Clover Jean Gardener - "Professional" "Writer" of "Books" "and" "Plays"
It is comical for me to do an intro post at this point but I figure it might be helpful for people who want them links. Them good good links.
So hello! My name is Clover Jean Gardener, and I'm a queer, PDX-based novelist and playwright. I am here, on Tumblr, where I ramble on the regular and post development updates of what I'm working on. You can also find me on the following links.
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I am watching a movie called I Downloaded a Ghost. It's from 2004, and it follows a young girl who is obsessed with Halloween and accidentally downloads the ghost of a stand-up comedian that ends up helping her catch some robbers and win a haunted house contest. I don't know how she "downloads a ghost". But that is clearly the literal premise of the movie.
It's one of those early 2000s kids films where the lead girl is pressured into being more feminine. Her mom wants her to put aside the ghosts and goblins and focus more on slumber parties and nice dresses.
This conflict was remarkably normalized back then. But the precocious lead of I Download a Ghost is played by a young Elliot Page. And hearing the mom character plead for her "daughter" to be "more of a girl" is um. Man. There are new layers here now.
I think my favorite part of this movie so far is that it makes zero attempt to even slightly explain how the lead kid downloads a ghost. She goes to a website and clicks to download a ghost, and then the ghost is like physically manifested into her garage via polygonal mesh.
The guy is medium upset about being a ghost and has no additional issues with how his spirit was somehow transferred via dial-up modem.
Lessons I learned from watching I Downloaded a Ghost:
The only way to build the best haunted house possible is to embrace your true gender identity
Ghosts are downloadable via the web and apparently that's so mundane it can have next to no real significance in the movie. This guy didn't need to be downloaded. He could've just been a ghost. No one in this movie is at all surprised that a website captured his essence just after death. Maybe that's a more common thing in Canada.
If I had an 11 year old kid I would be wary to learn they were close friends with an adult ghost. I would have way more issues if that adult ghost was a stand-up comedian.
The stand-up ghost t-poses as he rises to what is either Heaven or a High Altitude Hell. This is not technically a lesson but it is something I have to tell someone.
I am watching a movie called I Downloaded a Ghost. It's from 2004, and it follows a young girl who is obsessed with Halloween and accidentally downloads the ghost of a stand-up comedian that ends up helping her catch some robbers and win a haunted house contest. I don't know how she "downloads a ghost". But that is clearly the literal premise of the movie.
It's one of those early 2000s kids films where the lead girl is pressured into being more feminine. Her mom wants her to put aside the ghosts and goblins and focus more on slumber parties and nice dresses.
This conflict was remarkably normalized back then. But the precocious lead of I Download a Ghost is played by a young Elliot Page. And hearing the mom character plead for her "daughter" to be "more of a girl" is um. Man. There are new layers here now.
I think my favorite part of this movie so far is that it makes zero attempt to even slightly explain how the lead kid downloads a ghost. She goes to a website and clicks to download a ghost, and then the ghost is like physically manifested into her garage via polygonal mesh.
The guy is medium upset about being a ghost and has no additional issues with how his spirit was somehow transferred via dial-up modem.
I am watching a movie called I Downloaded a Ghost. It's from 2004, and it follows a young girl who is obsessed with Halloween and accidentally downloads the ghost of a stand-up comedian that ends up helping her catch some robbers and win a haunted house contest. I don't know how she "downloads a ghost". But that is clearly the literal premise of the movie.
It's one of those early 2000s kids films where the lead girl is pressured into being more feminine. Her mom wants her to put aside the ghosts and goblins and focus more on slumber parties and nice dresses.
This conflict was remarkably normalized back then. But the precocious lead of I Download a Ghost is played by a young Elliot Page. And hearing the mom character plead for her "daughter" to be "more of a girl" is um. Man. There are new layers here now.
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i have a secret side project where i write short stories about the revered stray cats in this fictional seaside town. i think i have actually told you about this secret cat project. i haven't worked on it for a while but fuck it if you want to click the read more you can see the story from it that i wrote for my wife for our anniversary.
it's about an oriental shorthair and it's called the captain of the riverbank. Enjoy???
Every afternoon the Captain picked which boat he would take control of for that day.
