingering a few beats longer to remind himself of the blood rushing beneath your skin. alive, for now.
as he gazed at you, limp and wounded on bruce's medical cot, he realized that day might come closer than he had anticipated.
because the only way he could protect you was to give you what you wanted the most.
so, yes, his answer was now yes. he would turn you into a vampire.
an: and who wants to see jason turning reader into a vampire. cause i do. if there's demand then I'll deliver.
—you’ve ruined my life
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jack abbot x overachiever! intern! reader
summary: good things happen to those who are found crying in the supply closet by their hot, older, maybe flirty boss-slash-mentor.
wc: 14.5k (i have no idea how that happened)
tags/tropes: age gap (duh), slow burn with an insane amount of tension, lowkey very emotionally rife, hurt/comfort, not-so-unrealistic amounts of crying, langdonmel in the background if you squint (you don’t have to squint very hard i love them so much guys im sorry) vaguely referenced but not subtlety implied bad childhood, gratuitous and frankly ridiculous medical inaccuracies because i took a lot of creative liberty, reader is an ode to Matilda by Harry Styles and You’re Gonna Go Far by Noah Kahan, Pitt Crew becomes reader’s family :)
a/n: this was supposed to be a sort-of drabble for @leeknowpegger. idk what happened. pegger i’m sorry i’ve been so dead recently (always) will you take this as an apology. If you’d like more cohesive tags, more context, extra details, and more in depth warnings, this fic has been cross-posted on ao3, and will be linked below :]
NOT-SO-FRIENDLY-PSA: Any comments asking me to write more, post another chapter, or anything of the sort will be deleted. Please do not send an ask into my inbox either. Screaming in my inbox (not about wanting more, general screaming) is totally fine though!
ao3
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۫ ꣑ৎ
You have been the perfect day shift intern for five months. Five freaking months of listening to mostly constructive criticism, five months of adapting and learning on the go with not a single complaint voiced, five months of diligent note-taking, studying, and practice. Five months of weaseling your way into the list of interns-slash-young-doctors that your residents actually respect. Five months of grueling shifts, hard losses, and never saying no when someone needs you to do something.
Five months of being the untouchable, “perfect” intern. Robby’s newest addition to his growing list of “work-wards.”
Five months of unflinching effort and dedication and it took four hours of your third night-shift to reduce you to a miserable, snotty mess on the supply closet floor. Tucked into the space between the two shelves, just the toes of your blood and snot and god knows what else covered shoes peeking out, the rest of you obscured.
Five months, four hours, and back to back fuck-ups that escalated into Dr. Jack Abbot, the man you may or may not have had the hugest crush on since beginning your intern year, removing you from a case. Five months, four hours, and two parents screaming at Dr. Abbot, telling him that you’re not fit to be a doctor.
Tonight isn’t the first night a patient has yelled at you. Tonight isn’t even the first time you’ve been removed from a case. It’s not the first time Dr. Abbot has had to correct you, and it’s certainly not the first time you’ve made a mistake.
You’re an intern. It’s your job to fuck up, learn from it, and keep going. That’s what Dr. Mohan said to one of the other interns awhile back. They’d ended up flunking out, but oh well. It was good advice. It wasn’t meant for you, but hell if you don’t say it to yourself every night like a prayer.
But right now, the usual calming mantra is doing absolutely nothing. You’re stifling ugly sobs into the tops of your knees, arms wrapped around and squeezing as tight as you can, your chest shaking and shuddering with the force of your complete and total freak-out.
The patient isn’t dead. Despite your mistakes, they didn’t die. There’s really nothing to cry about. Nothing to hide in the supply closet for.
And yet, here you are.
Your first mistake wasn’t terrible, but it was ridiculously stupid and incredibly embarrassing. Triage room, emergency measures being taken. And you, tired and off kilter from being so used to the day-shift, broke the sterile field. Like some dumb medical student, not a fairly seasoned intern who’s drilled sterile protocol into her head until it’s muscle memory.
For a scalpel. You dropped a scalpel. Arguably the worst thing to drop. And then, like an idiot, you picked it back up.
And, well. There’s no time to re-scrub, so there wasn’t a need for you in the triage room anymore.
Your second mistake was equally stupid and avoidable, if you’d focused more. Dr. Garcia was kind enough to let you scrub in on an emergency appendectomy.
It was a test. Not your first.
And you ripped the fucking purse strings.
Once again, you were unceremoniously booted from the room (being kicked out of an OR feels a hell of a lot worse than being kicked out of a triage room) and sent back to the pit. Dr. Abbot immediately caught wind of it and demoted you to scut work until “you get your head back in the game.”
And, well. You tried really hard to devote yourself to your new task, but you had to keep blinking tears out of your eyes every five seconds and you absolutely refuse to cry in front of literally any of your coworkers, lest they think you some weak-willed weak-stomached intern who can’t handle some criticism and correction. You’re a hard worker. You’re good at this. You have to be.
So yeah. Crying in the supply closet.
You’ve always been a frustrated cryer, which is annoying on a good day and downright awful on a bad one (case in point.)
You’re just so upset with yourself. You’re better than this. You know you are. You’ve proven that you are. You don’t drop scalpels. You don’t break the sterile field. You don’t rip purse strings.
But you did tonight. And maybe one day you’ll laugh, but today is not that day.
You just don’t get it. Day shift? Incredible. Manageable. You’re on top of things, put together, and worthy of Dr. Robby’s respect.
But tonight? Quite literally the exact opposite.
You can’t be burning out, right? That’s not how burn out works. There’s like, signs, and you start to feel terrible and awful and exhausted and sure you definitely feel all of those things, but that’s because you work in medicine. And you’re an intern. You’re supposed to feel terrible and awful and exhausted. But maybe you’re not? You do enjoy your work, and it’s exhilarating, especially when you try something for the first time and execute it well, because you always do, you always get things right on the first try, obviously, so that means that this can’t be burn out. You don’t burn out. That’s not you. Right? No. Of course not.
You gasp a particularly rough sob into your knees, air feeling like knives as you inhale, making you cough horrendously. You must be quite a sight.
Unfortunately, due to your alternating hacking coughs and dramatic crying, you don’t quite hear the door open.
You do, however, hear the quiet “Oh.” that’s mumbled a few moments later.
Of-fucking-course.
You scramble upright, aggressively wiping at your face and attempting to make it look like you weren’t just crying on the ground.
“Dr. Abbot! I’m so sorry, this is very unprofessional and I know you have me on scut work but I promise I’m still working on it—“
He holds up a hand, and you slam your jaw shut with an audible click.
“Just needed some four by fours, kid.”
Always one to be helpful (especially to the guy you have a crush on who also happens to be your boss, aka the same person who professionally told you to get your shit together about forty minutes ago) you reach beside yourself and hand him the package of gauze, an awkward smile fixed on your face.
“…Those are three by threes.”
Bitch. Motherfucker. Fuck your life.
“Right,” You mumble, dragging your hand down your face. “I’ll just get out of your way. Sorry.”
You turn to walk past him, attempting to go quick enough that he might not notice the new tears shining in your eyes before a hand lands on your shoulder.
“Look,” Dr. Abbot starts. “You’re one of Robby’s adopted interns, right? Robby-Junior?”
“That is one of the rumors Santos has been spreading, yes.”
His hand is on your shoulder. His hand is on your shoulder. (!!!)
You don’t know what to do. He’s looking at you. Your boss doesn’t fluster you. You’re chill. You’re normal. You’re cool as a cucumber, yep yep yep.
“Robby doesn’t adopt interns lightly. Don’t let one bad shift mess you up. It happens to everyone.”
You purse your lips. You should let it go. Take his advice. Thank him.
The all-consuming-guilt and ever-present-need to prove yourself itches too painfully to ignore.
Dr. Abbot seems to notice, and he catches your gaze again.
“What, it doesn’t happen to you?”
A jolt of panic stabs your chest. “No! Of course it happens to me, I didn’t mean to imply that I’m like, above making mistakes or having bad shifts at all—“
Genuinely what is wrong with you. Why the fuck does he do this you. You’re a smart, confident woman who apparently chucks her brain into the garbage bin whenever her boss is around.
Dr. Abbot, probably picking up on a pattern of behavior by now, levels you with another look that shuts you up fairly quickly. He’s got a sort of impish grin on his face, and it shouldn’t be hot, but he’s got his hand on your shoulder and you’re having a ridiculously shitty night. Does anything matter anymore?
“Usually, we try to mix up interns schedules so you don’t get into a rhythm on one specific shift so that when you inevitably switch, the change doesn’t mess up your flow. But I'm sure your knack for keeping your head down and doing good work let you fall through the cracks.”
He takes his hand off your shoulder and shoves it into his pocket, but you almost don’t notice because he said you do good work.
Abbot gives you another grin. “And I didn’t stick you on scut as a punishment. Mindless work tends to be calming, which in turn helps focus your mind.”
“But I ripped the purse strings,” You blurt like a Catholic school girl in a particularly rife confessional, “Like an idiot.”
“You ripped them like an intern doing something for the first time.”
“I practiced hundreds of times to make sure it didn’t happen!”
He tilts his head, almost cat-like. “Did you also practice on a live person in a higher stakes situation while your body is messed up from a sudden and huge sleep schedule change?”
“…No?”
He snorts. “Exactly. Dr. Garcia probably won’t hold it against you. She’ll give you shit for it, but it’s not like she’s never going to give you another chance.”
You wipe the last bit of wetness of your cheeks with the back of your hand, embarrassment heating your face. Despite the awfulness of being caught crying in the supply closet, the beginnings of pleasant warmth is spreading through your chest, Dr. Abbot’s reassurances echoing in your head.
“Thank you, Dr. Abbot. Um. Sorry about the crying. I promise I don’t usually do that.”
Dr. Abbot snorts as he saunters towards the door. “Wouldn’t judge you if you did, kid.”
—
Dr. Jack Abbot is bored.
He has his work, which is great. He became a doctor after being discharged because he’s always been the kind of man that needs something to do. Something to mind, something to watch, something to fix. Robby and him and much the same in this way.
Working at the ED was enough for a while. There was a certain challenge to it, an unpredictability that itch sated, kept him sane. And, well. Now he’s an attending. Night shift lead.
He started to get restless again.
He thought a pet might work. He was going to get a dog, but it didn’t sit right with him to get an animal built for companionship and then leave it at home for over twelve hours a day. Then he thought a cat might do the trick. He looked online first, saw beautiful, well bred felines that could probably compete and win for best in show for whatever the cat equivalent is for the Westminster Dog Show.
And then he made the mistake of going to the shelter and seeing an old, one eared tuxedo cat that stared at him with something in between fear and spite and its eyes. And well. The shelter attendants assured him that the cat in question prefers being left alone and having its own space, but might warm up eventually, and he brought him home that day.
And then it was just Jack, occasionally Robby, and now his asshole cat who might not love him back.
That also worked for a while. Having Charlie was fun. It was nice having another living creature in his house that wasn’t him. Even if he did have a habit of chewing on power cords when left unattended and eventually progressed into attempting to destroy Jack’s stethoscope if he left it anywhere he could find.
Minding the cat gave him something to do that wasn’t tedious, and it was a special sort of bonus to wake up every now and then and see the cat sprawled at the foot of the bed, snoring away. He didn’t actually know cats could snore like that.
Around the time that the itch came back and Jack was considering adopting a second cat from the shelter (well on his path to becoming a crazy cat lady, as Robby said in the park over beers) he met you for the first time.
Sometimes Jack slips quietly into the ED and watches the chaos of day shift’s conclusions. He’s picked up a very special language of gauging what he’s getting into based on the body language and behavior of the rest of the hospital staff. Robby had told him about the latest intern— a motivated, stubborn sort of girl that frequently went toe-to-toe with Santos but without any of the pushback when receiving correction or criticism. He’d heard that you were smart, capable, and well on your way of becoming a great doctor.
Robby failed to mention that you were pretty.
He’d watch you, comparing notes with Mohan with a certain intense focus on your face, worrying your lip between your teeth and repeatedly tucking a piece of hair behind your ear because it’d fallen out of your disheveled pony tail he thinks ‘Oh.’
And then, a few months later, he finds you crying in a closet, subtly confessing fears of failure and falling short of expectations, and then he thinks ‘Well, there’s something to do.’
Jack tries not to think about you, at first. You, looking up at him with red-rimmed eyes, bottom lip jutted out just a bit, hugging your knees. He tries not to think about how you’d looked at him when he’d assured you that you did good work, the awkward thank you, and the way that for the rest of the shift, all the annoying menial tasks that get forgotten in the chaos were all mysteriously taken care of.
He tells himself that he’s just going to keep an eye on you. For Robby’s sake. He’d do the same for Whitaker.
The next time you have a night shift, you’re clearly more prepared for the exhaustion, and when he finally sees you in true, proper action, he understands immediately why Robby likes you and Mohan frequently attaches you to her cases. Skill, patience, and focus.
When he watches you trach a patient with a certain ease that only comes from practicing hundreds of times, Ellis shoots him a knowing look. Raised eyebrows and smirk. When she passes him in the hall a few hours later, she jabs her thumb behind her shoulder at where you’re diligently filling out a chart.
“That one yours, then?”
Jack shakes his head. “It’s not like that. You make me sound like a creep.”
Another raised eyebrow. “Sure it isn’t.”
“She’s Robby’s intern.”
“Mhm.”
“She’s way too young.”
Parker shrugs. “She’s good.”
“She is.”
The senior resident cuts a glance back to you. “Think she’ll burn out?”
“Maybe.”
Parker crosses his arms. “Are you gonna let it happen?”
“She’s not my intern.”
Up to three Parker Ellis looks and counting.
“It’s an HR nightmare.”
Parker shrugs. “You just said she’s not your intern.”
He narrows his eyes. “You know what I meant.”
“Do I? It’s been awhile, Jack. No one would really judge you for having some fun.”
“Parker.”
“Jack.”
He shakes his head, walks towards the boards. “You’re the worst.”
Parker just laughs. “Sure I am.”
To your credit, he doesn’t find you crying in a supply closet again to see evidence of you doing so for a solid few weeks. But, like most things in the ED, the peace doesn’t last.
You came into work soaking wet, which is odd, considering the fact that he knows you drive, and the walk to the parking lot isn’t far enough to account how you’re shivering in your freshly changed scrubs. He brushes it off, chalks it up to freakish Pittsburg weather.
Some night shifts are relatively slow and mild. Tonight is not one of those shifts. Patients are extra irritable at late hours, which is to be expected, but what he’s not expecting is to walk by South 15 and see a 50-something year old man slap you.
Jack blinks, and in the next second he’s in the room, standing in between you and the patient.
“Excuse me, what the fuck is going on here?”
Gloria will probably give him shit for his language later, but right now all he can think about is the startled look on your face and the echo that the contact made.
“I said I want a real doctor, not this fucking—“
“Get the fuck out of my hospital.”
Shen peaks his head in. “Security’s on their way.”
Jack reaches behind him to where you’re still standing, your hand covering your cheek, and gently pushes you towards Shen, towards the door. You stumble over your feet a bit, but truly, Jack’s never been more thankful for his residents because then Parker is right there, ushering you out the door with a hand on your shoulder. Jack resolutely ignores your mumbled “I’m fine, really, he just surprised me.”
Thankfully, security doesn’t take that long to get to the room, and the second Jack is finished explaining, he’s out the door and scanning the ED for your face. Nurse Young jerks her head towards the break room, and he thinks he manages to give her what he hopes is a thankful smile before he’s beelining for it.
When he opens the door, you’re sitting on the floor again, holding an ice pack to your cheek with one hand and dabbing at your lip with a paper towel. Like you’ve never heard of medical protocol in your entire life.
“What the fuck are you doing?”
You jerk your head up, a kid caught with its hand in the cookie jar.
“Dr. Abbot!”
Lowering himself to the ground is awkward, physically. Prosthetics don’t lend to much mobility and he’s too old to be doing this, but he just. There are little beads of blood collecting and then sliding down your chin, dripping onto the leg of your scrubs. At the same angle of the split in your lip, there’s a little cut he can see peaking out from under the ice pack.
He reaches forward, fingers itching towards the deep scarlet dripping steadily. He pauses, remembering things like words and questions and sees the wild look in your eyes.
“Can I…?” Jack’s voice trails off, the words clunky and useless in this bubble that’s seemed to form around the two of you, on the probably disgusting floor of the ED break room.
You slowly drop the napkin, let the ice pack lower to your lap and nod.
“He had a ring on. I guess it caught me. I didn’t really notice until I got here.”
“Parker and Shen didn’t notice?”
You look at your lap. “I told them I was fine… And covered it with my hand. There are other patients. It’s just a little cut.”
Jack’s fingers finally reach your face, and he almost takes them back when you flinch on the initial contact, shaking ever so slightly.
But then, with noticeable effort, you relax into his palm, his fingers curling around the side of your jaw. He should grab gloves. He should get up, take his hand off your face.
Anyone could walk in right now and call Gloria on his ass.
His thumb sweeps across your cheekbone, just below the cut, which does have some faint bruising around it. And truthfully, the split in your lip doesn’t look that bad either.
But there’s still little dots and trails of scarlet and he doesn’t think he’s going to be able to calm down until he fixes it. He needs to fix something.
“If I leave you here so I can get supplies,” He starts, voice a little rough, “Can I trust that you’ll stay here and not do anything stupid?”
“Uh, yes? Should I move to a real chair though?”
Jack huffs as he hauls himself to his feet. “That’d be preferable.”
Later, when he’s at home in his bed, he’ll assure himself that the night shift wasn’t truly that busy and he trusts his residents to handle things while he’s busy.
No one stops him on his way to the medical supply closet (the irony of the location is not lost on him) and he makes it back without interruption. Upon opening the door, you have in fact moved to a chair, and it seems the bleeding slowed in his absence.
What he should do is sit down in the chair opposite of you and handle this situation like a professional, like the Dr. Abbot, night shift attending, not Jack who’s got a thing for fixing.
He does try to remove his emotions and feelings from the situation, he really does. It’s something he’s generally very good at —which is where he and Robby differ; Robby would prefer to feel too much and Jack would prefer to feel nothing at all— but you’re looking up at him and there’s something really dangerous in the air and it must’ve gotten into your blood stream or something cause it’s swimming in your eyes and he realizes that removing his feelings is not going to be possible.
He decides he could at least tone it down. You’re an intern. Robby’s intern. So what if you’re bleeding all over the break room? Jack’s just doing his job as the attending to look after the doctors and nurses under his jurisdiction or whatever. That’s all.
“Tilt your head up.”
He sets to work cleaning up the cut and split as detached and clinically as possible, even puts on gloves so there’s no skin to skin contact, just protocol, but he can feel the warmth of your skin through the latex and you keep sucking in these tiny little breathes when something stings and he can’t get the sound of the slap out of his head and it’s all just kind of a lot.
He readjusts his hand on the side of your face, sort of holding your forehead now to have better access and control over the cut on your cheek and wow. Your skin is really warm. It kind of feels like you’re burning up.
Jack tosses the piece of gauze he was using and rests the back of his hand against your forehead. Shit, you are burning up.
He thinks back to you, walking in today, soaked to the bone.
“Did you walk to work today?”
You wince. “My car kind of died? On the way here? I was only a mile away. But I called a towing company, so I didn’t just leave my car in the middle of the road.”
He blinks.
“Your car died, so you had it towed and walked a mile to work, in the rain, late at night, and didn’t tell anybody?”
You just keep staring at him, brows furrowed.
“Yeah? I carry a knife and I’ve taken self defense classes, and my car was just towed back to my place, so. I had a shift to work.”
There’s… a lot to unpack in your answer.
“Kid,” He starts, wondering why Robby never thought to give him a heads up before you started working more night shifts, “What was your plan to get home?”
“Walk, probably. I was thinking about taking the bus. Dr. King knows the bus schedule, so I’m probably going to text her.”
Jack decides to just finish cleaning you up, before he does something stupid like shake you by your shoulders and ask why you didn’t think to let your boss know that your car broke down and you’d be walking home in the rain. Or that when a patient slapped you in the face, his ring cut your face and lip open.
God.
“It’s really fine though,” You say, gesticulating animatedly with your hands. “My place isn’t that far, and it’s not the first time my car’s died. The battery’s kind of shot, but I guess my car has a weird battery, and it’s like, crazy expensive to get a new one, so. Besides, I like walking. I’ve been meaning to catch up on my audiobooks.”
He wishes you’d stop talking so he’d stop hearing things that make him want to do things he can’t and shouldn’t do. Like find out what car you drive so he can buy you a new battery. Or buy you a new car all together.
Christ, you have him wrapped around your fucking finger.
“I’ll drive you home. If you’re fine with that.”
Jack has to fight a grin at how comically wide your eyes grow at his suggestion.
“Oh no, you really don’t have to. I promise I’m—“
“Please stop saying you're fine,” He begs, “You don’t have a working car, a patient slapped you in the face, and I think you’re coming down with something.”
The smile that’s seemed permanently fixed on your face since he came into the break room falters, for a bit.
“Well,” You grimace, hands fisting the hem of your scrub top, “Things certainly aren’t… great, but I’ll survive. I’m not like, incapable, or anything.”
Jacks quiet for a bit, not just mulling over your words but the way you said them; the cadence and tone.
He hums. “Is that what you think? That I or someone else here will think you’re not competent or that you’re weak if you take a break or ask for help?”
Your face falters again. “No, no, of course not I just… I don’t know. I’m an intern. It’s my job, supposedly, to mess up and have to be looked after in case I accidentally kill someone and stuff like that. I just don’t want to be someone that people think they have to worry about. I need— internships are competitive. They’re competitions, really. And I want to win.”
Jack Abbot knows what it’s like to want to win. That need to prove yourself, prove that you’re capable and strong and unfailing.
So Jack also knows how quickly that can all go south.
“You’re a smart kid,” He says, voice ever so slightly soft in the quiet tension of the break room, empty except for the two of you, “And you’re going to make a great resident, and one day, a damn good attending. But none of that means shit if you burn out or get run yourself into the ground before you get there.”
He avoids eye-contact while he carefully applies the bandage to your cheek. “This industry will chew you up and spit you back out if you don’t take care of yourself. I get it. We’re doctors. We make the worst patients. But you got slapped in the face during a shitty day. It’s okay to… not be okay for a minute.”
You huff a watery laugh. “Isn’t that what energy drinks are for?”
He shakes his head. “What, trying to die faster?”
“Anything to shake those student loans. Can’t be in debt if you’re dead.”
“Don’t they just pass it to your family? Next of kin or whatever?”
“I don’t think they can give student loans to a cactus. I mean, I consider her my daughter, but I hardly think it’ll hold up in court.”
Jack mentally files that information away for later. What later is, he isn’t sure.
He stands, pulls off his gloves and tosses all the used gauze and shit in the trash can.
“I gotta get back out there,” He jams his thumb towards the door, “But feel free to take five. No one’s judging you. Matter of fact, as your boss, I’m telling you to take a break.”
You roll your eyes. “Whatever you say, Dr. Abbot. But thank you. For the…”
You gesture to your bandaged cheek and lip. “…And for the advice.”
He shrugs, like taking care of you hasn’t become a persona fantasy he may or may not fall asleep imagining most nights. Like it doesn’t matter, like he’s just doing his job.
“Offer for the ride’s still open. Just let me know by the end of shift.”
And with that, he’s out the door.
It’s the end of shift, and you’re staring at the double doors that lead to the outside world, and beyond that, absolutely fucking miserable weather for walking, a dead car, and cold as shit apartment.
You’re not exactly rushing out the door.
You’re clutching at the strap of your bag, regular clothes on, still damp despite the fact that it’s been over thirteen hours since you originally took them off, begging the universe to strike you down where you stand. Spontaneous lightning bolts happen indoors too, right?
The doors just stare back at you, unchanging in their miserable-ness, and after a solid ten minutes of staring, you feel rather than see Jack sidle up next to you.
“Still raining out there?”
“Yep. Looks worse now.”
“Not great weather to walk in. Especially considering the low-grade fever.”
“Mhm.”
“Did you text Dr. King for the bus schedule?”
“No. I didn’t want to wake her up.”
Jack huffs a breath, then jerks his head towards the doors that lead to the employee parking lot.
“Come on, kid.”
The ride is quiet and awkward. Well. Dr. Abbot probably doesn’t think it’s awkward, because he seems like the kind of man not to be bothered by long stretches of silence. Or silence at all.
He’d been kind enough to turn the heat on full blast (you started shivering the moment you stepped outside) and the radio is softly playing, and it’s only thanks to Sabrina Carpenter’s voice that you don’t feel like completely freaking out.
You mouth along to the lyrics, quietly humming the chorus under your breath.
“—I get wet at the thought of you being a responsible guy—“
“—Treating me like you’re supposed to do, tears run down my thighs—“
By the time you’ve realized that perhaps this isn’t the best song choice to sing along to, considering the situation and who’s car you’re currently riding in, the words “I get wet” have already left your mouth so there’s no real point in stopping.
On a completely unrelated note, Dr. Abbot starts smiling a little bit when you hum.
