i hope you're scared of only ordinary shit.
blog by reid. 28. est. he / they. independent rp blog, ft. original muses. 21+. read rules before engaging. thank you.
rules. muses. opens. wanted plots. wanted opposites.
divider credit: @uzmacchiato
Keni

❣ Chile in a Photography ❣
Alisa U Zemlji Chuda
wallacepolsom

Kiana Khansmith
ojovivo
2025 on Tumblr: Trends That Defined the Year
PUT YOUR BEARD IN MY MOUTH

@theartofmadeline
Claire Keane
"I'm Dorothy Gale from Kansas"
RMH
occasionally subtle

#extradirty

izzy's playlists!
Sade Olutola
Misplaced Lens Cap
trying on a metaphor
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@greatdividcs
i hope you're scared of only ordinary shit.
blog by reid. 28. est. he / they. independent rp blog, ft. original muses. 21+. read rules before engaging. thank you.
rules. muses. opens. wanted plots. wanted opposites.
divider credit: @uzmacchiato

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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JACOB ELORDI as HIG THE DOG STARS OFFICIAL TRAILER (2026)
LOGAN LERMAN photographed by Maya Spangler for Interview Magazine
── "you'll be lucky if you're discharged by tomorrow, champ." niko is sat in the visitor's chair to the left of the hospital bed, which is where he's been since he got the call, for the record. it was a lot like a scene out of a movie, really: he was working, flat on his back under the tires of an old pick-up, when his phone had started buzzing. he almost ignored it, not one to answer unknown numbers, but on the off chance it was his sister, or benji, he braved the accept button. he'd sat up so quickly that he'd thunked his head on the underside of the truck, shoving himself out and scrambling to his feet. he hadn't given much preamble to his co-workers, to his boss, nothing more than a rushed "i gotta go," before he'd torn out of the parking lot on two wheels. that's the kind of reaction regan lafaye still gets from him on a bad day, so imagine a good one? and he's been sitting here, in this chair, ever since. through regan waking up and blinking bleary eyes, through an explanation that he'd been the emergency contact, even after all this time had passed. not that much had changed, really, not on niko's end. same dead-end job, same address across town, same bad habits. "it's fine. i'm gonna stay, so quit nagging me." matter-of-fact. he does, now that regan is fully awake and coherent, drag a long glance around the room, though. and, yeah, some sick part of him takes a little pleasure in asking this question. sue him. "where's, uh... what's-his-ass." the boyfriend. he means the boyfriend, whose name he's very well-versed in knowing.
"bullshit," immediately — literally immediately after niko says the word tomorrow, barked over the word 'champ' — regan is biting this one out, just seething with record-breaking intolerance for his ex-boyfriend over here. he tips his head towards him, knits his brow, starts to curl his fist; the gesture stopping, of course, only because that arm is in a cast. the nickname strikes a nerve, and he's all too sure it was supposed to sting hearing in the place of baby; or maybe he's just grown to think that everything niko does is to personally slight him, and that's at least a little bit true. it has been since they went their separate ways, and since regan started shouldering every across-the-bar look, and clicking on all his instagram stories without realizing that it tells niko every time. as recently as last night, by the way.
not much has changed for regan, either. not his job, still too hard on his back, which has been done for since he was eighteen. not how crazy the kids have been — mattie's earned him four new grays, all by herself. and, last but certainly not least, regan's complete inability to pick a guy that isn't a complete jackass. niko, at least, had been a kind one. kindest he's ever had, actually. an asshole, sure; the biggest heartbreak of his life, yeah, but good. stupidly good, emphasis on fucking stupid.
niko, who's sitting here now, pissing him off, insisting that he'll stay even though he really doesn't have to. niko, who could've said 'shit, that sucks' and gone back to work — niko, who never would've, and who always was going to say exactly what he just did. niko, who's here, and then john, who isn't. he wonders what it looked like, getting that call; wonders if it was a hard decision, wonders if he hesitated. knows, too, that he'd be doing the same thing if the roles were reversed. his head lulls back against the pillow, eyes on the ceiling instead of him now, right as niko calls attention to the lack of the boyfriend — which he knows niko knows the name of, they'd had the world's worst introduction a few months ago at the bar. regan's got a lot of moxy for someone who just lost his spleen, but he doesn't have the fortitude to look him in the eyes while he says this: "...he's not coming," he huffs so hard that a strand of his hair blows up, lifts right off his forehead, tone somehow simultaneously embarrassed and belligerent. "does'n know. di'n't answer. and mad at me, anyway," he says in a hushed tone after, the words more-than-a-little slurred, dejected. his eyes squeeze shut. "if you laugh, i'll, fucking... inject you with one of these poisons they're putting in me. i mean it, niko." he doesn't. "and i'm gonna bite 'em if he comes back in here." that, he means.
i wanna make my muses fucking Cry and Suffer And Die

