THE CARDINAL WAY - CHRISTOPHER NOLAN
Movies, like sports, are a serious business. Sure, some of the smaller minded people find them entertaining. In fact, some of those people even expect movies to be entertaining. Followers of the Cardinal Way harbor no such expectations. While a movie might be entertaining, importance is what’s important. Movies are important. Entertaining is secondary (and, in some cases, accidental) to the process. A movie does not have to be entertaining to be important. Some of our more revered filmmakers know this. Why else do Jim Jarmusch and Wes Anderson matter? Christopher Nolan knows the importance of movies.Â
He eschews the simple view of “entertainment” and makes laborious, consequential movies. Spoilers from here on.
Memento is a detective story. Guy Pearce plays a fellow dead set on avenging his wife’s murder. But, he has no short term memory. Sounds like a fun movie? Well, it’s not. It’s dark and brooding and the story is told in reverse! He doesn’t even catch the bad guy. Apparently, he just murders people and reverse engineers the reason.  The movie makes it seem as if he's just going to keep doing this after we've stopped watching! Way to go, Christopher Nolan! He was able to take a fun detective premise and make it important.
Next, he tackles a very serious subject: what happens if Al Pacino can’t sleep?
The result isn’t good. Everyone in this serial killer detective movie does a great job conveying the importance of not sleeping.
Just look at those two guys! Very, very serious movie about magic, maybe. I didn’t see it. Sounds like a steakhouse. “Thank you for calling The Prestige. Press one to speak with our reservationist. Press two to speak with our general manager, Capicola Tortellini. Press three if you’re still listening.”
After this, Nolan set his sights on Batman. “How could he take such a fun character and universe and strip it to its core?” Nolan thought, for sure. Tim Burton’s Batman movies were dark but still retained an element of joy. Michael Keaton played Batman with a smirk.
This is not what Nolan was looking for.
This is what Nolan was looking for. A joyless trudge through Gotham City. Batman has already been fun. Nolan knew Batman could be so much more. Batman Begins is the origin story. Now, those of us who like Batman but couldn’t get into it because we didn’t know how he learned all that shit have our answers. Liam Neeson taught him. Neeson was a ninja or a ghost or something. Either way, Christian Bale got all he bargained for in the “this is what serious acting looks like” free for all of having those two paired up. And, man, do they hold their own against each other. So, now that Batman has been restructured as a lifeless antihero, ninja moves knowing, trust fund me kid, where else could Nolan take the franchise? It is no longer fun. Now what?
The Dark Knight is now what. It is time for Batman to be important. Nolan does just that with The Dark Knight. It wasn’t good enough for Nolan to just make Batman exhausting. No. That is not the Cardinal Way. Importance is necessary. Now, Batman is important. Heath Ledger won an Oscar! He also died! What a stroke of luck for the Batman people. What better way to prove your importance than by having your academy award winning performance literally destroy the performer?
Wanting a break from the Batman series, Nolan then turned his sights on dreams.
Dream police are able to get inside your head and learn your secrets! In the hands of a less talented director, this movie could have been really fun, however, with Nolan at the helm, it dodges that bullet. This movie, like Memento before it, has no definitive ending. Endings are for sheep! Figure it out yourself! That is the Cardinal Way! Also, what better way to prove your movie’s importance than to not give it an ending. If people are talking about it, then it must be important, even if all they say is, “what the fuck was that all about?” Nolan must have a deeper meaning to this film. There must be, right? Someone who is trying to entertain tells a story and stories have endings, but then you cannot guarantee your importance.
See? Tarantino tells stories. Nolan makes statements, even if we don’t know what those statements are.Â
But, much like Val Kilmer, he couldn’t stay away from Batman forever.
Setting his sights on the economy and the terrible way banks and financial institutions have been treated this past decade, Nolan comes out with The Dark Knight Rises, utilizing Batman’s most interesting villain.
Tom Hardy is a wonderful actor who is very watchable and charming. Those are great qualities for making an entertaining movie, but detrimental to making an important movie. No one has ever said Ocean’s 11 was important. Nolan, seeing the trap Hardy has laid out in front of him, adjusts nicely. Putting a mask on Hardy and shaving his head takes away most of what makes Hardy so entertaining but that also keeps him from being important. Bravo, Nolan!
Interstellar is about outer space.
Or maybe antartica? Most likely space. The poster has a picture of an ice planet probably. The world is going to end. McConaughey is an astronaut. Anne Hathaway is also an astronaut. Being in space sucks and takes more time than you think. I didn’t see this one.
When looking for a filmmaker that follows the Cardinal Way, look no further than Christopher Nolan.