Pittsburgh traffic is terrible, so the drive kind of drags on. The radio is playing Chappell Roan now. Casual specifically. You’re considering changing the radio station because god.
“So,” You start, just to say anything that drowns out “knee-deep in the passenger seat and you’re eating me out, is it casual now?”, “Did you… have a good shift?”
That was a terrible question. Jesus. What the hell is wrong with you? How did you get through medical school?
Dr. Abbot snorts. “Shouldn’t I be asking you that question?”
Ah. Right. The Incident.
“I told you I’m—“
“Didn’t I tell you to stop saying that?”
Your lap has never looked more interesting. Wow, is that a loose thread on your sweats?
He continues. “Fine or not, a patient assaulted you. Even if he didn’t leave a mark, that’s still shitty.”
“Have you been hit by a patient before?”
He huffs. “Hell yeah. It happens to everyone eventually. It’ll happen again. You get better at keeping your cool.”
“Sorry you had to step in. I’ve been hit by a patient before and I was fine.”
“Oh yeah?”
You nod. “It was during my Pedes rotation, actually. I’ve always known working with kids probably wasn’t going to be for me, but, well. Kid came in for intussusception, and she was screaming and writhing in pain, and I failed to restrain her properly.”
“What, did she slap you too?”
“Nope. Kicked me in the chin. Ended up biting almost clean through my tongue.”
“Fucking hell, kid. What’d you do?”
You shrug. “Kept my blood in my mouth until we finished sedating the patient. Ended up with three stitches.”
Dr. Abbot lets out a low whistle. “Always the patients you least expect.”
“The importance of proper patient restraint was thoroughly impressed upon me, I assure you.”
The silence after your short conversation is slightly more comfortable, and thankfully the radio station has decided to play less pointed music.
Between the warmth of the car, the smell permeating the seats that smells distinctly like Dr. Abbot, and the drumming of rain outside, it doesn’t take long for drowsiness to begin to overtake you.
Your last thought before falling asleep is that you don’t remember if you gave Dr. Abbot your address or not.
Someone is gently shaking your shoulder, and you feel like shit.
“What?” You attempt to say, but the side of your mouth is pressed against the seatbelt and your shoulder so it comes out sounding like: “Whamfgh?”
Opening your eyes is a herculean task, like someone sewed miniature weights to your eyelids while you were asleep. You’re absolutely freezing, despite the steady hum of the car's heat, still on high, and you vaguely recognize the street the car is currently parked on.
Oh right, your apartment.
“Oh,” You yawn, hauling yourself semi-upright, aiming for woman who has it together, and less disheveled swooning woman in a Baroque painting.
Dr. Abbot is staring at you with equal parts humor and concern.
You rub at your eyes. “How long have I been asleep?”
“Little over forty minutes. You looked like you needed it.”
“It doesn’t take that long to drive to my place, even with traffic.”
Your brain is moving like molasses, so it takes you a second to catch up with the implication of his statement.
“Did you just… park in front of my house? So I could keep sleeping?”
He just shrugs. “Like I said. You looked like you needed it.”
Embarrassment and a touch of something else floods through your body, hot and cold at the same time.
“Sorry. You didn’t have to wait.”
“If I didn’t want to, I wouldn’t have.”
Still moving slowly, you gather up your bag from where it partially spilled on the floor all over your feet, shoving old receipts and pads and chapstick back in with the reckless abandon of a person who isn’t nearly aware enough of social cues to be in a car alone with their hot boss.
Whilst you're grabbing and shoving, Dr. Abbot reaches into his back seat, rifles around for a bit, and then drops something rather unceremoniously over your head and shoulders. After a quiet “hey” you pull it into your lap, and then that hot feeling is back in full force.
It’s a rain jacket. Clearly Dr. Abbot’s. You can see his name written on the inside pocket. It’s nice too. Definitely not the kind of rain jacket you could afford on an intern’s budget.
“For the next time your car dies,” He clarifies, as if the jacket’s purpose is the thing that’s stupefied you, not the fact that he’s the one giving it to you, “In case of rain.”
“You really don’t have to,” your words are rushed and clunky in your mouth, tumbling over each other in your haste to say something, anything, “I mean, I can just buy my own—“
“First of all,” He cuts you off, voice smooth and rough at the same time, “Do I seem to be the kind of guy in the habit of doing things I don’t want to? And second of all…”
He tilts his head, gaze sharp. “Are you really going to buy one for yourself?”
Your mouth goes dry.
“I was planning on looking online—“
Dr. Abbot interrupts you. “Now you don’t have to.”
Like it’s that easy. Does he want it to be?
“Dr. Abbot, I—“
“Jack.”
His grin goes from mild to shit-eating as you stare at him, obviously radiating confusion.
“Jack,” you start, testing out the name in your mouth, hearing how it sounds in the air. “I can take care of myself. You don’t need to give me your jacket. I’ve been doing just fine on my own.”
“Kid—“
The prickling of perceived weakness makes anger spark in your chest.
“Don’t call me kid like I’m stupid.”
Dr. Abb— Jack seems simultaneously impressed that you interrupted him for a change and vaguely put out.
He holds up a finger, effectively silencing anything else you were thinking of saying.
“I don’t call you kid because I think you’re stupid. I don’t think you’re stupid. You’d know if I thought you were stupid, because I would tell you. ‘Kid’ is a…” He trails off, free hand tapping thoughtful rhythms on the steering wheel, “…Nickname. Term of endearment. Whatever you want to call it, but it’s not derogatory.”
Jack holds up a second finger.
“You have not been taking care of yourself. If you were, you wouldn’t have a low grade fever, and you would’ve called me as your boss or one of your friends to drive you instead of walking after your car died. You’ve been surviving. There’s a difference.”
Shame burns white hot through you— all your recent failings laid out by the person you want least to notice them. Clearly, he has.
Possibly out of pity in response to your no doubt miserable expression, Jack continues.
“Don’t beat yourself up about it. It’d be an honest-to-god miracle if any intern managed to properly take care of themself. Hell, residents don’t do it either, and neither do attendings. Does Robby strike you as the kind of man who takes perfect care of himself?”
“That depends. Is my answer going to make it back to him?”
Jack huffs a quiet laugh. “Exactly. Doctors make the worst patients, in and out of a hospital setting. Knowing better doesn’t actually make us all that inclined to do better. Terrible misconception.”
He nudges the jacket on your lap. “So just take the jacket. One less thing to worry about.”
Emboldened by his recent streak of kindness towards you and the flush of fever running through your veins, you look over to him.
“You worry about me?”
Something dances in his eyes for a split second, gone before you can blink.
“I worry about all the interns and residents on my service, but especially the ones my best friend has taken a liking to.”
Right. Of course. He only cares because of Robby. And Robby only cares so he can add another doctor to the already short-staffed PTMC. It’s not like Jack actually likes you or anything.
You clutch the jacket to your stomach, finally finding the energy to get out of the car. Jack’s car.
“Well. Thanks for the ride, Dr. Abbot. And the jacket.”
“No problem, kid.”
And if later on that evening, in the safety of your tiny apartment, you take in the deep, fresh, almost spicy smell that makes up Jack, lingering on the jacket, that’s no one’s business but yours.
—
From that night on, it feels like Jack Abbot is everywhere.
Whether it’s something he’s doing on purpose or you’ve just developed a heightened sense to his whereabouts— it doesn’t matter. Sometimes it’s a whiff of his cologne (eerily similar to Dior Sauvage, which makes you shudder. Certainly he didn’t choose a cologne similar to the number one male manipulator scent on purpose?) or seeing his handwriting on a whiteboard or his notes in a chart, he’s there.
You’re being scheduled for night shifts fairly regularly now, in addition to the 24-hour shifts you have the pleasure of being put on as an intern.
Working a double isn’t horrific, really. Exhausting, sure, but Robby and Jack’s solid presence makes the shifts more bearable. Plus, you’re quickly becoming friends with the fresher residents, Whitaker and Santos, plus some of the older residents like Mohan and King. Even Dr. Langdon gives pretty solid advice and mentorship, despite the tension in the air whenever he happens to be working with or near Robby.
Normally, 24 hour shifts are grueling, but not impossible. Somewhere around the 15 or 16 hour mark, the sleep deprivation hits, and you can just coast on stress-induced inertia and a healthy does of energy drinks and mania.
Today, though, has been particularly fucking awful. Maybe it’s the fact that the fever never really went away, or the fact that you started your period the day before (being sick on your period should be illegal.) It’s probably both of those things.
But there isn’t really anything to do but grin and bear it. The day will pass, and you have the next two days off anyways. Just survive the next however-many hours of the shift and then you can go home, dress in exclusively fluffy clothes, and binge watch tv whilst eating heart-stopping junk food.
You’re distracted from your charting, propped up on the counter at the nurses station by a light tap on your shoulder and someone saying your name.
Dr. Langdon has sidled up next you, voice hushed.
“Hey, uh. I just wanted to let you know that you seem to have… bled through.”
If a spontaneous earthquake could open a chasm beneath your feet and swallow you whole, now would be the time.
“Fuck fuck-ity fuck fuck,” You mumble, wiping your hands down your face. “Right. Yeah. Of course. Thank you for letting me know.”
In a moment that is as mortifying as it is kind of sweet, Langdon passes you a hoodie that is clearly his.
“To tie around your waist,” He clarifies, holding the object out across the meager space between the two of you, voice a bit awkward and stilted, like you might decide to spit in his face or something.
You don’t actually know what it is that Dr. Langdon did before your arrival that makes the break room go quiet when he walks in (unless Dr. King is there) but you don’t particularly care. If it was truly something horrific that you should be worried about, he wouldn’t be working here. Robby wouldn’t let that kind of thing slide.
So you take the offered hoodie with a strained smile (can this shift just be over) and speed-walk to the break room, praying no one decides to snag you on the way there.
What you should do is go to your locker where your stash of pads, tampons, spare underwear, and extra scrubs are, and then probably the bathroom to get changed, so you can keep on going but you also just saw Dr. King go into the break room and you just really need a hit of her specific brand of optimism.
The woman in question perks up when she notices your arrival, hastily eating the same snack she always eats around this time— a tiny bag of pretzels.
She watches as you collapse into the chair across from her, letting your head thunk onto the table.
“Bad shift?”
“Bad life,” You grumble. “Dr. Langdon had to give me his hoodie to tie around my waist because I bled through onto my scrubs. Like a middle schooler who doesn’t know what pad sizes are for.”
Dr. King nods thoughtfully. “He asked me if it would be weird of him to let you know and offer his hoodie. To which I replied that periods are a normal bodily function and he’s a doctor.”
“Here here,” You half-heartedly cheer, any actual cheer or enthusiasm severely lacking in your voice. “How did you survive your intern year, Dr. King?”
“We’ve been working together for awhile, you can call me Mel,”
She pops another pretzel in her mouth before answering. “But to answer your question, I mostly just kept telling myself that failing wasn’t an option. Which. Probably isn’t helpful, or good advice, but it worked for me. Something that’s nice is if you have a fellow intern or doctor that you enjoy working with. I know the other two interns who matched into the PTMC dropped out of the course, so it’s just you, but you have Dr. Robby, right?”
You nod, picking absently at a spot on the table and ignoring the way that it wasn’t Robby who popped into your head, but Jack.
Your teeny, ignorable crush on him has become a full-blown thing, with semi-weekly dreams about him in various… situations, and casual daydreams at all hours of the day of what it would be like to just be with him, or hear him, in any capacity that couldn’t be qualified as work or a boss checking on his employee. Intern. Whatever.
Hormonal and fever-ish, you suddenly feel like you’re going to explode and die if you don’t have someone to confide in right this very second. You haven’t heard Mel really talk about anyone you work with outside of professional doctor-to-doctor conversation, not even about Dr. Langdon, who she seems almost suspiciously close with.
“Mel,” You start, voice a little too thick and watery to just be talking about your stupid, annoying, one-sided workplace crush, “Can I tell you a secret?”
She seems to consider the pros and cons first, and looks fairly caught off guard, but she answers. “Um. Sure?”
“Have you ever had a crush on a coworker before? Or like, a boss or mentor?”
Mel sets down her bag of pretzels. “Is this about Dr.—“
“I have the biggest crush on Dr. Abbot and I think it’s ruining my life.”
The words burst out of you all at once, and Mel’s expression goes from shocked, to confused, before finally settling in abject amusement.
“Ah,” She says, sliding the pretzels across to you. “Um. Well I personally don’t have a crush on Dr. Abbot, but I think I understand the sentiment.”
You bury your face into your hands and groan. “It’s awful. It’s so cliche. It’s so fucking Grey’s Anatomy.”
“I’ve never actually seen that show. Becca likes it though.”
Mel allows you a few moments of wallowing and pretzel eating before she speaks again.
“Have you… acted on it?”
“No!” You snap your head up. “I mean. No, I haven’t. I’m not naive enough to think that he would reciprocate. He’s an attending and I’m an intern.”
She leans in. “But…?”
“But sometimes… I wonder? I don’t know. I’m probably crazy. He drove me home the other day, cause my car died, and it was raining, and I got slapped by a patient, and that was when I first came down with this stupid fever, and like, that’s normal, right?”
Mel nods. “Fr— Langdon drives me to work when we share shifts, and sometimes when we don’t. I think Dr. Santos and Dr. Whitaker carpool too. So maybe?”
“Right. Yeah.”
She takes the pretzel bag back. “Is there more evidence that makes you feel crazy?”
Your skin flushes hot at the memory alone.
“He gave me his rain jacket. To keep.”
“Oh.”
“Yeah.”
Mel once again takes a few minutes, and the rest of her pretzels before responding.
“I’m honestly not the best person to ask for advice about this. I’ve been told I can be… dense when it comes to romantic endeavors.”
You shrug. “You’re a great listener, and you haven’t steered me wrong in the past.”
She brightens. “That’s good! I think my advice would be to talk to Dr. Mohan. She has experience with your… particular situation.”
Mel tosses the empty pretzel bag and heads toward the door. “I’ll let Robby know you’re taking ten, so don’t worry about someone looking for you while you’re changing.”
“You’re the best. I love you.”
The resident flushes at your gratitude, and then ducks out the door, leaving you alone to stew on her advice.
—
Talking to Dr. Mohan proves difficult, at first. How exactly do you start that conversation? “Hey, I heard you had advice on having a world-ending crush on your boss, got any tips?”
Additionally, she’s kind of hard to track down. You greatly respect Dr. Mohan’s work ethic and truly aspire to her unflinching devotion to patient care at the PTMC.
After a few days (which turns into a few weeks, because you are an emotional coward) of trying (and failing) to find a moment to talk, Dr. Mohan actually ends up finding you.
“Hey!” She jogs up to you as you’re walking to your car, a too-bright smile on her face for the fact that you both just got off a fourteen hour shift.
“Sorry to be that annoying coworker who talks to you in the parking lot, but I wanted to catch you before you left. Mel said you wanted to talk to me?”
“Right!” You stammer, slightly mortified. You admire Dr. Mohan so much and really want her to think you’re capable but you really need some advice on Jack Abbot as a whole, and it sounds like she’s the only expert around. “Yes. That. It’s a really normal question, you know.”
Dr. Mohan just nods, a smile still fixed on her face, like this is a totally normal conversation. “Uh, sure?”
There’s a beat of silence where you both stare at each other, and then she gasps.
“This is about Abbot, isn’t it?”
You groan, throwing your head back in defeat. “Am I that obvious?”
She laughs goodnaturedly. “No. Probably not. You’re just the only intern in the ED right now so I try to make it a habit to keep an eye on you. Plus, Mel is literally the only person in the world who knows about my now-dead crush on him, so. I just connected the dots.”
“He’s so hot, Dr. Mohan. I feel like I’m dying.”
She makes a noise of sympathy. “He is. It’s fucking annoying, at a certain point.”
“Thank you!” You shout, “Like it’s just so there. It should be illegal to just walk around and look like that. I should be focusing on like, studying and learning, but instead I’m just harboring this stupid crush on an attending.”
“Have you ever seen Grey’s—“
“Yes. I know. I can’t be Meredith. Meredith was like, always a mess. Am I a mess?”
Mohan purses her lips. “Well. You did just say you felt like you were dying.”
“I know,” You sigh. “It makes me feel… shallow. I like being a doctor. I was so excited to get matched into the PTMC, and this stupid crush is throwing me off my game.”
“It can’t be that bad.”
“On my first night shift rotation I dropped a scalpel, picked it back up, and then ripped the purse strings on my first appendectomy.”
She winces. “Oh. That’s not… great.”
Your hand finds its way to your comfort necklace. “He found me crying in the supply closet like some medical student, and then he comforted me. It was terrible.”
Mohan starts ambling towards the direction you assume her car is in. “Well, if it’s any consolation, I’ve been caught crying in the supply closet several times. I think it’s a right of passage. And as for that second part…”
She shrugs. “Abbot gives credit where credit is due, but he won’t coddle you. If he actually offered real comfort or advice or whatever, then he meant it.”
“That’s what he said. It just didn’t really help the whole crush-on-him part. And then there was the slapping incident, and he drove me home, and now I have his rain jacket in my backseat in case my car dies again.”
Mohan actually looks taken back.
“Okay. It sounds to me like this is a situation that is in serious need of wine. Do you drink?”
“Whenever I have a spare twenty dollars.”
She grins. “I happen to have a couple bottles at home that might do the trick. Follow me back to my place?”
“Yes please.”
Wine and, eventually, takeout at Samira’s is much more enjoyable than you expected— considering the fact that you’re an intern and she’s a resident. She confides that she doesn’t have very many friends outside of the ED and was excited at the opportunity to have “real girl-time”.
She shares how she weathered her own seemingly life-ending crush on Jack, gasps and screams at the appropriate times when you tell her about the slapping, the events that occurred in the break room afterwards, the drive home, and the jacket.
You leave her apartment feeling lighter than ever. Like life might be worth living. Like you could survive your intern year.
Maybe everything will be okay.
—
Everything is not okay.
You’re now two full weeks into a never-ending fever, you keep getting stuck with shitty shifts (how many times a month can one person possibly be scheduled to work a double?) and top it all off, you’ve been pissed on not once, but twice in the same fucking shift.
Santos snorts when she sees you go by in your third set of scrubs for the day.
“Careful. You’re gonna replace Huckleberry pretty soon.”
You shoot her a look. “Supportive as ever, Dr. Santos.”
“I try.”
You sink into the chair next to hers, taking a moment to press the heels of your hands into your eyes and maybe, like, take a thirty second nap.
It doesn’t help much.
There’s a particular misery in watching the day-shift rotation handoff with the night shift and not being able to join in the process. Because you’re still there. And will be, until you see them again for your handoff, in twelve fucking hours.
Patients tend to get bitchier the later it gets, and it’s one of those nights where every patient bleeds into the next in a never-ending sea of complaints, pain, and fixing.
The fixing is fine. You like the fixing.
You’re just… having a hard time keeping up with everything while the fever perpetually runs you down. It’s the kind of thing where no amount of sleep can help you. Unless it was for 48 hours straight and then you got another 48 hours off after that to relax while you’re awake, and then another 48 hours to be productive.
A vacation. A week off. You’re describing taking a week off work. It’s comical, actually. Imagine requesting a week off from work. Gloria or whoever it is would never grant that. Not as an intern.
You notice Jack lingering around your general vicinity, which is fairly normal on a night like tonight. Technically, as the only intern on shift, you’re the only liability he has to really worry about.
Somewhere around the eighteen hour mark, he slides into the chair next to you while you’re charting.
“You’re flagging.”
Your eyes burn as you tap information into the tablet, then check on the computer in front of you. “I’m fine. I just need a Redbull or something.”
He slides the tablet out of your hands. “Part of being a good doctor is knowing when to take a break. Can’t be a good doctor if you’re falling asleep during the exam, right?”
“I would never fall asleep during an exam.”
He shrugs. “I’ve seen it happen.”
Jack jerks his head towards the break room. “Take five. Get an energy drink or whatever. Then I want you on chairs for at least an hour.”
“Yes sir.”
He rolls his eyes. “Get going.”
Chairs don't prove to be as uneventful as you (and probably Jack) hoped it would be. You get vomited on by a teenage girl, who apologizes profusely when she finally manages to stop throwing up, narrowly avoid a swing from a patient that quickly becomes a behavioral case, and become an unwilling participant in another patient’s doctor fantasy.
Security had to get involved with that last one. It was. Something.
Your shift ends with little fanfare. It’s honestly a miracle you survived. You’re exhausted, achey, and still feverish. The only thing you can think about is crawling into your bed, indulging in a rare expense of turning your heat up, and sleeping until your next shift.
Walking into your apartment ends up being a slap in the face. First of all, it’s fucking freezing. As if you left every single window open while you were gone. Secondly, it’s dark. Like, not even the clock on the microwave is on.
“Fuck,” you mumble under your breath, tears beginning to burn with unshed tears digging through your bag and fumbling with your phone, about to text your landlord when you see that he’s already texted.
Eric (Landlord): Power and AC is down. Might take some time to fix. Power should be back on by tonight.
And that’s just the last straw, really.
You slam the door behind you, not even bothering to go inside your apartment at all, chest tight and face hot, you race down the stairs, trying to find Samira’s contact through blurry eyes. When you think you’ve found it you click call, collapsing on the curb with your body doubled over, crying like a crazy person into your knees, at something like nine in the morning.
The phone rings for a bit, and you’re about to give up when the line finally stops and somebody picks up.
“Hello?”
It’s not Samira who answers. It’s Jack.
You sniffle. “Why are you answering Samira’s phone?”
“I didn’t. I answered my phone. Because you called me. Are you okay?”
“Oh,” You decide to ignore his question, “I meant to call Samira. Sorry.”
“Wait,” Jack’s voice comes out all rough and tinny through the speaker, but even distorted through a phone, you could listen to it for hours, “Answer the question. Are you okay?”
Your bottom lip wobbles dangerously.
“The power’s out in my building. And the heating went out too. My landlord said the power won’t be on until tonight, and I just wanted to go to sleep, but it’s cold and I'm tired and this stupid fever won’t go away.”
“Do you have a place to stay?”
Always a man of action, Jack is.
You shrug, then make a non-committal noise when you remember he can’t see it. “I was supposed to call Samira and see if she’d let me sleep on her couch.”
“I have a guest bedroom.”
The statement hangs in the crisp morning air. You think of Jack’s encouraging advice, Jack’s steady presence, Jack’s warm car and his nice smelling rain- jacket. Jack, Jack, Jack.
“Jack?”
“Yes?”
“What’s your address?”
The drive over involves bawling your eyes out to Vienna by Billy Joel. It’s just that kind of day.
You have no problems finding parking (miraculously) and no one stops you as you head up to Jack’s apartment as directed.
It’s… fancy. Like, polished floor lobby, lounge area adjacent to the front desk fancy.
The actual building itself isn’t very tall, nothing like a skyscraper, so it’s not exactly surprising that Jack’s apartment is the penthouse. It’s just suddenly very awkward standing in front of the door, in the same sweatshirt you’ve had since high school, sweats that have seen better years, looking exactly like the kind of girl who sobbed on the ride over to Billy Joel.
Jack opens the door almost immediately after you knock, and.
If seeing him in scrubs was bad, it doesn’t hold a fucking candle to him in a tight, army green shirt and grey sweatpants. Grey sweatpants. That couldn’t have been intentional, right? Is he online enough to know these things? God.
His features soften when he takes in your tear-streaked face and disheveled appearance.
He makes a low noise in his throat.
“Oh, you poor thing. Come here,”
Jack had actually been gesturing to the apartment, saying ‘come inside’ but the dam breaks the moment he says “poor thing” and you don’t have the wherewithal to think anything more complex than “Jack=Comfort and Safety".
Your bag drops with a dull thud onto the ground and then you’re crashing into him, face pressed into his chest and arms wrapped around his middle. You can barely find it within yourself to be embarrassed.
Jack doesn’t react at first, going completely stiff in your hold, and you think maybe you’ve gone and fucked this up too, like everything good in your life, but right when you move to pull away a hand finds its way to the back of your head, and another rubs circles on your back.
“Poor girl,” he murmurs, voice a soothing rumble with your ear close to his chest, “They been running you ragged?”
You nod uselessly, feeling raw and cut open— like you’ve been smashed against a rock and everything you keep tucked inside is spilling out and you can’t stop it.
“I’m so tired.” You half-mumble-half-sob into him, a sentiment that feels too light to convey everything that’s happened since you became an intern at the PTMC, and everything else you don’t talk about that happened before.
“I know sweetheart, I know,” Jack is solid beneath your cheek and arms, a lifeboat in a storm. “How about we get you inside and get you warm, huh? That sound nice?”
At the promise of warmth you finally detach from him, shame burning through you when you eye the wet spot on his shirt.
“Sorry,” You say, voice barely above a whisper. “I think I got snot on your shirt.”
“Trust me kid, it’s seen worse.”
He grabs your bag before you can even make a move for it, and you trail behind him into his apartment, attempting to ground yourself by looking around his apartment.
It’s nice. Lived in, not sterile. It doesn’t, actually, look the inside of a dentist’s office, like you were half expecting. Most new apartments have that doctor’s office lobby feel. Not exactly comfortable when you’re a doctor and the goal of home is to not remind you of your job.
