ive been making myself so upset by thinking about ryan...
from the very beginning of the film, naim challenges ryan, without even meaning to. despite it happening off screen, we know that ryan doesn't acknowledge naim at school, but since (presumably) he initiated their meeting outside of school, he definitely doesn't ignore him. he can't stop sneaking glances at naim, thinking about him, being attracted to him.
obviously, we all know that during their first scenes together, he acts tough with naim because it's all he knows. he only feels safe enough to initiate a kiss after having shoved naim around a bit, embarrassed him and physically dominated him by pinning him down. showing that he is sufficiently masculine. but naim completely breaks ryan's worldview by kissing back with gentleness. with care. when ryan pulls away from that kiss, you can see the pure confusion and awe on his face. to him violence and lust are two sides of the same coin, but here is naim, offering one without the other. even naim's rejection when he gets nervous is so gentle. he sits up, nudges ryan away and makes an excuse. if it'd been hunter, ryan probably would have been shoved away or told to fuck off.
so ryan does feel like he's experiencing something new. when naim asks if this is his first time, he says yes. yes, of course it is. he's never felt anything like this before. the fact that it could give naim the wrong idea doesn't even cross his mind, because hunter has never been a genuine want for ryan, more a person to vent his pent up feelings on.
and he can't stop thinking about naim, about how that one day with him, those few hours, changed his worldview entirely. he tracks naim with his eyes a bit more obviously now, watching whenever he can. when naim catches him staring in the church, he can't make himself look away for the longest moment. he wishes that he could skip the humiliation of talking openly about his feelings, that he could directly transmit these thoughts to naim, to his brain, and make him understand.
but soon enough, ryan begins to get in his own head about it. what if that day doesn't mean as much to naim? so he asks, next time they hang out, "do you like it here? what do you like about this place?" it's cliché and stupid, but it'd be too vulnerable to ask what he really means. when naim doesn't get it, he pushes, the already flimsy subtlety of the question fraying with each repetition. "so nothing then? nothing you like about this place?" and naim catches the underlying meaning eventually, his smile turning sly and teasing in a way that makes ryan's heartrate stutter. "nah. nothing." naim says, and even though he's flirting, even though he's leaning in to kiss ryan... ryan still doesn't know for sure if this means anything to naim.
after the ritual, he's visited by the entity, though he can't possibly know that, so he thinks it's naim always coming to hurt him. and ryan is confused by this sudden change, but he doesn't say anything, because it's what he's used to, and what he believes he deserves, and he'd suffer it over and over and over, if he'll be rewarded with naim's lips against his, naim's fingers in his hair, the affection in his gaze. he'd do anything for those gentle hands, even if they sometimes make him bleed.
he's so tender with this new version of naim, simply assuming that perhaps now there's no more walls between them. naim has seen him at his worst, publicly humiliated, seizing in pain, vomiting from the agony of it, fighting for air. despite all the people in that room, they'd locked eyes before naim fled. that vulnerability is difficult to forget. so, sure maybe it isn't the kindest, but ryan figures that naim has also chosen to drop his facade. while ryan dares to be gentle, naim seems to finally be letting himself be cruel. and if that's the real naim? so be it.
until the photobooth. when his entire short life flashes before his eyes as he struggles to breathe around naim's vice grip, he realises that he'll die like this. he'd been letting this boy he loves keep escalating his violence, and now he'll pay for it dearly. so when he's suddenly, inexplicably, allowed air again, he doesn't hesitate. he stumbles away, tears blurring his vision, his bare skin prickling with goosebumps and the unbearable heat of eyes on him, of everyone watching him make a scene. he knows that he has to stop this now.
so when naim chases after him, looking equally horrified and distressed, ryan chalks it up to naim being caught off guard by his own capacity for violence. he knows that naim has discovered what he's capable of, and that next time ryan might not get so lucky. so he begs, in front of everyone. "please don't make me tell anyone. just leave me alone, please." because despite everything, he can't help but love this boy, this awful boy who'd kick him just as soon as he'd kiss him.
