โOne such woman who managed to invariably alter the sartorial landscape of court, and therefore its practices of courtly love, was Madeleine de Limeuil, who, then part of Caterina de Mediciโs household, represented the goddess โMedeaโ in the Goddess Pageant of 1559.ย Her choice in goddess was as explicit as it could be, a woman famed for her rage, jealousy, and desire for revenge, Madeleine set upon the English court with a fury, in the words of her divine persona taking โon the armor anger,โ she โprepared for destruction, possessed by fury.โย We are told that, on that clandestine night, Madeleine arrived on the right-hand of the Queen, with her long, dark hair pulled into a loose plait and dappled with jewels.ย The ladyโs costume was of particular note, and considered so scandalous to the deeply-pious English that one witness, George de Clere, chronicled Madeleineโs appearance in deep โ and mostly disapproving โ detail.ย
She wore a thin white gown of loose muslin, the decolletage being so 'low and tightly bound to her breasts' that throughout the night, Madeleineโs dusk-capped nipples repeatedly escaped, causing the English to blush furiously in her presence.ย To our modern eyes, Madeleineโs choice in attire was mildly inappropriate โ a far cry from the half-dressed celebrities that proudly strut the steps of the Met, she appeared, in any event, a glistening, radiant woman, in white from head to toe, save for the thick gold chain around her waist โ recorded by de Clere as โno thicker than a greedy gentlemanโs wanton handful.โ