He was a spindly Oriental Shorthair, with the classic elephant ears and mournful expression. He was awkwardly proportioned in a way that always made him look slightly underfed. His lean figure was a frequent topic of debate with the older sailors at the marina, who’d watch countless passers-by toss the Captain a morsel from their lunch, or an extra fish from that day’s haul.
The conclusion was usually that the extra weight mostly went to the Captain’s large and bulky head. Though some liked to claim that they’d seen him running up and down the docks late at night – working off that day’s snacks, it seemed.
Jokes aside, everyone who stayed at the marina for more than a year learned to treat the lanky cat with the upmost respect. A good Captain deserved nothing else, after all.
He started his day at just after eleven, slinking out from one of his many secluded sleeping nooks. Under the ramp that led to the dock’s main walkway, or in the odd crawlspace above the parking attendant’s booth. Occasionally he could be found curled up in a disused, broken down newspaper box, framed by decades of graffiti and flicking his long tail back ad forth.
Wherever he’d spent his night, the Captain would wake up, have a stretch, and make his way down to the front of the dock. There he would sit, staring out at the bay. Occasionally his ears would twitch, but for the most part he would be absolutely still in thought.
The Captain’s thinking time was never to be disturbed. That was one of the first things the resident sailors would teach the newcomers.
Once he had his fill of the thoughts, it would finally be time for the Captain to pick his vessel. He’d pad slowly down the main walkway, pausing at a sailboat or a catamaran. A bass boat or a pontoon. Kayaks were rarely to the Captain’s tastes, and jet ski's were even less appealing. When he’d find a suitable boat, he’d approach from the side and hop on board with full confidence.
Sometimes the sailors wouldn’t notice him until they’d already pulled out into the water. Sometimes they’d see him and (Unsuccessfully) to shoo him off. For the most part, those who were picked by the Captain tended to silently accept his authority for the duration of their time on the water.
He liked to sit wherever would put him as close to the water at possible. The spray of freshwater as the boat moved down the river didn’t bother him. He actually appeared to enjoy it – his eyes closed and his tail trembling in excitement the whole time.
If the boat stopped, he’d open his eyes and let out a quiet honk of a meow. And then, if he gathered they would be stopped for some time, he’d move on to his inspection.
The Captain would take his time looking over every part of whatever boat he chose to ride out on. The Horseshoe Peak Marina was mainly used for fishing, so he’d have the bulk of the day to make sure everything on board was up to his expectations. And strange as it was, on more than one occasion a sailor would notice the Captain stiffing at a cracked turnbuckle, or lingering near an inboard engine right on the verge of overheating.
Somewhere along the line, that’s why people started calling him Captain. And as much as someone might joke about the fish he’d beg for, or even steal from boats when the sailors weren’t looking, no one dared argue whether he was worth his title.
He never stepped away from his patrol over the docks until the last boat was back in its space for the night. Sometimes someone out on the water would get a little turned around, what with the the veils of trees and the ambiguous coloring of the rocky peaks. If someone steering had a worse sense of direction, it’d be easy for them to miss the right turn and end up steering up and down the same expanse of water. Or, even worse, follow the wrong arm off the shoreline and wind up drifting dumbly around Eastsound and Orcas Island.
The risk didn’t sound likely. Someone would have to be shitfaced drunk or dumb as bricks to wind up that far down the river without the skill to find their way back. But even those who’d worked boats for decades would still sometimes speak as if the only true reason why they made it back in one peace was the gawky, big-eared cat that kept vigil until nightfall.
This, perhaps, was a fable meant to justify his presence. To preserve the marina as a home for him – which was crucial, even though none of the patrons were quite willing to explain why.
The Autumn that year had been modestly rainy, but the forecast for the weekend was predicted to be little more than cloudy with a slight breeze. The Greenburn River was mainly populated by fishing boats looking to capitalize on the last days of the Summer Steelhead season. By the afternoon the Captain had waltzed out from that night’s sleeping spot, but he didn’t go about with his usual choosing of the available boats. Instead he went straight to the end of the dock and stood watch.
There was a solemnity to his figure as he sat, still and surprisingly grim. Even the spray of the occasional crashing wave didn’t evoke its usual peace in him.