so when ryan eventually realises that this violent naim isn't right, isn't him, all he can really feel is relief. relief that naim isn't cruel, that naim's hands are gentle after all. that naim would never hurt him like this. but the real naim comes with his own set of problems. his own entity, for one. but also his own fear and insecurity.
on the way back from the hospital, he expresses his desire to leave. he's so painfully flippant about it, just a simple: "i'll go away." and ryan begs him, "don't go," because it seems that he's always begging naim for something. "i hate that shithole anyway," naim tells him, and ryan tries to ignore that this is the answer to his question from the mill, from what feels like decades ago. that naim hates this place and everything in it, and that ryan himself isn't worth the effort of staying, of trying to make this work. he can't help the bitterness bleeding into his voice when he replies, "i know you do, naim."
but still, he softens within moments, taking naim's hand. "don't go. it's all my fault." he says, wanting so badly to make up for it, for being like this, for getting caught, for getting naim caught, for the entity that wears his face hurting the boy he loves more than anything, for the adults that put them through this, for the heaviness of his own love and desire. he'll repent for it all, if it means naim will have it a little easier. if it means naim will stay.
but naim doesn't seem to get the message, trying once again to leave ryan outside the church, not even a week later. "don't follow me," he says. "you shouldn't be near me. i shouldn't be near you, either." ryan agrees, because he's angry, he's frustrated that he can't get through to naim, and tries to storm off. but he barely makes it past the doorway before he's spinning around, speedwalking right back to where naim is, breathless from how hard his pulse is racing. he knows that he has to say it. he has to tell naim how he feels, or as close as he can manage, or he'll lose him forever. he can't quite manage to look at naim as he speaks (even though he's mercifully facing away), but he says it. he tells naim that he doesn't want anyone else.
what he doesn't tell naim is that it really seems like he hasn't got anyone else. his parents have never been all that attentive, but now they prefer to avoid him altogether. hunter is gone, and ryan's never really had any other friends, and after being outed, he's become an outcast. he has no support, no foundation on which he can balance, not without naim. ryan knows, as surely as he knows himself, that if naim leaves, he'll miss him badly enough to give in to the entity's temptation, if only to see naim's face again, to hear his voice.
that is why ryan forgives naim for his betrayal. because he loves him more than anything. because he knows that naim is kinder than this, that it must've been more complicated than a simple act of cruelty for cruelty's sake. because naim has given him so much, has changed the way he views intimacy and affection, has given ryan solid ground to stand on when no one else would, and it all outweighs his one mistake. how could it not? and now, finally, after trying and trying to run away whenever he got overwhelmed, naim finds ryan at the bus stop. he commits to ryan, to leaving together, to trying to find a home elsewhere, in eachother.
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ryan “i’m the exact same cunt i’ve always been, mate” whelan doesn’t say baby or babe. i doubt he even has it in his vocabulary. like where would he get the reference for calling a partner That. chances are he says cunt with the cheekiest fondest smile ever and it actually works. hi hello is this mic on
so many negative reviews for leviticus saying it was bad because it didn't explore the entity deeper really grate on me bc it's such a fundamental misunderstanding of the story adrian was trying to tell. we dont get the origins of the entity because it doesn't matter, it's clear from the beginning what function it serves the narrative—a physical manifestion of homophobia. leviticus is not a supernatural monster film, it's a coming of age; a teenage boy reckoning with his queer identity and the reality that because of who he is, he will always be at risk from homophobia
although i can understand some of the dissatisfaction given how leviticus was heavily marketed as a horror film (and typical horror conventions dictate the supernatural being is a focal point), negative reviews lose me when they demonstrate a complete disinterest in engaging what the film actually is, rather than what they wanted it to be. leviticus won't satisfy you if you're marking it against a rubric it wasn't designed for. the deliverence healer and the entity aren't fleshed out further because they are not the focus, and adrian is not a bad writer for choosing not to spend his incredibly tight run time on something that wasn't important to the story he was actually trying to tell: queer kids harmed by the dangers of religiously charged homophobia.