Jack hangs your bag on a hook by the door, right next to his own. Something twinges in your chest at the sight.
There’s a feeling under your skin you can’t place as you shuffle into his apartment, something warm and skittish that aches for this to not be a one time thing, to be able to compare the pale morning light you’re watching now to late afternoon sun. To know where he keeps his mugs, what drawer the silverware is in, if he’s got a junk drawer with random shit in it, and what the random shit is. What it feels like to be in his kitchen, shoulders brushing.
But that’s a lot of complicated things to name or voice just past the threshold of the foyer, so you wrap your arms around yourself and toe your shoes off, then pad quietly after him.
Jack is— inviting, or maybe enticing; all those words that beckon the skittish thing closer and it feels just on the tip of danger to obediently sit on the couch he ushers you to.
“By the way,” Jack says somewhere behind you, maybe in the kitchen? “I have a cat. His name is Charlie. He probably won’t come near you, but be warned, he’s an asshole when he wants to be.”
“Oh, that’s fine. I like cats. Especially the asshole ones.”
“That explains a lot of things.”
His statement is kind of loaded, chock full of subtext you don’t care to parse through at the moment.
“Um,” You start, feeling a bit unsteady, “Is— Do you mind if I shower? I kind of smell gross probably, and I feel… grimy. Your apartment seems clean and I’d hate to get my hospital grime on anything.”
Jack just chuckles. “One, I wouldn’t care if you got ‘hospital grime’ on anything because that would be a very hypocritical thing to care about, and two, of course you can shower. Do you have spare clothes?”
“I might’ve forgotten to grab those.”
Another huffy laugh. “That’s fine. You can borrow some of mine. I’ll leave them on the bed.”
That’s like. Wow. Yeah. You’re just gonna borrow some clothes from him. From Jack. You’re going to shower in Jack’s shower and use whatever bodywash he has (hopefully not 5-in-one) and then put on his clothes and you are totally capable of being Completely Normal about these things.
“I already started on dinner when you said you were coming over. Should be done by the time you get out of the shower. Chicken noodle okay?”
Damn Jack Abbot and damn your shitty emotional regulation and damn your life for putting you in these situations.
“Yeah,” You croak, thinking about things like soup and family and being cold and strong and alone, “Yeah that’s fine. Thank you.”
Jack politely does not comment on the fact that soup is reducing you to a tangled heap of emotions and tears, and instead directs you to where his shower is and says to use whatever you want and take however long you want. He says want, not need. You’re not sure if there’s an intention behind the word choice.
Once in the shower, you allow yourself time to cry, to feel awful and self-pitying and all those things that are terrible to go through in front of another person. His shower is expensive and the water is warm and he does not have 5-in-one. There’s a litter box nestled next to the toilet, and it’s not funny, but it kind of is, because Jack would be the kind of guy to look at a litter box and put it right next to the toilet. Everything in its place.
Maybe that’s your problem. You haven’t felt like anything is in the right place in years.
You want to stay in the shower, in the bubble of protection it provides, but the idea of running up Jack’s water bill is enough to guilt you into getting out. You shiver, dry, aggressively attempt to make yourself look less like a wreck at the sink, and then tip-toe into the attached bedroom and carefully pull on the clothes Jack left for you on the bed; a faded, oversized college shirt, and a comfy pair of sweatpants.
They smell like him. You smell like him, like his body wash. The house smells like him. Everything you take in is a pleasant assault of Jack, Jack, Jack.
Enough guilt to fuel an entire room of ex-Catholic’s is the only thing keeping you from snooping around his room. The idea of stumbling upon something private or hidden away makes you feel slimy and gross, so you exit the bedroom and pretend like you don’t feel like a foster dog on its first night home from the shelter.
(Do shelter dogs miss the shelter? Do they miss its familiarity? Do dogs miss anything at all?)
The apartment smells of more spices and good smelling food than you privately thought Jack capable of. You’d read him as the kind of guy to subsist on takeout and maybe like, protein bars. But he’s dutifully stirring a metal pot with all the diligence of the military man that he once was.
Quietly, as if he might throw the wooden spoon he’s stirring with if you make too much noise or take up too much space, you carefully pull out a barstool in front of his kitchen island, the one closest to the door, and haul yourself onto it.
He gives you an examining glance over his shoulder, turns a knob on the stove, then rests his forearms on the island counter across from you. His rather delicious looking forearms, you might add.
“Feeling better after your shower?”
You hum an affirmation, folding your arms and resting your chin on them.
“Isn’t it kind of weird to make soup for breakfast?”
He shrugs. “It’s dinner for us. Or, well, me. I’m not sure your body knows what meal it is.”
He taps a pointer finger rhythmically on the counter. “Any word from your landlord?”
“No. Sorry for… all of this. I know you’re tired.”
“I wish you’d stop apologizing for things I don’t mind doing for you.”
You don’t really know how to respond to that, or what to do with how it makes you feel, so you elect to save it for later. Good at compartmentalizing, ED doctors are.
You clear your throat. “I can call Samira whenever. She’d probably be excited to have girl time. So you know. Don’t feel like— I have other options. If or when you want me to leave.”
“Do you want to leave?”
You wish he’d stop asking questions you don’t want to answer.
You try to play it off, smother your fear and exhaustion with humor. Robby’s kid, through and through.
“Well, I can’t have you getting sick of me. You’re the only person I know who has a very rob-able house if this whole internship doesn’t pan out.”
Jack straightens, shoulders pulling and flexing. “Who said I’d get sick of you? Maybe I like the idea of you in my house.”
“Do you?”
You ask the question before you’re aware of how terrified you are of the answer. But you’ve already said it, and it feels nice to be the one asking the hard question instead.
Jack, likely experienced in this sort of thing, doesn’t look outwardly bothered by it, but he gets a sort-of-sad look on his face, almost like he’s disappointed that you had to ask.
“Have I given you any reason to think otherwise?”
“I don’t know,” You look down, picking at a hangnail to avoid his expression and his eyes and his everything, “I don’t want to assume anything.”
“You’ve already assumed quite a bit.”
You scrunch your face. “That’s different. Those are safe assumptions.”
“Are they?”
“Obviously, it’s safer to assume that you don’t want me to stay here, or at least not for very long, because if I assume that I do I’ll bother you and I want you to—“
You cut yourself off, jaw shutting with a firm click, but the end of the sentence hangs in the air unspoken anyways. It’s not hard to figure out what you were going to say.
I want you to like me.
Jack sighs, and alarm blares are going off in your head and your chest starts to feel tight and cold despite the warmth of his apartment, and then he’s rounding the island and you turn your body to follow him —never turn you back, never let your guard down— and then he’s standing in front of you, over you, and you’re not sure if you want to run or metaphorically curl up at his feet, tail tucked.
It’s pathetic. It’s embarrassing. It’s impossible to ignore.
(What does a shelter dog think, on that first night? Do they hope? Do dogs hope?)
He raises a hand, slowly, giving you a chance to lean away, and when you don’t, it comes to rest on the side of your face, his thumb swiping at the barely-there wetness from earlier tears.
It’s cleaning the cut from the slap, it’s a kindness you can curl into, and it might be a threat. Might be bad, might turn harsh and painful, might leave without a word.
Unlike that day in the break room, there’s no fluorescent lights to suck any heat out of the room and no gloves as a barrier; as a reminder of who he is, of what you are, of how things work.
It’s just you and Jack, in Jack’s apartment, wearing Jack’s clothes, and pretty soon you’re going to eat food that Jack made. Just for you.
And you think maybe, possibly, if he stops here you could kind of hold onto this moment for the rest of your life and it would get you through being alive and strong and alone, and you’d make it through this, whatever this is, if he stops here.
He doesn’t. He starts talking.
“I like knowing that you’re safe. That you’re taken care of. I like knowing with certainty that these things are true because I’m the one making sure of it.”
Your breath hitches in your chest.
“That’s kind of a lot of work, though.”
He hums. “It is. Luckily, I just so happen to be a pretty hard worker.”
Everything about the current situation is a lot and your nerves are over-taxed and dialed up to hundred, so it’s not surprising that you start crying again.
Jack brings up a second hand to the other side of your face and gently wipes away the tears as they come. It feels sort of like the physical version of everything he’s been doing for you since that day in the supply closet.
“You don’t have to do anything, or say anything, or make any kind of decision right now, okay? We can do whatever you want. I’ll do whatever you want.”
There’s the word choice again; want, not need. Is there a difference? What does the difference mean to him? What does he mean? Why is he doing any of this?
Jack's phone goes off in his pocket, and he steps back, drops his hands, and goes back to the stove.
Jack said you don’t have to make a decision right now, but you kind of feel like if you don’t do something you’re going to be sick with everything that’s swirling and clawing inside you, threatening to burst. Like the very essence of you is going to explode, and your soul will be painted on Jack’s perfectly decorated walls.
That would be something, wouldn’t it.
You stay seated at the island, turning to stare at Jack’s back while he adds the final touches to the soup. He doesn’t talk anymore, but he keeps looking back every few minutes, like he’s making sure you’re still there.
Eventually Jack turns the stove off, dishes up a bowl of soup for you, and sets it gently in front of you. He uses his pinky to cushion the placing of the bowl, so there’s no loud clinking noise when he sets the bowl down.
There’s a tiny sprig of parsley on top of the soup, right in the center. Like a Panera ad for soup in September.
You start crying again, in earnest.
“I’m sorry,” You gasp, pressing the heels of your hands into your eyes. “I’m sorry, I don’t know why I’m— I don’t know. I don’t know.”
You’re hoping the last sentence encompasses an entire lifetime of events, accidents, mistakes, and memories that have never been able to find a place in your head except dead center, at the forefront of your mind at all times, stamped on your forehead for anyone with eyes to see.
Your life hasn’t been wants or choices for a very long time. And here Jack is, giving you an array of both, and saying things like he wants you to want.
“I’ll do whatever you want.”
“Hey, hey hey hey, shhh,” Strong arms wrap around you, tucking your head into a warm chest, effectively shutting off all sensory input that isn’t Jack. “You’re okay, you’re safe, you’re okay, I got you.”
He rubs circles into your back, then switches to tracing shapes, and he lets you cry into him again and he doesn’t tell you to stop, or to calm down, or you’re being too much too fast.
“You’re okay, you’re gonna be okay sweetheart. Take your time. I’m not going anywhere.”
“I’m not going anywhere.”
—
You, embarrassingly, fall asleep right there, sitting at the kitchen island over a bowl of soup and twenty-something years of holding up your life with hands that never quite seemed big enough to do it.
You wake up in Jack’s bed, his comforter pulled up to your chin and the clock at the bedside table reading 8:17 p.m. There’s the muffled sound of several voices coming from beyond the door.
Holy shit. What the fuck.
Deciding to ignore the implication that Jack carried you to bed, you mentally take stock of what’s around you.
In front of the clock is your phone (plugged in to charge), a glass of water, and a note with Jack’s handwriting on it.
Kid-
I’ll probably be in the ED for the night shift by the time you wake up. I called Mohan (who called Mel, who was with Langdon, for reasons unknown) to go to your place and grab you some things. There may be people in the apartment when you wake up. You are in no way obligated to interact with them. They have to leave eventually.
Charlie is in the room with you because he hates strangers, but he probably won’t leave the bathroom. Probably. Drink water and eat something, if you can. Text me if you need anything.
The voices beyond the door are, more than likely, the aforementioned individuals who have now seen the glorified closet you call home. It’s not ideal, but you’re wrung out and don’t have the energy to really care. Besides, Samira and Mel are too nice to judge you that hard (you hope) and from what you’ve heard, Langdon isn’t really in a place to say anything.
On one hand, going out there requires socializing. Which, ew. On the other hand, Samira and Mel are the best. Langdon is maybe okay.
Before you can talk yourself out of it, you shuffle out of bed and then continue shuffling to the door, hoping that whatever you look like isn’t too terribly awful.
Samira, Mel, and Langdon are standing around the kitchen island, various takeout containers and bottles of alcohol littering the space. For some reason, Trinity, Dennis, and Robby are also present.
Samira and Langdon are engaged in what looks to be a rather animated discussion-slash-argument, and Mel is standing just a little closer to Langdon than what could be considered normal for friends. Trinity is very obviously ignoring Langdon’s general existence, bickering with Dennis on the couch, and Robby is seated in the armchair by the window, nursing a beer and watching both conversations unfold.
You sniff aggressively, and all heads snap to you.
“There are more of you here then there’s supposed to be,” You grumble, scrubbing at your face. “Why are you all here?”
Mel is the first to speak.
“It was Frank actually!” Trinity rolls her eyes, and part of you wants to share the sentiment, “He figured Trinity would be upset that something happened to you and he knew and didn’t tell her, so Trinity decided that me and Samira would get your stuff while everyone else stayed here in case you woke up before we came back!”
Wow, okay, that’s. A Lot.
You squint. “That doesn’t explain why you’re all here. I mean it does, but only like, why you’re here physically.”
Robby frowns. “We heard that you were going through a rough time and you had to stay with Jack, so we came.”
Trinity snorts on the couch and Dennis, next to her, looks like he’s about to have an aneurysm.
Robby shoots her a look, but continues. “We care about you. We— I don’t want you to feel like you have to do everything on your own. In or out of the ED.”
Trinity blows out a loud sigh and low whistle. “Jee-zus Robby, give the woman some time to wake up before trying to induce tears again.”
Robby does look a little apologetic, maybe a teensy bit chastised (and annoyed that Trinity was the one doing the chastising) and turns his deep brown eyes back to you.
"Sorry. Can't help these Dad tendencies, you know."
Your face gets hot, maybe a tiny, wet prickle behind your eyes forms while Robby smiles, and the tension leaves the room all in one go, and you start to think that maybe things are in the right place.
–
At the ED, Jack Abbot, who's been checking his phone whenever he gets a free moment like a highschooler with a crush, opens the first text that pops up on his screen after hours of waiting.
It's a picture from Robby. You, with your head thrown back in a cackle of a laugh, not a single bit of stress evident in any of the lines of your body. There's one text accompanying the picture:
Please don't make me give you a shovel talk. I think you already know what's at stake here.
Jack snorts and pockets his phone, because yeah, he does.
–
When Jack finally gets back to his apartment, he's half-expecting to see the kind of mess that a large grouping of obnoxious people leave behind. Trash, maybe a few red solo cups, empty takeout containers, someone asleep on his couch, someone passed out on the floor.
He's not expecting to see a clean space. The only evidence that people were there at all is some rearranged pillows, a half-empty bottle of wine on the counter, and some new takeout menus on his fridge.
And then there's you. You're lying on the couch, eyes glued to the TV, watching a show he doesn't really recognize. There's a well-loved backpack on the floor, just under the coffee table. The shocking bit is Charlie, his resident asshole, is 'loafing' right on your chest, purring away.
You lift your head when you hear the jingle of his keys, a smile immediately brightening your face. He mentally takes a picture, right there, so he can remember this exact moment forever.
"What'd you bribe him with?" Jack says instead of something much more neurotic, like 'You don't have to go back to your place when the power comes back on.'
You shrug, unaware of his emotional and romantic pain. "You were right. He came out from under the bed after everybody left. He kind of growled at me for a little bit, but once I settled down here he just kind of... came right up."
You plant a little kiss to the top of his head, right in between furry ears. Great, now Jack's jealous of a senior cat with one ear who licks his own butt. "How could I resist this face? I see why you brought him home."
Jack rounds the end of the couch, shuffling by, and Charlie opens his eyes just enough to shoot him a look that Jack takes to mean: If you make her get up and move me, I will kill you in your sleep.
Jack does not disturb his cat as he sits down on the couch. There's a moment when things almost get hairy- you pull your legs back when he goes to sit, slightly jostling The Asshole, who pins his only ear back in annoyance.
Jack solves this problem by taking your legs, clad in some soft flannel pajama pants and pink fuzzy socks, and lays them across his lap. There. Problem solved.
The warmth of your legs on his lap and the look on your face is reward enough for him. He can't think of a way he'd rather spend his time.
Jack, in a rare show of mercy, does not tease you, and decides that you've probably had enough excitement for one day.
"So," He says instead, looking up at the TV and grimacing at the mutilated corpse on the screen, "What are we watching?"
He watches you shrink into yourself. He hates it when you do that. He hates that you feel like you have to.
"Uh, Bones. I can turn it off, though. I'm sure you don't want to watch this."
He doesn't answer the question you've not-subtly voiced, instead choosing to redirect the conversation.
"Why did you put it on?"
You start chewing on your lower lip. Your signature 'I don't want to answer this question so I'm going to think really hard about it' move.
"It's kind of my comfort show? I don't know. I watched it a lot growing up. We didn't have cable, but the hotels I stayed at sometimes did. I'd wait until my dad fell asleep and then I'd turn on the TV and watch from the sci-fi or drama channels. Watched a lot of Bones. Supernatural too, and sometimes Doctor Who, if it was on. But Bones was my favorite."
The characters on the screen are involved in some sort of car chase now, police siren flashing on a black SUV. Jack isn't paying attention to that at all, because this is the first time since the day you walked into the PTMC and introduced yourself that he's ever heard you talk about your childhood.
"How come?"
"I don't know. I've always liked procedural shows. Had a huge House MD phase. Death and bones and corpses and stuff has never really grossed me out, which is part of the reason I became a doctor. But also..."
You point to the male character. "You see him? That's Booth. Seeley Booth. They all have kind of crazy names. He's an FBI agent, and his partner is that woman there. Temperance Brennan. Booth calls her Bones."
"She doesn't look like an FBI agent."
You smile. "She's not. She's a forensic anthropologist, but she consults on murder cases and stuff like that because she's kind of a genius. She's smart, strong, and capable. She and Booth don't always get along, because they both can be headstrong and stubborn. But he respects and trusts her, implicitly. No matter what. They love each other."
Your throat bobs, but your voice is steady when you speak.
"And when Brennan needs him, if she's in trouble or she needs him by her side, even if she doesn't know she does, he's always there. He always saves her."
Jack can picture it, in his mind. You, small and alone, watching these characters on some shitty hotel TV and getting it into your head that this kind of thing only exists in TV shows. He pictures you dreaming of having a Booth, of having someone to be there for you, to pick you up when you fall. He thinks of you crying in the supply closet and how quietly you'd done it. Almost silent.
He thinks of what happens to a person to make them learn how to cry without making a sound.
He rests a hand on your ankle, fingers instinctively drifting towards the pulse point there- posterior tibial. He keeps two fingers on it, even though he can't feel it through your fuzzy socks. With his thumb he makes circles, because he's seen how you lean into Robby's shoulder grabs, how you preen at physical and verbal praise, how you'd slumped like a marionette with its strings cut into his arms just yesterday.
"Jack?" Your voice is tentative, unsure.
"Hmm?"
"Am I..." You start chewing your lip again, "Are you— I don't to assume anything. So if I fuck this up and make you uncomfortable—"
"I want to kiss you."
Jack has learned how to speak fluent you. He knows how to stop an incoming spiral, how to soothe old wounds rearing their heads.
He continues when you don't speak.
"I want you to wear my clothes. I want to take care of you. I want you, in whatever way you'll let me."
"Oh."
"I was laying it on pretty thick, kid."
You look away from him, and this is another moment he'd like to keep forever.
"I thought I was just reading into things!"
"Do you think I call every intern sweetheart?"
Jack is positive Charlie's presence on your stomach is the only thing keeping you from actively squirming in place.
"I thought maybe you were just one of those guys. Samira said it was possible!"
He rolls his eyes. "You can't ask Mohan for romantic advice. She's you in a different font."
"I'm going to take that as a compliment."
You turn back to your show, losing yourself in the plot for a while. When the murderer has been caught and the credits are playing, you look at him again.
"We don't. Um. Can we just keep doing this? For now?"
For the first time since meeting you, Jack gets to say exactly what he's thinking.
"We can do this forever. We can do whatever you want."
۫ ꣑ৎ
the violent dog - j. todd
dcu masterlist | main masterlist |
gn!reader x jason todd
summary: jason almost kills you after getting drugged while the two of you are on patrol.
warnings: angst, implied near-death, brief mention of blood
UNEDITED!!!!
Jason and blood—the two things go hand-in-hand.
But not you.
Not your blood.
He prided himself on keeping you safe. That silent, canine-like loyalty he had for you. But dogs are still animals, and somehow he forgot that.
Because there you are, on the ground, the crimson of your blood seeping into the cracks of the pavement. There are no sirens—he’s cursed with the same silence he’s always known. Cold. Uninviting. An open mouth that swallows all sound. Your eyes—half closed, lids twitching—stare blankly. A little terrified, but mostly stunned and unable to process both the pain and confusion of having his hands upon you.
He, too, stares in the same shock. He waits for the memories to come back. But all he remembers is the gas—a wretched, bitter scent that stung his nose. Then blurry darkness and oily memories. The feeling of grease slicking his hands and distant screams. Your screams.
Jason falls to his knees.
Trembling, he goes cold. He calls the family. He remembers nothing. He doesn’t know if it’s a blessing or a curse not to. Where’s the agony? The pain that comes and haunts him? He was doing so good. He’d been so obedient, not giving into his violent desires. Neglecting the itch to chase after revenge, sniffing its scent and hunting it down until his salivating mouth got a taste of satisfaction.
When the family arrives, they’re mortified. Terrified.
Jason doesn’t touch you as they carry you away.
But it’s not like they would let him.
After all, deep down they’ve always known one steady, unchanging truth about Jason—perhaps the only constant reputation he’s ever had: Jason Todd is only a dog, and he will always bite the hand that feeds.
“You don’t remember what happened?” Tim asks.
Jason shakes his head. Sniffs a bit, but doesn’t cry. “No,” he mutters. “Nothing.”
“Are you sure?” Tim’s voice hardens a bit, like he doesn’t believe him. And perhaps he doesn’t. Because isn’t this all so believable? That Jason Todd would, of course, relapse? Fall back into killing, into anger, into that endless and blinding rage?
Because who is Jason Todd without his anger?
Without it, his time as Robin melts away, too. He’s no longer the angry Robin, the betrayed Robin, the Robin who lost his life. He becomes a smear of green and red and yellow. He fades into memory, and eventually dissolves into nothing.
Who would ever believe he’s anything more than rage incarnate? If anything, Jason deserves to become rage after what he’s been through. Poor baby Jason. The boy who died and rose again. Real-life Frankenstein. Someone who deserves pity, and if not pity, then unbridled anger. If not pity, then someone who has an insatiable thirst for revenge and nothing more, and for that, he must be muzzled.
But you.
You didn’t think any of that.
You never looked at him with pity—your eyes carried honest empathy.
And you never cared much for his anger or what it cost him. You saw his intelligence, his knack for small, emotional things. Literature, tiny animals forgotten by the world, the quiet nights when you can hear the distant honking of horns. You saw his kindness—the small ember that was left of it, anyway—and rekindled it. Threw logs on it until it grew and grew and grew. You didn’t try to remake him, didn’t try to change him. You knew he didn’t need to be changed, and you knew he probably wouldn’t have if you tried. Those who have attempted to change him, to make him better, have only failed and pushed him away.
You gave him acceptance. Love. You were a pair of eyes that saw through his thick, concrete walls.
To you, he’s not an animal in need of training. Not something to be rewarded with treats or punished with a shock collar. He’s just someone who needs love every now and then.
His soul’s most raw, barest state is shocking to most, because his soul looks just like everyone else’s.
“What did Scarecrow hit you with?”
Jason shakes his head. “I don’t…I don’t know.”
“We don’t know if it’s still in your system.” Tim types something into his computer.
Jason tries to drown out the beeping of all the monitors, tries to ignore the pinch of the needles in his arms.
“I feel fine,” Jason mutters.
“We don’t know if it’s worn off yet.”
Jason makes a move to pull out the needles and hop off the cot when Tim steps in front of him. Tim flinches, moving quickly to readjust Jason on the cot.
“I feel fine,” Jason says again.
“You…just stay here. For a bit longer.”
Jason stares at him, brows pinched, lips pursed. He knows that frantic look on Tim’s face, the flitting of his fingers back and forth across the keyboard. His focus being disrupted and that panicked attempt to get it back.
And that strange look that insinuated he’s hiding something.
“You don’t want me to leave,” Jason says bluntly.
Tim looks up. “It’s not like that.”
“It’s exactly like that.”
Tim shakes his head. “Jason, stop. You’re overthinking it.”
“You think that I’m going to hurt someone else.”
“I just think it’s dangerous wandering around without making sure that drug isn’t in your system.”
Jason rips out the needles, tears himself off the cot, and storms out the door. “I said I feel fine.”
Foolishly, Tim chases after him. “Jason! You can’t leave yet!”
“Why not? Scared I’m gonna kill one of you?”
Tim’s face is stained with anger. “Fine. You want the honest truth? We are worried about you, and we’re worried about…”
Jason’s mind trails to you. His anger swells suddenly, but it dissipates when he finally sees where Tim is coming from. It doesn’t make him feel any better, though.
