Warbirds through the agesβ¦Gladiator, Hurricane and Spitfire
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The Stonewall Inn

shark vs the universe
Misplaced Lens Cap

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trying on a metaphor

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Not today Justin
cherry valley forever

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Jules of Nature

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One Nice Bug Per Day
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occasionally subtle
will byers stan first human second
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@goneril2003
Warbirds through the agesβ¦Gladiator, Hurricane and Spitfire
@CHartleyPhotos via X

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27 July 1944. The final production Hurricane, PZ865, "Last of the Many" was rolled out from the Hawker factory at Langley.
@EiseleRon10374 via X
On the road to hell there was a railroad car...
Academy Awards, 1999 Photographer: Tom Stoddard
*Best Supporting Oscar for Shakespeare in Love
A deleted scene from The Silence of the Lambs (1991)
"You're tough, aren't you, Officer Starling?" "Reasonably so, yes." "And you'd hate to think you were common. Wouldn't that sting? My! Well, you're far from common, Officer Starling. All you have is fear of it."
The Silence of the Lambs (1988) by Thomas Harris

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Kind of in awe of Peter Cushing's Van Helsing characters and the way they will just decide to physically fight Dracula. In so many forms of vampire media, it's established that vampires are too fast/strong for this to ever work as a strategy, and even though that's only touched on in the Hammer movies, in-universe Van Helsing either doesn't know, or does not care.
And this is key: Van Helsing does *not* know how to fight. He is not good at it. He is going in there with a crucifix, and maybe a backup crucifix or a bible or a vial of holy water. He usually loses the crucifix mid-fight and has to improvise. Dracula throws him around a lot. About fifty percent of the time, Van Helsing ends up with a vampire homoerotically choking him, which may or may not be part of the appeal.
But the thing is... it works. I can't even say that the confidence isn't justified. Because the vampires usually don't know how to fight either. Why would they? Usually they just hypnotise people and then bite them. They've never anticipated a guy with the physique of the average librarian coming at them ready to throw hands. Especially since Van Helsing just does not stop. Keeps getting up. It doesn't matter how often he gets knocked around because all he has to do is stick it out long enough to get within staking range, or cobble together a makeshift sign of the cross, and the vampire is toast from there.
This behaviour is also genetic because while Van Helsing Original Flavour pioneered the concept of throwing yourself at a vampire and keeping throwing yourself at the vampire until the vamp goes down, Van Helsing 2.0 living in the 20th century found out that Dracula was back, and immediately stood his 60-something-year-old self up, put on his grandpa cardigan and started sharpening stakes, because fuck you, that's why.
What keeps the van Helsing line alive is an ermine-like insistence that they are the scarier, bigger animal when faced with a fucking grizzly bear.
Ground crewmen prepare a Spitfire in a field outside of London during the height of the Battle of Britain.π¬π§
@ron_eisele via X
Why Peter Cushing is my favorite Van Helsing:
Everyone loves a distinguished old man in a Victorian get up.
He decides punching Dracula in the face is a strategy worth at least attempting. Every other Van Helsing portrayal Iβve seen tries to go after Dracula with an assortment of paranormal weapons, but Cushingβs Van Helsing isnβt afraid to throw hands when that fails or he drops whatever religious item is protecting him.
Heβs always the most competent figure in any Dracula film.
When he gets bit in Brides of Dracula, Van Helsing decides cauterizing the bitemarks with a hot iron is a brilliant idea and then just throws holy water on it like itβs nothing.
Itβs Peter Cushing.
Financial Times HTSI, 2025 Photographer: Jody Rogac
I made these two gifs because I thought the contrast between how these two valjean react to mannvert was too good to pass up

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What a beautiful profile. Like something out a Repin painting.
A Room with a View, 1986 with Maggie Smith clip: tayryn
24 July 1940. Supermarine Spitfire Mark IAβs of 610 Squadron based at Biggin Hill, flying in βvicβ formation.
@ron_eisele via X
Vincent Price and Peter Cushing -
Madhouse (1974)
Academy Awards, 2001 Photographer: William Conran

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Anthony Hopkins filming The Silence of the Lambs (1991)
"Anthony is the nicest man I've worked with in a long time, and the difference between that, of course, and the fury and passion of Hannibal Lecter is very interesting." - Jodie Foster
Star Wars: Episode IV β A New Hope dir. George Lucas | 1977