Jacob de Gheyn - Venus and Cupid (detail), ca.1610.

Kiana Khansmith

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@greggaraki
Jacob de Gheyn - Venus and Cupid (detail), ca.1610.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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It’s 02.17 here in Memphis, Tennessee, and right here is another record from Sun Studios, this time by the King himself. That’s right, mr. Elvis Presley, with one of my personal early-early-morning favourites; “Blue Moon”.
Mystery Train (1989) dir. Jim Jarmusch |Â DOP Robby MĂĽller
The Craft (1996) dir. Andrew Fleming
Rafiki (2018) dir. Wanuri Kahiu
Deconstructed Rose for The New Yorker

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Keanu Reeves photographed by Terry O’Niell, 1993
New Outtake of Claire Denis, Mia Goth and Robert Pattinson from EW’s Toronto Film Festival Portrait Studio (2018), ph. Jake Chessum.
IN THE MOOD FOR LOVE // Aesthetics
The Seven Works of Mercy (Detail), c. 1607 — Caravaggio

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Yasmeen Ghauri for Lanvin Fall, 1991
So pretty!
Her Smell (2018, Alex Ross Perry)
John Cassavetes & Gena Rowlands on the set of “A woman under the influence”
“A child is ready to leave his house when…"
“When the right dogtooth falls off. Or the left one, doesn’t really matter. At that time, the body is ready to face all dangers.”
Dogtooth (2009)
“Film or no film, you must remember this.”
Shirkers (2018) dir. Sandi Tan

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Greta Garbo by Edward Steichen, 1928
My unchanging doll’s face, this ridiculous hat. I can’t see my own fears. I always think everyone’s looking at me, but I only look at myself. It wears me out. Cléo de 5 à 7 (1962) dir. Agnès Varda