Those who caught sight of him murmured about what it usually meant when their leader braced himself as he was right now. And true to their prediction, the rain started soon after that.
It was a misting at first. And then a drizzle. Soon it was clear the day was ramping up to the kind of downpour that would make peaceful sailing an impossibility. So one by one, the boats went back to the dock.
The Captain began to meow his honking meow. He’d put in effort to be far louder than he usually was. He would quickly dart to an approaching boat, squeaking like a long-abandoned dog toy, and wouldn’t leave the port until he was sure everyone on board was safely back on land. And then he’d do that again and again, personally providing a safe escort to everyone out on the Bay.
It wasn’t a disastrous storm by any means. But the Captain was good at his job, and the sailors expressed their reverence as they packed to head back to their cars. They’d thank him for keeping such a close eye on things. They’d bow their heads or nod at him in knowing respect.
At one point he approached a woman lingering by her jet ski to check something on her phone and meowed his disapproval at her lolly-gagging. She looked up at him, eyes widening, and quickly slipped her phone into the pocket of her raincoat.
“Sure, Captain,” she said. “Of course, Captain. Sorry about that.”
He followed at her feet as she walked up the ramp and to the parking lot. She didn’t notice him trailing her until one of the older Marina patrons called out to her from his truck nearby.
“Captain’s keepin’ an eye on you, Sophie!” He laughed.
She noticed the big-eared cat. He was mostly hidden underneath the body of her used sedan, with only his large head sticking out. He clearly struggled to keep his eyes open in the rain, and yet he continued watching her.
When they locked eyes, he honked – a little softer now.
“You –?” Sophie looked around the lot, which was now mostly empty. “...You need a place to crash?”
She’d never had a cat before, and wasn’t sure how to approach inviting the Captain into her car. But when she opened the passenger’s door, he was quick to see her offer and hop inside. He shook some of the excess rainwater off and steeled himself again.
Her studio apartment wasn’t far. She lived alone in one of those newer complexes built barely a mile from the docks. The Captain could find his way back to the Marina easily if he wanted to. Or, if it worked out better, they could drive back together once the weather cleared up.
Sophie explained all of this to the Captain, who was more preoccupied by sniffing the warm air blowing from the dashboard vents. It felt strange to discuss logistics with a cat. Even stranger to genuinely feel that the cat was somehow following along with her plans.
The ride home was considerably longer than she’d expected. The sudden rain looked to have been enough to get most of Sunderville to drop what they were doing and try and get back to their homes. The people here were better drivers in bad weather than what Sophie had seen in Oakland or Palo Alto. But with small towns in Oregon, people could be so goddamned courteous that she sometimes longed to pull dangerously onto the shoulder to pass someone too kind to be reckless.
Dazed at yet another red light, she drifted into a sort of sleepy aggravation. She switched off the heat and carded a hand through her damp hair.
Beside her the Captain honked. With the tedium of driving, she’d completely forgotten he was there.
She looked at him, watching how he’d propped himself up and was prodding his head against the rain-speckled glass of the window. He bonked his forehead against the surface one more time, looked over at Sophie, and meowed again.
“Oh, you..?” She remembered all the times she’d seen him enjoy the misting from a passing wake or breaking wave. “Yeah, all right. Thought you’d have enough of that, but – all right.”
Sophie pressed the switch on her door to roll down his window. The whirr as the glass slid down made the Captain flinch at first. But once the breeze came in, carrying droplets of water that already began gathering on the fake leather seats, he began to understand.
He poked his head through the opening in the window. Then, realizing he didn’t need to do that to feel the water, he sat back on the seat and raised his head to sniff. Satisfied with things, he closed his eyes. The action, to Sophie, looked a lot like a deep sigh of relief.
She told the others at the Marina that she didn’t care about the Captain’s aversion to jet skis. He was just a cat, and at the end of the day she didn’t pay her membership fee to try and get the approval of some weird-looking stray. But watching him now – seeing his small moment of pride – Sophie was willing to accept how much of an honor his presence felt to her.
With another press of a switch, she rolled down her own window. The rain breezed in to catch against her cheeks. It was cold, but it was the wind that was cold and not the rain. The rain, compared to everything else outside, was surprisingly pleasant.
