Part 2 of the silly dolls, being a menace with eachothers merchandise on purpose
Honestly what did she expect
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ZJEBANA HONOKA MENTIONED IN THE WILD OH MY GOOOOD

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@gnomza0zl
Part 2 of the silly dolls, being a menace with eachothers merchandise on purpose
Honestly what did she expect
@gnomza0zl
ZJEBANA HONOKA MENTIONED IN THE WILD OH MY GOOOOD

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did you know that in Poland there is one female king (not a queen)? and the reason is mostly linguistical from what I know
the polish word for king is "król", now, back in the day last names worked differently than they do now
for example: let's take a guy with the last name "Kowal" (literally meaning smith), right now everybody from his family would also be called "Kowal" but it used to be that his wife would be called "Kowalowa" and his daughter "Kowalówna"
now, let's get back to the words for the royal family. the king is "król" and the queen is "królowa". so the queen in Poland doesn't have the same function as it does in English, if we count its etymology, "queen" is not a position with power but the person, that is married to a king
which is why we have a king, who was a woman
ALSO ANNA JAGIELLONKA! i do not remember the exact shenanigans around that buut i think batory became the king by marrying her!!! król polski jadwiga andegaweńska you will always be famous<3
hello and merry christmas @dream-unity !!! i had the pleasure of being your secret santa for @utsecretsanta exchange 2025, here's some domestic chara and flowey for you! <3
TRICK OR TREAT!! >:3
hmm, you know what, trick
now if you follow me to this room, there is somebody who would like to fight you
YAHOOOO MY FAVOURITE EVIL CUNTY MAN, THANK YOU♡♡♡

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Has the Undertale fandom seen this I think it’s very important that the Undertale fandom sees this
@gnomza0zl
TOBY FOX DID YOU DO THIS ON PURPOSE... THIS IS SO ICONIC
Holy shit I just realized-
ASgore and toRIEL = Asriel
fucking dorks named their kid after their own names squished together
(although admittedly it’s a much better name than “Togore”)
@gnomza0zl
TOGORETASTIC😱
when they said mentzen is anti israel i thought it was a joke hello what its real???????
WHAT WHAT DID I MISS??????
EVERYBODY SAY CHEESE!
HAPPY (late) 10TH ANNIVERSARY, UNDERTALE! i posted about it on my ig art account (@gnomanapora) but i wanted to make a small shout out here. the happiest of birthdays to the best video game & piece of media ever released. i hope toby knows how special it is to so so many, including me. i celebrated by baking cinnamon bunnies and listening to the soundtrack while doing so. here's to another 10 years<3

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ohhh the memories... happy 10 years!! (tomorrow)
UNDERTALE BIRTHDAY <3
🎉✨️happy 10th anniversary to PEAK 🎉🎊
+ closer on the two halves bc its a pretty long canvas. I wasn't originally going to make a piece and then decided last minute because I mean. come on I gotta!!! Not only is the game itself 10 years old but this also marks 10 years I've been a fan of it :) shoutout to asriel dreemurr for being my absolute goat when I was in middle school
THIS IS PEAAAK
10 years already... time flies by, and as someone who heavily self-inserted as Frisk when I was 12, I can't help but feel like they must have been growing alongside me. I'm already 22, I can no longer wear stripes...
Lots of close-ups below (WITHOUT the pages), because there are A LOT of details to seek
THIS IS SO GOOOOOOOD
you cannot remove the queerness from utdr without fundamentally hurting the story. there is no label ever put on it but it's there and it has to be acknowledged.
Frisk, Chara, & Kris being non-binary instead of just–whatever the player wants them to be–adds to the themes of individuality and separation between them and the player. For Frisk & Chara, I've made a whole post about their role as narrative stand-ins but also individual characters. For Kris, it's actually ridiculous if you even attempt to claim they aren't non-binary–because they actively reject the player's influence and are the furthest thing from a self-insert. Monster Kid, Napstablook, etc are also genderless. In Deltarune, Seam also.
