Max Ernst
The master's bedroom, it's worth spending a night there
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PUT YOUR BEARD IN MY MOUTH
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@ghostpop
Max Ernst
The master's bedroom, it's worth spending a night there

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Hyunji Shin photographed by Cho Gi-Seok for Vogue Taiwan March 2024
Calla Lily, 1984, Robert Mapplethorpe. (1946 - 1989)
Rosalía at her LUX Listening Party at Museu Nacional d'Art de Catalunya in Barcelona
Louis Fratino Laughing Gull (2021)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Edward Weston. Surf, North Coast, 1937.
Reginald O’Neal, At the Feet of Mountains, 2020
The visual effect of this in person is absolutely stunning it feels like looking into a memory it feels so alive I want to step into the canvas the way darkness is used is just wow ive never seen anything like it. Theres what I think is a matte varnish on it that adds a sheer vail almost it creates such a surreal feeling but adds so much. I can’t stopped thinking about it. I want to be in there. Next to it a painting that also plays with darkness but it’s high shine and the contrast made me love this even more
Anchorage, Alaska
Jean-Boris Lacroix

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Mahmoud Darwish, from The Butterfly's Burden; "I Have a Seat in the Abandoned Theater" (tr. from the Arabic by Fady Joudah)
[Text ID: I say: How is this my concern? I'm a spectator / He says: No spectators at chasm's door ... and no / one is neutral here. And you must choose / your part in the end]
Hiroshi Yamazaki - The Sun is Longing for the Sea,1978
8.26
Still Life #227, Photo by Kenro Izu, 1993
Rundetaarn (The Round Tower) captured by Alejandro Ramírez Orozco https://thisispaper.com/mag/rundetaarn-captured-alejandro-ramirez-orozco

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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“One of the things I try to do: memorize the smallest, most mundane and ordinary, unprepossessing, and virtually invisible of physical moments: the look and feel of a certain wall at a certain time on a certain day. Those walls, those little shacks, those cats in the sun: all that is lacking in self-consciousness I seek to hold in vision, memory. (Simple composition, color tints, a wash of light, crumbled brick, cold shadow, stillness, rose-color dirt, a twitching whisker.) Not knowing why, but thinking I may want it later, I try to keep it and I never can.”
— Michelle Anderson-Binczak, section “Chiaroscuro,” in “The Blue-Green Seas of Forever,” FragLit (Fall 2007, no. 1)
tattoo work by joao bosco