i can't help but feel like these comments that leviticus was "underdeveloped" and "poorly written" come from the fact adrian refused to hold the audience's hand. he left things out because he wanted the viewers to fill in the gaps with their own experiences, making the film more personal and grounded. if you weren't shown something, it's because adrian gave you enough to figure out the rest yourself or because it wasn't relevant. every time i rewatch leviticus im blown away by how restrained it is. its not common (especially nowadays) we get a writer/director so willing to hand a film over to its audience and let them independently join the dots. adrian did not poorly execute leviticus' message, he just makes you work for it.
art is obviously subjective and everyone is free to post their review, but if you go on abt how leviticus is bad because it didn't dig deeper into the deliverence healer/entity and wasn't clear abt its message, don't be surprised when people tell you you didn't understand the film.
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ryan whelan who grew into his sexuality through violence, learned that desire is inextricable from fear and intimacy requires pain. part of him knows it's wrong that he comes away from sex bruised and beaten--but it's all wrong, isn't it? that's what he's told every sunday, when the pastor brushes over commandments against lying, stealing, adultery and places sexual immorality at the detestable forefront.
what he feels is wrong, so it should hurt when he acts on it.
a new boy comes to town, bug-eyed and withdrawn, wearing ill-fitting clothes like he thinks it'll make it harder for people to notice him. but ryan notices. notices the way naim reid looks back sometimes during class, eyes touching on him and then away.
anything you're not afraid of? he throws verbal stones instead of physical, not wanting to scare him off, but needing the violence as lead up if he's going to dare act on his building desire. funnel web spider--an excuse to flick a finger against soft cheek, a well-aimed, final blow. naim snaps, swears, shoves him with a force ryan is used to, and so now he can change the tide. they go down hard on the dust-covered concrete floor, naim splayed out beneath him, pinned by a hand on each wrist. and ryan's panting, praying, repenting in advance, but he's a son of adam as much as his father's. he takes and eats of the fruit.
naim looks up at him, eyes filled with shock. ryan's heart spikes, adrenaline turning to poison in his gut. but then naim pulls him down, and the kiss doesn't bruise, the soft whimper he offers up into ryan's mouth not from pain. he yields when ryan touches him, lets him change their position without a fight. ryan's never had this feel so right before. never had a kiss so bloodless.
then naim pulls away, panicked, says they should stop, and he realises that even tenderness cannot conceal what they've done. you ever been there before? to the mill? no, he says. first time. because he's never taken hunter there before, hunter who touches ryan like he wants to kill him, like he wants ryan to tear his throat out with his teeth and put him out of his misery. don't tell anyone, he says. this town will eat naim alive if he dares.
ryan lies awake thinking of the way naim had sighed into his mouth, unfurling underneath his touch like a blooming flower. there are no bruises where naim touched him, but he almost wished there were, some kind of mark on his body as proof it hadn't been a dream. he should leave it, he knows. go back to being different, ignoring naim at school.
ryan's already ruined, but gentle naim might still be saved, if they leave it here.
he entices naim back to the mill with a promise of a joint to share because he's wretched and weak, and naim follows like a duitiful lamb. he tells him of his mother, loosened by the buzz, grief sticky in his throat. shit hole, he calls the place that's all ryan's ever known. it was my mum's idea to move here.
so there's nothing you like about this place? nothing? and he's trying hard to stay casual, but his desperation echoes clear in the wide open space of the mill. nothing, naim says, and then kisses ryan like he's never been kissed, except in the same place by the same mouth all those days ago.
the pastor's son comes knocking, and ryan's been taught to turn the other cheek rather than dodge, so the stones hit him straight on as he bites through his tongue. hunter will taste the blood, when they're bruised enough they can finally touch each other with hands instead of rock, but he won't care. they were raised in this shit hole together, the two of them, and they're made of the same rotten stuff. naim will figure that out sooner or later, and he'll high tail it out of this town and move on to big and better things. and ryan will stay, church every sunday, head bowed, praying to god none of these people ever see him for what he is.
the mill is a distant dream, when hunter licks the blood from his teeth, nails digging into his throat. this is what he deserves.
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