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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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monstera, 11.12.2021

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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monstera, 11.12.2021
Unknown photographer, untitled, 35mm Kodachrome transparency, circa 1960
Paul Nash, Black and white negative, Avebury stone (double exposure), 1933, © Tate TGA 7050PH/119
Yanni Florence, Tram windows, 8-31 August 2019, ReadingRoom, Melbourne
Yanni Florence, Tram windows, 8-31 August 2019, ReadingRoom, Melbourne

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Yanni Florence, Tram windows, 8-31 August 2019, ReadingRoom, Melbourne
All things counter, original, spare, strange; Whatever is fickle, freckled (who knows how?)
— from “Pied Beauty”, Gerard Manley Hopkins
Ross Gibson, Accident Music (2009-2013)
See Ross Gibson, Samples: Accident Music Full archive at instagram: accident_music
Ross Gibson, Accident Music (2009-2013)
See Ross Gibson, Samples: Accident Music Full archive at instagram: accident_music
It’s this kind of town: Sunrise pushes the air in off the ocean. A day spent near the harbour gives a full history of radiance. At night you can hear accident music in fog horns and pilot bells. — Ross Gibson, Accident Music (2009-2013)
See Ross Gibson, Samples: Accident Music Full archive at instagram: accident_music

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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fathoming
PETROGLYPH dune amplifier — a Basque code: coloured flags, burning straw — whale piano — did the other animals make it transparent? — shallow and getting shallower
THE OOOO-ERS Eden — close, but no touching — swimmerets — the first thing with faces, being only faces — between thing and kin — again, numerousness — holy shiver — dry dreams — augenblick
BLUE MUSEUM whales inside out — whales with knees — forewarning: scantling — a body without a voice and a voice without a body — past outside of memory — sand
CHARISMA dreams, being screen-coloured — faking solitude — cold, hard numbers — the agony of loving the disappearing — endlings — the less we see, the more aura it has — a half-head dream
SOUNDING first, signal interference — two voices in one bowhead — blue whales drop three white keys on a piano — voices with no origin — aurora — soft mountains
KITSCH INTERIOR out-of-placeness — spiralling — horse latitudes — middleness — the gyre is invisible — its skin is changed — white flag — the things afloat that will never sink — dumped desire — and hope
SCANTLING egg and eye — kraken, owl — their heads, being too small to nourish their tails — Virginia Woolf reports he is constantly seen — whales: are they islands? — the swarm, the squirm, the sucker, the spiral — self as circus
—Words & phrases drawn from chapter headings & summaries in Rebecca Giggs, Fathoms: the world in the whale (Scribe, 2020)