Also, Frisk considering to Flirt with literally anyone regardless of gender–and that being a game mechanic in and of itself–to me, implies this kid is most likely pan. Whatever you want to call it, their gender-blind flirting is in fact a game mechanic.
Alphys' and Undyne's sapphicness is the key to the pacifist ending. Without setting them up you literally cannot access the true pacifist ending. If it wasn't for Papyrus encouraging his lesbian bestie to send that damn letter, nothing would have happened. (Maybe indeed Flowey would've used another method to make time, but accessing the true lab with Alphys' permission would've been near impossible.) In fact, Alphys' bisexuality and her subsequent crushes are in fact a big part of her character. Not the most important–obviously, Alphys is one of the most layered characters in the game–but in hating herself, the lies she says to appease to Asgore first and Undyne later are undeniably a big part of what makes up her character.
Mettaton's allegorical transness kick-starts the events that lead to the creation of Flowey and the amalgamates. Without him, Alphys wouldn't be royal scientist. No determination experiments, no Flowey, no game. No Mettaton? Half of the hotland segments wouldn't exist, including the MTT resort in which the infamous it's raining somewhere else sequence happens. Mettaton also helps other trans people with their transition, like when he gifted his blue dress to the beautiful trans lioness after being done with it.
Mad Mew Mew's transness, even if unacknowledged by the main game, is constantly brought up by Toby since she appears in occasional News Letters, the alarm clock dialogue, etc, as a way to remind everyone that she exists and is as much s part of this found family as everyone else. She's also a sapphic, with her crush on Undyne also being acknowledged.
Asgore's implications of bisexuality and his inherent homoeroticism when talking about Rudy in the Alarm Clock Dialogue & Deltarune alike aren't game changing aspects of his character but nice touches that inform his relationships outside of Toriel.
The two Royal Guards in Hotland can only be spared through being set-up. Also, their romance cuts the player's nice cream supply.
Papyrus, though nothing game changing can be said about his sexuality, has a well-documented celebrity crush on Mettaton. Also, if you want to bring Toby's twitter joke into consideration, the skeleton brothers could in fact exist in the ace spectrum. And I say spectrum instead of outwardly asexual because Sans befriended our mom last night-
Even though Nice Cream Guy gives free Nice Cream to Burgerpants, he refuses to give free Nice Cream to the human. Burgerpants is so oblivious this could be considered flirting that I wasn't sure if I could count it, but then again Burgerpants is the nexus of a complex, interwoven web of non-reciprocated crushes and he's deeply unaware of the situation at large. This dynamic expands in Deltarune, with Bpants saying that Blue Ears is obsessed and has no sense of personal space–and the latter noting a love for his co-workers and giggling.
So then, In Deltarune, obviously, we have a deeply queer group of people and I think that this queer solidarity is really fundamental to it. I already mentioned the importance of Kris being non-binary .
Ralsei is generally understood to be maybe pan due to his general gender-blind openess towards especially Kris. I don't want to really get into his blushing when Kris gets too close or the fountain of love, because, well, he's representative of Asriel–but still. His queer-coding is undeniable.
But onto stronger candidates for this queer conversation, Noelle and Susie's dynamic adds two more sapphics into the utdr franchise. Noelle's crush has always been a massive, dare I say game-changing part of her character. Susie and Noelle met for the first time in Susie's first day of class. Susie had forgotten her pencil, and then Noelle noticed it and offered her candy-cane one. After this nice action of Noelle's, and also by the fact that she genuinely smiled at her, Susie developed a soft side for her and spared her from her bullying.
Then we have Berdly’s whole, “I'M the one Noelle and Susie are falling like dominoes for. And you know what dominoes means, Kris? ,,,You're next.” At another point he calls Noelle to ask her if she will be his date at the festival the next day. Susie tells him to leave her alone. And you can decide to respond that you'll go out with him or sing the Wrong Number song (in any case, Berdly is surprised). If you choose the first option, he says that Kris will have to compete with Noelle and Susie (thinking the two are into him). If it's the second then, he says that Kris will fall under his charm sooner or late. That also suggest a gender-blind attraction. But, in general, his crushes to Noelle and Susie respectively seem performative. And the queer reading that can be done here is undeniable, taking into consideration deltarune being steeped in themes of identity, performance, masks and unspoken internal conflict.