“It’s bad, Jason. If you didn’t call us when you did, they would’ve died.” Tim reaches out—his hands do not brush Jason. Better to not touch the rabid dog—better to comfort it from afar. “What happened out there?”
“I already told you,” Jason snaps. “I don’t remember.”
And it hurts him more than he’s willing to admit. He’s beyond agonized knowing he can’t remember, knowing he’ll never know the pain he caused you. Knowing he has no clue what happened, what he did to you. Knowing you’ll drown in those memories, isolated and alone, because Jason simply cannot pry those lost moments out of his mind.
Weeks later, you’re still healing. Still unconscious. The others work tirelessly to nurse you back to health. You’ve been stable for the past few days. Just resting, the others tell Jason.
Jason can’t help but think it’s selfish to want you to wake up. He’s shutting down again without you. Still, he won’t allow himself to see you. What if Tim is right? What if he sees you again and it triggers something inside of him—that chaotic force born to rage, born to attack?
He also just can’t bear to see you all swollen and sick. So he rots in his room, he rots on the streets and is a little more violent than usual, which only serves to prove everyone’s point—Jason is violent in nature. He can’t escape it because it is him. He doesn’t deserve to see you. Shouldn’t see you.
This is why the world has played him a bad hand. Because the universe knew what would happen if he ever allowed himself the small graces of love and friendship and laughter and all that stupid shit. He wasn’t made for those things. Maybe in another life—the one he had before he died. But this is a new life. Jason can’t believe he’s been forgetting to remind himself of that.
But you have a strange way of making him forget what he is. Who he is.
Eventually, he stops chasing the violence. He turns it on himself in silent ways, because he can’t stand to live like this. His entire life, he’s been hell-bent on hunting those who hurt others, ridding the world of ‘evil’ through his twisted utilitarian lens. He’s just as evil, just as grotesque, just as terrible and wicked. Because he hurt you. Because he’s hurt other people, most of all the ones who claim to love him.
He holds his punishment over his own head, taunting his dwindling spirit with it.
Jason sleeps next to your bed, listening to the heart monitor beep. His only comfort. The beat becomes a lullaby, a reminder that you’re okay. You’re living and breathing and still lovely as ever, even with all your bruises.
One night, when the manor is quiet and everyone is out or has gone to sleep, he stands over your bed. Lights are off, no illumination save for the moonlight spilling onto the floor, strikingly bright.
Staring at your sleeping figure feels like the reverse of a nightmare; he’s the monster. Always has been. And he stares at you, longing for those wounds—wounds he can’t take back. Wounds he wishes he inflicted on himself. Longing for that killable, fleeting humanity everyone seems to possess except for him.
Jason is beginning to think he cannot die.
That something out there wants him alive as some cruel joke.
Why does he kill everything he touches? Is it a disease? A curse?
Jason has never been one for superstitions, but he doesn’t allow himself to reach out. Doesn’t allow himself the forgiveness of touching you, holding you, even pressing a small kiss to your forehead as you rest.
There’s nothing he fears more than watching you crumble under his touch. He can’t help the intrusive thought of it—leaning down to press his lips to your face, then watching as his disease spreads from that simple touch. It corrupts your face, cracking your skin like sandstone. You disintegrate, and he holds only your ashes.
The thought dissolves.
Jason stands. Hovers. Watches. Some cursed guardian angel—a fallen angel who wants their purity back.
The moonlight stretching into the room looks how an untuned piano sounds. The room looks mournful. Dark. Quiet. That silent mouth swallows all sound again.
Jason rests on his knees, chin propped on the edge of your bed like a puppy begging for forgiveness. He whimpers, and begins to cry.
“I was beginning to think the house was haunted.”
Jason jolts awake. He’s curled in a ball on the ground. Cold sweat spreads along his body as he sees you—your eyes fluttering. Each of your breaths is slow and measured.
He sits up eagerly. He cares little for the fact that his eyes are puffy, that his face is sore and scrunched from crying. You’ve seen him like this before.
“Good morning, Jason.” Your voice reflects your pain—hoarse and scratchy.
He doesn’t know what to say. “I’m…I’m so sorry. I don’t know what happened. I’m so sorry.” The tears come before he can stop them. He begs blindly for forgiveness, burying his face in your sheets, just centimeters away from touching you. He still cannot bring himself to do it—to hold you, to press your skin to his.
“I’m so sorry,” he repeats. “I never meant to hurt you. I’ve never wanted to hurt you. All I’ve ever wanted was to protect you. I’m so sorry.” His body feels wide and large in all the wrong ways. But his soul feels small. Do you need him to be big—to be the force that comforts you in this moment? Or do you want to see him weak and groveling?
Jason doesn’t know who wants him to be what. His identity becomes muddled.
He’s forgotten why you fell in love with him in the first place; you’ve never asked him to be anything other than himself.
“Jason,” you say hoarsely. “I’m not scared of you. I’ve never been scared of you.”
“But you are,” he whispers. “I see it in your eyes. I see that you’re afraid.” He swallows thickly. “And…I don’t blame you. I can’t blame you for that.”
You don’t deny it because it’s true.
“I…I am scared of what you can do, Jason.” Your hand, brittle and breakable, reaches out and rubs his hair. The touch shatters him. “But I know that the man who hurt me wasn’t you.”
How can you love him? Forgive him? Yes, Jason wasn’t in control of his actions when he hurt you. But that doesn’t change the fact that he did. That you bled and screamed and nearly died because of him. That blood would be on his hands regardless.
You rub his hair, scratching your nails against the roots. He cries at the side of your bed, a broken record sobbing apologies into the covers. His fingers twitch, then finally reach out to you.
“You aren’t a monster, Jason.”
He caresses your hand. Painfully gentle, as if you might crumble any moment. He’s relieved when you don’t—relieved as you welcome his touch.
“You’re the most gentle soul I’ve ever met.”
Jason is a product of his environment—a creature raised coldly, wildly. But he wants to be soft, to be something squishy and loveable. More than anything. And with you, his identity doesn’t become clearer, but he feels whole. His anger has not dissipated, his softness hasn’t hardened. Because those things will always be a part of him, no matter the mechanisms he’s used to survive in the wild.
You erase all the expectations, the necessity to fit into a category or be labelled as something that couldn’t be farther from the truth. You see the animal, and you see his soul.
If an animal is a savage, know that it was robbed of love.
That is not the violent dog’s fault.
it's a trap
by Coin
pairing: Dick Grayson x reader ~ 2.1k
summary: when you and Dick get stuck in a closet together you find out he has more than mild feelings for his father's assistant
warnings: Dick Grayson's fine ass (not literally unfortunately), claustrophobia, heavy kissing, talk of crotches, silly silly romance
How you found yourself stuck in the storage closet with Dick Grayson was a mystery to you. In all honesty, you thought you'd put down a door stopper to prevent this very thing from happening. And yet here you were...
When you came to work this morning it was to find out that your employer, Mr. Wayne had left the office responsibilities in the hands of his eldest son while he was off in some remote part of the world to manage business. Now, while you knew that Dick was more than capable of getting things done, he had a poor habit of distracting you from your tasks.
Oftentimes, he would perch on the edge of your desk and screw around with your pens and markers or comment on the framed photos of your family and pets. And it wasn't so much his touching your things that diverted your attention but his close presence.
All of Gotham—and probably most of the country—knew that Dick Grayson was God's blessing on earth. Mussed inky black hair, cobalt blue eyes, strong features, kissable pink lips, and a strong musculature of six plus feet that had your fingers itching for just one touch. Yeah. He was the epitome of 'pretty boy' and it was disconcerting to have him constantly in your space while you tried to keep your focus on filing papers and organizing meetings. Maybe, if he weren't so affable and smiley all the time, it would be easier to ignore him, but he just so happened to be both those things. Ugh.
You didn't know why he visited you so often and neither did half the women in the office. Though they were only so confused because they couldn't imagine him wanting you over any of them.
Perhaps he thought you were easy conversation or he felt like he had to be friendly with his father's personal assistant? Either way, you had no valid logic for his frequent visits.
"-that's why I'm not allowed near the Lamborghini or Aston Martin anymore." He chuckled bashfully, fooling around with your stapler and a random piece of paper.
"I wouldn't let you near my car either with your reputation." You remarked with an amused smile, holding out your hand for the stapler. Of course he had to be funny on top of everything.
He put it in your hand and watched curiously as you straightened a stack of papers and attempted to staple them together only to be met with a click. You tried again to no avail.
"Is it broken?" Dick asked. "I can go get Bruce's if you'd like."
You shook your head. "It's only empty. Someone," you sent him a faux glare to which he beamed at, "was playing with it."
He held up his hands in mock surrender.
You stood and straightened your pencil skirt, drawing Dick's eyes to your stocking-clad legs. You swallowed thickly at the heat of his stare and croaked out, "I'm going stop by the storage closet quickly."
He hopped to his feet with the kind of agility you could only dream of. Despite his broad size, he was as lithe as a cat. "I'll come with you."
"Scared you'll actually have to do your work?" You tease as you make your way past empty glass offices and to the closet that was located at the end of the floor. Most everyone was away for lunch or conferences.
"Har har," Dick matched your stride, his long legs eating up the distance in no time. He shoved his hands into the pockets of his ironed slacks. "Am I not allowed to engage in conversation with the prettiest girl in Gotham?"
Pink stained your cheeks at his compliment. It wasn't as if you were constantly being charmed by the man; he seemed to always have flattery on the tip of his tongue.
"I say that because I don't know if you actually do anything when you fill in for Mr. Wayne."
"He doesn't leave much to do. Bruce is always on top of the game when it comes to, well, practically everything." A corner of Dick's lips turned up in fondness for his old man.
You knew they weren't biological father and son, that Dick's parents were incredibly talented acrobats who tragically died when he was young. Bruce Wayne then took in the orphan and raised him, along with three other younger boys, as his own, teaching them the ropes of business and providing them with ample opportunity for schooling and socializing. There was no wonder people envied the Wayne children, often describing them as nepo babies who'd had everything served to them on silver platters. You could only think of how they had deserved this kind of life after enduring what they had before meeting Bruce and being orphaned.
You came to the storage door and pushed it open, flicking on the light switch on the side to illuminate the columns of shelves. You shoved the stopper under the door and ventured inside, reading labels. The room itself wasn't too large, perhaps as long as two Dick Grayson's and as far as half of one.
"Staples, staples, staples..." your finger dragged along the boxes until you found what you needed just as the door closed and locked into place with a decisive click.
Uh oh.
You turned and found Dick mid-step, hand stretched out to the door handle in a just too late attempt. He looked over his shoulder sheepishly. "Oops."
You put down your box of staplers and jiggled the handle with no budging. You sighed. "You'd think that a billionaire would have some type of emergency unlocking system for when his employees accidentally lock themselves in rooms."
Dick leaned a shoulder along the wall, not at all worried as to how you were going to get out. "I doubt any billionaire has time to think of something so specific as that."
Now was most definitely not the time for joking around. You had a fear of confined spaces, and though this room was fairly sizable, you found it hard to find anything funny. You could only think of the walls pressing closer, the lights turning off and leaving you in the all-consuming dark, the chance that no one would find you until hours later, the-
"Hey hey hey!" Dick gripped your shoulders, bringing your eyes to his and your focus to his grounding touch. You hadn't realized your shallow breaths or fidgeting fingers. "Don't be making this worse than it is. We're here together, in a safe place and someone will be along soon to find and help us."
You counted your breathing at his comforting words and nodded slowly. You were sure that if he weren't here with you you would have been slouched against the wall in a panic attack. Thank goodness he liked bugging you.
"Do you have a spare key on you?" you asked, voice hoarse.
He shook his head with a grimace. "No, unfortunately. But..." he fished around in his pockets and pulled out a crumpled piece of paper and read it, dark brows furrowed. "I do have this note from Alfred telling me that my underpants are clean."
You couldn't help but laugh at that. Dick joined in, obviously relieved at having made you laugh.
"Look," he moved his large hands up and down your arms in a soothing motion. "We could always play a little game while we wait. Wanna do that?"
Anything to get your mind off things.
A few minutes later and you were both settled on the floor, legs stretched out beside each other and backs leaning against either wall. "You go first," Dick offered.
"Oka-ay. Truth or dare?"
"Truth."
You tapped a finger against your chin. What were you most curious about for the boy who had it all? "Does your butler starch your underwear after cleaning them?"
You snickered at his rolling eyes. "Alfred doesn't clean them, thank you very much. And I would have no idea. Besides me wearing them, my underpants are of no concern to me."
"Considering they touch only your junk, they should be only your concern."
"Junk?!" Dick scoffed, "Do not refer to my family jewels as junk!"
"Ew! As if family jewels is any better!"
"Agree to disagree. My 'assets' are far too valuable to be deemed as 'junk'." He huffed, arms crossed over his chest to display bulging biceps. Your mouth might have watered a bit. "Now my turn. Truth or dare?"
"Ummm dare."
"I dare you to kiss me on the cheek."
Your heart stuttered. Had he really just said that?
"I did." He tossed you a self-satisfied smirk to which you wished to kiss—no! smack off! Definitely, obviously smack off!
Alas, you were no chicken, so you crawled forward, hands on either side of his lap, and pressed a kiss to his smoothly shaven cheek. You were close enough to smell the expensive mahogany cologne he wore and feel the heat of him on your lips. You lingered for a second longer, ears twitching at the soft inhale of his breath. It would seem you weren't the only one affected by close contact then.
Once you were safely situated in your previous spot, you asked him the question to which he chose truth again.
"Afraid?" you taunted before continuing. "Why did you choose a kiss?"
At the mention of the kiss, cobalt eyes dropped to your lips, making them tingle. Your moment of haughtiness dissipated and suddenly you weren't so sure of yourself.
Instead of avoiding the question, Dick smiled and you knew you were in for it.
"I like you."
You waited a beat. "Okay?"
He shook his head. "No. I really like you. Like, 'I wanna ask you out on a date' like you."
Not what you expected.
You watched him, dumbfounded before gathering enough with to say, "Why?"
"Because," he chuckled, "you're smart and genuine and very very very pretty."
Wow.
He continued despite your fish-like expression, "Ever since Bruce introduced me to his young, new assistant, I knew you'd be mine. Why do you think I bother you every time I'm in the office? I want to keep me in your head."
"Don't you have a girlfriend?" You weren't sure that he did but who knew with a man as amazing as that.
He motioned you closer and your legs obeyed without proper communication with your mind. You then knelt in front of him, awaiting instruction like a dog with a treat.
Dick didn't disappoint, grabbing your hand and stroking your pulse with his thumb. "Do you know who refreshes the flowers on your desk every Monday?"
You shook your head although you could already tell where this was going. His hand crawled up your arm and curled around your neck softly, tilting your gaze to meet his. His pupils were blown so wide his eyes looked black.
"What about why Bruce has a private driver at your disposal whenever you need?"
Oh.
"And why do you think I've told everyone in this building that you're off-limits?"
You didn't know that but heat was simmering low in your stomach at the confession anyway. You never would have assumed Dick to be possessive and yet he went to the trouble of guarding off any men who might have turned your way?
You weren't thinking rationally as your lips collided with his.
Apparently, neither was he.
The lips you'd often dreamed about kissing were impossibly soft and demanding at the same time. You yielded to his instruction, letting your arms wrap around his shoulders and chest lean against his, enjoying the press of his hardness to your softness.
He whimpered softly, only adding fuel to the fire simmering inside of you, and traced your lips with his tongue, encouraging you to let him in and learn your mouth. You let him in, sighing yourself when his free hand squeezed your backside.
You were near to crawling in his skin when he pulled away from you, albeit reluctantly if his frown was anything to go by. "As much as I'd like to defile you in my father's supply closet," he smiled wryly, lips swollen from your attention, "I would like to take you out on a proper date first."
How could he be any more perfect?
He helped you to your feet, retrieved the box of staples you'd nearly forgotten about, and then brandished a key from his pocket and unlocked the door. You gawked at him, receiving a sheepish smile in turn.
"You had a key the entire time?" you could also spy a suspiciously door stopper shaped lump in his back pocket.
"Kiss and makeup later?"
author's note: muahahaha all the things i'd do to Dick Grayson in a supply closet 😁
divider credit: cursed-carmine

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He's slowly learning to trust (and is eternally grateful for the opportunity to build up again.)
This has been sitting in my files for a while, but I felt like sharing it. *Impulse posting*
oh my god this is so cute are u joking me !!!
⋆˚꩜。 headcannons for. . . jason todd – who's started therapy recently
jason needs time to unwind todd who comes home speechless most nights. on one hand he wants to collapse onto the couch with you and say nothing at all, but on the other he wants to actually be a person with you – not a robot. not the knight (anymore). he doesnt trust he wont be a cold, killing machine, asshole if he doesnt take time to completely wind down from the night. so he'll come home silently, take a shower/bath, read a book, take a few minutes to breathe on his own in a quiet room before coming to you with a exhausted smile.
"hey. yeah sorry, just needed a minute."
and the first time he does it, if you're still kind of confused he'll add quietly; "wanna be jason with you, not him."
jason flagging emotions todd who in an arguement will have to take a moment to tell you what he's feeling. sure it sounds like something hed NEVER do – like i think after his therapist suggested to him he probably laughed it off thinking it was pathetic – but if you two are having your tenth arguement of the day he finally caves and tries it on the off chance it works.
in the middle of a fight and he would just – "look, im... fuck this is stupid... i'm really really angry right now. like i have an itching feeling under my skin and i just want to punch something and i don't know what to do with it so im just telling you in hopes itll make this less... not as much..." he grits out, staring you down. not with anger anymore but with shame and embarrassment.
jason hiding panic attacks todd because whilst he does go to therapy now and knows that pretty much all of his mental health issues are valid, one thing he'll always believe is that panic attacks – especially his – are pathetic and a plain sign of weakness. he simply cant wrap his head around the fact that his own mind can convince him he's dying, the same mind that goes after criminals on the streets and fights for his life every other day. so he constantly hides it whenever they come on. if he's on patrol? he finds a rooftop to sit down and curl up on for a while. if its at night in your apartment? he runs the shower whilst sitting on the floor. and if you try to intervene or comfort him he might literally run away.
jason not sharing all his issues todd because going to therapy doesnt mean he has to be FULLY transparent with them right? there are just some thing he will never ever talk about. some things that are way too dark that he'll never touch again. he might make it easy for his doctor to infer whats happened but he will never say it out right.
"he's a madman who was sickly obsessed with a 16-year-old boy. what do you think he did after he started running out of ways to torture me physically? your smart doc, do the fuckin' math."
jason tries healthy eating habits todd and he really does try. does the whole meal prep thing, makes sure he gets his protein – hell sometimes you make him healthy meals. but at the end of the day the only food that really brings him comfort and joy at the end of a long hard mission is a greasy, minuse-five healthstar rating cheesburger.
jason has trouble keeping certain foods down todd due to the torture in arkham – where joker would force feed him rotten, maggot infested foods. apples (most fruits for that matter) and pizza specifically, are the foods that make him sick to his stomach. ptsd raging the second the food touches his tongue. he just can't do it. he tries to force feed himself pizza one night but spends his time for the next few hours hunched over the toilet, sobbing silently as you sit there just rubbing his back.
"fuck i hate this so much..." he'll whisper.
"you spoken to your therapist about it?" you ask softly.
he'll just give you a look that says – 'what do you think?'
jason coping mechanisms todd and his way of coping is obsessively cleaning his weapons to a point where his hands are raw. his way of coping is by satisfying a little voice in his head that his therapist calls ocd. if you try and stop him he either lashes out or crumbles completely depending on the day.
"let me fucking do this," he says harshly.
or...
"please just... i need to do this... this last one please..." he'll whisper painfully quiet.
jason setting boundaries todd when he first heard of the idea – not unlike his reaction to everything else his therapist suggests – he thought it was fucking ridiculous. but then he got to thinking, maybe boundary setting might actually work. so he mentions it one night when you two are about to sleep. saying something small like;
"when you... put a hand on my chest... can you put it here instead? just... feels a bit... intense when you touch that scar..."
and you just nod, listening. and he sighs, glad you didn't make it a thing. he then keeps doing it.
"ask me before you do that"
"dont touch my guns unless i say, alright?"
"sorry if this is annoying i just... could you give me half an hour when i first get home? just to unwind you know?"
jason relaying therapy todd because sometimes the shit he hears his therapist say is straight up crazy or just rage bait. he'll complain about his therapist to you – almost as if you're his second therapist. he'll talk to you about stuff his therapist has said that he doesn't understand. you'll explain it to him in a way that makes more sense and he'll finally get it. same with weird excercises his therapist gives him. you'll just ask him to try, once and he will. but he'll do it quietly, without you knowing – then tell you hours later if it worked.
jason understanding bruce todd there comes a point in therapy where everything finally clicks for jason and he realises that bruce's love isn't measured by how far he'll go to avenge jason. he becomes acutely aware that him and bruce have a fundamental difference in worldview, and their versions of love – whilst entirely different – are shown in glimpses of their every day life. for example;
bruce dedicating an entire shelf in the wayne manor library to jasons favourite childhood books.
jason stops killing people when on missions for batman/with the batfamily as a sign of respect for his moral code even if when he's on his own patrols he'd kill a man without blinking.
they are very similar, but also painfully contrasting. once jason comes to this realisation he's a lot calmer, and has a lot more time and energy for bruce. he'll come by the manor finally (through the front door rather than the window alfred has been leaving his favourite food at for the past few years) and he now has it in him to be a part of the batfamily again. he might come home to you and get emotional about it all but at the end of the day, despite all bruce and jasons tensions, he just wants his dad.
NOTE: sorry i've been away for so long i promise ill get back to the fics if you want me to. life has been insane and i can't wait to get back to all this x
ᯓ➤ matching for christmas ⊹܀˙
← ʙᴀᴄᴋ. ⋮ ⌞ jason todd ✘ reader ⌝ .ᐟ .ᐟ
ৎׅ ׄ synopsis ⋮ You get kidnapped and branded by the joker on christmas. The bat-family sees Jason unravel. word cnt. 14.6k
cw ›››› torture, branding, suicidal language, violence, blood, gore
Something is wrong.
Jason feels it like a pressure change—subtle, almost polite—but it crawls under his helmet and settles behind his eyes. It hasn’t clicked, not cleanly. Not yet. He hasn’t asked. Hasn’t said a word through the harbor sweep, through the cold iron stink of saltwater and oil and Christmas rot. A small job. The kind that should feel easy. The kind that still manages to choke the air out of his lungs anyway.
Everyone’s moving like the night might shatter if they stop.
Tim keeps choosing his words too carefully, syllables slowed and smoothed like he’s sanding down sharp edges. Dick’s doing that thing where he smiles first and speaks second—but the timing’s off, the warmth a fraction too late, like a recording lagging behind the video. Damian watches Jason more than the perimeter, eyes sharp, calculating, guarded. Stephanie hasn’t joked once. Not even a cheap jab to him, not even under her breath. That alone feels wrong enough to tilt the world sideways.
Bruce didn’t come.
That absence is loud. A hollow where a presence should be, echoing through comms and instinct alike. The Cave, he’d said. As if that explained anything. As if Bruce ever sits things out without a reason that claws.
Cassandra says nothing—but she’s closer. Close enough that Jason can feel her awareness like static along his spine. When the group splits, she falls into step beside him without discussion, without a glance. Just there. Solid. Protective in a way that feels less like trust and more like vigilance. As if she’s guarding him.
That’s when unease really sinks its teeth in.
Bruce didn’t need all of them.
Didn’t need six sets of boots scraping concrete, six heartbeats crowding the same dark. Dick alone could’ve dismantled this whole thing with half the effort. Hell, Jason himself could’ve wrapped it up fast and bloody and been home already. Instead, they’re stacked together, overlapping, slowing each other down like they’re afraid to let him out of their sight.
He agreed because no one argued about his presence. Because no one questioned whether he was needed. Because the silence around that decision felt intentional.
That should’ve been his first real warning.
Between two groups of thugs, he had ducked behind a row of shipping containers, Gotham’s lights bleeding gold across the black water. He had pulled out his phone and called you, already rehearsing the apology in his head. Late for presents. Again. You’d tease him, pretend to scold, maybe force him to wrap some gifts for your co-workers.
You didn't answer.
Probably a bath, he told himself. You’d mentioned one. Candles. The fancy bath salts you bought. Something soft to push the cold out of your bones. The thought settles him, briefly. He sends a text instead—short, careful. An apology. An I love you so much that he doesn’t overthink, because with you, he never has to.
You always know what he means.
The phone stays quiet in his pocket.
No buzz. No vibration brushing against his thigh like it usually does, grounding him, tethering him back to something warm and real. He told himself it’s nothing. That you’re relaxed, distracted, asleep. That the night is just heavy, that Gotham is doing what Gotham always does—making ghosts out of shadows and dread out of coincidence.
Still.
When he looks back at the others, he notices the way Dick avoids his eyes now. The way Tim’s gaze flicks to Jason’s pocket and away again. The way Damian’s jaw tightens when Jason shifts his weight, like he’s bracing for impact. Cassandra meets his eyes once—just once—and there’s something there that twists low and sharp in his chest. Not fear. Not exactly.
