Clover Jean Gardener - "Professional" "Writer" of "Books" "and" "Plays"
It is comical for me to do an intro post at this point but I figure it might be helpful for people who want them links. Them good good links.
So hello! My name is Clover Jean Gardener, and I'm a queer, PDX-based novelist and playwright. I am here, on Tumblr, where I ramble on the regular and post development updates of what I'm working on. You can also find me on the following links.
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I've been trying to incorporate more easier recipes to help with my fatigue. I got some sensory issues that keep me from being able to eat a lot of frozen food, so not cooking is less of an option than cooking smarter.
It's been okay-ish so far. I already know some vegetarian recipes that are low-effort (for me) and still decently nutritious. But in trying to branch out to try more things, I'm forced to see that the landscape of "Easy Recipes" online is uh.
I mean it's a spectrum, you know? And it's definitely different when looking for vegetarian dishes. I'd say on one end you have meals like "Just Beans, Just Eat Beans", and on the opposite end you'll find a recipe for something like Authentic Spanikopita that really stretches the limit on an "easy" recipe.
My main tip for anyone in my position is to look for websites that either clarify they're run by parents. Or potentially people with disabilities. I saw a guide from a dad who cooks and one of the recipes was just like "My Kid Asked To Put Spinach And Pizza Sauce In A Quesadilla And Now She Wants It All The Time". And shit like that is absolutely way more my speed.
can i hear the hard opinions on towels and how to fold and store them? i have towel folding opinions of my own but no strong feelings about the towels themselves or how to store them
Mmm okay. Okay.
I preface this by saying that I am the most subjective authority on this subject. If you asked me this a couple of months ago I would've insisted that my opinions were, in fact, simply best strategy to follow in terms of Towels. But according to SOME PEOPLE (multiple doctors) I have gone my whole life with undiagnosed OCD. And I am now in a hazy middle ground where I feel obliged to preface most of my opinions with a weary "This Might Just Be A Me Thing Though".
Regardless, I think you might be surprised how much I have to say about towel logistics.
So first off, I fell down a rabbit hole of Zero Waste YouTubers. Some of them offered some handy tips, but others said things I found utterly untenable for myself. One of them was not ever using paper towels. I will go on the record to say I use paper towels. I keep handful of non-plastic disposable goods in specifically my kitchen for the sake of accessibility. I use paper plates, for example, because they're cheaper at the resurant supply store and they really help with cooking meals for myself.
And I use paper towels because my cat Bob is an asshole. He is an asshole and a criminal. The other day he knocked an entire bottle of soy sauce off the counter and immediately tried to slurp up the soy and glass shards. That is not a situation I am willing to address with a jar of small rags that I will then have to rewash and refold. I use paper towels. If someone judges my purchase of paper towels I will duel them with a sword.
I cook a lot. More than what's often considered the norm, I guess. So I have more kitchen towels than any other kind. I am indifferent towards particular styles or color schemes. My priority is more towards the texture (I have some texture sensitivies and some towel materials are poison to me) and absorption. The more decorative towels are often way less functional as towels, which confuses and upsets me. I don't fold my kitchen towels, instead keeping the clean ones in a plastic bin I got at 99 Ranch. It's meant to be to hold rice, but it functions really well as a clean towel bin. I tend to consider a kitchen towel "dirty" slightly sooner than I might need to. But I worked in food service and my wife has a major aversion to contamination when it comes to food. So I tend to play it safe in that regard.
For the bathroom I have a few hand towels that I probably got at like. I don't know. Bi-Mart maybe? Potentially on sale at some big department store? Once again I don't really care about the styles. I think occasionally I like getting bathroom towels in bright orange or yellow, as the former is my wife's favorite color and the latter is mine. But if that's not already an option it's whatever. I try and maintain a small basket with the backup hand towels to change out as needed. I also have a small amount of like - those square, terry cloth towels? We overheat like crazy at times, and it's super helpful to dampen one of them to cool down with.
When I moved in my wife was using kitchen towels as hand towels in the bathroom. This is both technically fine and philosophically incorrect to me. I'm slightly more willing to argue over this. I do not thing a kitchen towel is meant to dry wet, soapy hands as well as a hand towel can.
Can kitchen towels dry your hands? Yes. Is it a crime to dry your hands in things other than specifically a hand towel? I mean, it's not a crime in the sense of the law. Whether or not it would get you sentenced in the Court of Clove is - I mean. It depends on the day, I guess.