Sophie took a deep breath and exhaled slowly though her nose. The tension in her shoulders relaxed.
Outside at the intersection, the light turned green.
sits down. hi yes hello i need to hear more about Prodigal Death rn pls and ty
Incredible how not only did I immediately clock your CYOA, but you somehow clocked mine as well.
Uh, Prodigal Death is about an unsuccessful writer who suddenly lands a job taking over for a beloved, long-running series of children's mysteries. Think how like "Carolyn Keene" was technically multiple ghostwriters who worked to create the Nancy Drew books. Our protagonist is a sort of archetypal existentialist lead, pre-haunted and just a ragdoll for the narrative.
I'm typically annoyed by Stories About Writers unless they really make an effort to emphasize the self-delusion and neurosis that come with such a concept. Which I'm planning to do a lot of. It's a very new project meant to occupy me while I get the first round of feedback on my recently-finished novel. But I hope to get appropriately weird with it.
Here's a little peek at part of the beginning. I hope to ultimately have like a physical paperback of this available. Twine is cool, but I'm endeared by the act of physically fanning through the pages of a CYOA as you progress.
Me giving feedback on the work of other writers: Yeah, this character's motivation sort of comes across to me. I think it might be more satisfying to read if you establish it a little more earlier in the story, though. But I can tell what you're going for and I think it's a really neat idea!
My internal feedback on my own work: Scott Kaufner isn't directly stated to enjoy math rock. There's no reason why he wouldn't enjoy math rock. It's a plot hole that I never address it. No reader will be able to follow this plot unless I clarify what every character thinks about Math Rock. They are going to stone me in the town square for this.
RULES: make a new post with the names of all the files in your WIP folder, regardless of how non-descriptive or ridiculous, and tag as many people as you have WIPs. People send an ask with the title that most intrigues them, and you post a snippet or tell them something about it!
My folders:
An End of Burning Flame
CYOA
Fantasyland Fire Brigade
Farming Sim Comfort Story
Godforsaken
Labyrinth
Wretched & Divine
To Bring the Sun King Home
Soul Crystals
The Chaos in Justice
Tagging @akiwitch @goodluckclove @cee-grice @ettawritesnstudies and anyone else who wants an excuse to do this <3
Whoo boy! Okay. I'll send you an ask on yours after I post this.
For myself - I have no idea how many of these will ever be continued or when, but here's are my main ones:
Cat Saints and Their Acolytes
Migration Patterns (This one's technically finished but it's definitely still a WIP)
Horrifying
Sunderville Forever
The Void
Prodigal Death
and now I'll tag people. @xarrixii and @mushroommanchanterelle definitely. And uh - anyone else as well? I feel weird tagging a ton of people at once. Especially since I don't usually tag a lot.
Sometimes I think about how I made a profile on one of those music ranking websites - like Letterboxd or Storygraph but for music? Only I realized really quickly that I don't find talking about music enjoying in the same way I do talking about movies or books.
So currently, the only album review I've made is for "The Low End Theory" by A Tribe Called Quest. And it's mainly me talking about how Tribe's backing tracks are spectacular, but the verses of a lot of their songs are way dorkier than I expected them to be. Which is kind of funny to me as the only album I've charted on that account.
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hello! do you want to write but aren't? do you have an inexplicable degree of faith in the whims of some random, mostly-responsible indie author?
if you comment on this post i will send you an ask with a short-form writing prompt for you to do. the prompt will probably be weird and silly and potentially something requiring you to go out on a whim and be a bit strange. if you do not do it the only people who know you have rejected my challenge will be you and myself. and then within 42 hours it will just be you because i will almost certainly have forgotten i've done this.
trust the clove to tell you what to write! the clove has good and regular ideas. the clove is good and normal-style for trusting.
I have no idea if this would be helpful to hear but if there's an aspect of a story that is proving difficult to the point where it's keeping the story from progressing, you can absolutely skip it/work around it.
If I'm writing or even just mentally developing an idea, and it keeps like flickering out in my head, that's usually my sign that I'm coming at it from the wrong angle. I'm either pursuing something I'm not fully invested or confident in as the writer, or I'm getting bogged down on things that only sidetrack the greater narrative.