Knowing. Jason doesn’t ask. He doesn’t press.
But the harbor feels too quiet, the night stretched thin and listening, and for the first time since he sent that text, a cold, irrational thought curls in his gut—
That whatever is wrong didn’t start here.
And that somewhere far from the water, far from the mission, something precious has already slipped out of reach.
“That was the last of them,” Jason says, voice rough through the helmet, as Tim finishes cinching zip-ties around the final goon and anchors him to a rust-flaked shipping container. The plastic bites down with a sharp click that echoes too loudly across the concrete. The man mumbled insanities through spit.
The harbor exhales around them—cold wind off the water, carrying brine and diesel and something rotten that’s been sitting too long. Sodium lights flicker overhead, casting everything in jaundiced gold and long, distorted shadows that stretch and tangle at their feet. The concrete is damp beneath Jason’s boots, slick with mist and old oil, the kind of surface that never really dries no matter how many ‘sunny’ days Gotham pretends to have.
“We should do another check around the harbor,” Dick says.
He’s already kneeling, already breaking the man's phone in half with practiced efficiency, grinding it into the concrete with his heel until the screen spider webs and dies. He doesn’t look up when he says it. Doesn’t grin. Doesn’t even sound casual about it.
Jason lifts an eyebrow, slow, deliberate. His gaze slides to Damian automatically—because Damian is usually the first to shoot an idea like that down, sharp and impatient and blunt as a blade.
Instead, Damian just mutters, “Tim could be wrong.”
Mumbles it. Like he’s afraid the words might carry.
That alone sends a small, unpleasant chill up Jason’s spine.
Tim doesn’t argue. Doesn’t bristle. He straightens from the goon and dusts his gloves together, eyes flicking—not to Jason—but to Stephanie. The movement is quick, practiced, like muscle memory.
“Do you want to take the gates with me?” Tim says, too smooth. Too rehearsed. “Jason and Dick could go along the—”
“What?” Jason cuts in before he can finish, blinking once. “You two were perched on the gates the entire op. What’re you talking about?”
The wind gusts harder, rattling loose chains and setting a tarp snapping somewhere down the dock. Water slaps against concrete pylons in a slow, hollow rhythm.
Jason suddenly feels like the sound is counting something down.
“It wouldn’t hurt to double-check,” Tim says, rising to his feet.
He still won’t meet Jason’s eyes.
Jason’s jaw tightens. He shifts his weight, the concrete cold and unforgiving through the thinning soles of his boots, and for a split second his mind drifts—unbidden—to you. To the warmth of your kitchen lights. To the way you’d probably be halfway through setting out plates by now, humming something low and off-key, waiting for him in that way that makes him want to claw his soul out and hand it over to you.
The thought lands soft, intimate, grounding—and then slips through his fingers when he remembers his phone, silent and heavy in his pocket.
“…You guys don’t need me for that,” Jason says, firmer now. There’s an edge to it, something protective and stubborn. He already has plans. A timeline. A promise he intends to keep. “Seriously. If you want to sweep again, even one person could—”
Dick finally looks up.
It’s just a glance, quick and loaded, the kind Jason’s learned to read over a lifetime of almosts and unsaids. Cassandra shifts closer at the same moment, her shoulder nearly brushing his, her presence steady and deliberate. Jason doesn't think she's ever willingly touched him in his life. Stephanie opens her mouth like she’s about to say something—anything—then closes it again.
The harbor feels tighter suddenly. Smaller. Like the stacks of containers have leaned in, hemming them closer, their corrugated sides looming like silent witnesses. The wind cuts sharper off the water, needling through the seams of Jason’s jacket, and somewhere deep in his chest, that pressure builds again.
Jason turns fully to Damian.
“Kid, I swear to God, tell me what—”
Damian snaps at the exact same moment Cassandra moves. Her hand closes around Jason’s shoulder, firm and sudden, fingers digging in through armor like she’s trying to anchor him to the concrete before he does something irreversible. The contact is intimate in a way that feels wrong, alarmed.
“How the hell should I know? They didn't tell me—” Damian bites back, voice sharp, flaring too fast, too hot.
“Damian!” Dick hisses, the sound cutting through the night like a blade dragged too quickly from its sheath. He’s already moving, stepping between them without quite committing to either side, hands up in a placating gesture that lands closer to panic than calm. He turns to Jason almost immediately, words tumbling over each other. “Come on, dude, let’s just go check the security towers and—”
“That’s going to take another hour,” Jason cuts in.
The words come out flat, but there’s steel underneath. He shrugs Cassandra’s hand off—not rough, but final—and reaches into his pocket. The harbor lights blur for a second as his fingers close around his phone, the familiar shape of something that connects him to you grounding him. It’s 10:20. He knows that without looking but checks anyway. He’s been counting the minutes since the mission dragged past its supposed end.
“I had plans,” he says, quieter now, but more dangerous for it. “Let me at least—”
The batarang whistles through the air.
Jason barely has time to register the movement—Damian’s arm snapping forward, wrist precise, expression tight and furious—before metal slams into his hand. The impact jars up his arm, sharp and biting, and the phone slips free, spinning once before it hits the concrete.
Crack.
The screen fractures instantly, a spiderweb of dead glass blooming beneath the sodium lights before the device skids to a stop near Jason’s boot. The harbor seems to hold its breath. Even the wind falters, the water’s slap against the pylons momentarily muted, as if the night itself is listening.
Jason stares down at it.
At the dark screen. On the way his reflection breaks apart in the shattered glass.
Jason’s gaze lifts slowly from the ruin at his feet.
It settles on Dick.
“Call Bruce.”
The words aren’t loud. They don’t need to be. They cut anyway—clean, controlled, edged with something that’s starting to slip. Dick falters under it, hand coming up to rub at the back of his neck, eyes flicking anywhere but Jason’s face. The harbor lights stutter overhead, one of them buzzing like it’s about to give out, bathing Dick in a sickly gold that makes him look younger.
Guilty.
“What, you gonna tattle?” Dick says, trying for levity and missing it by miles. His laugh lands wrong, brittle against the cold. “C’mon, Damian's just in a mood. I was going to surprise you with burgers but I thought the kid would spill. I’ll buy you a new phone, okay? Just—”
“Call Bruce,” Jason repeats.
This time it’s a hiss, dragged out through clenched teeth, something feral and fraying around the edges. The wind picks up again, slicing between the containers, rattling loose metal and carrying the sharp tang of rain that never quite falls in Gotham. Jason turns his head, slow and deliberate, until his eyes find Cassandra.
She hasn’t moved. She’s watching him like she’s afraid he might break.
“…He’s busy,” Cass says.
Her voice is barely there. Smaller than usual. Soft enough that Tim, standing a good ten feet away, doesn’t hear it at all. The words dissolve into the night almost as soon as they leave her mouth, swallowed by wind and water and distance—but Jason hears them. Every syllable.
Busy.
Something inside him tightens, winding down to a thin, dangerous thread.
His hand comes up to his comm without conscious thought. He adjusts it once, fingers steady despite the way his pulse thuds too hard, too fast. The harbor seems to lean in again—the stacked containers looming like watchful giants, the river below churning black and endless.
Gotham breathes around him, damp and unforgiving.
“B,” Jason says.
Sharp. Precise. A single syllable fired into the dark like a flare.
Static answers him. Wind whistling through steel corridors. The distant cry of something alive and miserable echoing off the water. No voice. No correction. No irritation crackling back through the line.
Just silence. It stretches. Pulls thin. Grows teeth.
Jason exhales through his nose, a humorless breath that fogs faintly in the cold air. He thinks of you again—too vividly now. The way your voice softens when you say his name. The way you always pick up, even when he thinks you shouldn’t. The way silence has never belonged between the two of you.
His jaw locks. Fuck this shit, I should be at home with her.
Jason moves before anyone can stop him—before anyone even realizes he’s decided something.
He’s across the concrete in three long strides, boots splashing through shallow puddles that mirror Gotham’s jaundiced lights in broken pieces. Damian doesn’t flinch when Jason grabs his comm. Doesn’t pull back. Doesn’t protest. That, more than anything, makes Jason’s teeth grind.
He clicks the emergency signal to the Batcomputer—once, twice, a break, two clicks hard enough that it hurts his thumb—then rips the comm free. His helmet follows, clattering against the concrete with a hollow, echoing crack that ricochets between the shipping containers. The sound feels too loud, too exposed. Jason presses the comm to his bare ear, cold metal biting into skin.
No one stops him.
Not Dick. Not Tim. Not Stephanie. Cassandra watches with that same quiet intensity, hands flexing like she’s bracing for impact. They stand there and let it happen, like this is how it was always meant to go—like they’ve already accepted that Jason finding out is inevitable, but telling him would be worse. Like this is some twisted test, or penance, or family tradition he never agreed to.
The harbor hums low and restless. Wind slides through steel corridors, rattling chains, carrying the stink of oil and brine and rain-soaked concrete. Gotham feels awake in that way it only does when something bad is already in motion.
“Robin?” Bruce’s voice cuts through the static, sharp and immediate. Too immediate. There’s an edge to it Jason hasn’t heard in years—tight, almost nervous, parental. “Robin, what’s wrong?”
Jason almost laughs.
Instead, his mouth twists.
“I’m going home, old man,” he hisses, already turning away from Damian. “What was this? Ya trying to tire me out, or did you get mind-controlled again? ‘Cause everyone here apparently likes you enough to not tell me the truth.”
“Jason—”
“Red Hood,” Jason snaps, the correction coming fast and mean. He bends, scoops his helmet up by the chin guard, and starts walking toward the exit between the containers where the harbor opens up to the road. “What happened to keeping hero names on comms? Or are you the only one allowed to break rules tonight?”
“Red Hood, just give me—”
“It’s a lousy gang!” Jason shouts, voice tearing loose now, bouncing off steel and concrete and dark water. “They don’t even crack the top twenty. Damian could’ve done this shit by himself.”
He doesn’t look back, but he knows they’re following him. He can feel it—the weight of their footsteps, the way they trail just close enough to intervene if he breaks. Later, it’ll hit him why Tim made sure every single goon was double zip-tied, wrists biting white beneath plastic. Insurance.
Tim knew Jason would find out.
Knew none of them would be coming back to clean this up.
“Red Hood—”
“Merry Christmas, B,” Jason cuts in, bitter and sharp as broken glass. “Please don’t call.”
“JASON—”
Bruce’s voice snaps through the comm like a gunshot, dragging Jason straight back into another life, another night, another version of himself that answered to that tone. “She’s in danger. And if you want any chance of seeing her again, get to the Batcave—”
The line goes dead.
Not static. Not interference.
Bruce cut it himself.
Jason stops, because there's only one person he could be talking about to send all five of them with him.
The harbor seems to lurch, the world tilting just enough to make his balance feel theoretical. The wind howls between the containers, louder now, like Gotham exhaling something foul and satisfied. Water slaps hard against concrete pylons below, relentless, counting seconds Jason no longer owns.
Slowly—too slowly—he turns.
He looks at them. At Dick’s pale face. At Tim’s clenched jaw. At Damian’s rigid stillness. At Stephanie, eyes bright with unshed panic. At Cassandra, whose gaze is already on him, steady and mournful, like she’s watching something crack.
They look at him like he’s glass.
Like he’s a bomb they’re waiting to defuse—or clean up after.
Jason doesn’t give them the chance.
“Fuck all of you,” he spits, the words coming out broken and small despite his best efforts.
Then he runs.
Out of the harbor. Out of the sodium lights and rust and the weight of too many eyes. Jason runs like Gotham itself is on his heels, boots striking concrete in a brutal rhythm that drowns out thought—or tries to. The city stretches around him in jagged silhouettes and wet stone, skyscrapers looming like blackened ribs against a low, churning sky. Clouds hang heavy and swollen, bruised purple and gray, threatening rain they never quite release. Gotham loves the anticipation of pain more than the act itself.
His blood is loud in his ears. Too loud. Every heartbeat punches through his ribs, frantic and unforgiving, as if his body already knows something his mind refuses to accept.
Toward the manor. Toward answers.
Toward the awful, creeping certainty settling into his bones that whatever Gotham has taken this time, it didn’t take lightly—and it didn’t take something he can afford to replace.
He takes the shorter way.
Fire escapes. Rooftops slick with mist. Narrow alleys that smell like old rain and older sins. He vaults gaps without slowing, coat snapping behind him like a torn banner, the city blurring into streaks of shadow and light. This route cuts close to your place. Too close. He doesn’t consciously choose it; his body does, muscle memory dragging him along a path his heart has memorized better than any map.
And then—
Mid-leap, suspended between one rooftop and the next, he sees it.
Your building sits quiet against the skyline, dark in a way it never is. Your lights are off. All of them. The windows—your windows—are shattered, glass glittering weakly under the city’s glow like fallen stars. The balcony rail is smeared with something darker than shadow.
Blood.
The word doesn’t form. Not fully. His brain skids around it, refuses to give it weight. At most, he tells himself, you’re hurt. Something small. A cut. A scrape. A stupid accident that looks worse than it is. You’ll laugh it off when he gets there, scold him for worrying, tell him he’s being dramatic again.
Because you’re untouchable.
That’s the rule his mind has always clung to. Gotham can drown him in filth and violence and rot, but you—you—are clean. Untarnished. Something soft the city hasn’t learned how to bruise yet. You exist outside its reach, outside its hunger. Gotham takes things like Jason. It breaks people like him. It doesn’t get to put its hands on you.
It can’t have you.
Because if you’re hurt—if you’re really hurt—then everything Jason has built inside himself caves in at once. Every fragile structure, every careful compromise, every promise he’s made to stay standing for you. There’s no version of the world where you’re broken and he survives it intact.
He lands hard, barely absorbing the impact before he’s running again, lungs burning, throat raw. The manor rises ahead of him through the trees like a dark monument, windows glowing warm and oblivious against the night. Too slow. The gates are too slow. The doors are too slow.
Jason doesn’t bother.
He barrels straight for a ground-floor window and drives his elbow through it without hesitation. Glass explodes inward, sharp and screaming, biting into skin. He doesn’t feel it—not really—until he’s inside, boots skidding onto the polished floor, breath tearing out of him in harsh, uneven pulls.
Blood runs freely down his forearm, drips onto the pale carpet in dark, blooming stains.
It looks wrong there. Violent. Out of place, just like the blood on your balcony.
Jason stares at it for half a second too long, chest heaving, and something in him splinters quietly—because now he knows. The city has already touched you and it has never, not once, let go without breaking something in return.
Jason doesn’t slow down in the Cave.
The platform is still lowering when he’s already moving, boots striking metal too hard, too fast, the sound ricocheting off stone and steel. The Batcave yawns around them—vast and echoing, all cold water and colder rock, computer screens throwing pale blue light across jagged walls. The waterfall roars like it’s trying to drown the night itself, a constant, punishing noise that usually steadies him.
Tonight it only sharpens the edges.
Bruce turns at the last possible second. His eyes flick first to Jason’s face, then to the blood smeared down his arm, dripping steadily onto the pristine metal floor. Bruce’s mouth tightens. Not in anger. In calculation. In fear he refuses to name.
Jason shoves him.
Hard.
Bruce’s back slams into the Batcomputer console, screens rattling, data stuttering for half a heartbeat. A lesser man would’ve been airborne. Bruce Wayne could have thrown Jason across the Cave without effort—could have ended this in a clean, controlled second.
He doesn’t.
Jason knows he won’t.
“Where is she,” Jason spits, the words tearing out of him raw and shaking. His hands fist in Bruce’s cape, knuckles white, trembling despite the strength coiled beneath them. The fabric bunches beneath his grip like it might rip if he pulls any harder. “Where is she?”
Bruce lifts his hands slowly, carefully—not in surrender, but in containment. Like approaching a live wire. His voice, when he speaks, is measured to the point of pain.
“…Jason.”
The name alone is an attempt. An anchor. Bruce is already running scenarios, already gauging angles and exits and how much damage Jason could do if this slips another inch. He knows Jason’s tells. Knows the way his breathing has gone uneven, the way his eyes are too bright, too fixed. Knows this isn’t rage yet.
This is terror.
“Don’t,” Bruce says quietly. Not commanding. Pleading, buried deep beneath control. “Just—listen to me.”
Jason laughs once, short and broken, the sound scraping his throat raw. “No. You don’t get to slow this down. You don’t get to prepare me.”
Bruce swallows. “…Joker—” he begins.
And the world fractures.
The word lands heavy and obscene between them, fouling the air of the cave like poison gas. Joker. The name crawls under Jason’s armor, past muscle and bone, straight into the place where you live inside him.
Suddenly, you’re not untouchable.
You’re not the one clean thing Gotham never got its hands on. Not the soft place Jason runs to when the city claws at him too hard. Not the warmth in his bed, the light in his kitchen, the voice that says his name like it belongs to something human.
You’re not safe.
You’re not distant.
You’re not protected by the simple, impossible belief that the worst things in the world know better than to touch you.
You’re real.
You’re fragile.
You’re reachable.
Jason’s grip tightens without him meaning to, breath hitching violently in his chest. His mind fills with images he refuses to finish forming—broken glass, blood on pale surfaces, your windows shattered open to the night the same way his chest feels split open now. He thinks of your hands. Your laugh. The way you look at him like he’s something worth keeping.
And now—
Now you’re the blood he’s already wearing.
The blood he’s going to feel soaking into his gloves tonight.
Bruce sees it happen. Sees the moment Jason slips past anger and into something far more dangerous. His own heart lurches, sharp and traitorous. This—this is what he’s been afraid of since the second he knew Joker was involved. Not Jason lashing out blindly.
Jason focused.
Emotional.
Unanchored.
“Jason,” Bruce says again, softer now, steady as bedrock despite the fear tightening his chest. “I need you to stay with me. I need you here. Because if you go out there like this—”
Jason’s eyes snap back to him, glassy and feral and devastatingly alive.
“If I don’t go,” Jason says hoarsely, “she dies.”
“If you go,” Bruce says, low and sharp, the words cutting through the roar of the Cave, “you die—and you could lose her at the same time.”
The Batcave hums around them, fluorescent light washing the rock walls in cold blue, computer screens flickering with restless data. The waterfall crashes endlessly behind Bruce, mist clinging to the air, dampening everything it touches. It feels like the Cave is breathing—slow, heavy, watchful.
Bruce moves closer and grips Jason’s jacket with both hands, fingers clutching the leather like it’s the last solid thing in the world. He holds on the way a man holds a ledge he’s already slipping from, hoping friction alone might be enough to keep someone from falling.
It isn’t.
“Where is she,” Jason says.
His voice is flat. Too controlled. His eyes have already left Bruce, already slid to the Batcomputer, to the glowing map littered with red and yellow pings like open wounds across Gotham’s body. Each marker pulses faintly, alive and accusing.
He doesn’t notice his siblings closing in—Dick’s careful steps, Tim’s rigid stillness, Damian hovering sharp and coiled like a drawn blade.
“She’s alive,” Bruce says quickly, desperately. “She wasn’t the only one—at least four other children and three women—”
Jason turns his head.
The look he gives Bruce is devastating in its emptiness. Eyes glassed over, jaw set too tight, brows drawn together like the world has narrowed to a single, unbearable point.
“Do you honestly think I give a damn about them right now?”
The words aren’t shouted. They don’t need to be. They land heavy, obscene in their honesty, and Bruce’s grip tightens reflexively, knuckles whitening against Jason’s jacket.
“I know you don’t,” Bruce snaps back, frustration bleeding through control. “Which is why I didn’t tell you she was taken. Because we need a plan that keeps everyone who was captured safe—”
“At the risk she dies in the process?” Jason cuts in.
Then—he stills.
Something shifts. His hands loosen, falling away from Bruce’s cape as if the fabric has suddenly burned him. His gaze slides, sharp and intentional, and locks onto Tim.
“How long,” Jason says.
The question is steady. Solid. Frighteningly calm.
Tim swallows and flicks a glance at Bruce—a silent check, a plea, a habit Jason has seen a thousand times. Jason shoves Bruce’s hand aside and crosses the distance in two strides, grabbing Tim by the shoulders, fingers digging in through armor.
“Don’t,” Jason hisses, thumbs pressing hard, grounding, painful. “Don’t look at him.”
The words aren’t just for Tim. They’re for Jason too.
He vaguely registers Dick saying his name, Stephanie’s voice tight with panic somewhere behind him, but it all dissolves into a dull ringing as he stares down at Tim. Tim doesn’t flinch. Doesn’t pull away. He meets Jason’s gaze head-on.
“How long,” Jason repeats. “Where.”
Tim exhales, slow and controlled, the way he does when delivering bad news. “Two hours,” he says quietly. “Warehouse two blocks from Crime Alley. Behind that busted playground.”
Crime Alley.
The name echoes through the Cave like a curse, sinking into Jason’s chest and blooming outward, cold and malignant. Of course it’s there. Of course Joker chose that place—layers of history piled atop rot, a shrine built from other people’s pain.
Jason releases Tim slowly, hands trembling now, control finally beginning to crack.
Two hours.
Two hours of you alone with the man who taught Gotham how to laugh while it kills.
The Batcomputer hums on, indifferent. Gotham’s skyline glows faintly on the monitors—jagged towers under a bruised sky, rain finally starting to smear the camera feeds, streaking the city in gray. Somewhere out there, windows are broken. Somewhere out there, that cashmere scarf he wrapped and placed under your tree stays un-wrapped.
Jason understands then—with a clarity so sharp it almost feels merciful—that plans are a luxury meant for people who still believe time is something they own.
Time has never belonged to him.
Because you—you—aren’t alone. You’re trapped with seven other people. Four of them children, Bruce had said, like that word didn’t rearrange Jason’s insides completely. His mind does something traitorous then, something he hates himself for even acknowledging: it calculates. It knows how these things go. It knows Joker’s sense of theater, his appetite for cruelty, his fondness for leaving one survivor behind as punctuation.
And the last one standing is never the strongest.
It’s the smallest.
Those kids would by dying before you do.
Jason’s breath stutters, just once.
“Jason,” Bruce says from the Batcomputer, voice tight, forced into calm the way it always is when he’s terrified. The blue glow paints him hollow, all sharp angles and restraint. “Don’t make me stop you. The cops are on their way. Joker just wants cash.”
For the first time since the harbor, the noise in Jason’s head goes quiet.
Not peaceful—focused.
Everything narrows down to Bruce. To the way his shoulders are squared like a barricade. To the way his hands hover, uncertain, like he’s trying to decide whether to reach out or brace for impact. Jason’s heart hammers so hard it hurts, louder than the waterfall, louder than any threat Batman could ever make.
“If you even try, Bruce,” Jason says.
He doesn’t look at him when he says it. He can’t. The name comes out wrong in his mouth—too raw, too intimate, scraped down to bone. Instead, he keeps his eyes on Tim, standing rigid in front of him, small in a way Jason suddenly can’t stop seeing. He hopes—distantly, uselessly—that he isn’t glaring at his little brother. Hopes Tim understands this isn’t anger.
Just pure desperation. His last attempt, his last shot.
“Ill fucking shoot myself. I’ll make sure you know it’s your fault,” Jason continues, voice low and shaking despite his effort to keep it steady. “I’ll use my gun. And if you tie me up today, I’ll wait until next week. If you lock me down for a week, I’ll wait a month. I’ll do it.”
He swallows.
Because that’s the only thing that’s ever worked. The only language Bruce Wayne never ignores.
Dick moves fast—too fast—grabbing Jason’s arm where it’s still braced near Tim, fingers digging in hard. “What the fuck is wrong with you?” he shouts, panic cracking straight through his anger.
Jason turns on him then, eyes blazing, voice breaking loose at last.
“Would you be this still?” Jason yells back. “If that was me with Joker again? If it was me instead of her—would you have left me there for the police to find? Again?”
The word hangs between them, heavy and damning.
Again.
Jason knows Dick well enough to see it land. To watch his brother’s grip falter, fingers loosening like they’ve forgotten what they were holding onto in the first place. Dick’s face goes pale, mouth parting uselessly, and Jason twists the knife—not because he wants to hurt him, but because he needs them to understand.
“This,” Jason snaps. “This is why none of you fucking knew about her.”
He looks at all of them now—really looks. At Bruce, frozen behind the console like a man staring down a live bomb. At Dick, wrecked with guilt.
“If you can’t even see me beyond a mistake you made,” Jason says, voice hoarse, “there was no way you wouldn’t have seen her as that too. And I love her too much for that.”
The words leave him hollowed out.
Then he’s gone.
The Cave swallows the echo of his footsteps, leaving only the roar of the waterfall and the hum of machines that suddenly feel pointless. No one moves to stop him. No one even tries.
It takes Tim a full minute to cross the platform and reach the Batcomputer, fingers hovering uselessly over keys he knows by heart.
It takes Cassandra four times as long to find a part of Bruce that still moves—some small, human place in his arm or shoulder that isn’t locked rigid like a man bracing for an explosion he knows is already ticking down.
Dick follows Jason’s trail almost immediately. And Damian follows Dick.
You don’t remember the last five hours.