I also think that bath sheets are way, way better than conventionally-sized bath towels. I'm willing to defend this. I'm fat, so the bigger towels are generally more convinient. And they're fun to me. They make me smile sometimes when I use them. It's like a blanket for when you're fresh out of the tub.
My clean bath sheets are kept rolled up on a shelf in my laundry room. This is probably weird. I used to keep them in a basket in the bathroom, but I found I kept forgetting that the basket was empty until I was literally going for a shower. When they're stacked in the laundry room I can gague way better if I need to do more laundry.
Thus concludes my Towel Opinions. I actually have a LOT of thoughts on many aspects of household things. I'm only just now seeing how many of my unquestioned beliefs are, in fact, regimented systems I've made up for myself in order to create a sense of control.
I truly missed out on being the World's Most Neurotic Lifestyle Blogger.
important reminder that most people you follow online are significantly lamer than you think they are including me. and if you feel insecure comparing yourself to someone online: DON'T. theyre probably also lame and weird. most people on the internet are
I actually make a considerable effort to showcase how lame and weird I am online as well as off. I'd say I can only replicate about half of how off-putting I am in person. I'm sure the people I met on here who I went on to meet in person can attest that I have the nerves of an overstimulated Chihuahua in most social settings.
But no man I hold my lamer traits as sacred. I have hard opinions on towels and the best way to fold and store them. If I make a really tasty dinner I have to fight back the urge to reach out to my younger and hipper friends just to say like "I made noodles yum yum". I strive for a slightly cooler version of an uncle texting you in the middle of the day to misremember a viral internet video and insist you come over for some BBQ tofu.
Tell me something you're up to right now that you would otherwise consider too mundane to post about on social media. I want to see some small acts of being alive that I can get hyped about.
i was watching a movie, but it's nighttime and it was too scary so i put it off until tomorrow when the sun is out. probably just going to read until i get tired
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Tell me something you're up to right now that you would otherwise consider too mundane to post about on social media. I want to see some small acts of being alive that I can get hyped about.
My friend @fukurouonthesea said some words about originality in writing. I've decided to give my response its own post, both to avoid shining a spotlight on their issues and to allow me space to do a proper, big ol' ramble. I have crafted this response as if I'm speaking directly to my buddy, but if you're feeling stifled in storytelling by a fear of being "unoriginal", you can imagine I'm speaking directly to you too.
Because here's the situation, man. I've been writing for a while now in varying degrees of professionalism. I've published some stuff and produced some stuff on stage. And you would never catch me calling myself an original writer. I think there are people on here who can confirm I've actually boldly declared myself derivative on multiple occasions.
I don't consider it an insult. I personally consider it an inevitable part of honing a craft, and that an invaluable trait of an artist is the ability to reverse engineer works they find effective. To scrap it for parts, so to speak. My influences are - to me, at least - blindingly obvious. I commonly default to the same archetypes, cadences, and narrative structures. But because I've been writing for as long as I have, I've found ways to build new flesh around the bones I stole from the graves of Kurt Vonnegut and Douglas Adams. I am a graverobber when it comes to the creative process.
This is already getting long, I'm going to add a read more.
Talking about drawing inspiration and where it can be successful or stunt the growth of a project is something I can go on and on about. On a surface level, though, I think it's a perfectly reasonable thing to do. Even if you stumble along the way, you can learn valuable lessons on why a certain creative choice may work for one writer and not for another. And I speak from a place of bias when I say this - but I think artists can greatly benefit from being able to observe and introspect on the details in their own work, and the works they engage with.
Perfectionism is something you express worrying about when telling your stories. I still struggle with that myself. I've found I value a sense of trust between a writer and a reader, and I lament all sorts of faults in my work that I think might betray the faith of anyone engaging with it in the future. It makes me sick to my stomach sometimes. I am more distraught over it than what could ever be considered productive.
Something I try and tell myself is that the fear is often less rational than I might think it is. And at its core, it comes from caring about the experience of the reader. You can tell stories just for yourself. I've written about ten full-length novels that no one else will ever read, and I still consider them very educational experiences for my growth as a writer. But if you have any thoughts about sharing your art with another person, it's understandable to consider how the hypothetical person will take in your work. Whether you want to comfort or disturb them, I think the inclusion of the audience in mind can help a lot when finessing your intent as an artist.
To a point, though. To a point. In my experience, I've realized there's only so much I can do as a writer to value the experience of my readers. I can try my best to make sure I don't waste their time. I can present my themes and general vibe early on so that those who aren't into it will know quickly and find a more fitting way to spend their time.