Now, mind you, every single side character can be viewed through a queer lense–in fact, it's damn near impossible not to do that. I just think that's wonderful. Like, have you seen Rouxls Kaard? Queen? Jevil? Spamton? Tenna? The queerness is oozing right through. The side characters in both Undertale and Deltarune are bursting with camp, flamboyance, theatricality–rarely do they conform into typical binaries/boxes wether those could refer to gender, sexuality, or like. Morality man idk.
PREACH!!! i've just talked about how queer UT is but the truth is that you REALLY cannot take away the queerness from it bcs it's integral to the story. that's why it's such good representation, it's not just to be there, it's integral to the story

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How Toby Fox created one of the best species and how he handled the topic of gender in his game - an analysis :] (part 1)
Before I begin, I think it is important to note that I'm writing this from the perspective of a queer, but cisgender woman - so a lot of stuff that I will be discussing won’t be something I can relate to. I’ve been in UNDERTALE’s community for a very long time now (as of 2025, it’s been 8 years since I played it for the first time) and I have seen people talk about certain aspects of this many, many times in all those years. However, I haven’t really come across an analysis that focused directly on this topic and that’s part of the reason why I would love to talk about it today!
UNDERTALE by Toby Fox (who might get called UT and TF respectively later in this) is without a doubt the most important piece of media that I’ve come across in my entire life. I fell in love with it 8 years ago and it’s still very much present in my life til this day, I replay it at least once a year, can pretty much recite many parts of it from memory, I’ve created tons of fanart that’s chilling on my old, 15 year old laptop and the whole game inspired me as an artist like nothing else. Even though it’s such a tiny game, I think it has one of the best worldbuilding and characters I’ve ever seen. One day, I will probably speak more about the Underground itself (maybe after Deltarune is finished, because it will give us more surface [pun intended!] to compare the two worlds together), but now I would like to focus on the Monsters as a species instead. And specifically - on how TF handled the way they view gender, identity and everything in between.
I think it’s a tale as old as time itself that a lot of fantasy media tend to get really… lazy when it comes to their characters. We’ve probably all seen it - for example female designs of monsters not following the same rules as the males ones to keep them “attractive” for the male fans (which ends up in ridiculous looking designs) or characters that are supposed to be a completely different species still being very, very similar to humans in terms of biology, their actions, the way they view the world etc. Of course, the real world is our main source of inspiration when writing and I’m absolutely not critiquing using it as a base of our creation. But when creating a world from scratch, we do not have to follow the rules that our world has set, we do not have to follow the same stereotypes and ideas that exist here. And this is why Monsters from UT work so great in my opinion.
I think it’s about time I get straight to the point - I think the way TF handled the species as a whole is genius and the more time you spend analysing the game - the more you see it. I’ve spent a lot of time dissecting The Underground in the past years and I’ve noticed a lot of fantastic details about it, so I’ve decided to put them here! This turned out to be much l o n g e r than I expected, so check reblogs for the next parts!