Sometimes even a small tweak can help point me where I need to go. If two characters need to discuss a certain thing, and I'm for some reason stuck on executing that, I might try something as simple as changing the place or time of day when they have their conversation.
I'll often consider internal insight versus direct explanation, as well as the balance between action and dialogue. This might work better with an example - like, consider writing a conversation where someone is apologizing to their sibling. A brother and a sister got in a huge fight, the sister knows she's in the wrong, and now she's apologizing.
There's the option, if you're more centered in one sibling's POV, to express things through what they notice about the situation. Like instead of having the brother directly say that it was devastating to have his anger compared to that of their verbally abusive father, you could have the sister notice him physically stop mid-sentence to lower his voice. And she could think about how the brother has no real reason to do that, because even when he yelled it was still different from how their dad used to yell.
You can also have an opportunity to express multiple points at once by utilizing what a character does versus what they say. Maybe one of the siblings is uncomfortable with direct emotional vulnerability and tries to divert the apology with some sort of joke. Maybe they both do. Maybe the apology starts out as the sister wanting to apologize and ends with her asking her brother to help her fix the zipper of her jacket, because she knows how rough she can get and she doesn't want to end up ruining her favorite hoodie.
This might be entirely rambling and unhelpful and that's okay if it is! I just know I often get stuck over things like that, and prominent interpersonal scenes are the core of a lot of what I do!
recently i took out a ... character? is a stuffie a character? anyway i took them out bc it wasnt very logical for them to be there and also clunky to include
emotionally i wanted the stuffie to be there but eh
and this way there will be more comfort :3
so thats what i have to do for the next part too. but brain keeps absolutely refusing to focus or start T-T
yeah this is like. absolutely not a story. its more like ... me mentally playing dolls to like. have comfort for myself that won't work out in real life because Capitalism. and i'm ok with that. it wasn't meant to be a story, it was meant to be more like ... very very blatant ecapism
but writing it down so i will be able to get farther than 1/4 to 1 scene in before having to restart because i forgot everything i already did
like it's genuinely just notes. usually with straightup nonexistent grammar because Brain Reasons. i put the dialoge and like action and ... authors notes? / how each they're roughly perceiving the last action. a bit like a movie script or meeting transcript if it was written by an empath / telepath?
so far there's only 2 characters (6 exist in my plans) because they've barely made it out of the closet the whole thing started in, 20 pages in. working on getting them to leave the room ^^"
actually this is also why i unfortunately cant skip the talk
cause like. at some point (soon) they should probably actually explain more than name, pronouns and "idk what happened, sorry i'm here" (as a moderately disabled character when the whole thing centers around disability and needs and support)
but i fear i as a person am just kinda over talking about whats wrong with me and why and what all doesnt work right in any interactions between me and the world T-T
It sounds like you're kind of downplaying this as a process and/or way to dedicate some part of your time. So I do want to just throw it out there that you are describing what is pretty much exactly what I do when working on a lot of my longer-form projects.
I am a proud Mental Doll Player. I have put Folks into Situations that have never made it onto a page. And it doesn't need to! I just like thinking of little things like that.
All that to say I think that's a really cool challenge you're making for yourself! I even think the lack of formal structure is neat. I am a huge experimental art fan so that alone sounds like something I'd already read haha
hello! do you want to write but aren't? do you have an inexplicable degree of faith in the whims of some random, mostly-responsible indie author?
if you comment on this post i will send you an ask with a short-form writing prompt for you to do. the prompt will probably be weird and silly and potentially something requiring you to go out on a whim and be a bit strange. if you do not do it the only people who know you have rejected my challenge will be you and myself. and then within 42 hours it will just be you because i will almost certainly have forgotten i've done this.
trust the clove to tell you what to write! the clove has good and regular ideas. the clove is good and normal-style for trusting.
I have no idea if this would be helpful to hear but if there's an aspect of a story that is proving difficult to the point where it's keeping the story from progressing, you can absolutely skip it/work around it.
If I'm writing or even just mentally developing an idea, and it keeps like flickering out in my head, that's usually my sign that I'm coming at it from the wrong angle. I'm either pursuing something I'm not fully invested or confident in as the writer, or I'm getting bogged down on things that only sidetrack the greater narrative.