But I've been on Storygraph lately - have you seen Storygraph? It's like Letterboxd, but for books. You can chart books you've read and reviewed them. And I've learned that there can be a book that is utterly clear in its premise, and readers will still not get the hint. People will read a full book and complain about things that are established on the back cover and within the first page. As a writer, I can try my best to value the experience someone has reading my work. But people are often strange, and I fully cannot account for the ways someone might interact with my writing.
What I can do is make my stories hoping not that they're perfect or totally unique, but that they are effective in getting across what I want them too. That is what I think I have the most control over, at the end of the day.
(also fun fact: scott from my series songbird elegies is a reimagining of the protagonist from a previous, unpublished novel of mine that i wrote in high school. and that protagonist himself was a direct copy of the fascinatingly one-dimensional lead of ayn rand's the fountainhead. scott skylark kaufner is very much a copy of a copy of a copy.)
Tell me something you're up to right now that you would otherwise consider too mundane to post about on social media. I want to see some small acts of being alive that I can get hyped about.
Ingram Sparks told me today that my last book is currently being sold at a price margin that actually makes me negative money, but only in Australia.
I said to Ingram Sparks "I don't know man, I'm indie enough where I don't think that's a huge issue and is actually kind of funny to me in a way". But Ingram Sparks was like "We cannot help you make negative money and we don't know why you would want to do this."
I was like "C'mon man don't be a narc", and Ingram Sparks was like "We are literally doing you a favor".
Anyways sorry any potential Australians it will soon be more expensive to buy my writing in paperback. Blame the dorks at Ingram Sparks.
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I don't know if it's my taste in books, or the state of literary criticism as a whole, but every book I've marked on Storygraph has led to me finding a negative review that I find just does not function as an actual critique.
Like if you read Fear and Loathing in Las Vegas and found the prose grating, or the narrative difficult to follow, or the greater commentary asinine and shallow - those are all things that I would say work as critiques you have for the book.
If your main critique is that the whole book is just a guy doing a shit ton of drugs and causing chaos all around Las Vegas? Friend that is just the plot of the book. Like you can say you don't like that, but you cannot act like the book did not make it painfully clear within the first two pages that that was the plot of the book.
"God this Harry Potter guy just does not stop talking about magic and solving all his problems with magic. I read all the books and they never moved past the spells. One star."
I don't know if it's my taste in books, or the state of literary criticism as a whole, but every book I've marked on Storygraph has led to me finding a negative review that I find just does not function as an actual critique.
Like if you read Fear and Loathing in Las Vegas and found the prose grating, or the narrative difficult to follow, or the greater commentary asinine and shallow - those are all things that I would say work as critiques you have for the book.
If your main critique is that the whole book is just a guy doing a shit ton of drugs and causing chaos all around Las Vegas? Friend that is just the plot of the book. Like you can say you don't like that, but you cannot act like the book did not make it painfully clear within the first two pages that that was the plot of the book.
Ask yourself, how does this piece make you feel? (No wrong answers)
Look for an artist statement nearby. What does it say about the artist and their relationship to their work? What does the artist say that they are trying to convey with their art? What contextual clues can you pick up from what they say about their background, or what they omit?
Look at the title of the piece. What is the artist saying about their work by naming it that, either explicitly or implicitly?
Look at the medium. Is there anything about the piece that stands out to you, knowing what it's made of?
Look at the year it was made. What cultural events might have been happening around this time? Was this piece part of a particular art movement? What was the purpose of that art movement, and what was it trying to say?
Accept that sometimes, you still might not get it. This is perfectly okay.
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Being in writing/book spaces as an adult after an upbringing of severe neglect has kind of put me in an interesting situation. Because even just recently I got in conversation with a bookseller over writers writing experiences that they don't have a direct, personal connection with.
And I saw a lot of her points. My general take has always been that there's a wide spectrum of experience a writer can create in, but if they take a specific they don't have experience with and make it a crucial part of the story, it's way easier to break immersion in the narrative. Or even just trust in the reader.
But also the whole time I was thinking about how my medical abuse led me to think I was perfectly within my rights to write a bipolar protagonist. I have been managing bipolar since I was 12 years old. Drawing on that experience, in my mind, could be very helpful in creating the lead of my most ambitious writing project to date.
Then like three months after publishing the first book it was determined I was not at all bipolar. Showed no signs at all to meet the qualifiers, according to multiple doctors. Every new doctor I see is visibly baffled that I was diagnosed as young as I was, and "treated" for as long as I was.
I would not pull out my niche case in discussions like this, because I know I am once again a very strange exception. But I definitely think about it. Think about it every time the debate comes up.