They’re gone—hollowed out—like someone reached into your head and scooped the time away with a careless hand. The last thing you have is small and warm and ordinary: the coffee table between the couch and the window, set for two. Plates aligned just so. The new glasses you bought with Jason on that stupidly perfect thrift-store date, thin and elegant and impractical. You’d laughed about them, about how easy they’d be to break. Jason had pretended to scold you, fingers warm around yours as he tugged you toward the bookshelves, already stacking paperbacks in his arms like treasure.
You’d bought homeware. A vintage mirror with a gold edge, slightly warped, the kind that makes everything look softer than it is.
Jason always said you needed better locks. You realize it numbly.
He always said it gently, like a suggestion instead of a warning. Like he was talking about replacing a lightbulb or buying better coffee. You brushed him off every time, smiling, pressing a kiss into his shoulder, telling him Gotham wasn’t that bad. That you were fine. That you were safe.
And you were right. You always are.
Because an extra lock wouldn’t have stopped the man with the red smile.
It wouldn’t have stopped hands tangling in your hair, fingers tight and merciless as he dragged you across your rug, skin burning where it scraped against the fibers. It wouldn’t have stopped the way your mirror shattered when he slammed you against it, glass singing as it broke, your own reflection splintering into a hundred terrified pieces that stared back at you with wide, unbelieving eyes.
It wouldn’t have stopped the way he looked at you.
He crouched in front of you like this was intimate. Like this was a secret. His smile stretched too far, paint cracked and smeared, eyes bright with something wrong and delighted and ancient.
Joker tilted his head, studying you the way a child studies an insect pinned to cork.
“Here’s the other lovebird,” he murmured, voice lilting, almost fond. “Ohhh… how cute you are.”
You remember thinking—absurdly, desperately—that Jason would hate that word. That he’d bristle at it, roll his eyes, pull you closer just to prove a point. You remember the ache of missing him hitting harder than the pain at first, your mind reaching for him the way it always does when the world goes wrong.
Jason would know what to do.
Jason would make this stop.
The thought is a comfort even now, curled tight in your chest, fragile but stubborn. You cling to it as the man stands, as one of the shadows behind him passes up an old, rusted crowbar. The metal is pitted and dark, flaking with age and something older still. It smells like iron and damp and rot.
It doesn’t take a lock to stop that.
It doesn’t take a security system to stop the sound your bones make when he brings it down.
The pain comes in blinding flashes—white-hot, nauseating, wrong. Your legs scream before you do, nerves lighting up in protest, your body trying to fold in on itself, trying to protect something already broken. You taste blood, copper and thick, your teeth chattering even as your throat burns raw from crying out.
Through it all, you think of Jason.
Of his hands—gentle despite their strength. Of the way he says your name like it’s something precious, something he’s afraid to drop. You think of his laugh, low and surprised, the way he softens when it’s just the two of you and Gotham can’t see him. You think of the books still stacked on the table, waiting to be read, of the glasses that shattered just like the mirror did.
Of how he warned you.
Of how he would be here already if he knew.
The room feels wrong—tilted, smeared with shadow, the air thick and sour. Blood pools where it shouldn’t, dark against your floor, soaking into the rug you picked out together. The city hums outside your broken windows, indifferent and vast, neon bleeding into the night like nothing is wrong at all.
You breathe when you can. You hold onto Jason’s name like a prayer you’re afraid to say out loud.
Because if he comes—when he comes—you need to believe there will still be something left of you for him to find.
Your consciousness returns in fragments, drifting in and out the same way you remember nights with him. Not clean breaks. Not mercy. Just gaps.
A void of sleep.
Jason easing your window open like the city might hear him, hands raised in mock surrender, voice low and careful. I didn’t mean to wake you… shh… go back to bed. The mattress dips, familiar weight settling beside you, warmth bleeding into your back.
A void of sleep.
Jason in your bathroom, the light too bright, the mirror fogged. Gotham’s blood and grime rinsed down the drain while he rubs his hair dry with one of your soft, ridiculous pink towels. He smiles at you through the doorway, sheepish and fond, promises he’ll be there in a second. He always is.
A void of sleep.
Jason shifting beside you, breath warm against the delicate skin beneath your ear. His arm tightens in his sleep, possessive without knowing it, like even unconscious he’s afraid the world might take you if he lets go. He murmurs your name—broken, reverent.
A void of sleep.
White hands. Cracked paint. Fingers threading through your hair, slick and tangled with blood. The touch is intimate in the worst way, scalp burning as he hums—no, sings—a childish tune about robins, voice lilting and wrong, laughter bubbling beneath it like rot under sugar.
A void of sleep.
Concrete tearing at your skin as you’re dragged, knees bouncing, spine jolting with every crack in the ground. A van door yawns open, metal teeth waiting. A child sobs near your ear, small and hiccuping. A woman screams at the child to shut up—panic sharp and desperate—until a gunshot rings out like punctuation. The woman goes silent. The child doesn’t. The word mommy repeats, thin and broken, drilling into your skull.
A void of sleep.
You wake choking on pain.
Your body is bound to a chair, wrists cinched tight, ankles screaming. Barbed wire coils around you like something alive, biting deep with every involuntary twitch. The metal is rusted, flaking, cruel—tearing skin open in ragged kisses that burn and throb and never quite stop bleeding. Your legs are numb in places, screaming in others. You can feel blood soaking into fabric, sticky and cooling as it trails downward.
He’s in front of you.
Smiling.
Head cocked, eyes bright with interest, like you’re a puzzle he’s just started enjoying. He steps closer, crouches until he’s eye-level with you, hands clasped together as if in prayer.
“You do love your sleep, don’t you?” he says, voice almost gentle.
Your vision swims. The room smells like iron and oil and damp concrete. Somewhere nearby, something drips steadily—water, or blood, or both. The walls feel too close, the shadows stretching and curling like they’re listening.
“The other birdy,” he continues, grinning wider, “wouldn’t even sleep if I cracked his skull. Such a shame.” He sighs theatrically, tapping the barbed wire with one gloved finger, delighted by the way you flinch. “I suppose I’ll have to find a way to keep you awake.”
Through the haze, through the pain, one thought stays stubbornly intact.
Jason is coming.
And you cling to that like a lifeline, even as the horror closes in, even as the night tries to peel you apart—because if you let go of that belief, if you let the void take everything—There will be nothing left for him to save.
You can’t see farther than four feet in front of you.
Anything beyond that dissolves into smears of color and motion, the edges of the room bleeding into one another. When you try to focus, your vision tilts violently, the world pitching sideways as warm blood slips down from your temple, sticky and insistent. It drips into your eye, blurring everything further, each blink making it worse. The ceiling swims. The walls breathe.
He notices.
Of course he does.
He steps into what little clarity you have left, face snapping into focus like a nightmare finally deciding to be seen. His hand comes up fast, fingers prying your jaw open with impatient familiarity. Something chalky presses against your tongue.
You gag immediately.
Your throat spasms around his fingers, saliva thick and useless as panic claws up your chest. Your head jerks instinctively, barbed wire biting deeper in protest, fresh pain flaring white-hot along your wrists and ankles. He doesn’t pull away. He shoves the pill back, past your tongue, past your resistance, until your body betrays you and swallows.
You choke.
Tears spill from your eyes, hot and humiliating, streaking through the grime on your cheeks. Your lungs burn as you suck in air in sharp, broken pulls.
Jason, you think, distantly, desperately. The name is a reflex now. A prayer you don’t dare say out loud.
His hand withdraws at last.
Then—
Smack.
Your head snaps to the side, vision exploding into sparks. Before you can react—
Smack.
The second strike lands harder, ringing through your skull, teeth clacking together as pain blooms anew. The world steadies just enough to be cruel about it.
“That’ll keep you awake, birdy,” he croons, pleased.
Your heart slams against your ribs, frantic and trapped. Already you can feel it—the way the haze pulls back just a little too much, the way your thoughts sharpen against your will. Your eyelids burn, heavy but refusing to close, nerves screaming as the drug seeps in and denies you even the mercy of darkness.
“Now.”
He leans back into his own chair like this is a rehearsal, like he’s bored of waiting for his cue. The legs scrape loudly against the concrete, the sound sharp enough to hurt. He reaches forward and adjusts the camera in front of you with careful precision. A small red light blinks every few seconds—steady, patient. Watching.
“We’re going to make a deal, okay?”
You don’t answer.
Your eyes refuse to cooperate, swimming uselessly as you blink through blood and tears. Every attempt to focus sends a wave of nausea through you, the room tilting, your pulse roaring in your ears louder than his voice. Your jaw trembles. Your tongue feels thick, wrong in your mouth.
“Okay?”
Nothing comes out.
The barbed wire strung cruelly across your throat digs in deeper with every breath you take, a quiet reminder that sound would cost you skin. Air hisses past your teeth in shallow pulls. You can feel your heartbeat there, fluttering and frantic against metal.
His smile thins.
He stands.
The rusty crowbar tightens in his grip as he rises from a stupid, bright orange folding chair—out of place, obscene against the filth of the warehouse. He steps into frame, then closer, until the camera, until you, are all that exist. He hooks two fingers under your chin and lifts your face, forcing your eyes up.
“Answer.”
You try.
Your mouth opens. Nothing happens.
All you can see is him—cracked white makeup creasing around his eyes, green hair greasy and limp, age showing in the lines around his mouth where smiles have lived too long. He smells like oil and metal and something sour beneath it all. The warehouse stinks of rust, damp concrete, old fuel. It crawls into your lungs.
And then—
You hear it.
A sound that doesn’t belong to him.
Crying.
Your head turns slowly, painfully, vertebrae protesting as the wire shifts against your throat. The movement costs you another sharp breath. Your vision blurs again—but this time, shapes resolve.
A cluster of bodies huddled together against a dented equipment container. Two teenage girls with their knees pulled tight to their chests, faces streaked with dirt and tears. Four little boys wedged between them, shaking, hands bound too tight, mouths open in silent sobs like they’ve already learned screaming doesn’t help.
Something in your chest caves in.
You don’t even see the crowbar move.
The impact comes out of nowhere—white-hot, brutal. The hooked end of the bar slams into your shoulder with a wet, tearing sound, metal biting deep as it pierces flesh. Pain detonates through you, ripping the air from your lungs. He yells as he does it, manic and delighted, like the violence startled even him.
Your body jerks against the restraints.
Barbed wire bites deeper. Blood spills warm and fast down your arm, soaking into your sleeve, dripping to the floor in thick, uneven drops. Your vision fractures, stars bursting behind your eyes.
You clamp your teeth down hard on your lip to keep from screaming.
You taste iron immediately—sharp and overwhelming—as skin breaks beneath your bite. Tears spill freely now, blurring everything, mixing with the blood already clinging to your lashes. It burns. It hurts. Your whole body shakes with the effort of staying quiet.
Behind you, the crying gets worse—fractured, panicked.
“Okay,” you choke out.
The word scrapes your throat raw on the way out, barely more than a breath. It tastes like blood and rust and surrender.
Immediately, the pressure is gone.
The crowbar pulls free with a wet sound that makes your vision white out, pain screaming down your arm as the hooked metal tears away from muscle and skin. You shudder hard, a broken gasp ripping out of you despite your best effort to swallow it down.
He steps back like a magician deciding on the next trick.
Then he leans in again—careful, deliberate—and pats at the wound where the bar pierced you. Not gentle. Never gentle. His palm presses just enough to make you flinch, fingers smearing warm blood across your torn clothes.
“See?” he says brightly, turning slightly so the camera gets a better angle. “That wasn’t so hard, was it?”
Your breath comes shallow and fast, chest stuttering against the wire. Every inhale sends a fresh bloom of pain through your shoulder, the edges of it pulsing in time with your heart.
His hands come up next.
Dry. Cracked. Too warm.
He grabs your face, fingers digging into your cheeks, thumbs pressing at your jaw as he tilts your head from side to side. The movement drags the skin of your neck against the barbed wire, a searing, intimate pain that makes your eyes flood instantly.
“What a dumb dumb birdy you are,” he croons, affectionate in the way predators are. “It’s okay. Joker can teach you.”
Your body trembles uncontrollably now. Your fingers spasm uselessly against the wooden arms of the chair, nails scraping shallow grooves into the surface. You can feel blood slicking your palm and you don't even want to think about how you got hurt there too.
He releases your face.
Pats your head once.
The gesture is almost worse than the violence.
“Now,” he says softly, pleasantly, “say thank you.”
Your vision swims. The room feels too loud, too close. Somewhere behind you, one of the children sobs so hard it turns into hiccupping gasps. You swallow around the wire, throat burning.
You look up at him with shaking eyes, lashes heavy with tears and blood. Your mouth opens. Your lips quiver.
“Thank—” Your voice breaks completely. You force it back together, dragging the word out of yourself like it’s being pulled through glass. “Thank you.”
His smile spreads slow and satisfied, stretching the cracks in his makeup wider.
“Good birdy,” he coos, pleased. “So much more compliant than your love bird already!”
“Now—” Joker announces, voice lifting into a theatrical lilt, like he’s stepped beneath a spotlight instead of flickering warehouse fluorescents. He turns toward the camera, gives it a jaunty little nod, then looks back at you, grin splitting wider. “I was gonna let you go for some cash. Thought your little boy bird might get scared shitless—just a fun little bonus, really—buttt—”
He drifts away from you, footsteps light, almost playful. You can’t turn your head far enough to see what he’s doing. The wire bites when you try. Your vision pulses, dark at the edges.
Then—
A scream.
Sharp. High. A girl’s voice.
It cuts off halfway through, collapsing into a thin, broken cry that echoes far too long in the hollow space of the warehouse.
Something in you fractures.
Joker reappears at your side, breath brushing your ear, laughter bubbling out of him like it’s a private joke the two of you share. “Got lucky with a rich bitch on the road,” he cackles, delighted. “Gotham really does keep on givin’.”
Your stomach twists violently. You taste bile. The crying behind you swells again, panicked and animal, and you can feel your own body trying to fold in on itself despite the restraints, like if you curl inward hard enough you might disappear.
His hands slide to your throat and at the same time your eyes land onto his hands. Diamond earrings.
He ripped her earrings out of her ears.
Before you can flinch at the sight of pieces of skin in his open hand, he yanks.
The chain snaps free with a sharp tug, metal biting into your skin as the necklace tears away. You gasp, the wire at your neck punishing you for it, and the sudden cold where the chain used to rest feels obscene—too exposed. You feel lucky that you took off your earrings when you were doing your hair.
He dangles it in front of the camera, letting it glint under the harsh light, gemstones smeared faintly red from your blood. “This could go for a couple hundred too!” he sings. “Ohhh, how delightful!”
He leans closer, eyes alight, savoring every tremor that runs through you. “At least one of the birdies knows how to decorate their nest. Found a few rings at your place as well.”
Joker pockets the necklace with a satisfied hum.
“Well, now that I don’t need the money,” he croons, voice lilting, playful, like he’s deciding which joke to tell next, “what should I do with you?”
His fingers drag along your cheek again, slower this time, the pad of his thumb pressing just hard enough to bruise. His touch leaves heat behind, a crawling sensation that makes your stomach revolt. You feel contaminated where he’s touched you, like your skin is remembering something it shouldn’t.
“…I’ll give you more,” you whisper. Your voice fractures around the word, splintering into something pitiful and thin. “However much you want—just—”
“Oh, I don’t need money.”
The change is instant. His tone drops, sharp and venomous, and when he leans in his eyes are blown wide and empty, pupils swallowing the green like oil slicks. A hawk spotting movement. A blade finding flesh.
“I was looking for some fun, love bird,” he hisses. “You can’t give me that?”
You whimper around the grip on your jaw as his fingers tighten, nails biting into your skin. The wire at your throat digs deeper when you gasp, its teeth kissing something vital. Pain blooms hot and bright, stars bursting behind your eyes.
“Jason— Jason will—”
He doesn’t even flinch at the name.
Maybe that’s mercy.
His fingers move higher, rough and invasive, smearing through the makeup you’d put on hours ago with careful hands. The eyeshadow burns as it’s ground into your skin, sweat and blood turning it into a dark, ugly paste. His thumb drags through the faint blush on your cheeks, erasing it like it was a mistake.
“How pretty you are,” he murmurs, almost tender. “I do makeup on myself too, you know.”
Then his hands leave you entirely.
He grabs his own face, fingers digging into the cracked greasepaint, stretching the red grin wider, tearing at the corners until the white creases and flakes. For a second you think you see real skin underneath—white, lined, angry. Horrid.
“Do you like mine?” he asks brightly. “Do you think I’m pretty?”
Your mind blanks.
Your eyes flick helplessly to the camera instead—the blinking red light pulsing steadily, patiently. Recording. Waiting. You try to speak, to say yes or no or anything that might stop what’s coming, but your throat locks around the wire and all that comes out is a wet, useless sound.
Then—
“Very pretty!”
The voice is behind you.
Too young.
A teenage girl, no older than seventeen. Her voice trembles, thin and frantic, the words tumbling over each other. “So—so pretty—”
You feel something inside you tear open.
She’s trying to survive. You can feel that hope radiate off of her. The hope of throwing words into the dark and praying it lands somewhere safe.
Joker’s head snaps toward her.
His eyes narrow, sharp and wrong, smile freezing into something predatory. “You think so?”
There’s a frantic nod you can hear more than see—the quick intake of breath, the shuddering little sob that follows.
Joker bends down.
The crowbar scrapes loudly as he lifts it, metal screaming against concrete. You catch a glimpse of it as he moves past you—rusted, pitted, darkened in places where it’s already been used tonight.
Then he’s gone from your line of sight.
The scream that follows is immediate and unbearable.
It’s not just pain—it’s shock, terror, the sound of someone realizing too late that they were wrong. The metal wall amplifies it, throws it back at itself until it feels like the warehouse is screaming with her.
There’s a wet, sickening crack.
A sound like meat hitting concrete.
“Why don’t we match?” Joker coos from behind you, voice light and delighted. “I did one side, now the other!”
The crowbar hits again.
You hear bone give this time—feel it in your teeth, in your chest. Her scream fractures into something animal, then into choking sobs, then into a raw, bubbling sound that makes bile rush up your throat.
Your own crying breaks free, ugly and uncontrollable. Your body jerks against the restraints, fingers cramping, nails tearing uselessly into the wood of the chair. Hot tears spill down your face, mixing with blood, dripping off your chin in thick, dark drops.
The camera’s red light blinks again.
Once.
Twice.
It taunts you by matching every sound that breaks out of you.
Every gasped sob, every wet, hitching breath. The camera’s red light blinks in time with your chest, like it’s learned your rhythm, like it’s decided to breathe with you instead of for you.
And then the Joker comes back.
You smell him before you see him—iron-thick blood, old rust, sweat gone sour. His hands are slick, red to the wrist, fingers shining under the warehouse lights. The crowbar hangs loose in his grip, darker now, clotted, strands of hair caught cruelly in its curve.
He crouches in front of you, bringing himself eye-level, like he’s talking to a child.
“Well,” he hums thoughtfully. “I can’t give you her look, can I?”
Your vision swims. You can’t stop shaking. Tears slide down your face in hot, unstoppable streams, carving clean paths through blood and grime. Your mouth opens, but nothing coherent comes out—just a broken, animal sound that folds back in on itself.
His smile twitches.
“What should I do with you?” he asks softly. “Hm?”
You don’t answer. You can’t. You just cry harder, chest stuttering against the wire, throat raw and burning.
That seems to irritate him.
He clicks his tongue, disappointed, and lifts the crowbar. The cold metal taps against your cheek once—tap—just enough to make you flinch violently. He pauses, head tilting.
“Oh—”
His eyes light up.
“Oh yes, that’s wonderful! Oh—” He erupts into laughter, sudden and explosive, clutching his stomach as if the joke is too much to bear. Spit flies from his mouth, warm and disgusting as it lands in your hair, streaking through blood-matted strands. “Oh, isn’t my brain just splendid?”
He straightens, still laughing, wiping his eyes like he’s genuinely amused. “You bats are all poetry, I say—pure poetry!”
Then he turns.
Walks away.
His footsteps fade, echoing hollowly through the warehouse, until there’s only the hum of the lights, the distant crying behind you—and the camera.
You’re alone.
One last sob claws its way out of your throat, wet and choking. Blood follows it, dribbling down your chin, splashing darkly against your chest. You force your eyes open, drag them upward, lock them onto the camera.
You don’t know who’s watching. You don’t know if anyone is.
Your voice comes out steadier than it has any right to be.
“How—”
“Shut up!” someone whisper-yells behind you, frantic and terrified. “There’s other men!”
Your mouth snaps shut.
And the red light keeps blinking.
The metal door slams open with a shriek of abused hinges, the impact shuddering through the warehouse floor and straight up your spine. Dust rains down from the rafters in a thin, dirty veil, catching in your hair and sticking to the blood already drying there.
He’s laughing before you even see him.
Not distant laughter—close. Moving. Each step accompanied by a wet, dragging sound, like something heavy being pulled across concrete. His cackle ricochets off the shipping containers, off the steel beams, off the low ceiling that traps the sound and forces it back into your skull.
A little boy cries out behind you as Joker passes him. A sharp, panicked sound that fractures into a sob and then cuts off abruptly, like someone clamped a hand over his mouth.
The air grows hotter.
Through the warped reflection in the camera lens, you see it clearly now: a long metal bar burning red-hot, so bright it hurts to look at directly. Heat ripples distort the image around it, the glow painting the walls in feverish streaks of crimson. The smell hits you next—burning iron, scorched metal, something faintly organic beneath it that makes bile crawl up your throat.
Joker taps the brand against the concrete behind you.
It doesn’t clang.
It hisses.
The sound is sharp and alive, like meat on a skillet. Tiny sparks spit outward where it kisses the floor, leaving blackened scars in the cement. The red glow doesn’t dull. Doesn’t cool. It stays furious and bright, as if fed by something endless.
Whatever fragile hope you were clutching evaporates in that moment, leaving you hollowed out, lungs burning as you exhale something that feels like your last prayer.
He’s behind you in the next second.
Joker’s hand comes out of nowhere, clamping over your mouth, palm slick and hot. The copper taste floods you as his fingers press into your cheeks, nails digging in just enough to hurt—just enough to remind you that restraint is a choice he’s making. Your head is forced back, neck screaming as the wire saws deeper, the barbs biting into tender skin.
“Would you like to match your birdy?” he murmurs.
His voice is serene. Gentle. Almost affectionate.
He angles the brand around the arm of the chair so you can see it clearly. The letter is unmistakable now, its edges glowing white-hot, heat radiating off it in suffocating waves.
A ‘𝙹’.
Your body reacts before your mind can—your stomach convulses, gagging against his hand, breath stuttering uselessly through your nose. Your skin feels too tight, like it’s already shrinking away from what’s coming.
“We’re going to make the deal now,” he coos.
In the camera’s reflection, you can see his eye—wide, bright, utterly focused on the blinking red dot. Performing. Enjoying the audience if there even is one.
“You either get a matching look…” The brand drifts closer, close enough that the heat kisses your cheek, nerves screaming in anticipation, sweat instantly breaking out along your spine. “…or you tell me who you hate.”
His hand peels away from your mouth.
Air rushes in too fast. You choke on it, coughing hard enough that the wire grinds into your throat, pain blooming hot and blinding. Your voice comes out shredded. “Who… who I hate?”
“Who put you here?” he hums thoughtfully, as if the answer delights him. “It wasn’t me.”
The brand pauses, hovering inches from your skin. You can feel the heat burrowing inward, like it’s already memorizing you.
“Why do you think I found you?” he continues lightly. “Do you know how sloppy he is?”
Silence stretches, thick and oppressive.
You stare at the glowing red letter, your mind drifting somewhere distant and numb to survive. Absurdly, irrationally, you think of Jason’s helmet—the same violent red, the same defiant color. You wonder if he’s thinking of you right now. If he can feel this, somehow.
“Tell me who you hate.”
The words don’t just reach you—they enter you, heavy and cold, sinking past bone and settling somewhere deep and irreversible. They press the air flat, make the warehouse feel smaller, closer, like the walls are leaning in to listen.
He stands before you in all his wrongness, and up close there is nothing theatrical left. The Joker’s makeup has melted into something corpse-like, white cracked and flaking into the grooves of his face as though his skin is trying to shed it. The red smile is no longer a grin so much as a wound, smeared unevenly, darker where blood has mixed in, the corners dragged downward by age and use. His hair hangs limp, green dulled to the color of mold, clinging to his scalp in greasy strands. His eyes are too bright—glass-bright, feverish—never still, never soft, reflecting the warehouse lights like knives.
The space around you hums with misery. The concrete beneath your feet is slick with blood and oil, cold seeping up through the chair and into your bones. Shipping containers loom like coffins, their metal sides scarred and rusted, shadows pooled so thick between them it feels like something could step out at any moment. The air reeks—burnt iron, old sweat, copper, rot—and every breath feels like inhaling something alive and hostile.
You look at the camera.
That red eye blinks steadily, rhythmically, a heart that isn’t yours. It sees the way your chest shudders, the way your fingers twitch uselessly against the bindings, the way your body is already bracing for pain it knows is coming. Your thoughts drift, slow and exhausted, slipping through your hands like water you can’t quite hold.