To start, Monsters are a veeeery, very diverse species, much more diverse than Humans. I think it’s also important to note that UT’s Humans and Humans in our world are probably different too, but we have little to no information about that. There are many different types of Monsters, obviously there are Boss Monsters (Asgore, Toriel, Asriel) whose souls can remain after death for a short time and whose main characteristic besides that is aging only if they have an alive offspring. But this is just one type of Monsters, as there are so many different kinds of them. Once you play the game with more focus, you will notice that a TON (if not the majority) of Monsters are referred to with neutral terms, look very much androgynous and seem to not have a gender at all. This is something that I always lacked in other fantasy media, because what do you mean every single species in a world built from scratch views gender the same way as we do? I loved to see it for UNDERTALE so much. And the genderless Monsters aren’t only the enemies that we face, whom outside of the fight do not have much character to them, but with major characters as well. We only know two Humans in the world of UT, but they are enough to give us some information about them. Neither Frisk or Chara have genders. People have said that it may be done to let the player relate to the characters more, but… who are we kidding? At the end of Pacifist it is revealed that Frisk has been their own person since the beginning. In Genocide we learn that the game is aware of OUR actions. Frisk is never blamed for it, as they were pretty much controlled by us, the player. Both Frisk and Chara are ALWAYS referred to with neutral terms and pronouns and their gender isn’t for the player to decide. This narration continues to Deltarune and is far more expanded there - Kris’ identity being separate from the player is much, much clearer there, and Kris is also referred to with they/them pronouns and their gender is never brought up or discussed. The humans in TF’s works just don’t have genders and that is completely okay. Unfortunately, in its “golden age” (2015-2018) it was a very common theme for artists to assign genders to Frisk and Chara (and also age them up to sexualize them or do it without the aging up process. The fandom used to be… a thing back then), but I haven’t seen any behaviour similar to this in recent years and I couldn’t be happier about it. One species that I focused on a lot when doing my research is Ghosts. Ghosts function completely differently to other Monsters; they will never die from physical attacks, they can possess objects and “bodies” and eventually fuse with them - basically creating a whole new Monster. This is such an interesting concept, because it allowed us to have one of my favourite conflicts and story arcs as a whole in the entire game. Actually, that conflict is what inspired me to analyse the way TF handles gender in his media as a whole. That being the story arc of Napstablook, Mettaton and Mad Mew Mew and I would like to use their example (mainly Mettaton) as a point of reference in this analysis. It’s important to note now that Mettaton is my favourite UNDERTALE character, has been since 2017 and is also my favourite character throughout all media I’ve ever consumed. And I’ve spent the most amount of time with him and fanmade media related to him, so I had plenty of time to analyse his character. If you’re interested, I also wrote about the fanbase’s perception of MTT in the early days of UT’s fanbase, you can find it on my profile!
From day one, it’s obvious that The Underground is FULL of queerness. Not only that, queerness isn’t anything like in our world in terms of how it’s perceived. Queerness is treated as it should be - queer Monsters exist, they express it freely, it isn’t taboo, it’s mainstream, it’s either showed to us directly (Undyne and Alphys, the Royal Guards, Papyrus) or more subtly (Asgore in the Winter Alarm Clock dialogues). There is no “default” sexuality for Monsters either (I have a personal headcanon that Monsters do not reproduce the same way that humans do, but I will save this for another time). Alongside all the queer characters, there are two that definitely stand out in my opinion, because them being queer is also very, very important for their storylines - that being Mettaton and Mad Mew Mew, whom I mentioned earlier. Mad Mew Mew is a fairly recent addition to UNDERTALE (for those who don’t know - she came with the Switch version of the game in I believe 2018?), but Mettaton has been here from the start. I think a lot of people, including myself, have fallen into the trap of “I thought Mettaton was a woman at first”. 11 year old me saw a character in pink, high heels, with gorgeous hair and make up and thought “yeah that’s probably a girl”, but Mettaton being a man is something very important to his story. For those who do not know it yet - Mettaton, before becoming a robot, used to be a ghost and lived with his cousins (Napstablook, Mad Mew Mew and Dummy from Ruins) in Waterfall. However, Mettaton left Waterfall one day after meeting Alphys, who built his robotic body for him. It is integral to the culture of Ghosts to possess certain bodies and if they feel comfortable in them - fuse with them. This way Ghosts lose their abilities and take the form they fused with forever. I forgot to mention that earlier, but Ghosts are born genderless as well. Not only that, but The Dummies (Dummies possessed by Ghosts) typically do not have a gender assigned to them either. And then, when creating them Toby Fox asked himself (probably): “What if trans Ghosts?” And oh boy, did he trans the Ghosts! This won’t be a controversial opinion at all; Mettaton is a man. He is reffered to with male pronouns at all times, Catty and Bratty call him their “robotic husband” etc. It’s stated clearly throughout the entire game. However, if you go to the house neighbouring Napstablook’s you will learn that it belongs to Mettaton and he used to live there when he was a ghost. In his diaries that you can find there, he states that “he will never find a body that will suit him, anyway”. Like I mentioned, it seems that Ghosts becoming Dummies (who are genderless) is very rooted in their culture, but Mettaton clearly did not want that. He wanted a body that he would feel comfortable with, a body that would let him express himself the way he wanted. For as long as I’ve known this, I’ve seen trans people relating to Mettaton’s story and even though Toby Fox doesn’t say this directly - it’s pretty much considered to be canon. I don’t think it’s necessary for him to state that anyway, because The Underground doesn’t operate with human terms. Mettaton is a trans man, who was born as a genderless Ghost, but felt like a man and Alphys helped him with his transition. Basically transitioning from a genderless Monster to one full of gender, if I can call it that way. I think this is such a genius idea and a great utilization of the world TF created.
