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Swans - Mother/Father

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throethroe

#Larissa Iceglass #lebanon hanover

Some test shots for the opening of a personal feature film project

#16 mm

postpunkindustrial

Jarboe

nontemporary

PAULA CODONER

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philomena-famulok

©Philomena Famulok

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janasojka

Night in Poland

thinkingimages

Theodore Brauner, Gherasim Luca

LUCA, Gherasim et Théodore BRAUNER, 1945

papier orange

Originally published in 1945 by Les ditions de l'Oubli in Bucharest, The Passive Vampire caught the attention of the French Surrealists when an excerpt appeared in 1947 in the magazine La part du sable. Luca, whose work was admired by Gilles Deleuze, attempts here to transmit the "shudder" evoked by some Surrealist texts, such as Andr Breton's Nadja and Mad Love, probing with acerbic humor the fragile boundary between "objective chance" and delirium.

Impossible to define, The Passive Vampire is a mixture of theoretical treatise and breathless poetic prose, personal confession and scientific investigation it is 18 photographs of "objectively offered objects," a category created by Luca to occupy the space opened up by Breton. At times taking shape as assemblages, these objects are meant to capture chance in its dynamic and dramatic forms by externalizing the ambivalence of our drives and bringing to light the nearly continual equivalence between our love-hate tendencies and the world of things.

barbarabezina

Sobre la mesa

Watercolor pencils, watercolor graphite, ink and chalk pastel on photographic printing

barbarabezina

"Funa roja"

Self-portrait (digital photography) printed on wood paper + chalk pastel + graphite + gloss golden marker

NFT Here

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barbarabezina

Photomanipulation printed on pink paper

thinkingimages

Sang Woo Kim, Blindspot 002, 2023, Pigment dye transfer on canvas, 40cm x 31cm x 2cm

barbarabezina

La muerte

Watercolor pencils, graphite, glasochrom pencil and pastel chalk on digital photography printed on wooden paper - Gif (55 frames)

reterritorialisation-deactivate

There is a thick knot of sorrow—of guilt—buried somewhere deep inside my chest. It tightens and pulses, radiates anguish, seethes. If I could cut it from myself, be free from it, I would feel peace, goodness and kindness. To remove it would be to remove an organ, a beating and bloodied part of myself that I cannot live without. I want so badly to be good but to rid myself of my vileness would be to die. And so I try to be good, to do good anyway. To offer resistance to that which wants to control me. Lately it feels like despite it all, that I can be kind, that my goodness is prevailing.

yama-bato

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zegalba

Stephan Sinding: 'Adoration' (1903)

zegalba

Zdzisław Beksiński: Untitled (1976)

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