You think of Jason.
Not the helmet. Not the blood. But his hands—warm, callused, careful when they touch you. The way he looks at you like the world might soften if you stay. The way he says your name like it’s something solid.
You could say his name now.
You could offer it up like a sacrifice and pray that this monster believes in deals, that you might walk out of here broken but breathing. You could lie and hope he lets you go.
Or you could say Jason’s name and watch Joker’s smile vanish as he switches off the camera and kills you quietly, preserving this horror to show your sweet boy later.
Or you could stay silent and take the brand—feel your skin burn, your body marked, watch the ecstasy bloom in Joker’s eyes as he claims you like an object he’s improved.
None of them feel survivable.
Something inside you twists—not courage, not bravery, but love sharpened into something desperate and ugly and defiant. You gather what spit you can in your blood-wet mouth and turn your head as far as the wire allows.
You spit in his face.
It lands wet and unmistakable, dragging a slow line through the cracked white paint, cutting through the red smile like an insult carved in flesh.
For a heartbeat, everything freezes.
The Joker goes utterly still, his expression emptying out in a way that is far more frightening than his laughter. Then his eyes widen, pupils dilating, fury flaring bright and feral—pleased.
You lean forward, neck screaming as the wire bites deeper, and you whisper because your voice will not survive being louder.
“You know,” you murmur, breath shaking despite everything you do to steady it, “he’s never mentioned you before.”
His breath stutters.
“You must not have left quite an impression.”
It’s a lie. A reckless, transparent lie.
You have lived in Gotham long enough to know exactly what he is—his name written in blood across the city’s history—but lies can still cut, and you see it land. You see the way his smile stretches wider, hungry and thrilled.
You’ve given him a reason.
A reason to prove himself.
A reason to keep you alive.
A reason to make you hurt longer.
His hand tangles in your hair and yanks your head back violently. Your neck slams into the barbed wire, spikes tearing in with a wet, intimate sound that makes you sob despite yourself. Warm blood spills down your throat, choking you, slicking your chest.
Then the brand descends.
The heat is indescribable—ancient, total, a pain so vast it consumes thought itself. Your flesh screams as it burns, the smell of seared skin rising thick and sweet, smoke curling upward as the letter is carved into you slowly, deliberately. Your body arches uselessly against the restraints, every nerve on fire, and the sound that leaves you is not a scream so much as something torn out of your soul.
You hate that he hears it. And when that drug denies you the void of sleep you so desperately need, you allow yourself to think numbly as the man pulls it away that at least Jason can't dwindle his appearance anymore.
Your tears stripe down your cheeks, burning as they touch your skin.
We match. You think numbly, Atleast we match.
He strokes over the brand with more delicacy than he has ever had in this whole nightmare, mumbling, “This is going to hurt you a lot more than it hurts me.”
When you wake again, it’s to the weight of tears landing on your face—warm, uneven drops that pull you out of the dark in slow, reluctant pieces. For a moment you don’t know where you are. The world rocks gently, like it can’t decide whether to keep moving or stop altogether. There’s the low hum of an engine beneath you, vibration traveling through bone and bruised muscle, and the smell of old leather surrounds you—worn, familiar, grounding in a way that makes your chest ache.
Leather is good.
Leather is not acid.
Leather does not burn your lungs on the way in.
“Hurts,” you mumble, the word barely surviving the journey out of your throat. You offer it up like an apology, like a peace offering, half-expecting pain to answer you back.
Instead, the crying breaks harder.
It comes undone above you, raw and ugly, and through the haze you realize you aren’t lying flat on concrete, waiting for the Joker to press a cinder block to your stomach. Your body is stretched across someone, your legs draped over another set of knees, your weight distributed carefully, reverently, like something fragile that might shatter if shifted wrong.
An arm is braced beneath your neck, steady and strong, keeping your head from lolling, and your cheek presses into a leather jacket that smells unmistakably like gun oil, sweat, rain—
Jason.
The knowledge hits softer than it should, cushioned by exhaustion and shock, and when your eyes finally manage to open, everything swims. Light smears at the edges, colors bleeding into one another, but his face is there anyway, hovering close, carved with terror and relief and something so naked it almost scares you more than the warehouse did.
“Am I in heaven?” you mumble.
He lets out a sound that isn’t quite a sob and isn’t quite a laugh, choking on it as his chin trembles. “You don’t even believe in heaven.”
“Well,” you murmur, trying—and failing—to pull your mouth into something that resembles a smile, “what else could you be?”
Your jaw burns when you speak. Everything burns. It feels like your body has been filled with broken glass and lit from the inside, and you’re dimly aware of warm liquid slipping from your mouth, darkening the leather beneath your cheek every time you breathe wrong. You hate that you’re staining him. You hate that you can’t stop.
“I’ll kill him,” Jason whispers, like a prayer he’s been holding onto with both hands. His fingers shake as they brush your hair back, careful to avoid places he knows are hurt. “I’ll kill him. I promise.”
“Can I have hot chocolate first?” you mumble. The words feel distant, like they belong to someone else. “I bought that expensive kind… from Finland. Asshole knocked it all over my carpet…”
Jason’s breath fractures completely at that. He nods too hard, tears spilling freely now, dropping onto your cheeks, your neck, your collarbone. “Yeah. Yeah, I’ll buy you hot chocolate. I’ll buy you all of it.”
Somewhere near your feet, another voice cuts in, low and strained with concern. “Hey, Jay—breathe—”
Jason doesn’t hear them. Or maybe he does and simply can’t afford to listen. His chest is rising too fast beneath you, breaths sawing in and out like he’s drowning on dry land, his eyes glassy and unfocused, the green in them shifting with every frantic blink.
Or maybe that’s just your vision still failing you. That would make sense. The powder. The smoke. The way light hurts now.
“Stop crying,” you murmur weakly. “I can’t die with you looking like that.”
That breaks him.
His face crumples completely, grief spilling over into something fierce and desperate as he bends closer, forehead almost touching yours. “Good,” he chokes. “Fuck you. I’ll cry even more, so–so stay with me, yeah?”
“No,” you whisper, your voice scraping raw against your throat. “Wanna sleep.”
“You slept an awful lot,” he snaps, but there’s no anger in it—only terror wearing sharp edges, only love clawing its way out however it can.
“Well,” you murmur, your voice thin but soft, like you’re afraid of startling him, “You show up in my dreams an awful lot.”
That does it.
Whatever fragile control Jason had left fractures clean through. He folds over you instinctively, shoulders caving as he tries—fails—to hide the sound of it. His breath comes apart against your hair, his forehead dipping close to your temple like if he presses himself near enough, he can keep you here by force alone. You feel the tremor of him through your whole body, every hitch of his chest echoing in your ribs.
You smell blood on him then. Copper and iron, sharp beneath the leather and sweat and rain. For a distant, numb second you think it’s yours again—until the scent is too heavy, too layered.
Oh.
Was this—
“Did I interrupt family bonding?” you whisper.
Your lips barely move. The words slip out half-asleep, half-dreaming, and they earn you a startled huff from somewhere behind you. Jason doesn’t answer. He can’t. His arms tighten instead, one hand splayed carefully at your back like he’s afraid even breathing too hard might hurt you more.
A voice comes from the seat behind, dry and unimpressed, because Jason is currently incapable of speech and whoever has your legs resting in their lap is rubbing slow, grounding circles into his back.
“If this is what you think family bonding is, you’ll fit right in.”
“Damian, be quiet,” another voice snaps.
“She’s the one shamelessly flirting with him in front of all of us, Tim” Damian continues anyway, undeterred. “And Father isn’t even saying anything, so—”
“Well she’s the one dying!” Tim blurts, voice cracking sharp with fear.
Jason chokes on the words that come from Tim’s mouth, breath stuttering hard, and a deeper voice cuts in from the front seat—controlled, measured, holding itself together by sheer will.
“She’s not going to die, Tim.”
“I want hoya bellas on my grave,” you interrupt softly.
Jason lets out a broken sound that might have been a laugh in another universe. He shakes his head over you, forehead brushing your hair, and through your blurry vision you think you catch a gloved hand popping up behind him in a solemn thumbs-up.
“Got it.”
Another voice joins in from the front, exasperated and strained. “Cassandra, she’s not being serious.”
“I’m sorry,” Jason whispers, over and over, like a mantra, like something he’s trying to carve into reality. “I’m sorry. I’m sorry.” His thumb strokes your hair away from your forehead again, impossibly gentle, avoiding the places he knows hurt, the places he doesn’t want to know at all.
“I’m gonna sleep now,” you murmur. It takes effort to shape the words. The dark is getting heavier again, tugging at you, warm and deep. “Can one of you give Jason water?”
“Hey—” Jason breathes, panic flaring sharp as his voice cracks. “Hey, no—no, no, no, stay with me, come on—”
But you’re already slipping.
Your eyes flutter closed despite him, despite the warmth of his arms, despite the way his heart is racing beneath your ear like it’s trying to outrun fate itself. His glove comes off hurriedly and you feel his bare fingers press to your pulse, grounding himself in the steady beat there, in the fact that it’s still happening.
After a few minutes, Dick leans forward and taps Jason’s shoulder gently, offering a water bottle. His uniform is torn and scorched like the rest of them, a thin cut bright against his cheek, but his voice is soft when he speaks.
“Drink.”
Jason doesn’t look up. He doesn’t let go. He just nods once, tight and shaky, eyes fixed on you like if he looks away for even a second, the world might take you again.
He forces himself to take a full gulp of water, the plastic bottle crinkling loudly in the too-quiet car, his throat working like it has to remember how swallowing goes. His hands are still shaking when he passes it off to Tim.
“Hey, I don’t need any—”
Jason looks at him.
Not sharp. Not angry. Just steady in a way that leaves no room for argument, the kind of look that says do this or I will fall apart next.
Tim takes a long swig immediately. Somewhere in the background, Damian lets out a low, satisfied cackle.
The digital clock on the Batmobile reads 4:00 a.m.
The numbers glow cold blue against the dark interior, reflected faintly in the windshield like a second set of eyes staring back at them. Gotham outside is hollow and half-dead at this hour—streetlights flickering, rain-slick asphalt stretching endlessly, buildings slumped together like they’re exhausted too.
Bruce’s voice is calm as he calls Alfred, clipped and precise, already listing supplies like this is something he can control if he names enough of it out loud.
Jason doesn’t listen.
He keeps his focus on you.
On the shallow rise and fall of your chest. The warmth is still clinging stubbornly to your skin. On the way your weight settles into him like it belongs there, like it always has. One hand stays firm at your neck, holding you upright because you need it—because you need him steady, and that knowledge anchors him harder than anything Bruce could ever say.
You need him here. You need him present. You need him not to break.
He knows that, because once—once—that was all he ever wanted too.
And that’s the cruel part of it.
Because the weight of you in his arms has only ever meant safety. Home. Sleep curling warm and heavy in his bones. His body doesn’t know the difference between holding you safe and finally being allowed to rest.
Jason Todd passes out with his forehead dipping gently toward yours, his grip loosening only by a fraction, like even unconscious he’s afraid to let you go.
The last thing he hears before everything goes dark is Tim’s voice, sharp with panic and disbelief.
“Dude—what the fuck—”
“Hold his head up—don’t let him fall on her!” Bruce barks from the front, voice cracking sharp through the Batmobile like a snapped cable.
All at once, everyone moves.
Damian fists the back of Jason’s T‑shirt, knuckles white as he yanks him upright with a strength born of panic he’d never admit to. Dick stretches impossibly from the passenger seat, arm braced awkwardly as he cups the back of Jason’s head, careful, reverent, like he’s afraid one wrong angle will shatter him. Tim presses a steadying hand to Jason’s chest, feeling the uneven rise and fall beneath his palm, grounding him the way he’s learned to do with bombs and brothers alike.
Jason is dead weight. Heavy. Still clinging to you even in unconsciousness, his arm slack but stubborn around your shoulders, like muscle memory alone refuses to let you go.
The Batmobile hums on, tires slicing through wet streets, Gotham blurring past in streaks of sodium light and rain-slick concrete. The city feels distant now, muffled, like it’s holding its breath with them.
“…Did someone check if the Joker was—uh—breathing?” Stephanie asks from the back, her voice small in a way it rarely ever is.
She hadn’t stayed for the end. Her job had been triage—getting the kids out, shouting orders, dragging civilians through blood and broken glass while the rest of them stayed behind in the warehouse with the laughter and the screaming. She’d smelled the aftermath on them when they regrouped. She didn’t need details then but...
Bruce doesn’t look back. His hands tighten on the wheel.
“Jason didn’t hit any vital points,” he says quietly, like he’s reciting a report he’s already memorized. “Just… ah—”
“Carved his face like a jack‑o’‑lantern,” Damian supplies, entirely too calm. “Heated up a crowbar to do it too. Very effective.”
There’s a beat of silence.
The city lights flash over Bruce’s face—old stone and deep eyes that are hollowed by relief he doesn’t let himself feel yet.
“…Yeah,” Bruce exhales, short and rough. “That.”
The Batmobile keeps moving.
Jason breathes.
You breathe.
And for now, that’s enough to keep the night from swallowing them whole.
You wake up in bed.
Not the thin, borrowed kind your body has learned to tolerate at your apartment, but something deep and indulgent—clean sheets tucked tight, the mattress yielding just enough to cradle you instead of swallowing you whole. The pillow beneath your cheek feels stupidly expensive, cool and smooth, smelling faintly of detergent and something old and comforting, like cedar and money and quiet hallways that echo.
For a moment, you think you’re dreaming again.
Then you feel him.
Jason is asleep beside you, solid and unmistakable. You don’t need to move—you can’t really anyways—to know it’s him. The arm wrapped around your waist is heavy with familiar strength, protective even in unconsciousness. His hair brushes against your arm every time he breathes, soft, tickling your skin in a way that makes your chest ache.
He’s breathing.
That fact alone nearly undoes you.
God. You really need to raise your standards, you think hazily. You’re reduced to this—listening to him breathe, feeling the slow rise and fall of his chest, and already you want to curl into him and coo like nothing in the world has ever gone wrong.
Then you see Bruce.
He’s standing near the bed, still as a statue, watching you with the careful intensity of someone afraid to spook a wild animal. It takes effort to focus on his face, your vision dragging itself into clarity inch by inch.
When you try to lift your head—manners resurfacing before sense—your body protests sharply.
Bruce moves instantly.
“Hey, hey—no,” he murmurs, hands gentle but firm as he presses you back into the mattress. “Relax. It’s okay. You’re safe.”
Your head sinks back into the pillow, and the moment stretches. You swallow thickly before managing a small, hoarse sound of politeness.
“Nice to meet you, Mr. Wayne. Jason—”
“Hasn’t told you much about me,” Bruce finishes for you, a faint, tired chuckle slipping out. “That’s alright. I just need you to sleep right now.”
You glance downward as best you can, feeling something sharp dig into your side.
“…I can’t sleep if your son’s elbow is in my ribs.”
Bruce blinks.
Actually blinks—surprised enough that it breaks through the carefully assembled calm. “Ah—” he starts, then reaches for Jason, trying to rearrange him with the same precision he uses on everything else.
It doesn’t work.
Jason huffs in his sleep, a low, irritated sound, and somehow manages to make it worse—his arm tightening, his leg hooking over yours possessively, like you’re something he’s afraid the world might steal back if he lets go.
Bruce freezes.
You mumble, exhausted but soft, “It’s alright. I’m sure he hasn’t slept… I’ve gotten quite a lot, so…”
Bruce looks like he wants to argue. His jaw tightens, then loosens, the fight draining out of him. He exhales and sits back in the chair by the bed, elbows on his knees, hands clasped tightly together.
“It’s the 26th,” he says quietly.
Oh.
You missed Christmas.
What a shame.
After a moment, Bruce speaks again, and his voice is heavier now—careful, deliberate, like every word costs him something.
“I… want to apologize to you.” His fingers interlace, knuckles whitening. “I knew you’d been taken. And I didn’t tell him. Possibly… he could have been there sooner. But I needed to make sure the others would be saved as well.”
“Well,” you murmur, the word barely more than breath, “I don’t exactly blame you for that.”
It isn’t forgiveness exactly—nothing so grand—but it’s honest, and it lands heavier than anger ever could.
Bruce doesn’t relax. If anything, his shoulders pull tighter, like he’s bracing for a blow that never quite comes. He’s spent his whole life learning how to de‑escalate men with guns, gods with vendettas, cities with teeth—but you unsettle him in a quieter, more dangerous way. You’re calm. You’re lucid. You’re something Jason had threatened to shoot himself for.
He clears his throat, trying to give you something solid, something measurable. Facts are safer.
“Jason… got him,” Bruce says carefully. “Badly. I think—” He hesitates, eyes flicking once toward Jason like he’s checking for movement. “I think the Joker may be blind now. Or at least permanently impaired.”
“You let him?” you ask.
Still no accusation. Just a soft, stunned curiosity, as if you’re piecing together a story you were never meant to survive.
Bruce nods. Once. The motion costs him. “I did,” he admits. “But I—”
“Then that’s enough,” you whisper, interrupting him gently, like you’re afraid the words themselves might hurt. “Jason will realize that too.” Your lashes flutter; exhaustion tugs at you like a tide. “I mean… he probably won’t. He’ll still try to kill him.” A faint, crooked exhale. “But you did everything you could yesterday.”
Your gaze drifts—not to Bruce, but to Jason. To the way his arm is still locked around you, even in sleep. To the stubborn set of his jaw, the crease between his brows that never fully smooths out anymore.
“Thank you,” you add quietly. “For finding me.”
That’s when Bruce goes still.
Not rigid. Not defensive.
Still.
Because he’s been looking at you, yes—but now you realize he hasn't been looking you in the eye while he speaks. His eyes have been caught in one place, drawn there again and again like a bruise you can’t help but press.
Your cheek.
The skin there is angry beneath the bandage’s edge—raw, faintly swollen, discolored in a way he winced at while he bandaged it. Bruce didn't let anyone else tend to it, not even Alfred.
Because this was a wound he inflicted, one that he needed to tend to.
“It’s still fresh,” he says, softer now, stripped of the Bat and the rules and the fear. Just a man speaking carefully around something fragile. “I’ll get you better medicine. The pigment should fade.” A pause. His voice lowers. “I can’t promise about the texture.”
You don’t look away. You don’t flinch.
“That’s okay,” you say.
And Bruce doesn’t know if you mean the scar, or the pain, or the fact that you’ll carry this forever—but Jason shifts in his sleep then, brow tightening, arm drawing you closer like he sensed the weight of the moment and refused to let it settle on you alone.
Bruce watches that. Watches how Jason anchors himself to you without waking, how his breathing steadies when yours does, how it pauses even in sleep when yours hitches.
“He loves you a lot.” Bruce mumbles.
“...And you too Mr.Wayne.”
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oh im sick….. this is so ??!! best xmas gift ever thank u tumblr user shisuni
ᯓ➤ paint me like your remembering me⋆˚࿔🎨 ˚⊹
← ʙᴀᴄᴋ. ⋮ ⌞ dick grayson ✘ artist! reader ⌝ .ᐟ .ᐟ
ᨳ includes ⋮ domestic fluff, established relationship, non-sexual nudity, you paint him, dick being a lil shi, wally west mention
“Stop laughing—”
The protest dissolves before it ever finds its footing, cut cleanly in half by another burst of Dick’s giggles. They’re bright and unrepentant, the kind that bubble up from his chest and spill everywhere, leaving you defenseless in their wake.
“Babe,” he hums, words lazy and amused as he tips his head back against the arm of the loveseat, feet kicking once in the air like he can’t quite contain himself. “Is this blanket supposed to be, like, one of those fancy fur coats models wear?”
You don’t answer right away. You’re too busy fumbling with the paper in your hands — thick, expensive stock Dick insisted on because presentation matters, even if the only audience is the two of you. You try to pin it straight against the board, but your focus keeps slipping, dragged inexorably back to him.
Because there he is.
Dick, stretched out on your old loveseat, utterly unbothered by the fact that it creaks faintly beneath him, or that the fire crackling nearby has left a sheen of warmth on his skin. He’s flushed — maybe from the heat, maybe from the way your attention keeps snagging on him when he notices — and the effect is devastatingly human. Too real. Too close.
The white, impossibly soft blanket is draped over him with careless intention, pooled across his middle and tucked between his legs, rising just enough to brush beneath his cheek where his arms are folded. It looks less like modesty and more like a promise of comfort, a domestic afterthought meant for someone who belongs here.
The firelight paints him in soft golds and shadows, turning the room into something smaller, quieter—a place where laughter lingers and time forgets to move. And you think, distantly, that you are never going to get any work done tonight.
Not with him teasing you like that.
“Pick a pose and stay still,” you huff, the words meant to sound firm but slipping out far too gentle, far too shy. Whatever authority you intended evaporates on contact, and Dick’s smile only grows, slow and knowing.
He tilts his head, cheek pressing deeper into the white fur of the blanket as if testing just how comfortable he can get away with being. Firelight dances in his eyes, all mischief and warmth, a quiet challenge wrapped in affection.
“How about you come over here,” he murmurs, voice low and coaxing, lashes fluttering as he looks up at you–completely on purpose you're sure, “and pick one for me?”
You nearly stick your thumb on one of the pins.
It happens so fast it’s almost comical—your hand jerking back, fingers flailing as you attempt to catch it midair like some kind of overanimated cartoon character. The pin clatters to the floor anyway, skidding just out of reach.
Dick loses it.
He laughs in that unguarded, boyish way you haven’t heard in a while—loud, bright, completely helpless. It pours out of him as he watches you crouch down a second later, fumbling for the pin with an indignant little huff. His shoulders shake, head tipping back as if the sight alone has undone him.
It truly isn’t that funny.
And yet he’s still cackling like a madman by the time you finally get the paper pinned straight, turning away from you to bury his face into the cushions as if that might spare you the embarrassment. As if hiding his laughter somehow makes it kinder.
You don’t say a word when you walk over to him.
Not a sound. Not a sigh. Just quiet footsteps across the floor — close enough, eventually, that he can smell you. That’s when it seems to register. The laughter dies off mid-breath, replaced by a soft, startled stillness as he turns and looks up at you.
Shy again.
It suits him too much.
Up close, the evidence of patrol is impossible to ignore. The careful bandages you’d wrapped around his thighs and abdomen peek out from beneath the blanket, clean but still new. There’s a small cut on his cheek, already starting to scab, and bruising blooming dark and violet along his ribs and wrists—marks you catalogued earlier with quiet frustration and practiced care.
You’d been insistent. No arguments. He was resting for the rest of the night.
A warm bath where you washed him gently, steam curling around the two of you. Clean clothes. Bed. Sleep.
And that was exactly what you did.
Except—Dick has always had this need to give something back. To prove he’s okay. To prove he’s still himself. And for once, reluctantly, you’d agreed.
Because when he looks at you like this—soft, flushed, wrapped in warmth and trust—how could you possibly resist?
He looks up at you with those wide blue eyes—the kind of blue you’ve never been able to name. It’s like the color shifts on him, reshaping itself to fit the moment. Years ago, they were lighter, softer. Now they’re deeper, richer—a shade so complex you know you’d never be able to mix it right on a palette, no matter how long you tried.
You force yourself to look away before you get lost in them.
Two fingers catch the edge of the blanket, tugging at it gently, almost hesitant. “We…” You clear your throat, steadying yourself. “We can get rid of this, yeah?”
Dick glances down at the blanket, then back up at you. The flush on his cheeks deepens, red blooming warmer and more vivid like it’s been invited. He feels a little ridiculous—you’ve seen him bare more times than either of you could count. There’s nothing unfamiliar about this, nothing new about intimacy between you. And it’s not that he thinks himself unattractive.
It’s just—
Everything you touch, everything you make space for, feels beautiful.
And standing there under your gaze, wrapped in quiet and firelight and trust, he suddenly feels like something fragile you’re choosing to keep.
“I thought the fancy ladies you paint usually have fabric on them,” Dick mumbles, voice deliberately casual—an attempt at absentmindedness that doesn’t quite land. You can hear the nerves tucked beneath it, the way he’s trying to sound unaffected and failing beautifully.
“They do,” you hum in response, the answer easy, unguarded. Your mind flickers briefly through memories of past portraits—soft curves, veiled faces, fabric that emphasizes rather than hides. “But that fabric was mostly for anonymity. For the auction. For the sale.”
You glance back at him then, letting the words settle before adding, quieter but certain, “I’m not selling you. You’re mine.”
The difference is everywhere, really.
It’s why you’re using thick stock paper instead of canvas. Why you reached for a simple paint set instead of the carefully curated tubes you usually line up with near-reverence. Dick has watched you work before—watched the way you disappear into it, how precise and serious you become. Those are the moments when even he goes quiet, limiting himself to soft questions and half-formed jokes, like he doesn’t want to disturb something sacred.
But that isn’t what you want tonight.