Of course, there are male Monsters that have traits that we connect with masculinity (for example a stronger, bigger statue, overall anatomy, beards, wearing certain types of clothes etc.) but Mettaton is, once again, a clear stand out in the way he expresses his masculinity. Mettaton wore a dress with full confidence and it was never laughed at or mocked - the dress also later turned out to be a part of a small storyline of an npc lion, who got very excited to wear MTT’s dress. However, THE most important thing about Mettaton’s gender expression is his EX design. It was discovered by people that it was probably inspired by a David Bowie look (which already says a lot), but everyone always connected his design to one thing - drag. Not only his design, but the way Mettaton is portrayed as a whole, rings a bell if you are a drag fan. I myself have gotten into drag (mainly via Drag Race) at the beginning of 2025 and I’m surprised I did it just now after years of loving Mettaton. The face paint that he has, the clothing, the performance style, him being a performer in the first place, the sassy, snappy and kind of (or rather VERY) shady attitude, the way he addresses people, the high pink heels - it’s all super drag. It’s actually pretty funny, because drag performers create their characters and are completely different people out of drag, and MTT seems to be always the same. The point is - Mettaton doesn’t present himself the way people in our world often “expect” from trans men. He embraces femininity (in our idea of it), he isn’t afraid to do stuff that humans typically do not consider to be masculine without it affecting his gender identity at all (NOTE! I would feel bad if I didn’t bring this up in this analysis, so I would like to make it clear; trans people do not exist to please and fit with the binary and expectations that others set for them. I have seen a lot of trans masculine people who present in a way that we consider feminine be literally torn apart online, because people couldn’t handle the idea of a trans man embracing his femininity, and vice versa for trans women. Trans people should be able to express themselves the way they want and it’s their and their business only). Not only that, he’s literally a CELEBRITY who performs for the entire Underground. And everyone always respects him on this aspect to the core, you cannot argue with that. I don’t know how much of this analysis makes sense, as whenever I start writing about UNDERTALE, I end up discussing ten things at once. But I stand by what I said and I think UNDERTALE is one of the best examples of how to handle a fantasy species. Monsters are diverse, so interesting and so different from us (they function completely differently even on biological standards - they turn into ash right after they die, they do not have a digestive system in their bodies and find the idea of it to be disgusting etc). And most importantly, THEY ARE QUEER! AND TOBY FOX WAS NEVER AFRAID TO SPEAK OF IT DIRECTLY! And I am so glad to see even more of it in Deltarune, from adorable lesbians to teenage kids who have an identity crisis because their soul is controlled by a being they cannot understand. It’s so good in so many aspects, really. If you haven’t already, GO PLAY UT AND DR RIGHT NOW!!! And thank you so much for your time cause boy, that was a long one!
