Finally stitched the sleeves onto the next coat.
I think I will make this one with zippered sleeves, like its predecessor — unless I make it with Star-Wars-style shortsleeve over long sleeve.

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Finally stitched the sleeves onto the next coat.
I think I will make this one with zippered sleeves, like its predecessor — unless I make it with Star-Wars-style shortsleeve over long sleeve.

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Current OpenSCAD setup:
A file which contains all the individual pieces, so that they can share the same global variables, with $preview-only rendering of all the parts in their proper locations
Each part has its own "print-part_name.scad" that exists to load a single part and output it so that a single STL can be rendered from it
Loading whatever files need printing into the slicer, and making lots of one-off slices of random mishmashes of parts
A lot of prints getting canceled partway through because I've seen what I need to see from the print
Current projects:
Utopian Coat 3:
Fit/dye test jacket mostly sewn
Dyeing scheduled for this weekend, I hope
New purchase list items added: sleeve inseam zippers
Utopian Coat 3 Vizor, which is really a collapsible space helmet:
Neck rotation collar fabbed
still need to get some ball bearings
Helmet lower mock designed but not printed
Biggest remaining item is the thing that marries the motorcycle visor to the collapsible helmet louvers
Ball Jointed Mannequin
Wrist ball r3 fabbed; up for wear test
Hand cover r2 designed
Elbow joint rotation sleeves and joint test printing
Note to self: When sewing patch pockets with flaps, turn the flap right-side-out, iron, and top-stitch before doing the same for the pocket. This prevents the pocket from being wider than the flap.
a 2.5mm-thick ABS print at ~15% infill is pretty flexible, when talking about objects measured in tens of centimeters, so be sure to note that down

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Traditional European Christmas time monsters, photographer across the Europe by Charles Fréger.
drunk in the street: "hey what's your costume?"
cosplayer: "i have pamphlets"
me: ".... and then it wraps up with a cover of the not-throwing-away-my-shot song from Hamilton"
also me: "but that's the presentation audio for the Sniper Doll costume, and you don't yet know how to twirl a rifle."
me: "so what?"
also me: "that competition and costume comes after Utopian Coat 3, which comes after getting Utopian Coat 2's finishing touches for this Halloween. it's a 2026->2027 costume at the earliest."
me: "look, a costumer can dream."
so the goal is to have a bunch of LEDs in the coat, where I can trigger a lightshow that depicts a space-based Beam Weapon destroying something over the horizon, blanking out the stars in its brightness
but I want to have some sort of narrative for that, so while the coat is a work of art, the coat is clothing that is worn by a model who plays a character, and that character gives me an opportunity to narrate that lightshow
costume contest stages provide a little bit of music and a little bit of lighting, and a stage with a backdrop, so if I have a prop that emits a light that matches the color of the beam, then I can work that into a little story
the thing is, though, props need to be transported. a Beam Rifle prop that's big enough to be seen on stage is going to cause so many questions in transit, and invites questions about whether I want to barrel-sweep the audience. but it doesn't have to be a beam rifle.
the thought percolating in my head is to use the backdrop to show the beam firing: something that fits up my sleeve, and emits a very bright green light with moderate focus. I face away from the audience, the wall gets lit extremely green, the house lights cut out, and then the twinkling stars of the coat are washed out by the green beam descending from the heavens, and the dim glow over the horizon.
I finished the last constellation tonight. All 40 of them are now done! Went through and double checked and every stitch is in place for them and all the beads are in place. Which just leaves the milky way part to do.
Started stitching the Milky Way in. Slowly making progress on it as I am hiding the travelling thread so the back will look nice.
Looks pretty cool and keeps the readability of the other stitches. Very happy with it. Just a thousand or so to do. As they are in a grid roughly every centimetre apart.
Update on the constellation quilt. I have gotten the last Milky Way stitch done now. Which means the quilting part of this project is done. My next step will be to baste the edges down, remove the pattern, trim the quilt square, and lastly attach the binding.
Progress on the constellation quilt has come along quite a lot now. Finished the binding on the quilt over the weekend. I prefer to machine stitch the binding to the front then hand stitch the back side. It gives such a nice finish to the quilt. Took the time to measure it also and it ended up being 72" by 72" (183cm by 183cm).
With that done I could finally start removing the pattern. Which is taking both less time and more time that I thought it would. As it rips really easily so that goes fast, but the tiny corners and removing it under the beads is slow. You can now see the difference in the glow effect with it against the dark front of the quilt instead of the pattern.
Behold the stars of the constellations of the northern sky! I love how this quilt has turned out. It was a lot of fun to work on and the effect is so cool in person. Overall I would estimate it took about 90-100 hours to complete. Give or take 10 hours if you want to count the time I spent custom dying the fabric.
I made sure to get a nice photo of it in daylight. For once I also remembered to get a quilt label on it. The back really shows the difference in readability of the quilting on the ice dyed fabric compared to the solid front. Thank you everyone that has followed this. I am glad you all found joy in it.
Those that are interested, here is the pattern I used by Haptic Lab. I made the large northern hemisphere version, and plan to make the matching southern hemisphere one next year. I also got your back for the less crafty people. Haptic Lab sells finished quilts in this pattern, both as a large quilt and a small one.

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I don’t think I posted this here yet: Apollo Mojave, in their appearance that stuck with me the most.
my take on a Utopian from Ada Palmer’s brilliant Terra Ignota series
“We expect you to turn on us, and distrust us, throughout this war and ever after. But you will have an ever after, now.”
Huxley Mojave, from The Will to Battle! Dang, I love drawing Utopian coats.
the struggle, when planning a cosplay garment for use outside of cosplay contexts, between
"neat coat, where'd you get it?"
and
"why are you wearing body armour?"
Bought two jean jackets from the thrift store. Now to conduct crimes unto bleach and dye with them. Maybe some light bejazzling.
Bought some dyes, too, so now I need to look up:
bleaching denim
application methods for RIT liquid dye on denim
etc

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I know what artwork I'm going to use for this next coat's skirts, but it feels like I'm way precommitting if I say that now.
What if the aspect ratio needs to change? (it can be stretched) What if there's better art out there? (you reviewed the entirety of several artists' entire known oeuvres) What if I want to commission art from someone? (seems unlikely; shifts printmaking well to the right) What if I want to team up with a printmaker? (not realistic based on hobby schedule) What if I want to make the art myself? (not realistic based on other artwork projects)
Bought two jean jackets from the thrift store. Now to conduct crimes unto bleach and dye with them. Maybe some light bejazzling.