Tonight, you want him relaxed. Warm. Talking. Laughing. You want his voice filling the room, not hushed by awe or caution. So you make this different— ighter, looser—stripping the ritual away until it’s just you, him, firelight, and the simple act of looking at someone you love and choosing to see them fully.
Dick nods after a moment, small and deliberate, giving permission without needing to say it out loud. He lets the blanket slip from his body as you take it from him, your movements careful, unhurried. You fold the fabric neatly in your hands, but your eyes never leave him—tracing familiar lines as if you’re memorizing them all over again.
He’s revealed the same way he always is with you: gently. Without spectacle. Without fear.
Firelight skims over his skin, catching on every curve and bruise and quiet strength he carries so effortlessly. The marks of patrol don’t detract from him—they only make him more real, more him. Someone lived-in. Someone loved.
The thought hits you all at once, sharp and tender.
You could paint him a thousand times and still not get it right. Still feel the ache to try again. To beg the world—or whatever higher gods that listen—to let him be made by your hands once more, just so you could relearn him from the beginning.
You set the blanket aside and step back just enough to give yourself room to breathe—to look—even though every instinct pulls you closer instead. You move back to where you set up your supplies, a mere five feet away from his spot on the love seat.
You take your time, a red watercolor pencil poised between your fingers. You let yourself feel its familiar weight, the way it anchors you, steadies the swell of feeling threatening to crest too high, too fast.
Dick stays still.
Not rigid—just there. Shoulders loose, chin angled ever so slightly, like he’s waiting for guidance he already trusts you to give. There’s something reverent in that kind of stillness. Something sacred in the way he offers it so freely. Dick watches you from beneath his lashes, expression open and soft, like the act of being seen by you is something he’s already accepted without fear.
“Whatever I want?” he murmurs, testing the edges of the moment.
“However you want,” you reply, voice just as quiet, just as sure.
That’s when he moves.
Dick adjusts his legs from the crossed pose he’s seen in so many paintings to something looser — one resting over the other, knees bent gently, a posture that feels less posed and like how he looks when he lazes around the apartment. Comfortable. Thoughtless.
Dick reaches for the blanket where you left it, bunching it lazily before tucking it beneath his head. One arm curls above it, cheek pressed into the fabric just enough that Dick can still look at you without lifting himself too much. The other hand stretches out in front of him, fingers brushing the seam of the loveseat like he’s grounding himself there.
The silence that follows isn’t awkward. It’s appreciative. The kind that settles only when someone feels safe enough to truly relax.
Dick coughs anyway, like he can’t help himself.
A cocky grin pulls at his mouth — undercut immediately by the warmth still blooming across his cheeks. “So,” he says lightly, “can you make my cock look a little bigger? You know. For when I show Wally.”
Your brows knit together as you glance up at him. “You are not showing Wally.”
He laughs, unbothered. “Why? He’s seen me change a million times. Probably seen me naked more than anyone besides you.”
You huff softly, rebalancing the pencil in your grip, grounding yourself again. “That’s how Wally sees you,” you say, calm but firm. “This is how I see you. He doesn’t get to see that.”
There’s a beat.
Then, barely under his breath — low, amused, unmistakably pleased — Dick murmurs, “Possessive.”
You don’t look up.
But you don’t deny it either.
The first brushstroke is tentative.
Not because you don’t know what you’re doing — you do — but because the act of beginning feels intimate in a way that has nothing to do with skin. You map him gently, translating warmth and life into a shape you can understand, letting the firelight guide your hand. Every line feels like a conversation you’ve had before, one you never get tired of repeating.
Dick exhales slowly, a quiet sound, barely there. His mouth quirks when he realizes you’ve started, that your blushing and a smile tugs at the corner of his lips like he can’t quite help it.
“Going good?” he asks, voice low, careful not to break whatever this is.
You hum in response, eyes never leaving the page. “Perfect,” you murmur, and you mean more than just the pose.
The room settles into a comfortable rhythm—the soft scratch of brush on paper, the crackle of the fire, Dick’s breathing evening out as the minutes pass. He shifts once, barely perceptible, then stills again when you glance up at him, his expression sheepish and apologetic.
“Sorry,” Dick whispers.
You smile without looking. “You’re doing great.”
And he is. Not because he’s still, or beautiful, or patient — but because he’s here. Because he lets himself be seen.
“It must be weird,” he murmurs, filling the quiet again like he always does. His legs have started to cool where they’re furthest from the fireplace, skin tightening just a little — and yet, every time you so much as glance his way, he feels warm again. Like attention alone is enough to carry heat.
“What must be weird?” you ask without looking up.
“You usually draw women,” Dick says, casual on the surface, conversational in the way people get when they’re trying not to sound like something matters.
“No,” you shrug, absentminded, pencil moving with quiet confidence. “I’m comfortable drawing men too.”
The change in him is immediate.
His body goes rigid—not with tension exactly, but alertness—a stiffness even the steady warmth of the fire can’t quite reach.
It took you five weeks to say you were comfortable drawing cars.
Three weeks to say the same about dogs—even after Damian pointed out, as nice as he could sound, that your anatomy for them was always flawless.
So if you’re comfortable drawing men…
Dick’s thoughts spiral despite himself. Who were they? Were they models? Were they unclothed? Not that he’d get bitchy about it—he’s not like that—but he’d at least prefer to be there if you were alone in a studio with another man's naked body. And why wouldn’t you show him the paintings? You always show him the paintings. That’s suspicious, right? Not that he’s accusing you of anything. He’s just—
“I drew you all the time when you were Robin,” you say softly.
The shyness in your voice gives you away before the words do. You lift the board just enough to hide behind it, pretending very hard to adjust your grip, to check a line that doesn’t need checking.
Dick stills.
Oh.
The tension drains out of him all at once, replaced by something warmer—heavier like a blanket instead of a ache—something that settles in his chest and makes it ache just a little. He doesn’t laugh. Doesn’t tease. He never even knew you drew him before. He just lies there, quiet, letting the meaning of it sit with him.
You weren’t learning with every stroke.
You were remembering him.
“…Can I see them later?” Dick whispers after a moment.
The question is careful. Earnest. Like he already knows the answer but hopes tone alone might sway you.
“Absolutely not.”
The word lands clean and final.
“But babe—”
Dick pouts immediately, shifting as if to sit up — only to yelp softly when an eraser bounces off his shoulder and lands uselessly beside him.
“Don’t babe me,” you snap, though it lacks any real bite. Your voice wobbles just enough to betray you, and he catches it instantly.
He collapses back onto the loveseat with a grin, defeated but pleased, eyes bright and affectionate. There’s something smug in the way he settles again, like he’s already filed this away as a victory for later—not because he’ll ever see the drawings, but because the refusal itself feels intimate.
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oh my gosh this is so perfect
Theo is half Italian—not through his father’s lineage, but through his mother’s, which makes it all the more sacred to him. It’s not just a matter of heritage or origin; it’s a lifeline to the part of his soul that still aches for her. She was the warmth in every childhood memory, the scent of rosemary and sun-warmed stone, the sound of lullabies sung softly in Italian as he drifted to sleep. After she passed, returning to her hometown in Italy became more than a tradition—it became a pilgrimage. For him, going back isn’t just about nostalgia—it’s his form of closure, the only way he knows how to keep her alive in the spaces she once touched. It’s his ritual of remembrance, his quiet rebellion against forgetting. Because even though she’s gone, in Italy, she still exists—in the walls, in the people, in the language. And through that connection, he can still feel her love like a pulse beneath the surface of it all.

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"Please, don't leave"
But it's Theodore Nott horrified at his own anger, the one he's gotten from his father. The anger that has him growing horns and fangs that bury deep into the flesh, claws that rip everything apart.
It's Theodore Nott scared that even the most marginal bit of anger will turn him into a monster like his father was and begging you to please see past it, see him as you always have because if you of all people stop seeing him, was he ever capable of being anything more than a rotten clump of evil and dark?
And so against his better judgment, he sinks to his knees and holds onto you for dear life, begging and babbling through his tears asking you to please not leave him, he doesn't know what to do if the only person who's made him feel remotely human were to leave.
And you can't help but cry at the sight of the boy who thinks his anger makes him a monster, the boy who thinks any sort of reaction or emotion means he's like his father, damned to hurt anyone he loves.
Therefore you just pull him up and take his hand, hugging him tightly as you comfort him, reminding him that while his anger might be scary to him, he isn't scary, he isn't monstrous and he isn't bad. He asks you if you'll leave, and you reply asking him if he wants some space. He can only shake his head in silence, his hands tightening around you like you're his anchor in the raging storm. His voice is hoarse when he asks you to stay the night, stay by his side because he can't bear waking up to see you gone like everyone else.
And that night, you don't leave. Not even when night turns into morning, or when evening comes around. You stay by his side, steady and calm and he thinks that maybe, just maybe, he isn't a monster after all.
— 𝐥𝐨𝐯𝐞, 𝐭. (𝐩𝐚𝐫𝐭 𝐢)
chapter summary: there’s a new coffee shop that has just opened on the street next to yours, and after a long day of work, you wonder if their cappuccino holds up. turns out, it’s not just their cappucino, but also a cute italian barista.
pairing: barista!theo x reader
cw: modern!au, muggle!au, cliché fluff, cursing, barista!pansy
wc: 2.4k
a/n: the first part of this cutie, for all my fluff lovers!! there’s not gonna be anything difficult happening, no moral conflicts, no grey areas, nothing. just pure, raw, unadulterated cuteness. enjoy <3 no taglist!
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The wind was biting, tingling your cheeks as you hurried along the street, pulling the collar of your coat up in a rather futile attempt to shield yourself from the wrath of the quiet beast that was British November. A curse after curse towards yourself was swirling in your head over and over again for not bothering to properly check the location of your rented apartment a year ago. If you had half a brain to do that, you would’ve noticed its unacceptably large distance from the nearest bus stops and underground stations. Even worse, the area was devoid of any type of coziness, leaving you to stroll between the dark walls of brick and glass along with similarly sullen people unwilling to meet your eyes with theirs.
A quivering flicker of warmth caught your eye when you dared to look up from the dampened pavement underneath your feet, just to be met with a chilly gust of air making your eyes water. Through the blur you could distinguish the warmth getting closer and closer, until you were standing right underneath several strings of fairy lights forming sparkling bridges between the trees to you left and the building to your right.
Toasted & Roasted.
Your eyebrow twitched up in surprise at the unfamiliar sign, the lightness of it contrasting so harshly against the bleak background of your area of residence. Your gaze travelled lower, noting the glimpses of the cozy exterior visible through the panoramic windows and a similarly tall glass door. A hot cup of coffee sounded delightful right now, plus, it had been a while since something good appeared anywhere in your vicinity. Without thinking twice, your body turned right, your feet already making swift steps towards the most inviting door you’d seen in a while. In a few seconds that lasted an eternity, the door shut out the cold and the slowly but surely commencing drizzle, and you were finally enveloped by delicious scents of coffee and pastries and mellow music streaming through the homely space around you.
The bar counter was straight across from the entrance, with the usual menu on the wall above it. You made a beeline towards it, taking off the beanie warming your head up until now and untangling the mess of knots that was your scarf, hastily wrapped around your neck about an hour ago. Your curious eyes were skimming the menu and the see-through display with different cakes and pastries teasing your senses when you heard a voice coming from behind the counter.
“Welcome to Roasted & Toasted, how can I help you to–”
A head of brown curls emerged from behind the cash register. The seemingly confident voice trailed off at the last word, widened ocean eyes fixed on your face, lips parted and sucking in a silent but sharp breath.
“–day.”
The ending came out in a breath. A noticeable Italian accent registered in your brain, and you filed away this thought to remember later, for reasons you couldn’t quite grasp yet. The guy behind the counter straightened up, running a hand through his messily pristine hair that fell onto his forehead despite the effort, and flashed you a wide charming smile, a stark difference from the shock written on his face just a few seconds ago (to which you were completely oblivious).
“It’s on the house,” he blurted out before you even had the chance to speak, with the confidence of someone who had just had the whole world laid at his feet. “Your order’s on the house,” he repeated, as if he liked the way the words rolled off his tongue and was proud of himself for saying it.
“Um…”
You hummed to compensate for your lack of proper response – it was the first time you were bombarded with a free drink right after walking into a new coffee place, and before you could even place the order.
“You have a special offer?” you prompted, trying to make sense of the sudden generosity. The guy’s smile widened, making the corners and the underside of his eyes burst into crinkles that you found adorable way too fast for having seen him for the first time.
“We do,” he answered a bit too quickly, which, again, completely went over your head. “Special offers for special clients,” he added with a wink, which made you bite the inside of your cheek to stop your mouth from producing uncontrollable giggles, already born deep in your chest and making their way up your throat. You were certain you hadn’t seen any special offer promos on the outside, which could only mean one thing – you had just become a subject of rather shameless flirting.
“Well, that’s… good.” You cleared your throat, still coming to terms with the fact that the cute barista had just flirted with you. At the back of your mind, there was knowledge that you had to make an order, but words seemed to escape you for the moment, so you decided to busy yourself with looking through the menu above the counter again.
The guy followed your gaze and a smirk appeared on his lips, one that could easily be mistaken for a simple smile if you didn’t look close enough. “Fancy anything?” he asked, raising his eyebrow just a bit in a politely curious manner, though there was something behind the watercolour of his eyes that you couldn’t quite name – or couldn’t make sense of yet. “We have the pumpkin spice, the autumn classic,” he started, his smirk widening at the sight of your eyes intently fixed on his. “But I’d personally suggest a lavender latte as your first “Roasted & Toasted” experience.”
You completely missed every single word that the guy said, entranced by the sound of his voice – you didn’t know voices like that even existed. When the last syllable came out of his mouth, you shook your head, feeling heat treacherously creeping up your cheeks at the realization that you had zero idea what he had just said.
“I, um… I’ll just have a cappuccino.” You gave him a smile that you tried to make look as far from sheepish as possible. Your usual order seemed like a pretty safe option in your slightly dazed state. “No sugar, salted caramel syrup, please.”
A low chuckle in the guy’s voice sounded like music, another detail you duly noted and stored in a totally new folder in your brain with “cute Italian barista” as a title. Why it was there was a question you had no answer to and frankly, didn’t want to busy your mind with. It was occupied enough with staring him down as his lips formed words you didn’t understand.
"Tsk, tsk, tsk. A cappuccino this late in the day," he tutted, his tone coming out as a soft scold. You didn’t get it at first, but the heat in your cheeks increased in temperature, even though you tried to keep a distant yet polite exterior appropriate for the barista-client interaction. It was getting increasingly hard, though, with the way the guy’s eyes were scanning your face. "You English lot have it that bad, huh?"
"Uh… I guess."
You gave him a small shrug, trying your best to hide your flustered state. Noticing it nonetheless, the barista chuckled once more and his smirk finally softened.
"Sorry, just my Italian blood," he explained, looking down at the counter and shaking his head, the tiny action making the his curls bounce from side to side. Then, he glanced up again, his lashes almost hiding his magnetizing eyes from view, which you found endearing and slightly annoying at the same time. "You’re making me commit a deadly sin, I hope you know that."
You couldn’t help a giggle of your own this time, confusion slowly making way for a strange feeling of giddiness.
"Noted," you answered, tilting you head to the side a bit as you continued studying the wonder that was the guy behind the counter. "Won’t repeat the mistake again. Don’t want you indulging in blasphemy…" You took a quick look at the badge on his uniform apron. "…Theodore."
If you were attentive enough, you would see a slight bob of his Adam’s apple right after you called out his name. He quickly schooled himself back into the charming smile he was sporting, a nod of his head serving as a sign of his acknowledgment.
"No, no, it’s fine,” he reassured you in a playful manner. "Like I said, a special offer for a special client." Another wink made your heart do a leap, the bounds of your chest suddenly seeming too restrictive. "And it’s Theo, alright? Theodore makes me feel like a grandpa."
"Alright, Theo."
The name seemed a pleasant hum on your lips, which Theo himself seemed to agree with, if his content smile was any indication.
"I assume you’re taking your coffee here," he noted, briefly glancing at the window behind you. Outside, the drizzle intensified, turning into a full-on shower rattling against the ground and seeping through the soft sound of music inside the coffee shop.
"You would be correct," you confirmed, also taking a look behind your shoulder and realizing that the weather was as horrible for being out in the street as it was perfect for a quiet hour inside, with a cup of coffee and a book to keep you occupied.
"Great. I just need your name now. For the order," Theo added in a hurry, as if he needed to clarify, which he quickly masked with a nonchalant smile. You didn’t put much significance into it, not in the mood to overthink, as it usually happened with your racing mind.
Theo scribbled down your name on a piece of paper and tucked the pen into the front pocket of his apron, smoothing it out.
"Be right up."
Your hand automatically reached for your card, but then you stilled it in the air, remembering the ‘on the house’ part. Giving Theo a slightly awkward nod, you made your way to a quaint table right next to the window, taking off your coat and settling into the plush chair.
"Nott? The fuck was that, huh?"
"Pansy, shut up for a damn second, will you?"
Theo rolled his eyes, fumbling with the buttons on the coffee machine to start up a cappuccino. His movements were precise, if not a bit tense, since the haze of his interaction dissipated, and he was left alone with his dear but annoying friend-turned-colleague. Pansy had been watching the whole thing from the small kitchen, hidden by the curtain, and as soon as you left for your table, she started on her relentless journey to tease the hell out of Theodore.
"I’m just being real here. You were making heart eyes at her." Pansy raised her eyebrow in mock amusement; while Theo’s flirty nature wasn’t a surprise for her, the way he was acting with you was certainly different from his usual getting-the-girl antics.
"Yeah, well, you’re just pissed you can’t hog all the pretty girls to yourself," Theo quipped, refusing to acknowledge the blush that was firmly set on his cheeks at the mention of his ‘heart eyes’ – he was all too aware that he was, in fact, making them, and he wasn’t doing a good job at hiding it, either.
Pansy let out a short chuckle, pushing herself off the doorframe to wipe the counter clean – just in case their annoying wench of a manager decided she had another problem with that.
"You’re not mad about… Jennifer? Juniper? Are you?" she asked, her voice obviously teasing. At that, Theo grumbled under his breath, something about her not even remembering the name, but there was no bite to his words. He already forgot all about the girl from earlier in the day that Pansy swooped in to charm; no, from now on he had a one track mind, and its destination was sitting so cozily next to the window, it made his heart beat faster at every stolen glance.
Theo tried to stop his hand from trembling while he worked on making your coffee as appealing as possible. Latte art on a cappuccino should’ve been easy enough, he’s had tons of practice both at work and at home, but for some reason, he needed to make yours especially beautiful. Pansy watched him with rapt attention, an amused smirk never leaving her lips.
"You’re really going all out, aren’t you?” she chimed in as Theo cursed when his hand swayed left, making an unwanted streak appear on the foamy surface. "Theodore Nott actually trying for a girl. Who would’ve thought."
"Shut. The hell. Up," he gritted through clenched teeth, his eyebrows furrowed in concentration as he created another elegant swirl, one he was rather pleased with. He leaned back to admire his creation – you should like it, there was no way you wouldn’t.
Your head snapped to the left when you heard your name being called in that voice you had grown to miss in the last few minutes, while Theo was busy making your coffee. A smile appeared on your face, as if your lips had a mind of their own, and so did your legs, if the skip in your steps on the way to the counter had anything to say about it.
"There you go. Salted caramel, no sugar."
Theo carefully placed a beige cup on top of the bar counter, dusting off his hands while watching you reaction with what he hoped was a casual expression. It wasn’t that in the slightest, and you would notice, if your own mind wasn’t preoccupied with trying to behave like a functioning human being and not a smitten teenage girl.
"You’re… quite talented," you commented on the coffee art, your efforts to keep yourself in check as futile as Theo’s. A wider smile was hurting your cheeks with the force it was threatening to escape with, and you gave up, allowing yourself to grin like an absolute idiot.
"I am quite talented with my hands, yes," Theo replied, immediately cursing himself for the double meaning he didn’t intend to bring into the conversation. His usual smoothness seemed to evade him in your presence, but the prettiest twinkle in your eyes and the way you looked to the side was a reward he wasn’t sure he deserved.
Theodore Nott was many things, and stupid wasn’t one of them. Until he met you, that is. Only when the door closed behind your back did he realize that he forgot to ask for your phone number. He ran a hand over his face, frustrated, mad at himself and left to pray to everything that was holy that you would pop by again.
first official theo fic reblog… you guys don’t even know how important barista!theo is to me alr im so obsessed argggg
i wanna start using my acc again yall but i have def left the triplets fandom so … thanks for all the laughs and the love but i am over and out! 🩶
im going to leave my fics up, but i don’t really plan on writing any more for them any time soon. feel free to stick around though if you wanna! i still wanna be mutuals with you guys and be friends!!!
lots of love,
grim.
THE GRAVEYARD
♰ dick ‘nightwing’ grayson
your man, short series, flangst.
♰ jason ‘red hood’ todd
faithful, exes angst.
♰ dr. spencer reid
you’re alive, you’re alive, you’re alive, angst/comfort.
♰ theodore nott
rest in peace
♰ leon s. kennedy
rest in peace
THE PRESERVATION
PAGE UNDER CONSTRUCTION
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my darling ; deaf!theodore nott x oc, ongoing 1st yr - deathly hallows era fic.
in sweetness ; theodore nott, angst/comfort, 2.7k.
firsts ; childhood bestfriend!spencer reid, fluff, 6k.
left to want or wanting ; roommate!spencer reid, fluff, 9k.
do you believe me now? ; spencer reid, angst/comfort/18+, ongoing series.
by newts and Nott ; theodore nott, fluff.
familiarity ; theodore nott, fluff.
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dark ‘alt’ fem!reader
— matt x fem!reader
a/n: req’d here! i love this req so i hope i did it justice for you!
when matt first met you at a smaller party, he was so beyond intimidated. like fully avoiding your eyes, shyly following along to the conversations between your friends and his brothers.
your friends wandered off and his brothers, much to his dismay, left him too, and you two just stood silently against the wall, matt glancing at your side profile every so often.
(think of that scene from scott pilgrim) ^^
at first, it takes him a while to realize that you don’t hate him.
he shyly invited you for coffee, to which you accepted and drank — what matters swears — is the most bitter tasting drink off the menu.
he watched you intently as you chatted back and fourth, noticing that you were in fact listening to him dispite what your face showed.
he 100% makes it his life’s goal to make you laugh and smile, always cracking the absolute worst jokes he can think of since those always work best
even when you disregard his jokes (and basically ignore him), he still giggles and blushes because he knows you love it. his friends would look at him so confused, but he would reassure them. “trust me guys, she’s dyin’ over there.”
this man could sit for hours upon hours and just admire every feature of yours. he genuinely thinks you’re the prettiest thing he’s ever seen.
he’s so awkward about it though too
if you’ve done some darker eye makeup, maybe something a little grungier (used lightly here, don’t yell at me please), he immediately notices and would totally be obsessed with it, but fumbles the compliment so hard
he’d look at you skeptically. “you— you did the darker purple around your eyes again.”
“yeah, i did. why? what’s wrong with it?”
“no! nothing is wrong with it! it’s different! well, not like, different-different, it’s like, it’s unique! but not in a bad way, it’s just, it’s so— y’know, it’s so you!”
when you’re in the car, immediately all aux privileges are given to you. when nick and chris are in the car, you usually just play classics that they know too, but when it’s just you and matt, he practically begs you to play whatever you’re currently obsessing over.
afterwards, he gets you to google the band so he can see what they look like, and then playfully make fun of you for the ones you have a crush on.
always pointing out things that you’d like, even if you weren’t there. a band tee? “my girlfriend would like that.” a strange pin for your bag? “this would look so cool on my girlfriends bag.”
“holy shit, matt, you can just say her name. we literally know her too.”
“i know. i just like to remind you that she’s my girlfriend!”
i feel like you two would understand each other so well. even if you were more on the reserved side, you definitely take turns standing up for one another if need be
difference is that when you stand up for him, people run away with their tail between their legs
pet names become a little more sarcastic, too.
“c’mon, rockstar, we gotta’ get going.” “don’t tell me what to do, dummy.”
although he still loves to break out the cheesier ones too, since he loves to make you flustered.
“you look so pretty, baby.” “shut up, or i’ll punch you.”
but obviously you can’t reply without being a blushing mess.
all i can picture is like nerdy matt with a boss gf! like i mentioned before so 2000s micheal cera awkward teen romcom!!! something about that dynamic means sm to me
i really loved your headcanons for the matt x shy reader, and was wondering if you can do headcanons for matt x dark feminine energy reader? idk how to word it 😭 like a quiet, introverted girl that can definitely hold her own, kinda has the whole RBF thing going on . everyone thinks she hates them but she’s actually so nice once you get to know her. she’s just kinda rough around the edges and not super girly girl at all. loves wearing dark colors and listens to 80s rock (but not emo lol) that vibe! i feel like matt would be very drawn to her mysterious energy!
hi lovey! i literally love this req ??? omg. this is so matt like he’s sooo that 2000s trope of loser nerdy bf x cool edgy gf coded sorry yall😭
but i can def do this !!! i read this req and was giggling and twirling my hair im SO excited for this one