How Toby Fox created one of the best species and how he handled the topic of gender in his game - an analysis :] (part 1)
Before I begin, I think it is important to note that I'm writing this from the perspective of a queer, but cisgender woman - so a lot of stuff that I will be discussing won’t be something I can relate to. I’ve been in UNDERTALE’s community for a very long time now (as of 2025, it’s been 8 years since I played it for the first time) and I have seen people talk about certain aspects of this many, many times in all those years. However, I haven’t really come across an analysis that focused directly on this topic and that’s part of the reason why I would love to talk about it today!
UNDERTALE by Toby Fox (who might get called UT and TF respectively later in this) is without a doubt the most important piece of media that I’ve come across in my entire life. I fell in love with it 8 years ago and it’s still very much present in my life til this day, I replay it at least once a year, can pretty much recite many parts of it from memory, I’ve created tons of fanart that’s chilling on my old, 15 year old laptop and the whole game inspired me as an artist like nothing else. Even though it’s such a tiny game, I think it has one of the best worldbuilding and characters I’ve ever seen. One day, I will probably speak more about the Underground itself (maybe after Deltarune is finished, because it will give us more surface [pun intended!] to compare the two worlds together), but now I would like to focus on the Monsters as a species instead. And specifically - on how TF handled the way they view gender, identity and everything in between.
I think it’s a tale as old as time itself that a lot of fantasy media tend to get really… lazy when it comes to their characters. We’ve probably all seen it - for example female designs of monsters not following the same rules as the males ones to keep them “attractive” for the male fans (which ends up in ridiculous looking designs) or characters that are supposed to be a completely different species still being very, very similar to humans in terms of biology, their actions, the way they view the world etc. Of course, the real world is our main source of inspiration when writing and I’m absolutely not critiquing using it as a base of our creation. But when creating a world from scratch, we do not have to follow the rules that our world has set, we do not have to follow the same stereotypes and ideas that exist here. And this is why Monsters from UT work so great in my opinion.
I think it’s about time I get straight to the point - I think the way TF handled the species as a whole is genius and the more time you spend analysing the game - the more you see it. I’ve spent a lot of time dissecting The Underground in the past years and I’ve noticed a lot of fantastic details about it, so I’ve decided to put them here! This turned out to be much l o n g e r than I expected, so check reblogs for the next parts!
To start, Monsters are a veeeery, very diverse species, much more diverse than Humans. I think it’s also important to note that UT’s Humans and Humans in our world are probably different too, but we have little to no information about that. There are many different types of Monsters, obviously there are Boss Monsters (Asgore, Toriel, Asriel) whose souls can remain after death for a short time and whose main characteristic besides that is aging only if they have an alive offspring. But this is just one type of Monsters, as there are so many different kinds of them. Once you play the game with more focus, you will notice that a TON (if not the majority) of Monsters are referred to with neutral terms, look very much androgynous and seem to not have a gender at all. This is something that I always lacked in other fantasy media, because what do you mean every single species in a world built from scratch views gender the same way as we do? I loved to see it for UNDERTALE so much. And the genderless Monsters aren’t only the enemies that we face, whom outside of the fight do not have much character to them, but with major characters as well. We only know two Humans in the world of UT, but they are enough to give us some information about them. Neither Frisk or Chara have genders. People have said that it may be done to let the player relate to the characters more, but… who are we kidding? At the end of Pacifist it is revealed that Frisk has been their own person since the beginning. In Genocide we learn that the game is aware of OUR actions. Frisk is never blamed for it, as they were pretty much controlled by us, the player. Both Frisk and Chara are ALWAYS referred to with neutral terms and pronouns and their gender isn’t for the player to decide. This narration continues to Deltarune and is far more expanded there - Kris’ identity being separate from the player is much, much clearer there, and Kris is also referred to with they/them pronouns and their gender is never brought up or discussed. The humans in TF’s works just don’t have genders and that is completely okay. Unfortunately, in its “golden age” (2015-2018) it was a very common theme for artists to assign genders to Frisk and Chara (and also age them up to sexualize them or do it without the aging up process. The fandom used to be… a thing back then), but I haven’t seen any behaviour similar to this in recent years and I couldn’t be happier about it. One species that I focused on a lot when doing my research is Ghosts. Ghosts function completely differently to other Monsters; they will never die from physical attacks, they can possess objects and “bodies” and eventually fuse with them - basically creating a whole new Monster. This is such an interesting concept, because it allowed us to have one of my favourite conflicts and story arcs as a whole in the entire game. Actually, that conflict is what inspired me to analyse the way TF handles gender in his media as a whole. That being the story arc of Napstablook, Mettaton and Mad Mew Mew and I would like to use their example (mainly Mettaton) as a point of reference in this analysis. It’s important to note now that Mettaton is my favourite UNDERTALE character, has been since 2017 and is also my favourite character throughout all media I’ve ever consumed. And I’ve spent the most amount of time with him and fanmade media related to him, so I had plenty of time to analyse his character. If you’re interested, I also wrote about the fanbase’s perception of MTT in the early days of UT’s fanbase, you can find it on my profile!