Sometimes even a small tweak can help point me where I need to go. If two characters need to discuss a certain thing, and I'm for some reason stuck on executing that, I might try something as simple as changing the place or time of day when they have their conversation.
I'll often consider internal insight versus direct explanation, as well as the balance between action and dialogue. This might work better with an example - like, consider writing a conversation where someone is apologizing to their sibling. A brother and a sister got in a huge fight, the sister knows she's in the wrong, and now she's apologizing.
There's the option, if you're more centered in one sibling's POV, to express things through what they notice about the situation. Like instead of having the brother directly say that it was devastating to have his anger compared to that of their verbally abusive father, you could have the sister notice him physically stop mid-sentence to lower his voice. And she could think about how the brother has no real reason to do that, because even when he yelled it was still different from how their dad used to yell.
You can also have an opportunity to express multiple points at once by utilizing what a character does versus what they say. Maybe one of the siblings is uncomfortable with direct emotional vulnerability and tries to divert the apology with some sort of joke. Maybe they both do. Maybe the apology starts out as the sister wanting to apologize and ends with her asking her brother to help her fix the zipper of her jacket, because she knows how rough she can get and she doesn't want to end up ruining her favorite hoodie.
This might be entirely rambling and unhelpful and that's okay if it is! I just know I often get stuck over things like that, and prominent interpersonal scenes are the core of a lot of what I do!
What it Feels Like Looking for a Movie on Hoopla or Tubi
Option One: A brilliant indie gem that is gradually reaching new audiences through a less-restrictive distribution platform. Watching this will fundamentally change you as a person.
Option Two: The store brand version of your favorite Hollywood classic. The kind of thing a well-meaning grandma will buy you on DVD because she's pretty sure it's the movie you love so much.
Option Three: This is a movie called Horse With Two Knives. The audio mixing renders the movie itself incomprehensible, but you can get the entire story off the poster. We will delete this off our platform three days after you watch it. No one you tell will believe it exists. This movie is mediocre, but you will forever be haunted by how little information exists about it online.
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LLMs have truly driven innovation in the field of willfully mediocre online copy. A conversation with my wife this morning led me to wonder if there were any sci-fi movies that centered around sports. So I looked online, just as a whim. And you know what I found?
Holy shit! So like at first glance ten sci-fi baseball films sounds like a lot. I thought statistically there was a chance someone would've made a science-fiction sports movie at some point in the history of science-fiction and movies and also, I guess, sports. But ten? At this point I already had a sense this was bullshit, but I was already on the page so I may as well scope out the list.
Huh.
Yeah so I am known by many as a big movie fan. I like me a motion picture. And I'll be honest! I have not seen a single movie on this list. But I do know about most of them, and I don't think it's a hot take to say that The Sandlot is not a science fiction film.
I actually think cinamaroo.com would agree that most of the movies on this list are not sci-fi films. And yet they are here. And yet I have been lured into looking at them.
This one might be a sci-fi actually. Burt Reynolds Kaiju? I'm sold, terrible website. Consider me sold on this premise I made up.
Okay so like if you look up houses on Zillow you'll see that all of them will have a sort of schlocky House Premise written by real estate agents to pitch the house to prospective buyers.
You must write a piece in this inoffensively corporate style to try and attract truly anyone to buy the obviously haunted house you've been tasked to sell.
The location and style of house is up to you.
Freshly renovated with new, sleek modern floors, upscale appliances, and expansive windows, this elegant condo with breathtaking views over both Lake Haines and the downtown Longport skyline is here to give a new meaning to luxury.
Walking inside this home greets you with a large room for family, friends, and frequent guests to gather. A private and soundproof office is nestled into the first floor along with a grand, spacious kitchen perfect for cooking, baking, and sharing.
With five bedrooms and five bathrooms, there is certainly enough to house guests on top of family. A long balcony graces both the first and second floor with plenty of outdoor space to enjoy the fresh air and look out over the lake with friends.
"The previous owners decided they wanted a place with a little less memories, is all. Did anyone die on this property, you ask? Uh, well - no."