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ok well it has been real but i am going to kill you with a hammer now
closed starter for @floralglows.
"you need to go."
if you asked kelsey a week ago what he thought he'd say to noah, should he ever get the chance to say anything to him again, it wouldn't be this. and it wouldn't be standing on a beach, shouted over wind that's blowing his hair in every which direction, sneakers dug into the sand, storm crackling overhead, wearing teddy's skin. kelsey's teeth are grit and his fist is clenched, trembling in front of him after having held his palm out to stop him coming any closer. it doesn't work, of course. of course, it doesn't fucking work — as soon as he saw him, noah'd run down the boardwalk steps and charged for him, over rolling sand hills and through pouring rain.
"stop, baby, stop," comes out of him second in scattered breaths, pleading before noah's in front of him but right 'round when he gets so close that it makes him nervous; ten feet, give or take. there's electricity crackling around his fingers still and kelsey backs away, feet stuttering into the roaring shoreline, cold wet rushing past his ankles and sweeping back in. he pales after he hears himself, all at once realizing just how caught he truly is; worse, what it looks like. a faked death, a body swap, with one of their best friends? — having left him, having let him believe he was gone. what does he do? does he explain? he — he's got to get noah away from here, away from him, away and safe. all systems are on alert: "it's not safe here, it's not. you can't fucking — you can't fucking be here."
Nick Robinson in Silk Road (2021)
yearning for some bodyguard x client plots… give me an up-and-coming celebrity and their reluctant security who thinks they’re too spoiled and paranoid for their own good. give me a politician’s daughter who tries every trick in the book to get away from her by-the-book handler. give me a lonely ceo who thinks everyone around them is overreacting when a threat seemingly arises, but they can’t deny the reassurance that comes with having someone around 24/7. forced proximity, high stakes, fake dating, adversaries to loves — so many avenues to go down, so many doors this could open!!
the world ended a year ago, but neither muse a nor muse b can move on. they meet by chance at an abandoned settlement, both searching for something—or someone—they’ve lost. when a sudden attack forces them to flee together, they agree to travel together “just for one more day.” but as those days turn into weeks, they begin to uncover parts of each other’s pasts, learning that their meeting might not have been so random after all.

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give me a plot (loosely) based on casual by chappell roan where muse a and muse b who have been in a bit of a situationship for a while navigate “what they are”. muse a is completely head over heels for muse b, taking what they can that muse b has to offer, thinking of what their future could be like together etc. meanwhile muse b is reluctant to accept the relationship as anything more than casual, even though muse b feels the same way about muse a, any steps they take towards being anything more than casual is sabotaged by muse b’s commitment issues.
THE O.C. | S01E01 "Premiere"
THE OC (2003-2007) — 1.02, “The Model Home”
reverse starter call? <3 i wanna check out some opens & get some new threads going. give this a like if you want me to check your tag out.
fucked up hurt/comfort. the person who stabbed you tends to your wound. the person who killed your loved one helps you grieve.

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open to anyone jay zevari, he / they, nonbinary, 30, bisexual, high school english teacher
"i feel like... i know you from something. from somewhere," punctuating this statement with a tilt of their head and a shift of their weight from the left to their right side, hip out, jay scans the person in front of him, the gears turning just a little too slowly in his mind. "what about me, do i look familiar to you?"
open to anyone zane gray, he / him, cis man, 30, bisexual, bar owner / former pro soccer player
"...jesus christ, what the hell happened to you?" — door swung open, zane's eyes narrow the second he's able to process the sight of them under the dim porch-light; the miscellaneous injuries, the mussed hair, the general state of discord they're in. concern's never been one of his virtues, which is more than made apparent by the expression he's pulling ( nose scrunched, mouth tightened in a line, eyes judging from the side ), but curiosity is winning over anything else, here. he steps backwards, yanks his front door open wider, and gestures inside; ignoring, for now, the burning question inside of why on earth anyone would come to him for aide. he's just about the least comforting person in this entire city. "get in. shoes off," zane barks this over his shoulder, starts to walk inside, then turns on his heel. "... and don't bleed on my carpet. hold it in. do you need a ride to the fuckin' emergency room? what's wrong with you?"