From day one, it’s obvious that The Underground is FULL of queerness. Not only that, queerness isn’t anything like in our world in terms of how it’s perceived. Queerness is treated as it should be - queer Monsters exist, they express it freely, it isn’t taboo, it’s mainstream, it’s either showed to us directly (Undyne and Alphys, the Royal Guards, Papyrus) or more subtly (Asgore in the Winter Alarm Clock dialogues). There is no “default” sexuality for Monsters either (I have a personal headcanon that Monsters do not reproduce the same way that humans do, but I will save this for another time). Alongside all the queer characters, there are two that definitely stand out in my opinion, because them being queer is also very, very important for their storylines - that being Mettaton and Mad Mew Mew, whom I mentioned earlier. Mad Mew Mew is a fairly recent addition to UNDERTALE (for those who don’t know - she came with the Switch version of the game in I believe 2018?), but Mettaton has been here from the start. I think a lot of people, including myself, have fallen into the trap of “I thought Mettaton was a woman at first”. 11 year old me saw a character in pink, high heels, with gorgeous hair and make up and thought “yeah that’s probably a girl”, but Mettaton being a man is something very important to his story. For those who do not know it yet - Mettaton, before becoming a robot, used to be a ghost and lived with his cousins (Napstablook, Mad Mew Mew and Dummy from Ruins) in Waterfall. However, Mettaton left Waterfall one day after meeting Alphys, who built his robotic body for him. It is integral to the culture of Ghosts to possess certain bodies and if they feel comfortable in them - fuse with them. This way Ghosts lose their abilities and take the form they fused with forever. I forgot to mention that earlier, but Ghosts are born genderless as well. Not only that, but The Dummies (Dummies possessed by Ghosts) typically do not have a gender assigned to them either. And then, when creating them Toby Fox asked himself (probably): “What if trans Ghosts?” And oh boy, did he trans the Ghosts! This won’t be a controversial opinion at all; Mettaton is a man. He is reffered to with male pronouns at all times, Catty and Bratty call him their “robotic husband” etc. It’s stated clearly throughout the entire game. However, if you go to the house neighbouring Napstablook’s you will learn that it belongs to Mettaton and he used to live there when he was a ghost. In his diaries that you can find there, he states that “he will never find a body that will suit him, anyway”. Like I mentioned, it seems that Ghosts becoming Dummies (who are genderless) is very rooted in their culture, but Mettaton clearly did not want that. He wanted a body that he would feel comfortable with, a body that would let him express himself the way he wanted. For as long as I’ve known this, I’ve seen trans people relating to Mettaton’s story and even though Toby Fox doesn’t say this directly - it’s pretty much considered to be canon. I don’t think it’s necessary for him to state that anyway, because The Underground doesn’t operate with human terms. Mettaton is a trans man, who was born as a genderless Ghost, but felt like a man and Alphys helped him with his transition. Basically transitioning from a genderless Monster to one full of gender, if I can call it that way. I think this is such a genius idea and a great utilization of the world TF created.