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@getwellssoon

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Vicki Smith - Betwixt and Between, 2025 - Oil on canvas
PlayStation Store at the Sony Metreon complex - San Francisco, CA (1999)
Found & scanned some much better quality images from the book, ‘Stores & Retail Spaces 3′ by VM+SD (2001)
Ulrike Rosenbach: Motherly Love (1977)
“I have had to experience so much stupidity, so many vices, so much error, so much nausea, disillusionment and sorrow, just in order to become a child again and begin anew. I had to experience despair, I had to sink to the greatest mental depths, to thoughts of suicide, in order to experience grace.”
— Hermann Hesse, Siddhartha (via whyallcaps)

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Promised Land - Cindy Rizza , 2025.
American, b. 1984 -
Oil on linen , 24 x 24 in.
AI has made the internet so much less fun. I don't want to question whether a photo of a bunny is real. I don't want to worry about someone making a deepfake just because I posted a pic with my friends. I want to read a recipe and know that the photo is a real cake they made. Yes I know I need to touch grass but also I think I should be allowed to interact online without second-guessing whether someone fabricated every image for personal gain
Everything is exceedingly normal until it isn't.
from twitter user nomadsvagabonds
Forest Path (1875) by Pierre-Auguste Renoir

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William Trost Richards - "Cliffs and Waves" (1884)
Carlo Mollino, Teatro Regio, Torino, 1965 - 1973
Francis Bacon - Blood on Pavement (1988) Oil on canvas 198 x 147.5 cm Courtesy private collection @tate / tategalleries

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Ron Francis, 'Russell William's Tree', 2015
Oil on Canvas, 150 x 110 cm
Naturally forming calcite pools in Huanglong, China.