A.V. Vlasov, Vtssps Building, Moscow, Russia, 1937
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A.V. Vlasov, Vtssps Building, Moscow, Russia, 1937

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polychroniadis:
Aldo Rossi, Proposal for an Art Gallery, 1989.
Villa Madama, Raphael, Sangallo, Romano, Udine 1518-
photo: A. Zambelli
Villa Madama, Raphael, Sangallo, Romano, Udine 1518-
photo: A. Zambelli
Villa Madama, Raphael, Sangallo, Romano, Udine 1518-
photo: A. Zambelli

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Villa Madama, Raphael, Sangallo, Romano, Udine 1518-
photo: A. Zambelli
Climbing wall by William George Mitchell. Hockley Flyover, Birmingham, 1960s.
Grattacielo Pirelli
Gio Ponti 1957
Galleria Nazionale, Parma
Battistero, Piazza Duomo Parma
1196-1270
Michael Ventris, Linear B from A Very English Genius

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Stanley Tigerman, A House done in the Intention of the Villa Madama
Villa Madama
The Garage Of The Dead
Drawing: Alessandro Zambelli
Forensic Reconstruction of TWA800
in Virilio, Paul (2003), Unknown quantity (London: Thames & Hudson/Fondation Cartier pour l’art contemporain in collaboration with AFP and Ina) 226 p.
“View of the first discovery of the Temple of Isis at Pompeii.” From William Hamilton’s Campi Phlegraei (St Andrews rff QE523.V5H3 (SR))

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Trowel Biographies
in Assemblage
Flaked Bottle Glass
“The Kimberley points display features the Museum’s collections of these highly-prized tools and trade goods. Spearheads made in the Kimberley region of northern Western Australia have been found 1400 kilometres away. Since Europeans arrived in the region the points have also been crafted from ceramic telegraph insulators and bottle glass. Aboriginal people were quick to realise the advantages: metal, glass and ceramics are easier to work with, give a very sharp edge and need less resharpening.”
National Museum of Australia, Canberra
Photo: Alessandro Zambelli